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Gleaming the Cube

Gleaming the Cube is a 1989 American teen crime drama film directed by Graeme Clifford and starring Christian Slater as Brian Kelly, a Southern California high school student and avid skateboarder who investigates the suspicious death of his adopted Vietnamese brother. The story follows Brian as he uncovers a conspiracy involving arms smuggling tied to his brother's journalism activities, blending elements of thriller and coming-of-age narrative with prominent skateboarding sequences. Produced on an estimated budget of $10 million, the film featured professional skateboarders such as Rodney Mullen, Tony Hawk, and Mike McGill in stunt roles and as technical advisors, contributing to its authentic depiction of 1980s skate culture despite its modest box office performance of $2.7 million domestically. While receiving mixed critical reception, with a 29% approval rating on Rotten Tomatoes based on limited reviews, Gleaming the Cube has developed a niche following among skateboarding enthusiasts for its period-specific portrayal of the sport and Orange County lifestyle.

Production

Development

The screenplay for Gleaming the Cube was written by , who conceived the core story concept in the mid-1980s while driving through Anaheim on the . Tolkin envisioned a plot centered on the murder of a teenage boy in a motel room overlooking Disneyland's , drawing from the era's suburban tensions and cultural shifts in . To develop the script, Tolkin conducted research into Orange County's Vietnamese immigrant community in , its skateboarding subculture, and local history, incorporating specific details such as street names like Katella Avenue and Harbor Boulevard to ground the narrative in authentic regional elements. The film's title originated from the nonsensical skateboarding "gleaming the cube," which skateboarder improvised during a December 1983 in Thrasher magazine in response to a question about unconventional tricks, later adopted as evocative slang despite lacking inherent meaning. Lawrence Turman and David Foster served as producers, securing development through Gladden Entertainment, with Tolkin's script marking his first solo screenwriting credit amid his transition from New York-based fiction to projects. emphasized authenticity in , leading to the involvement of as technical advisor to consult on sequences and recruit professional skaters from the Bones Brigade team.

Filming and Locations

Principal photography for Gleaming the Cube occurred from late August to early December 1987. A reported delay in principal photography was noted on 16 September 1987, attributed by director Graeme Clifford to production scheduling issues. The film was primarily shot on location in , with extensive use of sites to capture the suburban and urban environments central to the story. School scenes were filmed at Woodbridge High School in , reflecting the film's high school setting. The opening airport sequence took place at in . The motel where a key plot event occurs was depicted at Stovall's Cosmic Age Lodge on Katella Avenue in . Skateboarding sequences utilized authentic street and pool environments, including an empty swimming pool at a private residence in the for stunt work involving professional skateboarders. Additional locations included streets in San Pedro, such as the hill at 17th Street and Patton Avenue for downhill skating scenes, and commercial sites like a at 2941 West in Inglewood. These choices emphasized realistic, on-location action to showcase skateboarding maneuvers without heavy reliance on constructed sets.

Narrative and Characters

Plot Summary

Brian Kelly, a rebellious high school skateboarder in , spends his days skating with friends like Yabbo and engaging in minor mischief, such as trespassing in empty pools, which leads to a brief . His adopted brother, Vinh Kelly, works at a video store owned by the seemingly benevolent Colonel Trac, who operates the Vietnamese Anti-Communist Relief Fund (VACRF), ostensibly shipping medical supplies to . Vinh discovers irregularities in the charity's accounts, including discrepancies in the quantities of medical supplies shipped, prompting him to suspect or . He sneaks into a VACRF warehouse to investigate further but is caught by Ed Lawndale, a associate of . Vinh is then abducted and taken to a , where Bobby Nguyen, a henchman, tortures him by accusing him of communist sympathies and using a wet towel technique; intervenes, attempting to buy Vinh's silence, but the group ultimately murders him and stages the death as a . Skeptical of the official suicide ruling, Brian launches his own investigation, enlisting his skateboarding crew—including real-life professionals like —and even dating Trac's daughter to infiltrate the inner circle. He uncovers evidence that Trac and associates, including Harvey McGill, are using the charity as a front for illicit activities, and faces attempts on his life, such as a hit by a Vietnamese motorcycle gang hired by Lawndale. Brian's pursuit culminates in high-stakes chases leveraging his prowess against vehicles, including a dramatic confrontation involving a delivery truck, leading him and his friends to expose the , apprehend the killers, and avenge Vinh's murder.

Cast and Performances

The principal cast of Gleaming the Cube (1989) features in the lead role of , a teenage skateboarder who investigates the suspicious death of his adopted brother. Supporting roles include as detective Al Lucero, Art Chudabala as Vinh Kelly (Brian's brother), Min Luong as Tina Trac, Le Tuan as Colonel Trac, as Ed Lawndale, as Brian's father Mr. Kelly, and as Mrs. Kelly. Professional skateboarder appears in a as Buddy, one of Brian's friends.
ActorRole
Brian Kelly
Al Lucero
Art ChudabalaVinh Kelly
Min LuongTina Trac
Le TuanColonel Trac
Ed Lawndale
Mr. Kelly
Mrs. Kelly
Buddy
Christian Slater's portrayal of Brian Kelly marked one of his early leading roles following his debut in The Legend of Billie Jean (1985), showcasing a rebellious teen with a cool attitude and underlying determination amid personal loss. Reviewers have noted Slater's performance as decent and effortful, attempting to inject authenticity into the character's grief and skateboarding subculture immersion, though some dialogue delivery comes across as forced or sentimental. Supporting performances, including those by Bauer and the ensemble, have been described as serviceable but occasionally strained or indicative of the film's B-movie constraints, with weaker efforts from minor characters not detracting significantly from the action-oriented narrative. The cast's involvement of actual skateboarders like Hawk contributed to realistic depictions in skating sequences, prioritizing stunt authenticity over dramatic depth.

Technical and Stylistic Elements

Skateboarding Sequences

The skateboarding sequences in Gleaming the Cube were directed by second-unit filmmaker Stacy Peralta, a pioneering skateboarder and founder of the Bones Brigade team, who coordinated all stunt work to ensure technical accuracy and visual dynamism. These scenes, filmed in locations such as an empty swimming pool in the Hollywood Hills, integrated authentic 1980s tricks into the narrative, showcasing Brian Kelly's (Christian Slater) skill while advancing the plot through aggressive street and bowl skating. Professional skateboarders performed the majority of stunts, with doubling for Slater in a during pool and street sessions, and handling freestyle elements. , appearing as Buddy, executed a layback air and an off the hip, while Eric Dressen delivered a frontside grind over a deathbox and a backside nosegrab grind. Additional contributors included as Sam, with layback airs, , and , emphasizing vert and transition skating styles prevalent in the era. Key sequences highlight bowl drops, aggressive parking garage shredding by to vent frustration, and a climactic integration where the skate crew employs boards in a chase and confrontation, blending action with skate proficiency. This reliance on real pros, rather than fabricated stunts, provided a grounded portrayal of skate culture, distinguishing the film from contemporaneous skate media.

Music and Soundtrack

The original score for Gleaming the Cube was composed by Jay Ferguson, a musician known for his work on films including contributions to rock-oriented soundtracks. Ferguson's score emphasizes energetic, synth-driven cues to underscore the film's action and elements, blending rock influences with tension-building . The film features a selection of licensed rock and punk tracks that align with its 1980s Southern California skateboarding subculture, though no official soundtrack album was commercially released. Key songs include:
  • "Gleaming the Cube," written by Robbin Thompson, Carlos Chafin, and Eric Heiberg, performed by James House.
  • "Right Now," music by Jay Ferguson with lyrics by Rob Fitzgerald, performed by Johnny Rad.
  • "Saigon Angel," music and lyrics by La Van Lieh, performed by The AVT.
  • "Brother to Brother," performed by .
  • "Stukas over Disneyland" by , played during a scene in a bomb shelter.
These tracks, primarily from lesser-known or emerging artists of the , contribute to the film's nostalgic appeal among enthusiasts, evoking the raw energy of punk and without dominating the narrative.

Release and Commercial Performance

Theatrical Release

Gleaming the Cube premiered theatrically in the United States on January 13, 1989, distributed by 20th Century Fox. The film carried a PG-13 from the Motion Picture Association of America, reflecting content involving violence, language, and thematic elements suitable for audiences aged 13 and older. Initial theatrical rollout occurred amid a competitive early-year slate for youth-oriented action films, with the movie positioned to capitalize on Christian Slater's rising profile following roles in and Tucker: The Man and His Dream. Distribution records indicate a domestic focus, with screenings expanding from select markets. Internationally, releases followed staggered schedules, beginning in on February 17, 1989, and extending to on September 21, 1989, on November 16, 1989, and on December 15, 1989. These patterns aligned with standard practices for mid-budget action-dramas seeking to build word-of-mouth in skateboarding-enthusiast communities abroad.

Box Office Results

Gleaming the Cube was released theatrically in the United States on January 13, , by 20th Century Fox. It opened in 469 theaters and earned $740,780 during its first weekend, placing it outside the top 10 films that week. The film's domestic performance declined steadily, with subsequent weekends generating progressively lower returns; for instance, the second weekend yielded $127,047 across 208 theaters. The movie's total domestic gross reached $2,777,280, with no significant international earnings reported, resulting in a worldwide total of the same amount. Produced on an estimated of $10 million, the film underperformed commercially, recouping approximately 28% of its costs from theatrical revenues alone. This shortfall contributed to its status as a disappointment relative to expectations for a mid-budget action-drama targeted at a youth audience.

Reception

Critical Response

Gleaming the Cube received mixed to negative reviews from critics upon its release, with praise primarily reserved for its sequences amid broader criticism of the screenplay's implausibility and sentimental tone. On , the film holds a 29% Tomatometer score based on seven reviews, reflecting two positive and five negative assessments. Aggregators like assign it a score of 40 out of 100 from contemporaneous sources, underscoring a consensus that the movie's thriller elements felt contrived despite energetic action. The review by Kevin Thomas on January 14, 1989, highlighted the film's "skateboard wizardry" and its genuine exploration of sibling grief following the protagonist's brother's , but faulted the "flashy finish" for undermining credibility through over-the-top plotting. Similarly, 's Todd McCarthy described it on January 13, 1989, as "a slight thriller" that resembled "one of those Specials on television rather than a bona fide ," critiquing its formulaic narrative while noting Christian Slater's committed performance. These outlets captured a prevailing view that director Graeme Clifford prioritized spectacle over coherent storytelling, with the integration of Vietnamese immigrant family dynamics coming across as superficial. Critics generally acknowledged the technical prowess of the skateboarding stunts, performed by professionals including a young , as a highlight that elevated above pure mediocrity. However, the consensus faulted the script by David Hannam for blending teen rebellion, amateur sleuthing, and abrupt violence in a manner that strained believability, particularly in scenes involving arms smuggling and police chases. Despite these shortcomings, some reviewers appreciated the movie's unpretentious energy as a product of late-1980s .

Audience and Cult Following

Despite modest box office returns upon its January 13, 1989, theatrical release, Gleaming the Cube cultivated a loyal primarily among skateboarders and enthusiasts of , sustained through rentals, basic cable airings, and later streaming availability. The film's appeal to this audience stemmed from its integration of authentic elements, including stunts performed by professionals like , , , and under the guidance of , a former Bones Brigade member serving as second-unit director and technical advisor. This involvement lent credibility to the depiction of skate crew dynamics, pool sessions, and tricks, distinguishing it from more stylized contemporaries and fostering repeat viewings within skate communities. In —where the story unfolds amid real locations like Woodbridge High School, , and Balboa Peninsula—it emerged as an iconic representation of late-1980s suburban skate life, Vietnamese immigrant enclaves, and fading orange groves, resonating with local viewers as a cultural . The titular phrase "gleaming the cube" permeated skate slang post-release, symbolizing the pursuit of flawless execution or boundary-pushing risks in tricks, thereby embedding the film in oral traditions and vernacular of the . This linguistic legacy, alongside Christian Slater's charismatic portrayal of a determined teen investigator, sustained its niche endurance beyond initial critical dismissal as a trend-exploiting vehicle.

Legacy and Influence

Cultural Impact on Skateboarding

Gleaming the Cube featured skateboarding sequences directed by , a pioneering Z-Boy and founder of the Bones Brigade team, who served as second-unit director and technical advisor to ensure authenticity in the sport's depiction. Professional skateboarders including , , and a young performed stunts and made cameo appearances, incorporating real techniques such as freestyle maneuvers and vert ramps that reflected late-1980s practices. The film's accurate portrayal drew praise from within the skate community; , in a breakdown of films, highlighted specific scenes for their technical fidelity, noting the involvement of era pros elevated its realism compared to prior efforts. Released on , 1989, amid 's resurgence post-1970s vert era, it showcased the sport's subcultural ties to music and rebellious ethos, presenting skaters as capable protagonists navigating urban environments via mobility and ingenuity. The titular phrase "gleaming the cube" originated or gained prominence through the film as slang for achieving peak performance or "cosmic perfection" in skateboarding—pushing physical and mental limits to excel under pressure—resonating with practitioners as a motivational idiom for risk-taking and mastery. This terminology and the movie's integration of skateboarding into a thriller narrative helped mainstream elements of the culture, fostering a cult following among skaters who valued its rare avoidance of exaggeration, thus influencing perceptions of the sport's legitimacy in popular media during the late 1980s boom.

Broader Media Influence

"Gleaming the Cube" advanced the portrayal of in by fusing authentic skate sequences with a murder-mystery thriller plot, setting a precedent for genre-blending films that incorporated skate culture into non-documentary narratives. This approach influenced subsequent skate-themed movies, such as "" (2005) and "" (2018), which similarly used to drive dramatic and cultural . Professional skateboarder , who appeared in the film as a boy on December 15, 1988, during production, has praised it as among the most realistic depictions of in , citing its genuine tricks and community representation that avoided heavy exaggeration. Hawk's early role, filmed over a decade before his "Pro Skater" series debuted in , helped bridge underground skate scenes to mainstream visibility. The film's emphasis on 1980s vert skating and pool tricks contributed to broader media awareness of skateboarding's technical evolution, appearing in retrospective lists of influential skate films that shaped public perception of the sport as a high-risk, skill-intensive pursuit. Its soundtrack integration of ska and punk tracks also amplified skate-associated music genres in film, predating similar uses in later media like MTV skate segments. The titular phrase "gleaming the cube," defined in on its January 13, 1989 release as pushing personal limits to extremes, entered niche pop lexicon through references in skate retrospectives, though it remained more symbolic than commonly adopted outside skate contexts.

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