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Joe vs. Carole

Joe vs. Carole is an American limited drama television series created by Etan Frankel that dramatizes the conflict between big cat sanctuary operator and exotic animal park owner . Premiering on Peacock on March 3, 2022, the eight-episode series stars as Baskin and as Exotic (Joseph Maldonado-Passage), portraying their decade-long rivalry that culminated in Exotic's 2019 federal conviction for hiring a hitman to murder Baskin. Adapted from the second season of Wondery's investigative podcast Over My Dead Body, the narrative centers on Baskin's advocacy to end Exotic's roadside zoo operations at the , which included public tiger cub petting sessions and breeding practices she deemed exploitative. Exotic's retaliation escalated from legal battles and smear campaigns to death threats and the murder plot, for which he received a 22-year sentence in January 2020. The series explores underlying personal tragedies, including Baskin's unresolved 1997 disappearance of her second husband and Exotic's chaotic personal life amid disputes. While drawing from documented events, the production faced criticism for sensationalism similar to Netflix's Tiger King documentary, with Baskin asserting that producers exaggerated the feud's intensity for dramatic effect despite limited direct interaction. Critically, it holds a 33% approval rating on Rotten Tomatoes based on 27 reviews, with detractors noting uneven pacing and caricatured portrayals overshadowed by the prior documentary's cultural impact.

Background and premise

Real-life origins of the feud

The feud between and stemmed from fundamental disagreements over the treatment, breeding, and public interaction with . Baskin founded her sanctuary, initially called Wildlife on Easy Street, on November 4, 1992, in , after rescuing a ; it evolved into , a non-profit opposing commercial breeding, private ownership, and cub-petting exhibits, which she argued fueled an exploitative trade in captive wildlife. In contrast, Joseph Maldonado-Passage () established the in , in 1997 using insurance proceeds from his brother's fatal car accident, building it into a facility that bred tigers and other while generating revenue through public cub petting and roadside shows. Conflicts arose in 2009 when volunteers initiated protests and email campaigns targeting shopping malls that hosted Exotic's traveling cub-petting events, pressuring venues to cancel to disrupt his , which relied on such interactions to promote and sales. Exotic perceived these actions as hypocritical attacks on his livelihood, given Baskin's also charged admission fees and accepted donations for animal care, though it prohibited . In retaliation, Exotic formed an entity called and began using Baskin's organization's name and a similar to advertise his operations, prompting her to sue him for in federal court in January 2011; she won a $1 million judgment, though Exotic largely evaded payment. This legal clash marked the escalation, with Exotic producing propaganda videos accusing Baskin of murdering her second husband, , who vanished on August 18, 1997, and feeding his remains to tigers—claims unsubstantiated but rooted in Lewis's prior threats to leave and donate their fortune to animal causes. Baskin maintained the efforts targeted industry-wide practices like cub petting, not personal animosity, but Exotic's responses included threats and violations using her image.

Adaptation from podcast to series

The Peacock miniseries Joe vs. Carole originated as a scripted adaptation of the Wondery podcast "Joe Exotic: Tiger King" (later retitled "Joe vs. Carole"), which formed the second season of the investigative anthology series Over My Dead Body and was hosted and reported by Robert Moor. Released in six episodes starting in late 2019, the podcast drew on extensive interviews, court records, and on-site reporting to detail the origins of the feud between Carole Baskin, founder of , and Joe Schreibvogel (known as ), operator of the , highlighting their conflicting approaches to conservation and breeding. Etan Frankel, tasked as showrunner, executive producer, and primary writer, converted the podcast's narrative-driven audio format into an eight-episode dramatic series, expanding on the investigative structure through fictionalized dialogue, reenacted events, and visual depictions of the subjects' early lives and motivations. This process involved scripting scenes to portray the psychological and ideological clashes predating the 2017 murder-for-hire plot, including Baskin's activism and Exotic's roadside operations, while incorporating podcast-sourced details like legal battles over regulations. The adaptation prioritized character interiors over the podcast's journalistic detachment, enabling portrayals by actors as Baskin and as Exotic, with production emphasizing period-accurate recreations of and settings. Development began prior to the 2020 Netflix documentary , with the series initially titled Joe Exotic before rebranding to Joe vs. Carole to reflect the dual focus; handled scripting and production for Peacock, releasing all episodes simultaneously on March 3, 2022. Unlike the podcast's reliance on real audio clips and witness accounts, the series employed dramatic license for pacing and emotional depth, such as intensified personal vendettas, while adhering to core events verified in Moor's reporting, including USDA inspections and sanctuary accreditation disputes. This shift from nonfiction audio to serialized fiction aimed to humanize the antagonists' backstories amid their shared obsession with exotic felines, though critics noted it sometimes amplified eccentricities for entertainment value.

Cast and characters

Main cast

Kate McKinnon portrays Carole Baskin, the founder of and a prominent activist central to the feud with . John Cameron Mitchell plays (born Joseph Maldonado-Passage), the flamboyant owner of the whose escalating conflicts with Baskin drive the narrative. Kyle MacLachlan depicts Howard Baskin, Carole's husband and operational partner in , providing strategic support in their advocacy efforts. Brian Van Holt stars as John Reinke, Exotic's longtime park manager who handles daily operations amid the chaos of animal care and legal troubles. Sam Keeley embodies John Finlay, Exotic's former husband and early business associate whose personal struggles influence the park's dynamics.
ActorRoleDescription
Kate McKinnonCarole BaskinAnimal rights advocate and sanctuary operator opposing Exotic's roadside zoo practices.
John Cameron MitchellJoe ExoticEccentric big cat breeder and entertainer locked in a bitter rivalry with Baskin.
Kyle MacLachlanHoward BaskinCarole's spouse and Big Cat Rescue executive aiding in conservation and legal battles.
Brian Van HoltJohn ReinkeExotic's dedicated operations manager navigating park management and personal hardships.
Sam KeeleyJohn FinlayExotic's ex-husband and initial collaborator facing addiction and relational turmoil.

Recurring and guest cast

Dean Winters portrays Jeff Lowe, the opportunistic businessman who partners with and later assumes control of the amid financial troubles. plays Travis Maldonado, Exotic's impulsive young husband whose volatile behavior and untimely death in 2017 contribute to the zoo's chaos. depicts John Reinke, Exotic's loyal but ailing zoo manager, who manages daily operations despite . embodies John Finlay, Exotic's first husband and early business partner, whose issues strain their relationship. appears as Howard Baskin, Carole Baskin's supportive second husband who aids in her advocacy efforts against animal exploitation. Notable guest appearances include as Rick Kirkham, the TV producer whose failed documentary project exposes tensions within Exotic's operation. Other supporting roles feature Marlo as Kelci Saff, a at Exotic's facility, and various portraying legal and peripheral figures in the escalating feud.

Episodes

Episode list and summaries

The miniseries consists of eight episodes, with all installments released simultaneously on Peacock on March 3, 2022.
No.TitleSummary
1Unwanted AnimalsA feud is born between a woman devoted to saving big cats and the owner of an exotic animal zoo.
2SanctuaryJoe road-trips to Florida; Carole sets her sights on taking down another big cat owner.
3DonCarole sues Joe, who goes on a media offensive; Joe hires an ally.
4A Gun-Toting, Animal-Loving, Mullet-Wearing Motherf**king StarJoe campaigns for president; Carole deals with an escaped tiger.
5The Tiger KingJoe meets another love interest; Carole takes her message to Congress.
6A Fairy TaleJoe and his new partner struggle to save the zoo; Carole attends a fundraiser.
7The Florida ProblemJoe finds a solution to his problems with Carole; Carole hires a security detail.
8Survival of the FittestJoe’s world implodes as federal agents raid his zoo.

Production

Development and scripting

The limited series Joe vs. Carole entered development in the summer of 2020, amid heightened public interest in the real-life feud between Joseph Maldonado-Passage () and following Netflix's documentary in March of that year. The project originated as a scripted adaptation of the Joe Exotic: Tiger King, hosted and reported by Robert Moor, which detailed the origins of the rivalry predating the Netflix series. Etan Frankel served as , , , and primary , tasked with transforming the 's investigative narrative into an eight-episode dramatic format spanning the 1990s to the mid-2010s. , who portrays Baskin, was also credited as a co- alongside Frankel. Frankel drew directly from Moor's research, incorporating elements like court documents, interviews, and timelines of events such as Exotic's GW operations and Baskin's advocacy, while emphasizing causal motivations like ideological clashes over and personal vendettas. Scripting involved a collaborative writers' room, with Frankel overseeing adaptations that balanced factual fidelity—such as Exotic's 1997 and 2003 to Brian Rhyne—with dramatic structuring to depict the escalating , including Baskin's 2013 USDA complaints against Exotic's facility. The pilot episode, "Unwanted Animals," was penned by Frankel, , Donnetta Grays, Lancellotti, and Diaz, integrating podcast-sourced details like early encounters between the protagonists in the big-cat breeding community. Subsequent episodes featured contributions from additional writers to maintain narrative momentum across key events, such as Exotic's 2017 political run and legal battles, without altering verified timelines. Production was handled by and , with scripts prioritizing empirical anchors from primary sources over sensationalism.

Casting process

The casting process for Joe vs. Carole was led by U.S. casting director Susie Farris, with Australian casting director Kirsty McGregor handling local background roles during in . The project originated from the 2019 Wondery podcast Over My Dead Body: , enabling initial casting to proceed before the real-life figures gained widespread notoriety from Netflix's documentary in March 2020. , recognized for her impressions and dramatic range, was attached early as , the big-cat sanctuary operator. John Cameron Mitchell, known for roles in queer cinema like Hedwig and the Angry Inch, was announced as Joe Exotic on April 19, 2021, selected for his ability to embody the zookeeper's flamboyant, volatile persona in a scripted drama rather than documentary reenactment style. The choice emphasized actors capable of nuanced portrayals amid the subjects' polarizing public images, with Mitchell describing the role as a "lifetime" opportunity comparable to Shakespearean complexity. Supporting roles followed, including Kyle MacLachlan as Howard Baskin, Carole's husband, leveraging the actor's experience in eccentric authority figures from projects like Twin Peaks. Additional principal cast announcements in mid-2021 included as park manager John Reinke, as Joe Exotic's husband John Finlay, and as Travis Maldonado, focusing on performers who could capture interpersonal dynamics and personal struggles without relying on post- mimicry. Showrunner Etan Frankel, in discussions on adapting the , highlighted the intent to build authentic character worlds through these selections, prioritizing dramatic depth over sensationalism. First-look images featuring McKinnon in character were released on , 2022, ahead of the March 3 premiere.

Filming locations and techniques

Principal photography for Joe vs. Carole occurred entirely in , , beginning in September 2021, with locations selected to stand in for the American settings of and amid production constraints. Screen Queensland Studios in served as the primary production hub, facilitating interior and controlled exterior shots that replicated the and facilities. Outdoor filming utilized diverse regional sites, including the Gold Coast's Main Beach to depict Tampa, Florida's coastal environments, and the Redlands Coast area—encompassing Capalaba and Raby Bay Foreshore Park—for rural and waterfront scenes evoking Oklahoma's landscapes. These choices leveraged Australia's stringent and filming incentives, avoiding U.S. locations despite the story's origins. The series employed extensive () for all depictions of big cats and other exotic animals, opting against live animals at the insistence of to prevent exploitation or harm. Photo-realistic VFX were created by MPC, integrating seamlessly with practical sets to portray enclosures and interactions without on-set wildlife. Jules O'Loughlin applied a desaturated color palette shifting from vibrant oranges to muted tobacco tones, enhancing the gritty realism of the protagonists' worlds through lighting and post-production grading at Cutting Edge Post in . This approach earned recognition from for cruelty-free innovation, though some critics noted the CGI's occasional visual limitations.

Release

Premiere and distribution

The limited series Joe vs. Carole on Peacock on March 3, 2022, with all eight episodes released simultaneously for streaming. This binge-release approach deviated from Peacock's typical weekly rollout for other originals, allowing immediate access to the full narrative. Distribution was handled exclusively by Peacock, NBCUniversal's streaming service, in the United States, where subscribers could access the series via the platform's premium tiers. Internationally, it became available on and NOW in the starting March 4, 2022, marking an early expansion beyond the U.S. market. No theatrical or broadcast television release occurred, positioning the series firmly within the direct-to-streaming model prevalent for limited scripted content during that period.

Marketing and promotion

The promotional campaign for Joe vs. Carole emphasized the series' roots in the real-life feud dramatized in Netflix's , targeting audiences interested in and dramatic narratives while highlighting the star power of as and as . On January 21, 2022, Peacock announced the retitling from the initially planned Joe Exotic to Joe vs. Carole, coinciding with the release of an official that previewed the central conflict between the big-cat rescuer and the roadside operator. This rebranding aimed to underscore the bilateral rivalry, differentiating the scripted series from prior documentaries. A full trailer followed on February 3, 2022, featuring clips of the escalating tensions, exotic animal elements, and character confrontations to build anticipation ahead of the March 3 premiere, when all eight episodes dropped simultaneously on the Peacock streaming service. The marketing strategy, developed by Trailer Park Group, deliberately shifted away from the sensationalism of Tiger King toward a focus on underlying controversy and interpersonal drama, appealing to viewers of darkly comedic true-story adaptations rather than exploiting eccentricity for shock value. Promotion leveraged the series' basis in the Wondery podcast Joe Exotic: Tiger King, positioning it as an origin story of the documented feud. Peacock integrated the campaign into its broader original content push, with trailers distributed across YouTube, social media, and entertainment outlets to capitalize on residual interest from the 2020 Tiger King phenomenon, though specific ad spend or partnership details were not publicly disclosed. The effort prioritized streaming exclusivity, encouraging subscriptions by framing the series as a deeper exploration of ethical clashes in the exotic animal trade.

Reception

Critical reviews

The limited series Joe vs. Carole garnered predominantly negative reviews from critics upon its March 3, 2022, premiere on Peacock, with aggregate scores reflecting widespread disappointment in its execution as a scripted following Netflix's documentary. reported a 33% Tomatometer approval rating based on 27 reviews, yielding an average critic score of 5.1/10. assigned a weighted average of 53 out of 100 from 17 reviews, indicating "mixed or average" reception. These scores underscore a consensus that the series struggled to justify its existence, often appearing as a redundant retelling lacking the original's raw, unfiltered appeal. Critics lambasted the production for sanitizing and flattening the eccentric personalities central to the feud, resulting in a narrative that felt contrived and less compelling than the documentary's real-life absurdity. characterized it as a "grueling lesson for audiences in 'be careful what you wish for'" regarding documentary adaptations, arguing the scripted format amplified flaws while diluting the source material's chaotic vitality. The Independent deemed it "almost hypnotically pointless," faulting its misguided approach for veering into superficial territory without adding substantive insight. noted the series' attempt to depict the escalating rivalry but critiqued its failure to sustain tension, portraying the characters' vows to "take the other down" as underdeveloped amid familiar beats. Performances drew divided responses, with John Cameron Mitchell's portrayal of Joe Exotic frequently praised as a highlight amid broader shortcomings. Vanity Fair identified Mitchell as the "clear winner," lauding his terrific embodiment of the zookeeper's flamboyant volatility in an "otherwise unnecessary limited series." The Hollywood Reporter echoed this, commending Mitchell's capture of Exotic's mannerisms while observing the overall rivalry's dramatization paled against the 2020 documentary's cultural grip. Kate McKinnon's Carole Baskin, however, elicited more criticism for lacking nuance, with some reviews suggesting her interpretation leaned too heavily on caricature without exploring the character's motivations deeply. Common Sense Media highlighted the series' rehashing of a "tired story" burdened by mature content, reinforcing perceptions of narrative fatigue. A minority of reviews offered tempered positivity, appreciating the series' sensitivity toward its subjects' complexities. The Guardian described it as "bracing, fun and surprisingly sensitive," acknowledging the inherent excess of the material while crediting its effort to humanize the protagonists beyond tabloid sensationalism. Despite such notes, the prevailing critique centered on timing and redundancy, with outlets like CNN observing the story had "exhausted its nine lives" by 2022, rendering the adaptation untimely and uninspired.

Audience and viewership metrics

Specific viewership data for the Peacock Joe vs. Carole, which premiered on , , was not publicly released by . The program did not register on Nielsen's weekly top streaming rankings during the period immediately following its debut, unlike high-profile releases that typically enter such charts with measurable household viewership. Independent demand analytics from Parrot Analytics indicated subdued audience interest, measuring demand for the series at less than one tenth of the average TV show in markets like . Entertainment analysts attributed this to viewer fatigue from prior content, suggesting the scripted retelling failed to recapture widespread attention despite promotional efforts. User-generated metrics reflected middling reception. On IMDb, the series holds a 6.3 out of 10 rating from 2,325 user reviews as of the latest available data. Metacritic's user score compilation similarly pointed to average appeal, though specific numerical aggregates were limited. These figures contrast with the original Netflix docuseries Tiger King: Murder, Mayhem and Madness, which Nielsen reported reached 64.1 million U.S. households for its initial episodes within the first month of release in 2020, highlighting the challenges in replicating documentary-driven phenomena through scripted formats.

Portrayal accuracy and controversies

The miniseries Joe vs. Carole, released on Peacock on March 3, 2022, presents a dramatized account of the real-life feud between big cat breeder Joseph Maldonado-Passage (known as Joe Exotic) and animal rights activist Carole Baskin, drawing from the 2019 Wondery podcast Joe Exotic hosted by Robert Moor. As a scripted production, it employs fictionalized dialogue, composite scenes, and interpretive character motivations to condense timelines and heighten conflicts, such as Exotic's efforts to undermine Baskin's Big Cat Rescue sanctuary and Baskin's advocacy against roadside zoos. Critics noted that these artistic choices prioritize entertainment over verbatim historical fidelity, with the series concluding before Exotic's 2018 arrest on federal wildlife and weapons charges. Joe Exotic, serving a 22-year prison sentence at the time of release, publicly denounced the series for exploiting his image without compensation or consultation, stating in a March 3, 2022, interview that he planned to pursue legal action against the producers, similar to his prior lawsuits against over . He argued that the portrayal profited from his notoriety amid his ongoing incarceration, though no successful suit materialized by late 2022. Carole Baskin, whose husband Howard Baskin is portrayed by Kyle MacLachlan, responded to the January 21, 2022, trailer by characterizing the series as a likely "parody based on Joe Exotic's false claims," emphasizing that the source podcast depended heavily on Exotic's self-reported accounts, which she deemed unreliable given his history of legal convictions including animal cruelty and murder-for-hire plots. Baskin expressed mild optimism about Kate McKinnon's performance but reiterated broader frustrations with media depictions, having previously claimed in November 2021 that Tiger King misrepresented her as villainous while omitting her sanctuary's USDA inspections showing compliance. Viewer and commentator analyses identified specific deviations, including a more sympathetic framing of Exotic's personal backstory—such as his early experiences with homosexuality and family dynamics—not deeply explored in documentaries—and alterations to supporting figures like financier Jeff Lowe, whose on-screen demeanor was seen by some as less antagonistic than documented interactions. John Cameron Mitchell's portrayal of Exotic emphasized vulnerability and showmanship, while McKinnon's Baskin highlighted ideological zeal, prompting debates over whether the series softened ethical lapses on both sides, such as Baskin's unproven involvement in her ex-husband Don Lewis's 1997 disappearance or Exotic's documented 2017 animal sales violations. These elements fueled accusations of selective narrative bias, with the production's basis in pre-Tiger King reporting limiting new evidentiary insights.

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