Grace Potter
Grace Potter (born June 20, 1983) is an American singer-songwriter, multi-instrumentalist, and actress renowned for her powerful vocals, dynamic stage presence, and genre-blending style that incorporates rock, blues, soul, and country elements.[1][2][3] Raised in the artistic commune of Hobbitville near Waitsfield, Vermont, Potter grew up in a hippie-style family environment where her mother provided early piano lessons, fostering her musical talents from a young age.[1][4] Potter launched her career in the early 2000s, initially releasing independent solo albums such as Red Shoe Rebel (2002) and Original Soul (2004) before forming the band Grace Potter and the Nocturnals in 2004.[5][1] The band's debut album, Nothing but the Water (2005), marked their breakthrough on the jam band and festival circuit, followed by critically acclaimed releases like This Is Somewhere (2007), the self-titled Grace Potter and the Nocturnals (2010), and The Lion the Beast the Beat (2012), which showcased her evolution toward harder rock sounds and major-label success.[5][1] Transitioning to solo work in the mid-2010s, Potter released Midnight (2015), a dance-infused album produced by Eric Valentine, and continued with Daylight (2019) and Mother Road (2023), the latter inspired by a cross-country road trip and featuring collaborations with artists like Benmont Tench and Nick Bockrath.[6][5] Her latest album Medicine (2025), recorded with T Bone Burnett, represents a bold new chapter in her expansive discography.[6][7] Throughout her career, Potter has earned four Grammy nominations, including Best Rock Album and Best Rock Performance for Daylight in 2021, Best Country Duo/Group Performance in 2012 for her collaboration with Kenny Chesney on "You and Tequila," and Best Americana Performance for "Poison in My Well" with Maggie Rose in 2026.[2][8][9] She has shared stages with icons such as Robert Plant, the Allman Brothers Band, and the Rolling Stones, and expanded into acting with roles in films like The Family Plan (2023) and the documentary Life in Six Strings (2023).[6][3]Early life and education
Childhood and family background
Grace Evelyn Potter was born on June 20, 1983, in Waitsfield, Vermont.[10] She grew up in the Mad River Valley region, a rural area known for its outdoor recreation and artistic communities, alongside her older sister Charlotte and younger brother Lee.[11] Her parents, Peggy and Sparky Potter, embraced a countercultural lifestyle centered on craftsmanship and the natural environment; Peggy worked as a piano teacher and artist, while Sparky crafted custom signs for ski resorts across Vermont and beyond, reflecting the family's deep ties to the local skiing industry.[12][13] The Potter family resided in Hobbitville, an artist commune on a farm near Waitsfield, where the emphasis on creativity and self-sufficiency shaped Potter's early worldview.[1] This rural Vermont setting, with its proximity to Burlington's vibrant jam-band scene, provided natural exposure to folk and rock music traditions, while the surrounding landscape fostered a love for outdoor activities like skiing and hiking that influenced her folk-rock sensibilities.[14] Family life revolved around artistic expression, including communal gatherings and woodland explorations, instilling a sense of independence and connection to nature.[15] Potter displayed early musical inclinations within this familial context, often singing spontaneously and harmonizing with relatives during backyard gatherings at her grandparents' home.[16] She began exploring piano by observing her mother's lessons with other students, absorbing melodies without formal instruction at first.[17] These informal experiences in family and community settings highlighted her innate vocal talent before any structured musical education. This foundational environment in Vermont would later inform her transition to more deliberate artistic development during her school years.Schooling and initial musical interests
Grace Potter attended Harwood Union High School in Duxbury, Vermont, where she graduated as part of the class of 2001.[18] During her high school years, she balanced academics with extracurricular activities, including participation in the school's choir throughout middle and high school, which helped nurture her vocal talents.[19] Family encouragement played a key role in her early development, as her mother provided piano lessons starting at around age six, introducing her to formal musical training amid a creative household environment.[19] Potter's interest in music deepened during adolescence, leading her to explore additional instruments independently. After initial piano instruction, she transitioned to guitar, which she taught herself despite attempts at formal lessons that proved unsuccessful due to her unconventional approach.[20] This self-directed learning aligned with her growing passion for performance; in high school, she formed her first bands and began appearing at local Vermont venues, gaining early stage experience that built her confidence as a musician.[4] Parallel to her musical pursuits, Potter was actively involved in ski racing, attending the Green Mountain Valley School (GMVS) in Waitsfield, Vermont, where she competed in giant slalom and slalom events alongside elite young athletes, including future Olympians.[21] This specialized boarding school environment combined rigorous academics with intensive athletic training, reflecting her multifaceted adolescence in the Mad River Valley.[22] After graduating from Harwood Union High School in 2001, Potter enrolled at St. Lawrence University in Canton, New York, where she studied theater and film, and met future bandmate drummer Matt Burr. She dropped out after her sophomore year to commit fully to her music career.[23][24][25]Musical career
Early recordings and band formation (2002–2005)
In 2002, Grace Potter released her debut solo album, Red Shoe Rebel, an 11-track EP that she self-produced in collaboration with bassist and producer Thomas Tafuto.[26] The project, featuring Potter solely on vocals and piano, included four original songs alongside covers of tracks by artists such as Cyndi Lauper and the Police, and was self-released with limited local distribution in Vermont, reaching only a small audience but helping her gain admission to college music programs.[27] In 2004, Potter released her second solo album, Original Soul, featuring original material and further developing her blues-rock style.[28] That same year, Potter formed the band Grace Potter and the Nocturnals after meeting drummer Matt Burr at St. Lawrence University in Canton, New York, where she performed folk songs at a student venue called the Java Barn.[29] The group quickly expanded into a trio with the addition of guitarist Scott Tournet, and later included bassist Bryan Dondero, focusing on original material blending rock, blues, and soul influences. The lineup evolved over time, with guitarist Benny Yurco joining in later years, but the core ensemble solidified Potter's shift from solo work to collaborative band performance. Following their formation, the Nocturnals began performing early gigs in Vermont and the broader Northeast, starting with small venues in Waitsfield and expanding to regional spots like Burlington clubs and college circuits, where they built a dedicated local following through energetic live sets of original rock-blues songs.[1] By 2003, after Burr's graduation, the band relocated to Vermont to Potter's family land, dedicating themselves to rehearsals and performances that honed their dynamic stage presence and attracted word-of-mouth support in the area's music scene.[30] In 2005, the band recorded and independently released their debut album, Nothing but the Water, on Ragged Co. Records, capturing their raw, gospel-infused sound through sessions that emphasized Potter's powerful vocals and the group's improvisational energy.[31] The 12-track effort, produced by the band with Jim McGillveray, showcased tracks like the two-part title song, blending a cappella gospel elements with driving rock rhythms, and marked their entry into the independent music landscape with a focus on authentic, unpolished roots-rock.[29]Breakthrough with Grace Potter and the Nocturnals (2006–2015)
In 2006, Grace Potter and the Nocturnals signed an exclusive worldwide recording agreement with Hollywood Records, marking a significant step in their professional growth following their independent debut.[32] The band's sophomore album, This Is Somewhere, was released in August 2007 under the label, showcasing a blend of roots-rock and blues influences with standout tracks such as "Ah Mary," which highlighted Potter's powerful vocals and the band's dynamic instrumentation.[33] The album received positive critical reception for its energetic production and helped establish the group beyond regional audiences.[34] The band gained wider exposure through extensive touring, opening for major acts including Kenny Chesney on his Brothers of the Sun tour with Tim McGraw in 2012, as well as sharing stages with Willie Nelson at events like Farm Aid and Southern Ground Music Festival.[35][36] Their collaboration with Chesney on the 2011 single "You and Tequila" earned a Grammy nomination for Best Country Duo/Group Performance at the 54th Annual Grammy Awards in 2012, underscoring their crossover appeal in country and rock genres. Performances at high-profile festivals, such as Bonnaroo in 2006, 2009, and 2011, and SXSW in 2010, further solidified their live reputation and drew larger crowds.[37][38] Subsequent releases amplified their success, with the self-titled album Grace Potter and the Nocturnals arriving in June 2010, featuring the hit single "Paris (Ooh La La)," which achieved RIAA gold certification in 2013 for over 500,000 units sold.[39] Produced by Mark Batson, the record peaked at No. 19 on the Billboard 200 and emphasized the band's evolving sound with tracks like "Oasis" and "Medicine." Their fourth studio album, The Lion the Beast the Beat, followed in 2012, delivering singles such as "Never Go Back" and "Stars," and continuing their streak of critically acclaimed work with a darker, more introspective tone. After years of relentless touring and recording, Grace Potter announced a hiatus for the Nocturnals in 2015, shifting focus to her solo endeavors amid personal changes, including her divorce from band drummer Matt Burr.[40] The decision came after a demanding schedule that included sold-out headline shows and festival appearances, allowing the members to pursue individual projects while preserving the band's legacy.[41]Solo career evolution (2015–present)
In 2015, following the indefinite hiatus of Grace Potter and the Nocturnals, Potter transitioned to a solo career with the release of her album Midnight on August 14 through Hollywood Records.[42] This project marked a departure from the band's collaborative sound, featuring polished pop and dance elements with guest appearances by artists such as Wayne Coyne of The Flaming Lips, and debuted at number 15 on the Billboard 200 chart.[43] Critics praised its themes of self-confidence, risk, and sensuality, positioning it as a liberating mid-career pivot that showcased Potter's vocal versatility and production experimentation.[43] Potter's solo trajectory continued with Daylight, released on October 25, 2019, via Fantasy Records and produced by her husband, Eric Valentine. The album drew from her experiences of motherhood after the birth of her son in 2018, incorporating lullaby-inspired songs that reflected personal renewal and emotional introspection, such as the acoustic ballad "Every Heartbeat."[44] This release highlighted her growing control over production, blending soulful rock with intimate, folk-leaning arrangements to explore themes of forgiveness and family.[45] In 2023, Potter expanded her genre-blending approach with Mother Road, issued on August 18 through Fantasy Records, again co-produced with Valentine.[46] Inspired by a 2021 solo cross-country road trip and her childhood as a runaway, the album fused visionary rock with Americana and blues influences, creating vignettes of regret, adventure, and resilience through tracks like the title song and "Truck Stop Angels."[47] It underscored her evolution toward narrative-driven songwriting and sonic experimentation, emphasizing raw emotional depth over commercial polish.[48] Potter's most recent milestone came in 2025 with the release of Medicine on May 30 via Hollywood Records, a long-shelved collaboration with producer T Bone Burnett recorded in 2008 at The Village Studios in Los Angeles.[7] Originally set aside due to label decisions and her band's priorities, the album emerged as a meditative exploration of blues-rock and country, featuring shadowy, rustic tones on songs like the title track, and represented a reclamation of her early solo ambitions.[49] This vault-opening project affirmed her increasing autonomy in curating and releasing material, blending archival grit with contemporary relevance.[50] Throughout this period, Potter has toured extensively as a solo artist, headlining major festivals and sharing stages with iconic acts to broaden her reach. Notable performances include her set at the Pilgrimage Music & Cultural Festival in Franklin, Tennessee, on September 28, 2025, where she delivered a mix of new and classic material.[51] She also joined The Rolling Stones onstage in Minneapolis on June 3, 2015, for a powerful rendition of "Gimme Shelter," highlighting her ability to command high-profile collaborations.[52] These endeavors, alongside appearances at events like Extra Innings Festival and Cayamo in 2025, illustrate her shift toward independent artistry, where she exercises greater creative control and fuses rock, soul, and Americana into a distinctive, evolving sound.[53]Artistry and influences
Musical style and vocals
Grace Potter's vocal style is characterized by its power and versatility, seamlessly blending elements of soul, rock, and blues to create a dynamic range that shifts from throaty, soulful deliveries to high, fervent expressions. Her voice has been frequently compared to that of Janis Joplin for its raw, bluesy intensity and emotive wail, as well as to Aretha Franklin for its commanding soulful depth.[29][54][55] In live performances and recordings, Potter employs a muscular, intense approach that emphasizes rock 'n' roll energy, often incorporating screams and wails to heighten emotional impact.[56][57] As a multi-instrumentalist, Potter primarily contributes on guitar and keyboards, including the Hammond B-3 organ, which adds a layer of improvisational flair to her live sets. Her guitar work, often featuring a signature Gibson Flying V, integrates deep, resonant tones that complement her vocals, while keyboard elements provide rhythmic and atmospheric support during extended jams.[14][58][59] This instrumental versatility allows for spontaneous live improvisation, transforming songs into extended, collaborative explorations that highlight her band's jam-oriented dynamics.[60][61] Potter's lyrics frequently explore themes of empowerment and introspection, evolving from raw, energetic declarations to more polished, narrative-driven reflections on self-confidence, risk, and personal growth. For instance, tracks on her solo album Midnight address sex, dancing, and bold self-assurance, underscoring a sense of liberation and inner strength.[43] In production, Potter's work often incorporates layered harmonies to build lush, choral textures, alongside retro influences drawn from 1960s and 1970s rock and soul aesthetics. Collaborations with producers like Eric Valentine have refined these elements, blending vintage-inspired sounds with modern polish to enhance her eclectic style across genres.[62][63][64]Key influences and songwriting approach
Grace Potter's musical influences draw heavily from classic rock, blues, and the folk traditions of her native Vermont, forming the foundation of her eclectic sound. Bands like Led Zeppelin and The Band have profoundly shaped her appreciation for powerful rhythms and communal performance energy, with her drummers often citing John Bonham and Levon Helm as direct inspirations that echo in the Nocturnals' driving grooves.[65][66] Her Vermont roots further infuse her music with folk elements, as she has noted that her upbringing in the state's rural landscapes deeply influenced her creative sensibility and connection to acoustic storytelling.[2] Potter's songwriting process balances collaboration with deeply personal introspection, often pulling from real-life experiences such as travel, relationships, and personal accountability to craft narratives that resonate universally. Early in her career, this approach manifested through band-driven jam sessions with the Nocturnals, where spontaneous group dynamics fueled energetic, riff-based compositions co-written with bandmates like guitarist Scott Tournet and producer Mark Batson.[67] As she transitioned to solo work, her method evolved toward more introspective writing, emphasizing lyrical depth and storytelling drawn from journeys like her road trip along Route 66, which inspired her album Mother Road.[68] This shift allowed greater incorporation of social commentary, as seen in songs processing broader life themes while maintaining her signature vivid, character-driven tales.[69] The involvement of producers like T Bone Burnett has significantly amplified Potter's experimental tendencies, encouraging a cinematic and mood-driven approach to her craft. During sessions for her 2008 album Medicine, which was shelved until its release in 2025, Burnett's hands-off guidance fostered a collaborative environment that highlighted Potter's core energy, blending soul, R&B, and blues into atmospheric soundscapes that pushed beyond her rock roots.[70][71][72] This partnership not only refined her ability to weave personal vulnerability with broader sonic exploration but also marked a pivotal evolution in her willingness to venture into uncharted artistic territories.[73]Other professional work
Appearances in film, television, and media
Grace Potter has contributed original and cover songs to several film and television soundtracks, enhancing scenes with her distinctive rock and soul-infused style. Her track "Apologies" from the 2007 album This Is Somewhere was featured in the season 5 finale of the CW series One Tree Hill ("Hundred"), playing during an emotional family reunion scene.[74] In 2010, she wrote and performed "Something That I Want" for the Walt Disney Animation Studios film Tangled, serving as an end-credits song that captures the movie's themes of adventure and self-discovery.[75] The following year, Potter recorded the original holiday tune "Naughty Naughty Children (Better Start Actin' Nice)" for the Disney animated special Prep & Landing: Naughty vs. Nice, which aired on ABC and emphasized festive mischief.[76] More recently, in 2023, she provided music for the action-comedy film The Family Plan, starring Mark Wahlberg, marking another soundtrack credit in her career.[77] In 2024, Potter served as an executive producer and appeared in the documentary Resynator, which explores the invention of a unique synthesizer and features her musical contributions.[78] Potter has made occasional acting appearances, often in music-centric projects that align with her background. She had a cameo as a street performer in an episode of One Tree Hill, performing live during a pivotal storyline moment in season 6.[79] In 2023, she took on an acting role in The Family Plan, contributing to the film's ensemble while also handling soundtrack duties. That same year, Potter appeared as herself in the documentary-style TV series Life in Six Strings on AXS TV, where she hosted a segment teaching host Kylie Olsson slide guitar techniques and discussing her songwriting process in her Vermont home studio.[80] Beyond screen roles, Potter has engaged in various media appearances, showcasing her expertise in music broadcasting and curation. In 2020, she served as a guest judge for the American Songwriter 35th Anniversary Song Contest, evaluating entries for a $10,000 prize and highlighting emerging talent.[81] She also hosted a guest DJ session on SiriusXM's No Shoes Radio channel 57, titled "Poets & Pirates," where she curated a playlist of classic and personal favorite tracks, sharing anecdotes tied to collaborator Kenny Chesney.[82]Notable collaborations and performances
Grace Potter has engaged in several high-profile collaborations that bridged her rock roots with country and classic rock influences. In 2011, she featured on Kenny Chesney's duet "You and Tequila," a track from his album Hemingway's Whiskey that peaked at No. 3 on the Billboard Hot Country Songs chart and earned a Grammy nomination for Best Country Duo/Group Performance.[83] The pair performed the song live numerous times, including during Chesney's 2015 tour stops at Red Rocks Amphitheatre, where Potter's soulful vocals complemented Chesney's style and highlighted her versatility.[84] Potter's interactions with rock legends have also been notable. On June 3, 2015, she joined The Rolling Stones onstage at Target Field in Minneapolis for a performance of "Gimme Shelter," delivering the Merry Clayton-inspired vocal part with poise during the band's Zip Code Tour.[52] Similarly, she opened multiple dates for Robert Plant's Sensational Space Shifters in 2013, including shows at the Greek Theatre in Berkeley and the Shrine Auditorium in Los Angeles, where their shared sets fostered improvisational energy rooted in blues and rock traditions.[85] In the jam-band community, Potter has made significant guest appearances and joint performances. She collaborated live with Warren Haynes of Gov't Mule and Allman Brothers Band fame on several occasions, including a 2019 rendition of "Soulshine" at the Peach Music Festival, showcasing her affinity for extended jams and Southern rock grooves.[86] These partnerships underscore her ongoing ties to the genre, even after transitioning to solo work. Potter's live performances have often featured iconic venues and lineups that amplified her profile. In 2013, Grace Potter and the Nocturnals opened four dates for the Allman Brothers Band's summer tour, including shows at Verizon Wireless Amphitheater in Alpharetta and Jones Beach Theater in Wantagh, where she joined the headliners for covers like "The Weight."[87] She headlined Red Rocks Amphitheatre on August 19, 2016, with Lake Street Dive as support, delivering a set that blended her catalog with high-energy rock anthems amid the venue's storied acoustics.[88] More recently, Potter closed out the 2025 Pilgrimage Music & Cultural Festival on September 28 at The Park at Harlinsdale Farm in Franklin, Tennessee, with a setlist spanning her career highlights like "Stars" and "Medicine," drawing crowds alongside artists such as John Mayer and drawing praise for its nostalgic yet vibrant delivery.[89] Earlier that month, on September 12, she collaborated with the Vermont Symphony Orchestra at her Grand Point North Festival in Burlington, Vermont, performing arrangements of her music in a symphonic setting that blended rock with orchestral elements.[90] Post-2015, following the Nocturnals' disbandment, Potter has participated in special events within jam-band circles without a full band reunion. She performed with former Nocturnals members alongside Marco Benevento in Burlington in 2015 and continues to contribute to festivals like Peach Music, emphasizing improvisational collaborations that maintain her jam-band ethos.[91]Personal life
Relationships and family
Grace Potter was previously married to Matt Burr, the drummer and founding member of her band Grace Potter and the Nocturnals, from May 2013 until their amicable divorce in 2017. During the production of her 2015 solo album Midnight, Potter began a romantic relationship with the album's producer, Eric Valentine, which contributed to the end of her marriage to Burr. She married Valentine in 2017, marking a new chapter in her personal life focused on stability and creative collaboration. Potter identifies as bisexual.[92] Potter and Valentine welcomed their son, Sagan Potter Valentine, on January 12, 2018. The couple relocated to Topanga Canyon, California, shortly after their marriage, drawn to the area's inspiring environment for artistic work. Their partnership extends professionally, with Valentine continuing to produce Potter's music, including albums like Daylight (2019) and Mother Road (2023). Potter has described balancing her demanding tour schedule with parenthood by frequently bringing Sagan along on the road, allowing her to maintain family closeness amid her career. This arrangement has fostered a sense of stability, with the family later returning to Vermont in 2021 to be closer to her roots while preserving their collaborative dynamic.Health challenges and advocacy
In the mid-2010s, during her marriage to Matt Burr, Grace Potter experienced a life-threatening miscarriage after unknowingly conceiving twins, which profoundly impacted her emotional well-being and contributed to the end of her marriage.[93] This personal trauma, compounded by the isolation of the COVID-19 pandemic and the loss of live performances, led to a period of clinical depression and anxiety, during which she sought treatment to manage her mental health.[94] These challenges influenced her 2023 album Mother Road, where she channeled her struggles into introspective songwriting during solitary cross-country drives as a form of self-therapy.[95] Potter has been vocal about mental health in the music industry since 2020, sharing her experiences in interviews to destigmatize depression and encourage others facing similar pressures, emphasizing the need for open conversations amid the industry's high-stakes environment.[96] Her advocacy extends to broader causes, including support for breast cancer awareness through initiatives like the 2011 Sharpie "Ink It Pink" campaign, where she contributed autographed items to benefit City of Hope's research and treatment efforts.[97] Tied to her Vermont roots, Potter founded the Grand Point Foundation in 2024 to promote music education and arts programming statewide, providing grants and resources to emerging artists and community initiatives that foster creative development.[98] She has also engaged in environmental advocacy, co-founding CodeRed Climate to unite musicians in supporting legislation like the Inflation Reduction Act, which advanced clean energy and pollution reduction measures.[99]Discography and accolades
Studio albums
Grace Potter's studio album career spans both solo efforts and collaborations with her band, Grace Potter and the Nocturnals, showcasing her evolution from independent roots-rock to polished pop-infused productions. Her early solo work laid the foundation for her distinctive blend of blues, soul, and rock, while albums with the Nocturnals brought broader commercial exposure through major-label releases. Subsequent solo albums reflect personal introspection and stylistic experimentation, often produced by longtime collaborator Eric Valentine, with recent works emphasizing thematic depth and road-inspired narratives. Her debut solo album, Red Shoe Rebel, was independently released in 2002 on Dream On Productions, marking Potter's initial foray into recording as a Vermont-based artist still in her late teens.[26] This self-produced effort captured raw, blues-tinged rock but did not achieve significant commercial traction, remaining a niche release primarily distributed locally and online.[100] Original Soul, her second solo album, followed as an independent release in 2004.[101] Like her debut, it featured blues-rock elements and was produced locally in Vermont, gaining limited distribution and serving as a bridge to her band era without major chart success. With the formation of Grace Potter and the Nocturnals, their debut studio album Nothing but the Water arrived on May 10, 2005, initially self-released before a 2006 reissue by Hollywood Records. The album's organic, bluesy roots-rock sound, recorded in a home studio, earned praise for its authentic energy but saw limited chart performance, focusing instead on building a grassroots following through live tours.[29] The band's major-label breakthrough came with This Is Somewhere, released August 7, 2007, on Hollywood Records. Produced with a fuller rock arrangement, it peaked at No. 1 on the Billboard Heatseekers Albums chart, signaling growing national interest. Critics highlighted its ambitious blend of folk-rock and soul, positioning Potter as a versatile vocalist capable of channeling influences like Janis Joplin.[29] The self-titled Grace Potter and the Nocturnals, issued June 8, 2010, on Hollywood Records, represented a polished evolution with contributions from producer Mark Batson.[102] It debuted at No. 20 on the Billboard 200, No. 3 on Top Rock Albums, and No. 9 on Digital Albums, driven by radio-friendly tracks that expanded the band's audience.[103] The album's production emphasized dynamic arrangements, earning acclaim for its infectious energy and Potter's commanding presence.[104] The Nocturnals' fourth and final studio album, The Lion the Beast the Beat, followed on June 12, 2012, via Hollywood Records. It achieved the band's highest chart position, debuting at No. 17 on the Billboard 200, bolstered by high-profile collaborations and a shift toward harder-edged rock elements.[105] Reviewers noted its bold experimentation, including orchestral touches, as a culmination of the band's sound before Potter's pivot to solo work.[106] Transitioning to solo material, Midnight marked Potter's third full-length under her own name, released August 14, 2015, on Hollywood Records and produced by Eric Valentine. The album debuted at No. 17 on the Billboard 200, reflecting a pop-rock departure from her band era with lush, synth-driven production.[107] Critics lauded its emotional depth and vocal range, describing it as a confident reinvention.[43] Daylight, her fourth solo album, emerged October 25, 2019, on Fantasy Records, again helmed by Valentine.[108] It peaked at No. 74 on the Billboard 200, capturing themes of resilience amid personal challenges through intimate, piano-led arrangements.[1] The record received positive reception for its vulnerability and musical daring, solidifying Potter's solo identity.[40] Mother Road, released August 18, 2023, on Fantasy Records, drew inspiration from cross-country drives, blending Americana and rock in a road-trip narrative. While specific chart peaks were modest, it underscored Potter's visionary songwriting, with production emphasizing live-band vitality.[109] Potter's most recent solo release, Medicine, arrived May 30, 2025, on Hollywood Records, featuring production by T Bone Burnett from sessions originally recorded in 2008.[73] Shelved for nearly two decades due to label shifts, the album's meditative, cinematic quality highlights raw authenticity and orchestral elements, offering a reflective capstone to her catalog.[71]Singles and featured tracks
Grace Potter's breakthrough single "Paris (Ooh La La)," released in 2010 from the self-titled album by Grace Potter and the Nocturnals, became a staple in rock radio play, peaking at number 20 on the Billboard Rock Songs chart and serving as a promotional highlight with its energetic music video directed by Christopher Sims.[110] The track's playful lyrics and Potter's dynamic vocals helped establish her presence in the rock genre, garnering significant airplay and fan engagement during the band's tours. In 2011, Potter collaborated with Kenny Chesney on "You and Tequila," a duet from Chesney's album Hemingway's Whiskey, which peaked at number 3 on the Billboard Hot Country Songs chart and reached number 33 on the Hot 100, marking one of her highest-charting featured appearances.[111] The song's heartfelt narrative of heartbreak and escapism, paired with a simple yet evocative music video filmed in black-and-white, contributed to its crossover success and earned Potter recognition in country music circles. Potter reunited with Chesney for "Wild Child" in 2015, featured on his album The Big Revival, which climbed to number 1 on the Billboard Country Airplay chart and showcased her soaring harmonies in a promotional context tied to summer tours.[5] From her 2023 album Mother Road, the title track "Mother Road" served as the lead single, released in May with an official music video capturing themes of wanderlust and personal reflection, while follow-up single "Good Time" arrived in June, emphasizing Potter's rock-infused storytelling without notable chart peaks but strong streaming reception.[112][113] In 2025, Potter released the long-awaited album Medicine, with "Losing You" as a key promotional single in April, highlighting her evolution toward introspective Americana, accompanied by a video that explores emotional vulnerability; the title track "Medicine" followed as a lead highlight, tying into the album's themes of healing and rediscovery.[114]Awards and nominations
Grace Potter has received multiple nominations from the Grammy Awards, recognizing her versatility across rock, country, and Americana genres. In 2012, she was nominated for Best Country Duo/Group Performance for her collaboration with Kenny Chesney on "You and Tequila."[8] She earned two nominations at the 63rd Annual Grammy Awards in 2021 for her solo album Daylight, including Best Rock Album and Best Rock Performance.[8] Most recently, at the 68th Annual Grammy Awards in 2026, Potter received a nomination for Best Americana Performance for "Poison In My Well" with Maggie Rose.[115] Beyond the Grammys, Potter has been honored by regional and genre-specific awards, often highlighting her work with Grace Potter and the Nocturnals. In 2006, the band won the Jammy Award for Best New Groove.[116] At the 2012 New England Music Awards, Grace Potter and the Nocturnals were named Band of the Year.[117] In country music, her video for "You and Tequila" with Chesney won the CMA Award for Music Video of the Year in 2011.[116] Potter has also been recognized for contributions outside traditional albums, including a win at the 39th Annie Awards in 2012 for Outstanding Achievement for Music in an Animated Television/Broadcast Production, shared with Michael Giacchino for Prep & Landing: Naughty vs. Nice.[8] In 2015, she received Vermont's Governor's Award for Excellence in the Arts, her state's highest artistic honor.[118]| Year | Award | Category | Work | Outcome | Notes |
|---|---|---|---|---|---|
| 2006 | Jammy Awards | Best New Groove | Grace Potter and the Nocturnals | Win | Band award |
| 2011 | CMA Awards | Music Video of the Year | "You and Tequila" (with Kenny Chesney) | Win | Country Music Association |
| 2012 | New England Music Awards | Band of the Year | Grace Potter and the Nocturnals | Win | Regional honor |
| 2012 | Annie Awards | Music in an Animated Television/Broadcast Production | Prep & Landing: Naughty vs. Nice (with Michael Giacchino) | Win | Shared award for animation scoring |
| 2012 | Grammy Awards (54th) | Best Country Duo/Group Performance | "You and Tequila" (with Kenny Chesney) | Nomination | First Grammy nod |
| 2015 | Vermont Governor's Award | Excellence in the Arts | N/A | Win | State recognition |
| 2021 | Grammy Awards (63rd) | Best Rock Album | Daylight | Nomination | Solo work |
| 2021 | Grammy Awards (63rd) | Best Rock Performance | "Daylight" | Nomination | Solo work |
| 2026 | Grammy Awards (68th) | Best Americana Performance | "Poison In My Well" (with Maggie Rose) | Nomination | Collaboration |