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Just Beyond

Just Beyond is an American television series created by for Disney+, consisting of eight episodes that explore supernatural themes such as witches, aliens, ghosts, and alternate dimensions through standalone stories of self-discovery. The series is adapted from a series of the same name published by and written by , known for his franchise, with each episode presenting a self-contained narrative aimed at a audience. Produced by , Just Beyond premiered exclusively on Disney+ on October 13, 2021, and features a diverse cast including , , and , directed by filmmakers such as and David Katzenberg. Critically, the show received positive reviews for its family-friendly approach to , earning an 88% approval rating on based on a limited number of reviews, with praise for its imaginative storytelling and visual effects. However, Just Beyond was removed from Disney+ on May 26, 2023, as part of the platform's content purge, and as of November 2025, is available for free with ads on and for purchase on digital platforms such as .

Overview

Premise

Just Beyond is an horror comedy anthology television series created by for Disney+, based on the graphic novel series of the same name by . The series features self-contained episodes centered on tweens and teens encountering eerie events in a mysterious "world just beyond" their everyday reality, blending elements of with comedic and heartfelt moments. These stories often explore themes of friendship, family, and , using supernatural dilemmas to impart moral lessons suitable for young audiences. Drawing inspiration from Stine's iconic Goosebumps storytelling style, Just Beyond adapts classic horror tropes—such as witches, ghosts, aliens, and parallel universes—into toned-down scares appropriate for viewers aged 8-12, earning a TV-PG rating. The anthology format allows each installment to tackle relatable adolescent challenges like anxiety, , and through thrilling, otherworldly narratives that encourage self-discovery. Promoted with the tagline "astonishing and thought-provoking stories of a just beyond the one we know," the series aims to captivate families with its mix of and positive messaging, distinguishing it as a gateway to for younger viewers.

Format

Just Beyond is an consisting of eight standalone , each featuring a new cast of characters and a self-contained story without an overarching plot or recurring characters across the season. Each runs approximately 25 to 30 minutes, allowing for compact narratives that build tension and resolve within a single installment, often directed and written by different creative teams to vary the storytelling approach. The series employs a visual style that blends practical effects with to depict elements such as ghosts, witches, and demons, creating eerie atmospheres suitable for young audiences with comedic undertones and mild scares that avoid . This tonal balance emphasizes and self-discovery, delivering twisty yet hopeful resolutions that align with Disney's guidelines. Episodes loosely adapt stories from R.L. Stine's graphic novel series of the same name, expanding the source material into live-action formats while preserving the author's signature blend of eerie suspense and uplifting themes for teen viewers.

Production

Development

Disney+ greenlit the eight-episode Just Beyond in May 2020, adapting R.L. Stine's series of the same name, which began publishing in 2019. The project was created by , who served as writer and executive producer through his KatzSmith Productions banner in partnership with David Katzenberg. Additional executive producers included as co-executive producer, along with Stephen Christy and Ross Richie, with the series produced by . The adaptation process involved assembling a to select and expand short stories from Stine's graphic novels into standalone television episodes, capturing the original material's spirit while tailoring it for the screen. Grahame-Smith emphasized developing "safe scares" that deliver intense, family-friendly horror aligned with Disney's brand, avoiding overly gory or traumatizing elements to appeal to a broad audience including children, teens, and adults. This approach drew inspiration from Stine's tween-focused horror niche, reminiscent of his series, but positioned for a streaming platform with episodic variety. The initial concept evolved directly from the graphic novels' anthology structure, where each issue presents a self-contained tale, translating seamlessly to without plans for ongoing or interconnected narratives. Grahame-Smith described the format as a creative "playground" for storytelling, allowing fresh casts, settings, and supernatural threats in every episode to sustain the series' 30-minute runtime.

Filming

Principal photography for Just Beyond commenced in March 2021 in Atlanta, Georgia, with production wrapping later that year to meet the October premiere schedule on Disney+. The series was filmed predominantly in and around Atlanta, leveraging the region's tax incentives and production infrastructure, often referred to as "Hollywood of the South." Key locations included Agnes Scott College and areas around East Lake Drive in Decatur for exterior and campus scenes, Georgia Tech for institutional settings, Boulder Park in Fulton County for neighborhood sequences, the Infinite Realities Comic Book store in Tucker, and the historic Fox Theatre in downtown Atlanta, which featured in promotional materials for its haunted aesthetic. Additional shoots occurred in Covington, approximately 26 miles east of Atlanta, to capture suburban and rural exteriors. Soundstages in the Atlanta area were utilized for constructing supernatural environments, such as haunted houses and alien landscapes, allowing for controlled filming amid the ongoing COVID-19 pandemic. The production employed a rotating directorial team, with helming the first two episodes to establish the anthology's tone of youthful horror and fantasy. Technical aspects combined practical effects, including for character transformations and creature designs, with extensive (VFX) to realize otherworldly elements like ghosts, demons, and storms. VFX studios such as VFX Legion handled dynamic simulations in Houdini for magical conjurations and digital sorcery in episodes like "Which Witch?", while contributed hair-raising ghost simulations and transformation sequences requiring complex particle effects. Filming faced challenges from protocols standard to 2021 television productions, including frequent testing, symptom monitoring, and limited crew sizes to ensure safety on set. These measures, implemented across the following shutdowns in , contributed to an accelerated schedule for the eight-episode season while balancing the demands of working with young actors.

Episodes

Episode list

The eight-episode anthology series Just Beyond was released in its entirety on Disney+ on , 2021, produced by .
No.TitleDirectorWriter(s)Original release dateRuntime
1Leave Them Kids Alone, 202130 min
2Parents Are From Mars, Kids Are From VenusAntonio NegretRob Rosell, 202128 min
3Which WitchRyan ZaragozaMitali Jahagirdar, 202129 min
4My MonsterDavid KatzenbergCourtney Perdue, 202128 min
5UnfilteredNneka Gerstle, 202127 min
6We've Got Spirits, Yes We DoDavid Walpert, 202132 min
7Standing Up For YourselfDavid Katzenberg, 202124 min
8The TreehouseSarah Wise, 202129 min
Sources: Episode credits and runtimes per IMDb.

Episode summaries

In the premiere episode, "Leave Them Kids Alone," Veronica Vanderhall, a passionate young activist played by Mckenna Grace, is sent to the rigid Miss Genevieve's School for Difficult Girls after clashing with authority figures over environmental causes. There, she encounters strict headmistress Miss Genevieve (Nasim Pedrad) and befriends roommate Heather (Lauren Lindsey Donzis) and resistant student Claire (Leeann Ross), who reveals the school's sinister secret: a hidden lab where nonconformist girls are brainwashed into obedient "perfect" students using experimental procedures. Veronica, drawing on her rebellious spirit, uses a smuggled speaker to blast empowering music that reverses the brainwashing process, sparking a full uprising among the students and exposing the scheme, ultimately emphasizing themes of self-expression and resistance against oppressive conformity. "Parents Are From Mars, Kids Are From Venus" follows best friends Jack (Gabriel Bateman) and Ronald (Arjun Athalye), who grow suspicious of their parents' odd behaviors during family game nights, including chanting in robes and levitating objects, leading them to consult eccentric conspiracy theorist Crazy Chris (Henry Thomas) at his curiosity shop. As the boys spy on a lakeside trip and witness tentacles emerging from their parents—Dale (Tim Heidecker) and Bonnie (Riki Lindhome)—they attempt a frantic escape in the family camper, only to crash and learn the shocking truth: the entire family are aliens from another planet, with the boys' recent rashes signaling their readiness to embrace their heritage, and the camper revealed as a disguised spaceship. The episode resolves with the family departing Earth, highlighting themes of identity discovery and familial bonds beyond the ordinary, in a lighthearted alien twist. In "Which Witch," teenage witch Fiona (Rachel Marsh), who conceals her supernatural abilities to fit in at high school, faces upheaval when her exuberant cousin Luna (Jy Prishkulnik), fresh from witch training, arrives and begins openly using , drawing unwanted attention from classmates and teacher Mr. Barnett (David Lengel). Invited to the homecoming dance by crush Emilio (Will Kindrachuk), Fiona's secret unravels when a jealous mean girl steals Luna's and causes chaos at the event, framing Fiona for the mishaps. Embracing her heritage, Fiona wields her powers to restore order, earning respect and discovering Emilio's own secret as a , culminating in a resolution that celebrates and the power of authenticity over hiding one's true nature. Note: used for cast confirmation, but primary plot from recap. "My Monster" centers on Olivia (Megan Stott), a high-achieving cheerleader and captain dealing with her parents' , who moves into her mother's eerie childhood home and begins seeing a terrifying masked figure that stalks her at school and during practice. Teaming up with friend Graham () to investigate, Olivia learns from elderly neighbor Mrs. Lipton (Lynn Wanlass) that the entity is a manifestation of her own anxiety, a "monster" her mother once faced similarly. By confronting her fears head-on during a climactic encounter, Olivia banishes the figure, regaining control and underscoring the episode's moral about , facing inner demons, and the supportive role of in overcoming personal struggles. "Unfiltered" explores the perils of superficiality through Lily (Izabela Vidovic), an intelligent but insecure teen overlooked for her brains rather than looks, who downloads a mysterious beauty app suggested by substitute teacher Ms. Fausse (Christine Ko) that digitally alters her appearance for social media fame. As upgrades make her increasingly popular but erode her personality, memories, and relationships—including losing her best friend Carmen (Jordan Shirley) and Quiz Bowl spot—Lily chases perfection until she uncovers Ms. Fausse's home as a trap housing souls bartered for eternal youth. Smashing the enchanted mirrors to free the captives and defeat the villain, Lily reverts to her authentic self, delivering a cautionary tale on the dangers of valuing outer beauty over inner substance and the addictive nature of social validation. "We've Got Spirits, Yes We Do" traps isolated high schooler Ella (Lexi Underwood) in a haunted historic theater during a field trip, where she encounters the friendly ghosts of actors killed in a long-ago fire, led by veteran performer Vivian (Kate Baldwin), who urge her to join their eternal play to escape her real-world loneliness stemming from a fallout with ex-best friend Zoe (Claire Andres). Navigating the spectral production, Ella confronts the ghostly "Critic" Dolores, whose bitterness mirrors her own isolation, and uses the experience to mend her friendship by forgiving past betrayals. The supernatural resolution allows Ella to return to the living world empowered, reinforcing themes of reconciliation, the healing power of performance, and moving beyond grudges. "Standing Up for Yourself" depicts the downfall of domineering bully Larkin (), whose intimidating scar and family influence—via his powerful father Rick (David de Vries)—allow him to torment new student Evan Burger (Henry Shepherd), a kind boy with a , without consequence. After Evan confides in his grandmother about the , she places a that shrinks Trevor physically and erodes his social power, forcing him to navigate a miniaturized existence where Evan aids him despite the history. Witnessing the town transform under the benevolent Burger family's rising influence, Trevor learns humility and the value of , resolving with his curse lifted only after genuine change, imparting a moral on the consequences of and the strength found in standing against . The series finale, "The Treehouse," follows grieving teen Sam (Cedric Joe), who copes with his father's death by retreating to their shared treehouse and buying a rare comic with friend Mason (Jack Gore), only for bully Tommy (Jackson Tessmer) to destroy it. A lightning strike transports Sam to an alternate universe where his father Andy (Malcolm Barrett) is alive, but roles are reversed with Mason as the outcast; using comic-inspired ingenuity, Sam and his alternate dad rebuild the treehouse to portal back. Torn between worlds, Sam chooses to return for his mother Jenny (Christine Adams), awakening from a coma with a symbolic carved initial from the other reality, emphasizing themes of processing loss, cherishing memories, and the courage to move forward.

Release

Premiere

All eight episodes of Just Beyond premiered simultaneously on Disney+ on October 13, 2021, following a binge-release model that enabled audiences to access the full anthology series immediately upon launch. This approach aligned with the platform's strategy for original anthology content, allowing viewers to explore the interconnected supernatural tales without weekly waits. The marketing campaign kicked off in late September 2021 with an official trailer highlighting eerie supernatural themes like witches, aliens, and ghosts, leveraging R.L. Stine's iconic brand from works such as Goosebumps to appeal to young audiences. Promotions emphasized the Halloween season, including a special drive-in premiere event on October 12, 2021, at West Los Angeles College, and targeted families through Disney's broadcast and digital channels as part of the "Hallowstream" programming lineup. Positioned within Disney+'s post-2019 expansion of original scripted series, Just Beyond served as a tween-oriented entry into horror-comedy, filling a niche for age-appropriate stories akin to Stine's earlier adaptations. The launch capitalized on the platform's growing library of genre content to attract subscribers during the fall viewing period.

Availability and removal

Following its premiere, Just Beyond was distributed exclusively through Disney+ on a global scale, becoming available to international subscribers starting October 13, 2021, with audio dubs and subtitles provided in multiple languages to accommodate diverse audiences. The series did not air on traditional linear television networks, positioning it as a streaming-only original. On May 26, 2023, Disney removed Just Beyond from its Disney+ platform as part of a broader cost-cutting initiative aimed at purging underperforming original content, which impacted dozens of titles across Disney+ and . This removal left the series inaccessible on the service without prior warning to subscribers. The had notable implications for the series' accessibility and legacy, as no official releases—such as DVD or Blu-ray editions—were produced during its run or afterward. Episodes subsequently became unavailable to new viewers, prompting fan discussions on the challenges of preserving streaming-exclusive content in the digital era. No announcements regarding resale or licensing rights for the series have been made public. As of 2025, Just Beyond remains unavailable on any major streaming platform, with no confirmed plans for re-acquisition, effectively concluding its run after a single season.

Reception

Critical response

Just Beyond received generally positive reviews from critics, earning an % approval rating on based on eight reviews. Critics praised the series for its family-friendly approach to storytelling, highlighting the strong performances from its young and the lighthearted humor that balances the spooky elements. The format was commended for staying true to R.L. Stine's style of accessible , with inventive premises involving ghosts, witches, and alternate dimensions that emphasize themes of self-discovery and . Reviewers noted the diverse among the characters and the effective use of practical sets to create a creepy yet whimsical atmosphere suitable for tween viewers. However, some critics pointed out shortcomings in the execution, describing the scares as mild and the plots as predictable, which sometimes resulted in uneven pacing across episodes. The series was criticized for lacking genuine thrills, often prioritizing moral lessons over tension, making it feel more cute than genuinely eerie for older audiences. One review highlighted the visual consistency as a limitation, reducing in the storytelling despite the structure. IGN awarded the first season a 6 out of 10, calling it a "mixed bag of tales with barely any bite" but appreciating the fun ensemble and episodic adventures. gave it four out of five stars, lauding its psychological spookiness as appropriate for most tweens while introducing tropes without overwhelming fear. Decider recommended streaming it, noting that the warmth and sense of humor compensate for the absence of intense scares, making it a solid Halloween diversion for families. Overall, the consensus positioned Just Beyond as an engaging entry-level , particularly effective for younger viewers seeking mild chills with positive messages.

Accolades

Just Beyond received one notable industry recognition at the 74th in 2022. The episode "Which Witch?," written by Mitali Jahagirdar, was nominated in the Children's Episodic, Long Form and Specials category. This nomination highlighted the series' anthology writing for young audiences, though it did not secure a win. No additional awards or nominations from major ceremonies, such as the Emmys or youth media honors, have been recorded for the production or its cast.

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