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High Vis

High Vis is an English post-punk band formed in in 2016 by musicians from established UK punk and hardcore scenes, including vocalist Graham Sayle, guitarists Rob Hammaren and Martin Macnamara, bassist Jack Muncaster, and drummer Edward "Ski" Harper. The group fuses the raw aggression and energy of hardcore punk with melodic elements drawn from , Britpop, and Madchester grooves, crafting songs that address working-class alienation, social disconnection, and resilience in post-industrial . High Vis debuted with the album No Sense No Feeling in 2019, followed by the EP Society Exists in 2020, establishing their reputation for poetic, delivered through intense live performances. Their 2022 release Blending expanded their sound with broader sonic textures, earning acclaim for its emotional depth and DIY rooted in the band's origins. The 2024 album Guided Tour marked further evolution, incorporating themes of personal and societal navigation amid adversity. Renowned for their passionate touring schedule, High Vis has supported acts like across Europe and headlined North American tours, building a dedicated following through efforts and in-house production. Their music reflects a commitment to authenticity over commercial trends, prioritizing communal escape and in an era of economic precarity.

History

Formation and early releases (2016–2020)

High Vis formed in in 2016, emerging from the UK's scene as a of musicians from prior bands including Dirty , DiE, The Smear, Tremors, and Reflect. The initial lineup featured vocalist Graham Sayle, drummer "Ski" (Edward Mackenzie), guitarists Martin MacNamara and Rob Hammeren, and bassist Rob Moss, who drew on their experience to establish a DIY ethos centered on independent production and performance. The band's earliest output consisted of self-released singles "I" and "II" in 2017, which captured their raw energy and circulated primarily within circuits. These tracks, including the debut single "Positive Intervention" released on January 30, 2017, helped generate initial interest through local gigs in London's venues, fostering connections with contemporaneous acts like . High Vis's debut album, No Sense No Feeling, was released on December 7, 2019, via the independent label Venn Records, following a period of honing material amid the constraints of grassroots efforts. The 10-track , comprising songs like "Choose to Lose" and "Walking Wires," represented their first full-length statement, produced with a focus on capturing live intensity while expanding beyond short-form formats. Its timing, just prior to restrictions, limited immediate touring but solidified their presence in the UK underground through physical releases and digital availability.

Blending and rising prominence (2021–2023)

High Vis recorded their second album Blending amid lingering effects of the COVID-19 pandemic, with producer Misha Haze contributing remotely after relocating to Switzerland. Released on September 30, 2022, via Dais Records, the album featured eight tracks blending post-punk urgency with more anthemic, Britpop-inflected elements, moving from the debut's darker tone toward ecstatic hardcore-driven songs while preserving the band's raw punk roots. Tracks like "Blending" and "Shame" explored themes of personal struggle and working-class disillusionment, evoking economic and social stagnation through lyrics depicting a "world so wrong" and northern English youth experiences marked by and . The production upgrades, including polished yet muscular arrangements, were praised in international reviews for capturing the band's communal ethos and emotional depth without diluting its DIY intensity. Despite COVID-related disruptions limiting early live activity, High Vis built momentum through festival slots, including Outbreak Fest in 2022 and 2023, alongside North American appearances at Sound and Fury, , and in 2023. These performances integrated the band deeper into and European DIY circuits, fostering grassroots traction via independent sales and in-house merch operations that directly supported their operations. Critical acclaim from outlets like and highlighted the album's raw energy and honest portrayal of class-based angst, elevating High Vis's profile beyond underground scenes.

Guided Tour and recent activities (2024–present)

High Vis released their third studio album, Guided Tour, on October 18, 2024, through Dais Records. The record expands the band's sound with elements of and , layering melodic hooks and shimmering guitars over their foundational drive, as evidenced by tracks like "Guided Tour" and "Drop Me Out." Recorded at Holy Mountain Studios in , it sustains the group's aggressive energy while introducing broader production dynamics suited for larger audiences. In April 2025, vocalist Graham Sayle was hospitalized following an unspecified incident, requiring emergency surgery that left him stable but in recovery. This led to the cancellation of the band's planned North American tour dates, originally set for April and May 2025 with , , and . The decision prioritized Sayle's health, halting support slots across the and . Following Sayle's recovery, High Vis rescheduled a North American tour for September and October 2025, announced in July 2025, featuring rotating supports including No Warning, Pissed Jeans, , and Cold Gawd. The run begins in , on September 19, covers multiple US cities, and includes a Canadian date in , marking the band's push into self-headlined expansion post-album. Concurrently, High Vis joined as support on a European and tour from October 31 to November 27, 2025, alongside The Garden, spanning venues from Dublin's National Stadium to London's . These dates underscore the band's adaptability and growing draw in international markets amid recovery.

Musical style

Genre characteristics and evolution

High Vis's core sound integrates the relentless drive of with post-'s jagged rhythms and Britpop-inspired melodic contours, crafting a fusion that emphasizes raw emotional delivery through rhythmic urgency rather than excessive distortion. This pragmatic blend eschews genre orthodoxy, allowing angular guitar lines and propulsive to underpin soaring, anthemic choruses that evoke both confrontation and . The result prioritizes impact via precise interplay among standard instrumentation—primarily dual guitars, , drums, and shouted vocals—occasionally augmented by atmospheric swells for depth without compromising aggression. Over successive releases, the band's approach has evolved from raw abrasion toward more stratified arrangements, retaining 's intensity while incorporating layered textures that heighten vocal prominence and rhythmic exactitude. Early tracks leaned into visceral, unpolished energy, but later works refine this with shimmering, jangly guitar tones and neo-psychedelic elements, broadening the palette to include shoegaze-inflected haze and sheen. This progression maintains a distinction from purist by weaving in goth-tinged atmospheres and sensibilities, such as echoing reverb and dynamic shifts, to sustain tension without softening the underlying ferocity. The band's refusal to adhere strictly to hardcore norms manifests in a sound that transmutes genre boundaries into tools for immediacy, as seen in the shift toward power-ballad structures that amplify melodic accessibility alongside punk's confrontational edge. Technical refinements, like polished production enhancing guitar interplay and vocal clarity, underscore this evolution, enabling a "secret third thing" that blends influences into a cohesive, forward-thrusting aesthetic.

Influences

High Vis's sound draws from hardcore traditions, incorporating the raw energy of acts like , whose style informs the band's aggressive, direct approach to rhythm and vocals. This is tempered by gothic elements reminiscent of , adding atmospheric depth and brooding intensity, as described in a 2022 where the band's melding of these influences was highlighted as central to their anomaly within scenes. Post-punk bands from the 1980s, such as , , , and , shaped the group's melodic and jangly guitar textures, with frontman Graham Sayle noting in 2024 that these acts influenced early albums like No Sense No Feeling during writing sessions heavy on listening. Echoes of and appear in the swirling, North West-inspired sonics, particularly on Blending (2022), where the band cited regional acts like Echo and the Bunnymen alongside punk drive for a hopeful yet gritty fusion. Britpop's anthemic hooks from the 1990s, akin to and , contribute melodic accessibility, evidenced by High Vis's live cover of 's "Morning Glory" in 2024 and references to in pre-album rotations. The band eschews American trends like or , prioritizing DIY ethos and personal immersion in local scenes over genre theory, with members emphasizing heartfelt, intuitive creation rooted in UK alumni experiences from bands like Dirty Money and Tremors. and undercurrents from and further ground this in '80s UK grit, as Sayle recalled early "post-industrial misery " phases in 2022 press. These influences stem from lived scene participation rather than academic study, aligning with statements that authentic energy always circles back to fundamentals.

Lyrics and themes

Working-class realism and personal agency

High Vis's lyrics frequently depict the grind of manual labor and urban economic stagnation as catalysts for individual fortitude, eschewing portrayals of helplessness in favor of self-directed responses. On the 2022 album Blending, frontman Graham Sayle draws from personal experiences in Merseyside's declining industrial areas, where "the managed decline... is so visible," to illustrate demoralization masked as pride, yet countered by persistence: in "0151," lines like "We’re destitute and we’re demoralised / Our suffering disguised as pride" culminate in the defiant refrain "We’re still here." This recurs in reflections on normalized and shortened lifespans in working-class enclaves, as in "," which addresses abrupt losses without romanticizing defeat. Therapy emerges as a pivotal tool for introspection in Sayle's songwriting, fostering accountability over external blame. He credits therapy with enabling a shift from explosive anger—"I’d fly off the handle really bad"—to vulnerability, describing it as "super liberating" and essential for grieving rather than suppressing pain. In "Trauma Bonds," this manifests as an examination of fear-driven cycles—"We’re not driven by hate, we’re just slaves to fear"—processed through personal bonds and self-forgiveness, informed by Sayle's sobriety milestone of 19 months by May 2023 and efforts to empathize with his upbringing's hardships. The band positions music itself as a disciplined outlet for escape and agency, with Sayle noting hardcore's role in providing community and role models amid limited opportunities. This emphasis extends to pragmatic survival strategies, including DIY practices that embody . Sayle, who teaches and builds furniture, integrates such hands-on ethics into the band's , viewing their as an "extra-curricular activity" sustained without safety nets: "Nothing’s been given to us... Everything’s been off our own back." avoid appeals to systemic , instead highlighting incremental personal triumphs—like transcending through routine —over performative , aligning with Sayle's post-therapy outlook of and reduced emotional shutdowns.

Social critique without collectivist framing

High Vis's lyrics frequently address the tangible consequences of policy decisions and institutional neglect in post-industrial Britain, such as diminished s and , framing these as outcomes of disconnected rather than systemic inevitability. In the 2022 single "0151," vocalist Graham Sayle articulates amid "policies of and economic abandonment," highlighting job insecurity and community decay without invoking collective victimhood. Similarly, the band's self-description as embodying "post-industrial Britain misery " underscores critiques of cultural erosion in deindustrialized areas, where traditional livelihoods have eroded due to sustained measures, including cuts that exacerbated for working families by 2022. These observations pivot from raw to pragmatic , positing personal initiative as a counter to narratives of perpetual decline propagated in mainstream discourse. Sayle has emphasized small-scale defiance and verifiable self-improvement, as in a 2022 where he discussed channeling class-derived anger through to foster rather than resignation. This approach manifests in lyrics that reject , affirming that "it's shit, but we'll get through it" via deliberate choices amid hardship. By their 2024 album Guided Tour, these themes evolve into calls for , transforming observations of elite and scene exclusion—where affluent networks dominate cultural spaces—into anthemic refusals to yield ground. Tracks like the title song rally against grime and drudgery through "raw-nerved power ballads," reflecting the band's sustained touring as a model of autonomous persistence outside privileged circuits. The accompanying video for "Minds a Lie" explicitly probes barriers, underscoring causal links between detachment and stagnation while prioritizing individual resolve over grievance.

Band members

Current lineup

High Vis maintains a stable quintet lineup formed in 2016, consisting of vocalist and primary songwriter Graham Sayle, drummer Edward "Ski" Harper, bassist Jack Muncaster, and guitarists Martin Macnamara and Rob Hammaren. The members originated from various hardcore punk outfits, including The Smear, Tremors, Dirty Money, DiE, and , bringing established scene experience to the band's collaborative writing approach grounded in mutual working-class perspectives. No significant personnel changes have occurred since the group's inception, with discography credits consistently reflecting this core configuration through recent releases like the 2024 album Guided Tour. In April 2025, Sayle underwent emergency surgery following a medical incident, prompting the cancellation of a planned North American tour with , though he stabilized and recovered, enabling rescheduled performances later that year.

Former members

High Vis has maintained a stable lineup with limited turnover, primarily involving early members replaced due to logistical constraints rather than interpersonal conflicts. Guitarist Romain Bruneau, an original member from the band's formation in 2016, departed in 2018 after relocating to , prompting the recruitment of Martin Macnamara to fill the role. Bassist Rob Moss, who contributed to early recordings including the band's initial EPs and full-length efforts, exited in 2024 and was replaced by Jack Muncaster. This change aligned with the release of the album Guided Tour, reflecting practical adjustments amid the band's growing touring commitments rather than documented disputes. No further significant departures have been reported in press coverage or discography credits through 2025, underscoring the continuity that has supported the band's evolution from roots toward broader rock influences.

Discography

Studio albums

High Vis's debut studio album, No Sense No Feeling, was released on 7 December 2019 through Venn Records. The record, self-pressed in limited editions by the band prior to wider distribution, featured eight tracks and was made available in and formats. The band's second studio album, Blending, followed on 30 September 2022 via Dais Records. Comprising eight tracks, it was issued in multiple variants, including editions, alongside and options. Their third studio album, Guided Tour, appeared on 18 October 2024, again through Dais Records. The 11-track release was produced in various pressings, such as clear with orange and white splatter editions, in addition to formats.

Singles and EPs

High Vis's initial non-album release was the EP I, issued on 30 January 2017 and featuring the tracks "A Fist For When You're Down" and "Positive Intervention" in a limited 7-inch format through small punk channels. This DIY effort, available via , captured their raw, aggressive style and circulated within underground networks to generate early buzz without major label support. In 2019, the band released "Walking Wires" as a standalone single, a gritty track emphasizing personal frustration that was pressed on 7-inch and distributed via outlets like Farewell Records. This promotional single highlighted their evolving influences while maintaining an of self-reliant production. The Society Exists EP followed in 2020 on ZT Productions, comprising four tracks that incorporated vocal effects and synth elements for a more experimental edge, released in limited cassette and digital formats to underscore their resistance to genre constraints. Subsequent singles, often tied to album cycles but issued independently, include "Talk For Hours" and "Fever Dream" in 2022, "Forgot to Grow" in 2023, and 2024's "Mob DLA", "Mind's a Lie", and "Drop Me Out", each accompanied by music videos on platforms like and promoted through streaming services such as , reflecting a strategy of direct fan engagement via digital and vinyl limited editions.

Reception

Critical response

High Vis' second album, Blending (2022), received mixed to positive reviews, with awarding it a 6.7 out of 10 for its shift toward a softer, Britpop-infused sound emphasizing emotional vulnerability and working-class consciousness. Critics praised tracks like "Trauma Bonds" for their candid exploration of personal loss and healing following a friend's , highlighting the band's authentic depiction of desperation amid northern English hardships. However, some reviewers noted the album's occasional drift into arena-rock bombast, as in "," and critiqued lyrics for feeling preachy or unresolved, suggesting the music's expanded scope sometimes diluted its raw intensity. The band's third album, Guided Tour (2024), garnered stronger acclaim, earning a aggregate score of 82 out of 100 based on five reviews, indicating universal praise for its mature evolution. rated it 7.6 out of 10, commending the transformation of gritty, working-class drudgery into resilient power ballads infused with melodies and swagger, reflecting band members' personal growth such as and . Reviewers highlighted anthemic tracks like "Feeling Bless" for capturing scrappy hope, though one mixed assessment pointed to occasional bland filler amid the blend of fury and broader influences. Critics have traced High Vis' trajectory from niche appeal to broader recognition, with Guided Tour marking a shift from the scuffed aggression of earlier works to more expansive, melodic structures that prioritize emotional over unrelenting edge. This evolution has drawn dissent from purists, who argue the melodic softening and genre deviations—evident in Blending's arena leanings and Guided Tour's elements—risk alienating fans of the band's initial rigor, prioritizing accessibility over visceral authenticity. Despite such critiques, aggregate scores reflect growing consensus on the band's innovative handling of class themes through increasingly refined songcraft.

Live performances and fan perspectives

High Vis's live performances are characterized by high-energy sets featuring chaotic mosh pits and frequent stage dives, as observed during their October 2, 2025, show at HQ in , , marking their long-awaited debut in the city. The band's 2025 North American headline tour, rescheduled for September and October following a spring cancellation due to frontman Graham Sayle's emergency surgery on March 30, 2025, represented a significant milestone in their recovery and return to touring. This outing included support from acts like No Warning, Pissed Jeans, and Cold Gawd, underscoring their growing presence in North American and circuits. Festival appearances have bolstered their live reputation, including slots at Good Things Festival 2025 alongside , who publicly praised High Vis as one of the scene's brightest acts during their farewell tour announcements. Earlier cancellations, such as the initial 2025 U.S. dates, highlighted logistical challenges but did not diminish audience enthusiasm upon rescheduling. Fan perspectives often emphasize the communal escape provided by High Vis's shows, with the frenetic atmosphere serving as a release from daily struggles, aligning with the band's hardcore-adjacent roots. However, online discussions, particularly on , reveal debates about their fit within the scene, with some viewing them as culturally aligned but musically broader, akin to , potentially appealing beyond strict genre boundaries. Critics among fans occasionally note an over-romanticization of working-class misery in live contexts, where the cathartic energy risks glorifying stagnation over personal agency, though this remains a minority view amid widespread acclaim for the shows' visceral impact.

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