Kick I
KiCk i is the fourth studio album by Venezuelan electronic record producer Arca, released on 26 June 2020 by XL Recordings.[1] Recorded between Barcelona and London, it comprises 13 tracks blending experimental electronic production with influences from club music, reggaetón, and pop, marking Arca's most accessible work to date.[2] The album initiates the KICK series, an expansive multi-part project forming a interconnected musical universe centered on themes of actualization, pleasure, and liberation.[3] Featuring collaborations with artists including Björk on "Afterwards", Shygirl on "Mequetrefe" and "Riquiquí", Rosalía on "KLK", and Sophie on "Faggot", KiCk i received critical praise for its ecstatic energy and innovative sound design while earning a nomination for Best Dance/Electronic Album at the 63rd Annual Grammy Awards.[1][4]Background
Conception and Artistic Intent
Arca developed KiCk i as the opening chapter of an expansive album series intended to probe themes of individuation, agency, and multifaceted identity. The title draws from the "prenatal kick," which Arca defines as "the first instance in which an unborn child manifests its will in a way that's irrevocably distinct from the parents," symbolizing an initial act of self-assertion independent of originators.[5] This concept frames the record as a sonic manifestation of emerging consciousness, aligning with Arca's exploration of personal transformation amid her transition and identification as a trans woman following her 2018 non-binary announcement.[6] Central to the artistic intent was fostering uninhibited expression across internal personas, as Arca explained: "There was a clear intention [on the album] to allow every self to express itself. Not to decide how much air time each self would get, but to allow for modulation between them in a spontaneous way."[7] She elaborated on the universality of fragmented identity, stating, "We all have multiple personalities. Rather than causing panic, I think maybe that could cause some relief," and rejecting norms with "There is no such thing as normal."[8] These elements informed a compositional approach that integrates Arca's experimental electronic foundations with pop structures, prioritizing fluidity over rigid categorization to evoke relief in multiplicity.[9] The work emerged from Arca's Barcelona-based practice, where she sought to translate introspective multiplicity into collaborative, vocal-driven tracks featuring artists like Björk and Rosalía, thereby externalizing internal dialogues while advancing a vision of electronic music as a vessel for raw self-manifestation.[10] This intent positions KiCk i, released on June 26, 2020, via XL Recordings, as both a personal milestone and a deliberate pivot toward broader sonic accessibility without diluting its core disruptiveness.[2]Context Within Arca's Discography
KiCk i serves as the inaugural installment in Arca's four-part "Kick" series, marking a pivotal evolution from the abstract, glitch-heavy experimentation of her earlier albums toward more rhythmic, club-infused structures designed for dancefloor application. Following the vocal explorations on the self-titled Arca (released April 7, 2017) and its instrumental companion Arco (also 2017), which delved into personal trauma and fragmented soundscapes, KiCk i integrates reggaeton rhythms, dembow patterns, and pop accessibility while retaining Arca's signature glitch aesthetics. Recorded amid relocations between Barcelona and London, the album was self-produced and released digitally on June 26, 2020, via XL Recordings, with physical formats following on July 17, 2020.[1][11] In the broader arc of Arca's discography, which began with the IDM-influenced debut Xen (November 4, 2014) and the sprawling, chaotic Mutant (November 20, 2015), KiCk i represents a deliberate pivot toward liberation and pleasure, refracting electronic club music through hyperpop and Latin electronic lenses. Collaborations with artists like Björk on "Afterwards," Rosalía on "KLK," SOPHIE on "Rakata," and Shygirl underscore this shift, blending Arca's avant-garde roots with mainstream-adjacent guests to explore themes of nonbinary identity and bodily autonomy in a more immediate, percussive format. The subsequent volumes—KICK ii (November 30, 2020), KicK iii (June 11, 2021), kiCK iiiii (December 3, 2021), and the 2022 compilation Kick—build on this foundation, progressively deconstructing and reassembling club tropes, but KiCk i establishes the series' core emphasis on ecstatic, fragmented dance energy as a response to prior works' introspective abstraction.[2][12] This positioning reflects Arca's maturation as a producer, transitioning from the insular, software-driven chaos of her Mute Records era (Xen and Mutant) to XL's platform for bolder, collaborative expressions, amid a global electronic scene increasingly embracing deconstructed club and hyperpop hybrids. While earlier albums prioritized sonic disintegration and emotional rawness—evident in Mutant's 17 tracks of maximalist noise—KiCk i's 12 tracks, averaging around 3 minutes, prioritize propulsion and hooks, signaling an intent to engage listeners beyond niche experimental audiences. The series culminated in a boxed set reissue, affirming KiCk i's role as the gateway to Arca's most commercially oriented yet conceptually rigorous phase.Production
Recording Process
KiCk i was recorded primarily in Arca's home studio located in her Barcelona apartment, following her relocation to the city in 2018.[10][6] The project was completed in 2019, after a three-year gap since her previous album.[6] Arca managed production independently, drawing on digital audio workstations such as Ableton Live for composition and sound design.[10] The approach prioritized spontaneity and improvisation, aligning with her performance-oriented workflow.[10] Vocal elements, including Arca's own heavily processed contributions, were integrated alongside guest recordings, reflecting a deconstructed fusion of pop and reggaeton structures.[6] Collaborative elements involved remote sessions due to geographical distances. Björk supplied vocals for "Afterwards" through pre-recorded files, with Rosalía providing guidance on Spanish pronunciation during preparation.[10] Similarly, SOPHIE contributed production assistance and vocals to "La Chíqui," enhancing the track's electronic textures.[2] These contributions were incorporated into Arca's core arrangements without on-site studio sessions for all parties.[10]Collaborations and Contributions
KiCk i incorporates vocal features from prominent electronic and experimental artists, enhancing Arca's solo production with diverse perspectives. Björk, a long-term collaborator who previously worked with Arca on albums such as Utopia (2017), provides ethereal vocals on the track "Afterwards," blending her signature otherworldly style with Arca's glitchy synths.[13] [14] Rosalía contributes rapid-fire Spanish-language verses to "KLK," marking their first joint project and infusing reggaeton-inflected rhythms into the album's experimental framework.[15] [16] SOPHIE, the late producer known for hyperkinetic pop deconstructions, co-produces and supplies vocals for "La Chíqui," delivering a frenetic, pitch-shifted energy that echoes her own work on tracks like those from Oil of Every Pearl's Un-Insides (2018).[2] [13] Shygirl appears on "Calor," adding raw, confrontational rap delivery over pulsating basslines, which contrasts Arca's more abstract vocal manipulations.[17] [18] Beyond vocals, the album credits additional production input from Carlos Sáez, who handled arrangements on tracks 8 ("Fofoca") and 11 ("Gordo"), as well as contributing to the cover imagery alongside Arca and Carlota Guerrero.[1] [11] Mixing was overseen by Alex Epton (XXXChange), ensuring cohesion across the album's 13 tracks, while Jake Miller engineered Björk's vocals specifically for "Afterwards."[11] Arca, credited as Alejandra Ghersi, handled primary production, writing, and instrumentation throughout, drawing from her expertise in modular synthesis and software like Max/MSP, with no other major co-producers listed.[15] [11] These contributions underscore the album's emphasis on interpersonal dynamics in electronic music creation, though Arca's vision remains dominant.[19]Musical Composition
Genres and Styles
KiCk i primarily encompasses experimental electronic music, blending avant-garde pop with deconstructed club elements, characterized by glitchy, slippery textures and high-definition production that chisel abstract sounds into more accessible forms.[2] The album draws on influences from reggaetón, techno, and bubblegum electro, refracting these into a chaotic yet cohesive sonic palette that emphasizes dance floor energy alongside experimental abstraction.[20] Tracks like "Nonbinary" exemplify Arca's pop-primed directness, merging vocal manipulation and rhythmic propulsion with avant-garde structures, while others incorporate power ballad swells and IDM-inspired braindance rhythms rooted in 21st-century electronic traditions.[2][21] Stylistically, the album prioritizes genre fluidity over rigid categorization, fusing club-oriented beats with hyperpop-adjacent aesthetics that challenge conventional electronic boundaries through eccentric sound design and manipulated vocals in English and Spanish.[22] This approach reflects Arca's broader oeuvre of deconstructing dance music tropes, incorporating Venezuelan rhythmic influences like reggaetón dembow patterns alongside synthetic glitches and layered percussion to create a liberating, pleasure-seeking vibe.[23] The result is Arca's most approachable yet radically visionary work, balancing eccentricity with pop accessibility without fully conforming to mainstream expectations.[2][20]Themes and Lyrics
KiCk i delves into themes of identity fluidity and personal transformation, with Arca framing transition as an inevitable process spanning "from birth to death."[6] The album symbolizes this through the "prenatal kick," representing the initial assertion of individuality and disagreement as signs of vitality.[6] Arca emphasizes allowing multiple "selves"—such as alter egos Electra Rex and Xen—to coexist without imposed norms, rejecting the notion of a singular "normal" state in favor of spontaneous modulation between identities.[24] These ideas draw from Arca's experiences as a trans Latina woman who also identifies with non-binary aspects, marking a shift toward joy and openness after earlier works steeped in dysphoria and stagnation.[25][26] Lyrically, the album employs bilingual Spanish-English phrasing, fragmented and processed vocals, and abstract poetry to evoke emotional multiplicity and cultural roots. Tracks confront external skepticism toward personal identity while asserting self-possession, as in the opener "Nonbinary," where lyrics challenge doubters questioning the artist's trans success and non-conformity.[27] "Machote" explores yearning for stereotypical masculine strength ("machote" denoting a tough, virile man), reflecting internal tensions in gender expression amid transition.[25] Songs like "Time" urge release and timing in emotional unfolding ("I know you want it / Time to let it out"), aligning with broader motifs of liberation and temporal flux.[28] Overall, the lyrics prioritize communal "kiki"-like energy—evoking LGBTQ+ gatherings—and deconstructed reggaeton influences to blend personal catharsis with Latin heritage, fostering euphoria over prior despair.[29][25]Promotion and Release
Singles and Music Videos
"Nonbinary" was released as the lead single from KiCk i on April 30, 2020, via XL Recordings.[30] The track features experimental electronic elements with Arca's vocals emphasizing themes of identity fluidity. An accompanying music video, directed by Arca, depicts a futuristic cyborg aesthetic with bionic limbs and anime-inspired fashion, released simultaneously and noted for its bold, NSFW visuals.[31] "Time" followed as the second single on May 20, 2020, coinciding with the album's official announcement and tracklist reveal.[32] This avant-pop track incorporates dreamy electro elements and served as a more accessible entry point to the album's sound. Its music video, repurposed from Arca's 2019 Mutant; Faith performance series, presents demonic, ritualistic imagery with distorted figures and intense lighting, enhancing the song's sensual and prismatic qualities.[33] "Mequetrefe" was issued as the third single on June 17, 2020, shortly before the album's release.[34] The song draws on reggaeton influences with jittery beats and Spanish lyrics promoting self-confidence and unapologetic expression. No official music video was produced for this single. "KLK", featuring Rosalía, debuted as the fourth and final pre-album single on June 22, 2020.[35] Co-written in Barcelona, the track blends neoperreo and deconstructed club styles, marking the artists' first collaboration. It did not receive a dedicated music video as part of the promotional campaign.| Single | Release Date | Featured Artist | Music Video |
|---|---|---|---|
| Nonbinary | April 30, 2020 | None | Yes |
| Time | May 20, 2020 | None | Yes |
| Mequetrefe | June 17, 2020 | None | No |
| KLK | June 22, 2020 | Rosalía | No |
Release Formats and Dates
KiCk i was first released in digital formats, including streaming and download options such as MP3 and high-resolution WAV/FLAC files, on June 26, 2020, through XL Recordings.[36][37] Physical editions, comprising a standard black vinyl LP and CD, were made available on July 17, 2020.[37][18] Subsequent pressings included limited-edition variants, such as a clear transparent vinyl LP and a silver reissue LP, though these were not part of the initial physical rollout.[11] The album's digital availability facilitated immediate global access, while physical copies catered to collectors preferring tangible media.[38] No cassette or other alternative formats were issued for the original release.[11]Reception
Critical Reviews
Upon its release on June 26, 2020, KiCk i received generally favorable reviews from music critics, earning a Metacritic score of 74 out of 100 based on 20 reviews, indicating "generally favorable" reception.[39] Critics frequently praised the album's blend of experimental electronic elements with more accessible pop structures, marking it as Arca's most approachable work to date while retaining her signature glitchy and dissonant textures.[2] However, some reviewers noted its dense production and chaotic energy as barriers to full accessibility, contrasting it with Arca's prior, more abrasive outputs.[40] Pitchfork's Chal Ravens awarded KiCk i a 7.5 out of 10, describing it as Arca channeling her "glitchy, slippery textures" into "hard definition" for pop-oriented tracks, with standout vocal contributions from Björk and Rosalía enhancing its emotional depth and thematic focus on nonbinary identity and self-actualization.[2] Ravens highlighted the album's "accessible" shift without diluting Arca's experimental core, though it occasionally veered into overwhelming density.[2] In The Guardian, Alexis Petridis gave it 3 out of 5 stars, commending the "broader palette" that mixes dissonance with "overground ambitions" but critiquing moments where the glitch-heavy beats overshadowed melodic hooks, positioning it as a subversive yet uneven pop experiment.[40] Other outlets echoed this mixed but positive consensus. Stereogum's premature evaluation noted the album's evolution from Arca's earlier "dense and uncomfortable" sound toward more structured, bass-driven tracks that reference club music influences while exploring personal transformation.[9] The Arts Fuse called it an "important step" in Arca's artistry, praising its "infectious" strangeness and sharp turns as enjoyable transgressions of pop norms.[41] Treble designated it Album of the Week, lauding the "intensely buzzing and glitching bass music" that innovatively nods to genre conventions without conforming.[21]| Publication | Score | Key Praise/Critique |
|---|---|---|
| Pitchfork | 7.5/10 | Accessible pop with glitchy depth; strong guest vocals.[2] |
| The Guardian | 3/5 | Broader ambitions amid dissonance; uneven hooks.[40] |
| Metacritic Aggregate | 74/100 | Generally favorable; experimental-pop fusion.[39] |
Accolades and Nominations
KiCk i received two major award nominations in 2021 but did not secure any wins. At the 63rd Annual Grammy Awards, held on March 14, 2021, the album was nominated in the Best Dance/Electronic Album category.[42] The nomination recognized its innovative electronic production and collaborations, marking Arca's first Grammy nod.[43] However, it lost to After Hours by the Weeknd.| Award | Date | Category | Result | Winner |
|---|---|---|---|---|
| 63rd Annual Grammy Awards | March 14, 2021 | Best Dance/Electronic Album | Nominated | After Hours by The Weeknd[42] |
| 22nd Annual Latin Grammy Awards | November 18, 2021 | Best Alternative Music Album | Nominated | Calambre by Nathy Peluso[44] |
Commercial Performance and Legacy
Chart Performance and Sales
KiCk i debuted on the UK Official Albums Chart on July 3, 2020, reaching a peak position of number 82 and spending one week in the listing.[45] The album did not enter major international charts such as the US Billboard 200 or Top Dance/Electronic Albums. No official sales figures or certifications have been publicly reported for the release, consistent with Arca's discography prioritizing artistic experimentation over mainstream commercial metrics.[46]Cultural Impact and Retrospective Views
KiCk i contributed to the evolution of experimental pop and deconstructed club music by blending Arca's avant-garde electronic style with accessible pop structures, drawing on influences like reggaeton and Venezuelan folk traditions.[47] This fusion positioned the album as a bridge between underground electronica and mainstream pop experimentation, evidenced by collaborations with artists such as Björk on "Time" and Rosalía on "KLK," which highlighted Arca's role in cross-pollinating Latin rhythms with global electronic scenes.[20] The track "Time," featuring the late producer Sophie, underscored Arca's ties to the hyperpop movement, amplifying the album's resonance within niche communities focused on gender fluidity and sonic innovation.[25] Retrospective assessments frame KiCk i as the inaugural installment of Arca's ambitious four-album KICK series (2020–2021), which collectively explored themes of personal transition and sonic rebellion, earning praise for its exuberant self-actualization amid Arca's own gender transition.[48] Critics have noted its lasting significance in expanding Latin electronic music on Arca's terms, as reflected in her first Grammy nomination for Best Dance/Electronic Album in 2021.[25] While initial reviews lauded its joyful subversion of pop conventions, some later reflections critique its relative density compared to the series' subsequent entries, yet affirm its role in Arca's trajectory toward fuller integration of cultural heritages like Brazilian funk and reggaeton thump.[49][47] The album's completion of the KICK era culminated in global fan events in cities including London, New York, and Tokyo in late 2021, signaling a dedicated following appreciative of its boundary-pushing ethos.[50]Track Listing and Credits
Standard Track Listing
The standard edition of Kick I, released on June 26, 2020, by XL Recordings, features 12 tracks.[1][51]- "Nonbinary"[1]
- "Time"[1]
- "Mequetrefe"[1]
- "Riquiquí"[1]
- "Calor"[1]
- "Afterwards" (featuring Björk)[1]
- "Watch" (featuring Shygirl)[1]
- "KLK" (featuring Rosalía)[1]
- "Fuera"[1]
- "La Sola"[1]
- "Lobo"[1]
- "Sisters"[1]