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Homegoing

Homegoing is a historical fiction novel by Ghanaian-American author Yaa Gyasi, published in 2016 as her debut work. The book chronicles the lives of descendants from two half-sisters in 18th-century Ghana: one who marries a British colonial officer and stays on the continent, the other captured into the transatlantic slave trade and transported to plantations in the American South, spanning eight generations across Africa and the United States to depict the intergenerational consequences of slavery, colonialism, and migration.^[1]^[2] The novel's structure alternates chapters between the two lineages, highlighting themes of identity, trauma, and resilience while drawing on historical events from the Asante Empire to the Civil Rights era, without relying on a single protagonist to maintain narrative momentum across centuries.^[3] Gyasi, born in Ghana and raised in Alabama, conceived the story during a visit to Cape Coast Castle, a key site in the slave trade, which informed its grounding in empirical historical details over speculative fiction.^[4] Upon release, Homegoing achieved commercial success as a New York Times bestseller and was selected for Oprah's Book Club, reflecting broad reader appeal for its epic scope.^[5] Critically, it earned the 2017 PEN/Hemingway Award for distinguished debut fiction and the National Book Critics Circle's John Leonard Prize for best first book, among other honors like the American Book Award, affirming its literary merit in capturing causal chains of historical disruption.^[6]^[7] While predominantly praised for emotional depth and structural innovation, some assessments have questioned the intensity of acclaim relative to its execution as a multigenerational saga, though such views remain outliers amid widespread recognition.^[8]

Author Background

Yaa Gyasi's Early Life and Influences

Yaa Gyasi was born in 1989 in Mampong, Ghana.^[9] At age two, in 1991, she immigrated to the United States with her family to join her father, Kwaku Gyasi, who was pursuing a Ph.D. in French at Ohio State University.^[9]^[10] The family subsequently lived in Illinois and Tennessee before settling in Huntsville, Alabama, by the time Gyasi was ten, where her father joined the French department at the University of Alabama in Huntsville.^[4]^[10] This upbringing in northern Alabama, amid a predominantly white Southern context as the child of Ghanaian immigrants, exposed her to stark cultural contrasts between her African heritage and American racial dynamics, informing her later explorations of diaspora and identity.^[9] Gyasi attended Stanford University, where she earned a Bachelor of Arts in English in 2011.^[4] Despite parental expectations for her to pursue medicine, she focused on literature, encountering the concept of the African diaspora during her studies, which began to shape her interest in transatlantic histories.^[4] A pivotal influence occurred in summer 2009, during her sophomore year at Stanford, when Gyasi received a research grant to visit Ghana for a planned novel about a mother and daughter.^[4]^[10] There, she detoured to Cape Coast Castle, touring its dungeons—former holding sites for enslaved Africans—and learning of local Ghanaian complicity in the slave trade alongside British colonial intermarriages with Asante women, which ignited the multi-generational framework central to Homegoing.^[4]^[9] This encounter, driven partly by nostalgia for her birthplace despite her early departure, highlighted personal disconnects from ancestral histories, compounded by readings like Toni Morrison's Song of Solomon, grounding her narrative in empirical observations of slavery's causal legacies rather than abstracted ideologies.^[4]^[9]

Path to Writing Homegoing

Yaa Gyasi first conceived the core premise of Homegoing during a 2009 research trip to Ghana, funded by a Stanford University fellowship she received as a sophomore to explore material for a novel.^[4]^[11] While visiting Cape Coast Castle, a key site in the transatlantic slave trade with documented records of European fortresses holding captives before shipment to the Americas, Gyasi envisioned the divergence of two half-sisters—one remaining in Ghana and the other enslaved and transported across the Atlantic—as the narrative's foundational split.^[12]^[13] This trip prioritized direct engagement with verifiable historical locations, such as the castle's dungeons and holding areas, over interpretive or anecdotal accounts that might obscure causal chains of events like local African participation in slave captures.^[14] At Stanford, Gyasi expanded this initial idea from a singular family separation into a multi-generational structure tracing lineages across centuries, grounding fictional characters in documented historical pivots such as 18th-century Asante-Fante conflicts and slave raids that supplied captives to coastal forts.^[15] She integrated empirical details from her Ghana visits, including Asante kingdom practices and the mechanics of castle operations, to ensure character trajectories reflected realistic divergences driven by events like raids and colonial alliances rather than contrived plot devices.^[16] Enrolling in the Iowa Writers' Workshop for her MFA, which she completed in 2013, Gyasi refined the manuscript through iterative drafting and peer critique, workshopping early chapters to test the alternating lineage format's coherence and historical fidelity.^[17] This phase involved logistical revisions to align generational arcs with timelines of real events, such as the expansion of British colonial influence in Ghana and the American plantation system's evolution, while maintaining fictional agency within those constraints to avoid deterministic oversimplification.^[18] The process emphasized sourcing from primary historical markers, like castle ledgers and regional records, to substantiate causal links in the narrative's bifurcated paths.^[19]

Publication History

Development and Research Process

Yaa Gyasi initiated the development of Homegoing in 2009, following a Stanford University grant-funded research trip to Ghana that summer, during which she visited Cape Coast Castle, a key site in the transatlantic slave trade.^[20]^[4] This visit prompted a structural shift from an initial concept of a present-day mothers-and-daughters narrative with 18th-century flashbacks to a multi-generational saga tracing descendants of two half-sisters across seven generations, spanning from pre-colonial Ghana to contemporary America.^[20]^[4] Gyasi's research emphasized empirical historical sources, including archival materials on Asante-British relations and slave trade logs from the 1760s onward, which informed depictions of African kingdoms' economic incentives, such as profits derived from selling captives amid tribal conflicts and European demands.^[20] For each chapter, she conducted targeted investigations—drawing on texts like Black Prisoners and Their World for the American lineage's progression through plantations, coal mines, and 20th-century incarceration—before setting aside references to craft narratives grounded in period-specific causal dynamics, thereby minimizing anachronistic interpretations.^[20] The drafting process spanned from 2009 to 2015, involving iterative revisions; Gyasi discarded three years of early work to refine the generational scope against verifiable timelines, completing initial chapters by 2012 during her time at the Iowa Writers' Workshop and finalizing the manuscript chronologically with subsequent edits to ensure historical fidelity over ideological overlays.^[20]^[4] This method deviated from conventional literary fiction by prioritizing source-driven reconstruction of causal chains, such as intertribal warfare fueling slave supplies, rather than retrospective moral framings.^[20]

Release and Commercial Performance

Homegoing was published in the United States by Alfred A. Knopf, an imprint of Penguin Random House, on June 7, 2016.^[21] The hardcover edition featured 320 pages and retailed at a standard price for literary fiction debuts from major publishers.^[21] The novel achieved commercial success shortly after release, reaching the New York Times bestseller list and benefiting from strong word-of-mouth recommendations among readers.^[22] Its selection as one of Oprah Winfrey's ten favorite books of 2016 further propelled sales through exposure to her book club audience.^[23] Paperback and international editions followed in 2017, sustaining demand without reported explosive surges in later years.^[24] By 2025, Homegoing remained in print across multiple formats, including trade paperbacks and audiobooks, with ongoing availability indicating steady rather than peak commercial performance post-initial launch.^[25] Translations into various languages supported global distribution, though specific sales data beyond U.S. bestseller status has not been publicly disclosed by the publisher.^[26]

Narrative Structure

Multi-Generational Format

Homegoing employs a multi-generational format that spans eight generations across two divergent family lineages, encompassing roughly 250 years from the mid-18th century in Ghana to the present day in the United States.^[2]^[15] This structure organizes the narrative into discrete chapters, each dedicated to a single descendant, creating self-contained vignettes that propel the timeline forward chronologically within their respective bloodlines while establishing direct causal linkages to ancestral events and conditions.^[3]^[27] The chapter-per-descendant model eschews purely episodic storytelling in favor of enforced chronological causality, wherein each segment reflects the inherited repercussions of prior generations' circumstances, fostering a chain of consequence rather than isolated anecdotes.^[3] Although individual chapters may incorporate non-linear elements such as recollections or digressions, the overarching framework maintains strict progression through successive progeny.^[15] Alternation between the Ghanaian and American branches occurs methodically, with chapters devoted to one lineage followed by the corresponding generation in the other, thereby paralleling the split origins and illuminating parallel yet distinct causal trajectories from a common progenitor point.^[2]^[3] This interleaved progression totals fourteen chapters, ensuring balanced advancement across both paths without overlap or reversion.^[27] A black stone pendant, originating from the shared maternal figure and transmitted through the Ghanaian line, functions as a concrete motif recurrently referenced across sections, providing a tangible thread of continuity that bridges the vignettes amid temporal and geographical disruptions.^[15]^[28] This artifact's persistence underscores the format's emphasis on empirical familial connections as anchors for the generational narrative.^[29]

Dual Lineage Alternation

The narrative structure of Homegoing employs a strict alternation between chapters dedicated to the descendants of Effia, who remains in Ghana, and Esi, who is captured and transported across the Atlantic as a slave, spanning seven generations for each lineage across 14 chapters. This parallel tracking begins in the eighteenth century with the half-sisters' divergent fates—Effia's marriage into the British colonial apparatus at Cape Coast Castle and Esi's enslavement in the dungeons below—and progresses forward, with each chapter focusing on a single character's life episode before linking to their child in the subsequent alternating chapter of the same lineage.^[30]^[31] The alternation creates a rhythmic juxtaposition, syncing the timelines so that, for instance, events in Ghana during the Asante Empire's expansion coincide with early American plantation life, highlighting how global historical forces ripple differently across continents without implying equivalence.^[32] In Effia's Ghanaian line, the structure illustrates outcomes shaped by local contingencies such as intertribal conflicts, British colonial administration from the late nineteenth century, and post-independence nation-building after Ghana's 1957 sovereignty, where descendants navigate roles from traders and warriors to educators amid evolving power dynamics.^[2] Conversely, Esi's American line traces compounding disruptions from chattel slavery, the U.S. Civil War (1861–1865), segregation under Jim Crow laws post-1877, the Great Migration of the early twentieth century, and into contemporary issues like urban decay and mass incarceration rates that reached 1 in 3 Black men by lifetime risk in the 2000s, yet each generation includes instances of individual adaptation, such as northward relocation or community formation, underscoring that trajectories arise from specific choices amid constraints rather than predetermined decline.^[33]^[34] This differential portrayal—Ghana's line experiencing ruptures but retaining cultural continuity, versus America's persistent institutional barriers—serves the novel's emphasis on historical contingencies, where outcomes diverge based on geographic and sociopolitical contexts rather than inherent lineage flaws.^[35] The alternating format disrupts a unidirectional "victim narrative" by compelling readers to oscillate between contexts of agency and complicity on both sides, such as a Ghanaian descendant's entanglement in regional power structures paralleling an American one's pursuit of economic mobility despite systemic barriers, thereby framing history as a web of interdependent actions rather than a linear chain of unmitigated oppression.^[36] This structural choice fosters a comparative lens that reveals parallel opportunities for resilience, as seen in moments of inheritance—literal and metaphorical—passed down, like family heirlooms or unresolved traumas, without rendering either lineage's path inevitable or exceptionalist.^[37] By the novel's conclusion in the present day, the lineages' convergence in the protagonists' encounter reinforces the alternation's purpose: to depict human agency persisting across fractured histories, contingent on local realities rather than abstract determinism.^[38]

Historical Depictions

Portrayal of Pre-Colonial Ghana and Asante Kingdom

In Homegoing, the early chapters set in 18th-century Ghana portray a society marked by hierarchical village structures, where chiefs wield significant authority through control of trade and warfare, as exemplified by Effia's father, Baaba's husband, who oversees a household practicing polygamy and engages in raids against neighboring groups to secure captives for exchange with European traders at coastal forts.^[15]^[3] This depiction emphasizes internal African dynamics of power and conflict, including intertribal skirmishes predating intensive European involvement, where villages like Effia's maintain autonomy through martial prowess and economic leverage over weaker entities.^[3] The novel's rendering aligns with historical records of the Asante Empire's emergence around 1701 under Osei Tutu, who unified Akan polities through militaristic expansion, relying on gold extraction and trade while conducting raids on peripheral tribes to procure slaves for export to coastal Europeans in exchange for firearms that amplified further conquests.^[39] Asante society's internal slavery system, used for labor in gold mining and military service, underscores the normalization of captive-taking as an economic staple rather than a response solely to external demand, with chiefs integrating war spoils into patronage networks that reinforced polygynous households common in West African kinship structures.^[40]^[41] Effia's integration into the British fort at Cape Coast illustrates local elites' strategic alliances with Europeans, positioning African hierarchies as active suppliers in the slave chain—capturing and delivering interior victims to forts for shipment—rather than passive participants, reflecting the Gold Coast's pre-colonial reality where Fante and Asante intermediaries profited from provisioning captives amid ongoing regional warfare.^[42]^[43] This portrayal counters narratives minimizing African agency in the trade's supply mechanisms, grounding the fiction in empirical accounts of 18th-century coastal dynamics where forts depended on African-sourced labor pools sustained by endogenous conflicts.

Transatlantic Slave Trade and African Complicity

In Homegoing, Yaa Gyasi illustrates the mechanics of the transatlantic slave trade through Esi's capture amid Asante-Fante conflicts in the 1770s, where Asante forces raided villages to secure prisoners for sale to British traders at coastal forts, exchanging human captives for guns and goods that bolstered military expansion.^[44] This depiction mirrors documented practices of war-based enslavement and barter alliances, as the Asante Empire routinely supplied tens of thousands of captives annually to Europeans starting in the early 1700s, using proceeds to finance conquests against neighboring groups like the Fante.^[40] The novel's portrayal extends to the horrors of Cape Coast Castle, where Esi passes through the "Door of No Return"—a narrow portal leading from dungeons to slave ships—evoking the cramped, disease-ridden holding cells that held up to 1,000 captives at a time, as recorded in British fort logs from the mid-18th century detailing mortality rates exceeding 20% before embarkation.^[45] These conditions presaged the Middle Passage, a voyage averaging 10-12 weeks across the Atlantic, during which an estimated 15-20% of the 12.5 million embarked Africans perished from starvation, disease, or suicide, per shipping manifests and captain's journals preserved in European archives.^[46] Yet Gyasi balances this by emphasizing African intermediaries' profit motives, as Asante traders and brokers negotiated prices—often 10-20 yards of cloth or equivalent firearms per healthy adult—driving a supply chain that prioritized economic gain over kinship ties.^[15] Gyasi's rendering rejects mono-causal attributions of the trade to European agency alone, framing it instead as an amplification of indigenous systems where African rulers initiated captures through raids and judicial pawnings predating Atlantic contact by centuries, with domestic slavery serving as labor for agriculture and warfare in kingdoms like Asante since at least the 15th century.^[47] This causal interplay—European demand incentivizing African supply via lucrative exchanges—escalated intra-African conflicts, as elites weaponized the trade to eliminate rivals, resulting in an estimated 5-10 million excess deaths from warfare tied to slave procurement between 1700 and 1850, according to demographic reconstructions from trade volume data.^[48] Such dynamics underscore the trade's roots in reciprocal economic incentives rather than unilateral imposition, with African participation enabling its scale while European maritime technology facilitated export.^[49]

Core Themes and Analysis

Intergenerational Trauma and Causal Chains

In Homegoing, the transmission of trauma across generations occurs through tangible disruptions in family cohesion and knowledge preservation, rather than abstract psychological residues. In the American lineage from Esi, enslavement repeatedly fractures familial bonds, as seen in Ness's separation from her husband and son during plantation life, perpetuating cycles of isolation and survival strategies passed via direct upbringing deficits.^[50] Historical prohibitions on literacy, such as South Carolina's 1740 law criminalizing the teaching of reading or writing to enslaved people and Virginia's 1831 statutes banning enslaved assemblies for education following Nat Turner's rebellion, systematically eroded the capacity to document or reinforce ancestral narratives, forcing reliance on fragmented oral accounts that further diluted heritage amid constant relocations and sales.^[51] ^[52] In the Ghanaian line from Effia, cultural memory endures more intact through village traditions and Asante societal structures, yet events like tribal wars and British colonization introduce parallel breaks, such as Akua's infanticide driven by unresolved maternal hauntings, which orphans her son and embeds avoidance patterns in subsequent parenting.^[50] The novel underscores causal chains rooted in individual decisions under constraint, illustrating how choices propagate or mitigate trauma's effects without invoking deterministic inevitability. James, Effia's great-grandson, rejects his family's historical complicity in the slave trade by forsaking inherited wealth and status to marry a lower-caste woman and pursue farming, thereby modeling ethical resistance that influences his descendants' navigation of colonial impositions, though it also entrenches economic precarity.^[50] Similarly, in the American branch, Kojo's adoption of Christianity and entrepreneurial risks after his parents' sacrifices for his freedom reshape family trajectories toward partial assimilation, demonstrating agency in reinterpreting inherited burdens amid systemic racism. These decisions highlight observable behavioral continuities—such as modeled resilience or evasion—arising from immediate environmental and relational contexts, rather than unfalsifiable internal forces. Yaa Gyasi has speculated in interviews that trauma may imprint on DNA, positing it as inheritable in a manner akin to emerging epigenetic hypotheses, to explain the persistence of slavery's "trail" across centuries.^[53] However, the novel's structure grounds intergenerational effects in verifiable patterns of disrupted rearing, where absent or abusive parental figures engender replicated maladaptations like Willie's relational betrayals or Akua's delayed confrontation with guilt, which empirical observations of family dynamics attribute to learned responses and opportunity deficits rather than unproven genetic modifications.^[50] This approach aligns with causal realism by tracing outcomes to specific antecedent events and volitional acts, such as parental sacrifices or repudiations of tradition, observable in the characters' evolving circumstances from the 18th century to the 20th.^[54]

Identity, Agency, and Resistance to Victimhood Narratives

In Homegoing, characters across generations demonstrate agency through deliberate choices and adaptations that underscore human resilience amid historical adversities, rather than passive subsumption into victimhood. For instance, H, a descendant in the American lineage, escapes enslavement as an infant via the underground railroad and later pursues a career as a prizefighter in Baltimore, forging economic independence and fathering a son despite persistent racial barriers.^[55] Similarly, Kojo, his father, leverages skills as a carpenter to establish a stable family and community in the free North post-emancipation, emphasizing self-reliant progress over entrenched oppression.^[55] These actions illustrate individual self-determination, as noted in analyses highlighting how such figures actively shape their narratives beyond systemic constraints.^[56] The Ghanaian lineage parallels this by portraying post-colonial challenges as rooted in internal dynamics, such as political instability and personal reckonings, countering attributions solely to external legacies. Yaw, a history teacher scarred by his mother's violence, chooses to educate students on the Asante Kingdom's complicity in the slave trade during Ghana's early independence era (post-1957), confronting collective historical truths amid rising coups and corruption that disrupted national stability by 1966.^[57] His rejection of familial trauma—refusing reconciliation with Akua to break cycles—exemplifies agency in addressing endogenous failures, like governance breakdowns, rather than perpetual foreign blame. James, an earlier ancestor, defies missionary expectations by marrying across ethnic lines and transitioning to subsistence farming after village destruction, adapting to local power shifts including colonial incursions and intertribal conflicts.^[55] This emphasis on agency culminates in motifs of reunion that favor truth-facing for reconciliation, eschewing demands for external redress. The novel's descendants, Marcus (American line) and Marjorie (Ghanaian line), converge in contemporary Ghana during a queenmother's funeral, unearthing a shared black stone from the Cape Coast Castle dungeons—a symbol of unvarnished ancestral linkage. Their connection, forged through mutual exploration of fractured identities rather than grievance-based reparations, signals potential healing via acknowledgment of divergent paths, including self-inflicted wounds in both lineages.^[58]^[59] Such resolutions underscore the narrative's resistance to indefinite victimhood, prioritizing causal accountability and adaptive identity formation.^[60]

Reception and Awards

Critical Reviews and Praise

Critics widely praised Homegoing for its ambitious multi-generational scope, tracing the divergent lineages of two half-sisters across three centuries and two continents, from 18th-century Ghana to modern-day America.^[61] The novel's vivid prose and emotional depth were highlighted, with The New York Times reviewer Isabel Wilkerson noting the West African chapters as "the heart of the book, a deep channeling of multilayered humanity" that evokes profound loss and resilience.^[62] Similarly, The Guardian commended its "unflinching portrayal of the slave trade" and its exploration of generational impacts, emphasizing the narrative's power in humanizing historical forces.^[63] Reviewers frequently lauded the book's balanced treatment of dual perspectives, presenting African complicity in the slave trade alongside the experiences of the enslaved diaspora without reductive blame, which provided an accessible lens on complex histories of identity and inheritance.^[64] This approach was seen as a strength in avoiding one-sided narratives, allowing readers to engage with the causal chains of trauma and agency across lineages. Vulture described it as a "rich, epic slave-trade debut" that skillfully interweaves personal stories with broader historical currents.^[64] Empirical metrics underscore the acclaim, with Homegoing earning an average rating of 4.47 out of 5 on Goodreads from over 394,000 reviews, reflecting strong reader approval for its narrative innovation and thematic depth.^[65] Comparable high ratings appeared on Amazon, bolstered by endorsements such as Oprah's selection as one of her top books of 2016.^[21] The novel's selection for the National Endowment for the Arts' Big Read program, implemented in communities starting around 2017 and continuing through subsequent years like 2022–2023, further evidenced its broad appeal and utility as an entry point to discussions of diaspora history.^[2]

Major Awards and Honors

Homegoing received the PEN/Hemingway Award for Debut Fiction in 2017, which honors distinguished first books of prose published in the United States and carries a $25,000 prize.^[6] The novel also won the National Book Critics Circle's John Leonard Prize in 2017, recognizing an outstanding first book in any genre.^[66] It was awarded the American Book Award in 2017 by the Before Columbus Foundation for contributions to American multicultural literature.^[67] The book was shortlisted for the PEN/Robert W. Bingham Prize for Debut Fiction in 2017.^[68] Among institutional honors, Homegoing was selected as one of three books for Stanford University's 2017 Three Books program, aimed at incoming first-year students to foster discussion on key themes.^[69] It was named one of Oprah Winfrey's ten favorite books of 2016.^[23]

Criticisms and Controversies

Historical Accuracy and Fictional Liberties

The novel accurately depicts the expansion of the Asante Empire in the 1700s, drawing on historical records of its military campaigns and centralization of power in present-day Ghana, which facilitated African involvement in the slave trade through raids and sales to European forts like Cape Coast Castle.^[63] In the American lineage, Gyasi faithfully represents the convict leasing system that emerged after the Civil War in 1865, where Black men were disproportionately imprisoned on vagrancy charges and leased to private entities for forced labor in coal mines and plantations, mirroring aggregate data from Southern state records showing over 800,000 convictions by 1900.^[64] Later chapters align with the timeline of the Tuskegee syphilis study (1932–1972), evoking the U.S. Public Health Service's unethical withholding of treatment from hundreds of Black men, though without fabricating specific events beyond the era's documented medical racism.^[3] Gyasi anchors fictional narratives in verifiable aggregates, such as slave ship manifests recording thousands of departures from Gold Coast ports between 1700 and 1807, but invents personal dialogues, relationships, and individual trajectories to trace intergenerational arcs across seven generations per lineage.^[18] The author's research process involved archival visits to Ghanaian sites and U.S. libraries, yet the novel's structure compresses centuries into brief chapters, prioritizing narrative flow over granular chronology and risking causal oversimplification, as generational leaps elide intervening socio-economic shifts.^[16] Critics have flagged minor anachronisms in early Ghanaian sections, such as modern phrasing or details inconsistent with 18th-century European control at trading forts—Cape Coast under British sway from 1664, predating Danish handover—though these do not undermine broader historical fidelity.^[15] No systematic distortions of major events appear in peer analyses, with inventions confined to character interiors rather than altering documented phenomena like Asante-British wars or post-Reconstruction peonage.^[70] This balance maintains epistemic rigor by subordinating invented elements to empirical backdrops, avoiding wholesale fabrication.

Ideological Interpretations and Cultural Representations

The novel's depiction of African agency in the transatlantic slave trade, including Asante-led wars capturing over 55 northern villages and Fante brokerage for economic gain, has drawn praise for countering narratives that attribute the trade predominantly to European demand, instead emphasizing local motivations like power and status.^[71] This approach underscores intra-African conflicts and commodification of captives, portraying slavery as integral to 18th-century Ghanaian economies without excusing participants' indifference to humanity.^[71] Critics, however, contend that the narrative selectively frames historical power dynamics by depicting American chattel slavery as uniquely "unfathomable" in brutality while offering superficial treatment of African contexts, such as wars disrupting subsistence without probing tribal political intricacies or widespread non-participation.^[72] Such portrayals risk anachronistic impositions of modern "African identity" absent in the era, reducing African roles to accessories in African-American trauma arcs and underemphasizing colonial-era independence struggles.^[72] Reviews from 2019 have labeled the surrounding hype "over-effusive," arguing the work's repetitive generational vignettes and predictable redemption tropes represent solid competence rather than revolutionary insight, amid a literary establishment prone to inflating such narratives of injustice.^[8] Gyasi has invoked epigenetic inheritance to explain slavery's persisting effects, positing trauma imprints on DNA across generations as central to the novel's causal chains of suffering.^[53] This interpretation aligns with cultural representations framing diaspora legacies as biologically encoded, yet faces pushback given limited human evidence for such mechanisms, with researchers noting skepticism toward transgenerational epigenetic trauma transmission beyond preliminary animal models.^[73] Ideologically, agency-oriented readings—often from non-mainstream perspectives—value the text's challenge to perpetual victimhood by foregrounding African complicity and individual resistance, fostering calls for acknowledgment as healing.^[71] In contrast, systemic critiques in academia and progressive media highlight racial power imbalances' endurance but have been faulted for sidelining African supply roles, reflecting biases in source selection that prioritize Western culpability.^[72]^[8]

Cultural Impact

Influence on Literature and Discourse

Homegoing has contributed to a surge in literary explorations of multi-generational African diaspora narratives, with subsequent works in the 2020s drawing on its structural model of parallel lineages tracing slavery's ripple effects. For instance, analyses note its role in complicating monolithic views of Black identity by linking African and American experiences, influencing novels that emphasize familial continuity amid historical rupture.^[74] This is evidenced by a marked increase in diaspora-focused fiction post-2016, where authors adopt Gyasi's epic scope to depict transatlantic ties, as seen in critical discussions of expanded genre boundaries.^[75] In academic discourse, the novel has prompted numerous peer-reviewed studies on intergenerational trauma since its publication, serving as a key text for examining how slavery's legacies persist through familial and cultural memory. Scholarly papers post-2016 frequently cite Homegoing to analyze "postmemory" and deviation from traditional trauma frameworks, quantifying its impact through over a dozen dedicated analyses by 2025 on themes like haunting and inherited wounds.^[76]^[77] These works highlight the book's utility in modeling causal chains of historical violence, fostering debates on psychological transmission across generations.^[50] The novel has also nudged public and historical discourse toward acknowledging African participation in the slave trade, portraying tribal conflicts and local traders' roles without equivocation, which contrasts with narratives emphasizing sole European culpability. Gyasi's depiction of Ghanaian complicity, rooted in intertribal warfare feeding the transatlantic market, has been referenced in reviews and interviews as prompting reevaluations in history texts and talks, with increased mentions of endogenous factors in slavery's supply chain post-2016.^[78]^[71] This shift is tracked in academic examinations of the novel's balanced portrayal, which challenges selective victimhood frames by evidencing mutual agency in the trade's mechanics.^[79] While cinematic adaptations remain unconfirmed as of 2025, Homegoing has integrated into essay collections, podcasts, and broadcast discussions on slavery's enduring socioeconomic scars, amplifying its reach beyond print. Outlets like NPR have used it to frame transatlantic family trees as lenses for ongoing inequality debates, though no major film or series has materialized, unlike developments for Gyasi's later works.^[80] These integrations underscore the book's metric in sustaining discourse on legacy without relying on visual media.^[78]

Adaptations and Educational Adoption

As of October 2025, no major film or television adaptations of Homegoing have been produced or officially greenlit for release, though film rights were acquired in 2015 with pitches comparing the narrative to a blend of Roots and The Kite Runner, indicating early Hollywood interest.^[81] An audiobook edition, narrated by Dominic Hoffman and published by Penguin Random House Audio, has been available since 2016, providing an auditory extension of the novel's multigenerational saga.^[82] Limited stage readings and performances have occurred in literary events, but none have scaled to full theatrical productions.^[83] Homegoing has seen significant adoption in U.S. educational settings, particularly in literature and history curricula at universities and high schools. In 2017, Stanford University selected it as mandatory summer reading for incoming freshmen as part of its Three Books program, alongside works on sustainability and equity, to engage students with themes of lineage and divergence from 18th-century Ghana.^[69] It appears in numerous university syllabi, including courses on African diaspora literature at institutions such as Harvard, UMass Boston, Florida A&M University, NYU, Hunter College, and Wellesley College, often paired with texts exploring identity and migration.^[84]^[85]^[86] In high schools, it features in advanced English and U.S. history classes, such as at Rochelle Zell Jewish High School and Oakland School for the Arts, emphasizing historical fiction's role in examining generational impacts.^[87]^[88] For Advanced Placement Literature, dedicated novel units and lesson plans treat it as a supplemental text for analyzing narrative structure and thematic depth in honors 11th- and 12th-grade ELA.^[89] The novel has been featured in National Endowment for the Arts (NEA) Big Read programs since 2017, with grants supporting community-wide readings in locations like Lakeshore and Cape Fear Community College affiliates, where events include author discussions and panels distinguishing the book's fictional elements from documented historical events such as the transatlantic slave trade.^[2]^[90] These initiatives, reaching over 100 communities historically through NEA funding, encourage empirical engagement with primary sources on Ghanaian and African American history alongside the text's interpretive framework.^[91]

References

[1]
Homegoing by Yaa Gyasi: 9781101971062 - Penguin Random House
In stock Free deliveryHomegoing follows the parallel paths of these sisters and their descendants through eight generations: from the Gold Coast to the plantations of Mississippi.
[2]
Homegoing | National Endowment for the Arts
Homegoing is an expansive novel about the legacy of chattel slavery by African-born writer Yaa Gyasi spanning eight generations. The novel begins with the ...
[3]
'Homegoing' Is A Sprawling Epic, Brimming With Compassion - NPR
Jun 7, 2016 · Yaa Gyasi's debut novel traces the terrible impact of slavery on generations of an African family, beginning with two sisters in 18th ...
[4]
The Story Behind 'Homegoing' - STANFORD magazine
Yaa Gyasi was a Stanford sophomore when she visited her native Ghana on a research mission. Seven years later, the debut novel her trip inspired became an ...
[5]
Yaa Gyasi : Awards | Carnegie Corporation of New York
At just 26, Gyasi won the National Book Critics Circle's John Leonard Prize for Best First Book for Homegoing. Her other honors for the novel include the ...
[6]
Homegoing Wins $25,000 PEN/Hemingway Award | JFK Library
Mar 21, 2017 · Yaa Gyasi has won the 2017 PEN/Hemingway Award, honoring a distinguished first book of fiction, for her novel Homegoing (Knopf).
[7]
American Book Awards: Yaa Gyasi's Homegoing Wins Its Third Prize ...
Aug 14, 2017 · Yaa Gyasi's Homegoing is among the sixteen winners of the 2017 American Book Awards. This recognition is the third major prize picked by the debut novel in ...
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Critical of the Critics: Homegoing, by Yaa Gyasi | thebettereditor
Jun 13, 2019 · This book, Homegoing, isn't bad. It's a solid, but not particularly noteworthy effort. But it is a representative example of a work receiving over-effusive ...
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Yaa Gyasi - Encyclopedia of Alabama
Mar 20, 2025 · Yaa Gyasi (1989- ) is an award-winning Ghanaian American novelist who grew up in north Alabama and calls Huntsville, Madison County, home.
[10]
Berkeley writer Yaa Gyasi adjusts to fame, accolades for debut novel ...
Jun 22, 2016 · She was born in Mampong, a small town in Ghana, but left that West African country when she was two when her father enrolled in a Ph.D program ...
[11]
A Conversation with Yaa Gyasi - Booth - Butler University
Sep 7, 2018 · Some of us were born in the '60s. Some of us have parents and grandparents who were born in the '60s. In Homegoing it only took me seven ...
[12]
A conversation with Yaa Gyasi on Ghana, displacement and her ...
Jul 7, 2016 · For Homegoing, I took a trip to Ghana in 2009. I ... It was on that trip that I took a trip to the Cape Coast Castle for the first time.
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On Resilience and African Literature in 'Homegoing' with Yaa Gyasi
Jun 6, 2016 · She holds a BA in English from Stanford University and an MFA from the Iowa Writers' Workshop, where she held a Dean's Graduate Research ...Missing: process | Show results with:process
[14]
Yaa Gyasi's debut Homegoing stuns with blend of intimacy and ...
Oct 12, 2016 · On a whim one day midway through a 2009 research trip to her native Ghana, novelist Yaa Gyasi decided to tour the infamous Cape Coast Castle ...
[15]
Yaa Gyasi's “Homegoing” | The New Yorker
May 23, 2016 · Each chapter of the novel is narrated from the perspective of a descendant of either Effia or Esi, one representative for each generation, and ...
[16]
Yaa Gyasi: Taking a Long View - Guernica Magazine
Sep 16, 2016 · Nearly seven years on, and with a BA in English from Stanford and an MFA from the Iowa Writer's Workshop under her belt, Gyasi still knows how ...
[17]
Get to Know Portland Arts & Lectures Author Yaa Gyasi - Literary Arts
May 4, 2021 · Gyasi received a BA in English from Stanford University. While a student at Stanford, she explored the works of influential Black authors ...
[18]
'If You're Going to Tell the Story of Slavery, I'm Going to Listen All Day'
Jul 21, 2016 · Yaa Gyasi's recently released and critically acclaimed first novel, Homegoing (320 pages; Knopf) moves from late 18th century West Africa to ...<|separator|>
[19]
Interview with Yaa Gyasi, 2017 PEN/Hemingway Award Winner
May 31, 2017 · A: I had the opportunity to visit the Cape Coast Castle while on my trip to Ghana. During the tour of the Castle, the tour guide spoke to us ...
[20]
[INTERVIEW]: Yaa Gyasi on HOMEGOING - PANK Magazine
Jul 26, 2016 · Yaa Gyasi is a graduate of the Iowa Writers' Workshop, Yaa Gyasi was born in Ghana and raised in Huntsville, AL. Homegoing (Knopf) is ...
[21]
Homegoing: A novel: 9781101947135: Gyasi, Yaa - Amazon.com
The unforgettable New York Times best seller begins with the story of two half-sisters, separated by forces beyond their control.
[22]
UAH welcomes Yaa Gyasi, author of "The New York Times" best ...
Gyasi received a BA in English from Stanford University and recently earned an MFA from the prestigious Iowa Writers' Workshop, where she held a Dean's ...
[23]
Homegoing - Oprah.com
Homegoing. By Yaa Gyasi ... Take a deep dive into each book club pick. Visit Oprah's Book Club. Get Oprah's latest book picks and other Book Club news in your ...
[24]
Homegoing by Yaa Gyasi, Paperback | Barnes & Noble®
In stock Free in-store returnsPublisher: Knopf Doubleday Publishing Group. Publication date: 05/02/2017. Edition description: Reprint. Pages: 320. Product dimensions: 5.13(w) x 7.95(h) x ...
[25]
Homegoing - Penguin Books
Oct 5, 2017 · The intimate, gripping story of a brilliantly vivid cast of characters and through their lives the very story of America itself.Missing: international translations
[26]
Homegoing (International Edition): 9780241980446: Yaa Gyasi: Books
A novel of breathtaking sweep and emotional power that traces three hundred years in Ghana and along the way also becomes a truly great American novel.Missing: sales | Show results with:sales
[27]
Homegoing. - Keith Law
Oct 27, 2021 · The novel is a sequence of fourteen connected short stories that follow the descendants of two Asante half-sisters, one of whom was sold into slavery.Missing: alternation | Show results with:alternation
[28]
Homegoing: Symbols | SparkNotes
The Black Stone Pendant. Maame leaves identical black stone pendants for each of her daughters, Effia and Esi, which becomes a symbol of their shared heritage.
[29]
Black Stones Symbol Analysis - Homegoing - LitCharts
Sep 12, 2018 · The black stones that Maame gives to each of her two daughters, Effia and Esi, symbolize a person's connection to his or her heritage.
[30]
Homegoing | Shelf Awareness
Yaa Gyasi crafts a captivating and potent narrative. Homegoing alternates between the parallel lineages of Ghanaian half-sisters Effia and Esi.Missing: structure alternation
[31]
Parallel Lives - Chapter 16
Yaa Gyasi's debut novel, Homegoing, tracks the family lines of half-sisters born in Ghana in the late-eighteenth century. Effia becomes the “African wife” ...<|control11|><|separator|>
[32]
[PDF] SLAVERY, IDENTITY AND KINSHIP IN YAA GYASI'S HOMEGOING
Dec 23, 2024 · The rest of the narrative follows descendants of Effia and Esi over six generations in a series of monographs that alternate between the two ...
[33]
Slavery, Endurance and Transcendance: Response to Yaa Gyasi's ...
May 29, 2017 · Set into motion by the horrors of the slave trade, this brilliant first novel has much to say about the human condition.
[34]
Homegoing by Yaa Gyaasi - MAKE Literary Magazine
Mar 17, 2017 · The narrative is arranged as a succession of paired chapters which briefly accompany first one, then the other, of Maame's daughters' own ...Missing: dual | Show results with:dual
[35]
Yaa Gyasi Explores Lineage in “Homegoing”
Gyasi's panoramic work intertwines and juxtaposes these two histories and cultures in an attempt to codify the long-lasting effects of the slave trade for both ...
[36]
Yaa Gyasi – Homegoing - Women Writers in Review - WordPress.com
May 21, 2020 · The story is told in alternating chapters, hence the next chapter is about Quey, Effia's son, the one after that about Ness, Esi's daughter, a ...
[37]
Yaa Gyasi (Ghana) – Homegoing | Read African Writers
Nov 24, 2016 · The chapters of the novel alternate between the two families, one evolving in West Africa and the other in the United States, with each ...
[38]
https://www.sobrief.com/books/homegoing
[39]
Ashanti Empire/ Asante Kingdom (18th to late 19th century)
Jan 11, 2010 · The slave trade was originally focused north with captives going to Mande and Hausa traders who exchanged them for goods from North Africa and ...Missing: militarism raids
[40]
Slavery in the Asante Empire of West Africa | Mises Institute
Sep 23, 2020 · Slavery in Asante was natural, used for military, labor, and gold mining. Slaves were sometimes inherited, and treatment varied, with harsh ...Missing: militarism | Show results with:militarism
[41]
The Traditional African Family – Mwizenge S. Tembo
Although polygamy is the act of an individual being married to more than one spouse at the same time, the more commonly practiced in Africa is polygyny “….the ...
[42]
The African (coastal) states and the European slave trade, 17th-18th ...
Apr 3, 2023 · The Gold Coast Fanti, once gold exporters, in turn became traders of enslaved people. ... The African courtier Tati-Desponts, on the Angolan coast ...<|control11|><|separator|>
[43]
Gold Coast | Slavery and Remembrance
In the transatlantic slave trade era, Europeans identified the region as the Gold Coast because of the large supplies of and market for gold that existed there.
[44]
In 'Homegoing,' A Saga Of A Family United By Blood, Separated By ...
Jun 7, 2016 · Yaa Gyasi's debut short story collection begins in 18th century ... Homegoing would have been a stronger novel if it had ended sooner ...
[45]
Cape Coast Castle - Slavery and Remembrance
Cape Coast Castle was a trading post that shifted to supplying slave cargoes, with dungeons for captives, and later became an educational center.Missing: basis | Show results with:basis
[46]
The Door of (No) Return - The Journal of early American Life
At the historic castle/dungeons of Cape Coast and Elmina, the struggle for symbolic possession of the past unfolds among visitors, who draw battle lines along ...
[47]
Slavery before the Trans-Atlantic Trade · African Passages ...
Anyone considered a slave in this region before the trans-Atlantic trade had a greater chance of becoming free within a lifetime; legal rights were generally ...
[48]
https://www.lareviewofbooks.org/article/slavery-weight-past
[49]
Who is to be blamed for The Transatlantic Slave Trade in Africa? A ...
Aug 10, 2025 · This paper examines the Trans-Atlantic slave trade with a special focus on the role that Africans played in the trade to determine the ...
[50]
[PDF] Haunting, Healing, and Trauma in Yaa Gyasi's Homegoing
Dec 31, 2024 · Throughout the novel we see how unresolved historical and familial traumas can haunt individuals and communities. This paper examines how ghosts ...Missing: accuracy | Show results with:accuracy
[51]
Literacy By Any Means Necessary: The History of Anti-Literacy Laws ...
Jan 12, 2022 · Their thinking moves from a slave mentality to a mentality of liberation, thus making them “unfit to be slaves,” as Frederick Douglass stated.
[52]
How Literacy Became a Powerful Weapon in the Fight to End Slavery
Jun 17, 2020 · The slave auction was the epitome of slavery's dehumanization. Enslaved people were sold to the person who bid the most money, and family ...
[53]
Yaa Gyasi: 'Slavery is on people's minds. It affects us still' | Fiction
Jan 8, 2017 · The Homegoing author on exploring her Ghanaian roots, being an immigrant in the US, and whether trauma can be imprinted on our DNA.
[54]
(PDF) Race, Trauma, and the Emotional Legacies of Slavery in Yaa ...
The paper examines how Yaa Gyasi's Homegoing (2016) interrogates the emerging science of epigenetics through literary form and content.
[55]
Homegoing: Character List | SparkNotes
A list of all the characters in Homegoing. Homegoing characters include: Effia, Esi, Marjorie, Marcus, James, Ness, Akua, Carson or "Sonny".Missing: agency | Show results with:agency
[56]
More at Stake Here Than Beauty: An Interview with Yaa Gyasi
Sep 24, 2016 · Gyasi is of Ghanaian parentage; raised in Huntsville, Alabama; and educated at Stanford and the University of Iowa, where she completed an MFA, ...
[57]
Heritage and Identity Theme Analysis - Homegoing - LitCharts
Sep 12, 2018 · Homegoing's premise explores African and African-American heritage and culture through a period of several centuries, as the book follows ...
[58]
How is the theme of family explored in Homegoing by Yaa Gyasi?
May 17, 2017 · The novel's structure highlights their connection and separation, culminating in a reunion of descendants Marcus and Marjorie, symbolizing ...
[59]
Homegoing Summary, Characters and Themes | Yaa Gyasi
Jan 13, 2024 · The story culminates with Marjorie, Yaw's daughter, and Marcus, Sonny's son, whose paths cross in a journey of discovery and reconciliation.<|control11|><|separator|>
[60]
Family and Progress Theme Analysis - Homegoing - LitCharts
Sep 12, 2018 · Get everything you need to know about Family and Progress in Homegoing. Analysis, related quotes, theme tracking.Missing: agency | Show results with:agency
[61]
Review: In 'Homegoing,' What Slavery Costs One Family
Jun 13, 2016 · “Homegoing,” the wildly ambitious debut novel by a 26-year-old writer named Yaa Gyasi, tackles some 250 years of history on two continents.
[62]
Isabel Wilkerson Reviews Yaa Gyasi's 'Homegoing'
Jun 6, 2016 · This hypnotic debut novel contemplates the consequences of human trafficking on both sides of the Atlantic.
[63]
Homegoing by Yaa Gyasi review – the wounds inflicted by slavery
Jan 13, 2017 · An unflinching portrayal of the slave trade explores its impact down the generations, from 18th-century west Africa to the modern-day US.Missing: Empire | Show results with:Empire
[64]
Homegoing: Yaa Gyasi's Rich, Epic Slave-Trade Debut - Vulture
Jun 14, 2016 · Yaa Gyasi's first novel, Homegoing, opens with a family tree tracing seven generations descended from two half sisters born in Ghana around 1750.
[65]
Homegoing by Yaa Gyasi | Goodreads
Rating 4.5 (394,742) Jun 7, 2016 · A novel of breathtaking sweep and emotional power that traces three hundred years in Ghana and along the way also becomes a truly great American novel.
[66]
National Book Critics Circle Announces 2016 Award Winners
Mar 16, 2017 · Yaa Gyasi's novel Homegoing (Alfred A. Knopf), an ambitious novel ... John Leonard Prize, recognizing an outstanding first book in any genre.
[67]
Before Columbus Foundation – Nonprofit educational and service ...
Winners of the 46th Annual American Book Award · Who We Are · Our Story · Our Authors · Support the BCF · Contact Us. Search for: ...
[68]
2017 PEN/ROBERT W. BINGHAM PRIZE FOR DEBUT FICTION
Mar 27, 2017 · We were better off for having read Insurrections, and we are delighted to award Rion Amilcar Scott the PEN/Robert W. Bingham Prize for Debut ...
[69]
Stanford's Three Books program focuses on sustainability and equity
Jul 16, 2017 · The Three Books this year are Homegoing by Yaa Gyasi, The Sixth Extinction: An Unnatural History by Elizabeth Kolbert and Salvage the Bones ...
[70]
Homegoing by Yaa Gyasi - African Book Addict!
Sep 6, 2016 · Don't get me wrong – Homegoing is not rigid with historical facts. It's very much a holistic novel with issues like interracial relationships, ...
[71]
Homegoing calls out African complicity in slavery and offers healing
Feb 28, 2019 · In Homegoing, Yaa Gyasi presents am 18 th century Ghana where slavery was a vital and ordinary part of the economy.Missing: development research process archival work
[72]
Review: Yaa Gyasi’s Homegoing is great but it bothers me deeply.
### Criticisms of Homegoing by Yaa Gyasi
[73]
Mechanisms of Epigenetic Inheritance in Post-Traumatic Stress ...
Therefore, we will elaborate on the epigenetic impact of traumatic experiences on future generations, as well as current skepticism on epigenetic inheritance.Missing: Homegoing | Show results with:Homegoing<|separator|>
[74]
Yaa Gyasi's Transatlantic Epic | The New Republic
Jul 5, 2016 · Gyasi seeks to complicate the idea that “black is black is black” with an Afro-diasporic novel about one Ghanaian family's participation in the Transatlantic ...
[75]
https://haveacupofjohanny.com/friday-feature/2024/07/26/yaa-gyasi-illuminating-the-african-diaspora-through-powerful-storytelling/
[76]
“This Ain't the Way It's S'posed to Be”: Negotiating Trauma Through ...
This paper examines how the negotiation of the traumas of slavery and its legacies in Yaa Gyasi's Homegoing (2016) deviates from traditional trauma literature.Missing: accuracy methods
[77]
[PDF] Intergenerational Trauma and Diasporic Memory in Yaa Gyasi's ...
Aug 13, 2025 · Abstract. This study examines the themes of intergenerational trauma and diasporic memory as represented in Yaa. Gyasi's Homegoing.
[78]
Slavery Scars A Trans-Atlantic Family Tree In 'Homegoing' - NPR
Jun 4, 2016 · Yaa Gyasi's highly anticipated debut novel, Homegoing, follows two branches of a family tree as it grows over three centuries.
[79]
[PDF] An Investigation into the Traumatic Experiences among Black ...
Apr 3, 2024 · This study aims to explore the traumatic ordeals faced by African American characters, both victims and perpetrators, in Yaa Gyasi‟s. Homegoing ...
[80]
Yvonne Orji Developing Yaa Gyasi's Novel 'Transcendent Kingdom'
Apr 22, 2024 · Sony Pictures Television has optioned the novel Transcendent Kingdom written by Yaa Gyasi to be developed by producer Yvonne Orji under her first-look deal.
[81]
HOMEGOING (FILM RIGHTS) - The Tracking Board
Jun 10, 2015 · HOMEGOING (FILM RIGHTS) ... Pitched as Roots meets The Kite Runner, story follows the descendants of two half-sisters in 18th century Ghana, born ...
[82]
Homegoing - Amazon.in
Rating 4.5 (40,087) Penguin presents the unabridged downloadable audiobook edition of Homegoing by Yaa Gyasi, narrated by Dominic Hoffman. Effia and Esi: two sisters with two ...
[83]
PRH Audio's “Meet the Voice” Presents Narrator Dominic Hoffman
like Shakespeare;” and the emotional experience of narrating Yaa Gyasi's HOMEGOING. Hoffman also shares that he has always been a writer and how acting on stage ...
[84]
[DOC] course_syllabus.docx - Harvard University
Suggested Readings: Homegoing by Yaa Gyasi; Americanah by Chimamanda Ngozi Adichie; The Autobiography of Malcolm X by Alex Haley; Teaching My Mother to Give ...
[85]
Homegoing - UMass Boston
Yaa Gyasi's historical novel Homegoing traces a long history of anti-Blackness, from European colonization in West Africa in the eighteenth century.Missing: high | Show results with:high
[86]
[PDF] Syllabus - Florida A&M University
Novel: Gyasi, Yaa, Homegoing. New York, Alfred A. Knopf, 2016. Supplies. Please bring 3 different color pens, at least one highlighter, and blank, lined ...
[87]
[PDF] Program of Studies - Rochelle Zell Jewish High School
Nov 4, 2022 · Texts will include Life of Pi by Yann Martel, Homegoing by Yaa Gyasi, Julius Caesar by William Shakespeare, and The. Handmaid's Tale by ...
[88]
[PDF] 10th Grade English (+Honors) - Syllabus - Oakland School for the Arts
❏ Homegoing by Yaa Gyasi. ❏ Night by Elie Wiesel. ❏ Macbeth by William Shakespeare. ❏ Various short story excerpts, poetry, nonfiction and independent ...Missing: universities | Show results with:universities
[89]
Full Homegoing Novel Unit - English with Mrs. Lamp
Jul 1, 2025 · Below is a detailed breakdown for all 14 chapters of Homegoing, designed to support AP Literature and 11th/12th-grade ELA classroom teachers.
[90]
2022/2023 Homegoing - NEA Big Read
Feb 25, 2025 · Discussion led by CFCC Librarian, Jacob Deininger & CFCC History Instructor, Steven Glass. In Her Own Words...Yaa Gyasi on "Homegoing".
[91]
10th Anniversary - NEA Big Read Lakeshore
2023. Homegoing by Yaa Gyasi. Spanning three continents and eight generations, Yaa Gyasi's critically acclaimed, debut novel Homegoing begins with two ...