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Kim Craig

Kimberly Diane "Kim" Craig (née Day) is a fictional character and co-lead protagonist in the Australian television sitcom , portrayed by co-creator . The character, first developed through sketches on comedy programs like in 1994 and Something Stupid in 1998, became central to the series that premiered on on 16 May 2002 and ran for four seasons until 2007, spawning telemovies, a 2022 reunion special, and significant cultural impact in . Kim is the moody, immature, and self-indulgent adult daughter of Kath Day-Knight, a recently divorced suburban woman, with their dysfunctional yet affectionate mother-daughter relationship driving much of the show's humor. She resides in the fictional suburb of Fountain Lakes, embodying aspirational yet superficial middle-class values through her materialistic pursuits, such as coveting luxury items and social status, often expressed in catchphrases like "noice, different, unusual" and malapropisms like pronouncing "" with a silent "h." Married to the mild-mannered computer salesman Brett Craig, with whom she has a daughter named Epponnee-Rae (often called "Epp" or "Baby Effluent"), Kim's personal life frequently involves comedic mishaps, , and failed attempts at self-improvement. Portrayed as a "foxy " with an exaggerated sense of entitlement and celebrity-like demeanor, Kim satirizes the narcissistic tendencies of contemporary suburban youth and the commodification of fame, contributing to the series' acclaim for its sharp observations of domestic . Her character, alongside Kath and their circle including best friend , has achieved iconic status, generating merchandise, high DVD sales exceeding $20 million, and international recognition through airings.

Background and Creation

Character Origins

Kim Craig is a fictional character created by Australian comedians and for their work in the 1990s, drawing from observations of suburban life and the of the immature who remains overly dependent on family while exhibiting selfish and adolescent behaviors. Riley, who portrayed Kim, specifically cited inspiration from the 1994-1996 Channel Nine reality series Weddings, hosted by , where she noted the over-the-top behaviors of participants as a basis for the character's narcissistic and self-absorbed traits. Turner complemented this by developing complementary elements, such as the mother-daughter dynamic, influenced by shows like Sylvania Waters, to satirize everyday suburban pretensions. Riley and Turner first collaborated on the sketch comedy series Fast Forward (1989-1992) on the Seven Network, where, alongside collaborators like Magda Szubanski, they tested early versions of suburban characters amid parodies of Australian television and culture. Kim's more defined debut came in a long-form sketch titled "Kim’s Wedding" during Big Girl’s Blouse (late 1994), also on Seven, which expanded on her wedding preparations in a mockumentary style and highlighted her demanding personality. Further refinement occurred in sketches on Something Stupid (1998), allowing Riley and Turner to evolve the character through recurring scenarios before pitching it as a full series. In the show's lore, was established as being born in 1980, positioning her at approximately 22 years old when the series premiered on on May 16, 2002, though she often claimed to be 24 during early episodes to exaggerate her maturity. This transition from sketch prototypes to a standalone marked a significant evolution, transforming episodic gags into ongoing narratives of family dysfunction in the fictional suburb of Fountain Lakes.

Portrayal by Gina Riley

Gina Riley, an established Australian comedian and actress, brought her extensive experience in to the role of Kim Craig. She first rose to prominence as a performer on the Seven Network's satirical series (1989–1992), where she collaborated closely with on parodies of television, film, and popular culture. This partnership continued in the Seven Network's (1994–1995), a that also featured and introduced early versions of characters like Kath and Kim, allowing Riley and Turner to refine their comedic synergy through exaggerated suburban archetypes. Riley's portrayal of Kim emphasized distinct vocal and physical techniques to embody the character's self-assured yet immature demeanor. She modulated her voice to produce Kim's signature whiny, nasal tone, which often emerges involuntarily even off-set, as Riley has noted in reflections on the role's lingering influence. Physically, Riley adopted a slouched posture to mirror Kim's languid, accident-prone nature, incorporating elements of in scenes depicting mishaps and clumsiness, drawing from her background in broad sketch humor. In interviews, Riley has described the addictive thrill of eliciting laughs through such committed performances, highlighting how embodying Kim's unfounded boosted her own self-assurance. Riley has shared that Kim's character was inspired by real-life observations of suburban , particularly those exhibiting a mix of entitlement and obliviousness, which she and amplified from their roots. The show's creators drew from everyday encounters in Melbourne's outer suburbs to craft Kim's "pussy bottom " persona, ensuring in her entitled worldview. 's performance received widespread critical acclaim for its sharp comedic timing and relatability, contributing to 's status as a cultural phenomenon. She earned a for Most Popular Actress at the 2005 for her work as , recognizing the role's impact on television comedy. Despite initial skepticism toward female-led humor, 's nuanced depiction of Kim's flaws and vulnerabilities helped solidify the series' success and her own legacy in the genre.

Personality and Appearance

Physical Appearance

Kim Craig is portrayed with an build, accentuated by her frequent choice of cropped t-shirts that expose her and casual suburban attire such as tracksuits and low-rise , contributing to her comedic image as a slovenly, self-indulgent suburbanite. Her long brown hair, often styled with a straight fringe, frames a face typically adorned with heavy makeup, reflecting her superficial attempts at trendiness amid an otherwise unkempt presentation. The character's visual depiction emphasizes disheveled and unflattering looks, such as rumpled clothing, smudged makeup, or food stains, which underscore her accident-prone nature and laziness in humorous scenarios throughout the series. This styling choice amplifies the comedy by contrasting her arrogant self-image with her evidently careless habits, often leading to mishaps that highlight her physical clumsiness. Kim's self-consciousness about her weight is a recurring visual motif, depicted through failed diet attempts where she is shown succumbing to temptations like raiding the pantry or indulging in high-calorie snacks, reinforcing her inability to change despite verbal complaints. Across the seasons, her appearance evolves subtly, most notably during her pregnancy in the second series, where a prosthetic baby bump alters her silhouette and wardrobe to maternity versions of her usual tracksuits, before reverting to her standard form post-birth while retaining the same core stylistic elements.

Core Personality Traits

Kim Craig exhibits a moody and immature , often behaving like an adolescent despite being in her twenties, which underscores her self-absorbed and narcissistic tendencies. Co-creator and portrayer has described tapping into Kim's "incredibly selfish adolescent part" as a key aspect of the role, highlighting how her immaturity drives much of the character's comedic conflicts. This self-absorption manifests in her constant need for attention and validation, forming part of a "very narcissistic triangle" with her mother Kath and friend , as noted by cast member . Her laziness and rudeness further define her core traits, portraying her as a reluctant participant in daily responsibilities, frequently unemployed and reliant on family or her husband Brett for support. Descriptions from the Australian Screen Online archive emphasize Kim as "lazy" and "self-involved," particularly when she returns to live with her mother after personal setbacks. This demeanor extends to an arrogant self-perception, where she styles herself as a "yummy mummy" and "trophy wife," proclaiming to love herself "sick" in stark contrast to her everyday realities of indulgence and inaction. Kim's self-indulgent habits, such as excessive snacking on items like Dippity Bix and an affinity for , reinforce her avoidance of personal growth or effort. The Australian Centre for the Moving Image characterizes her as self-indulgent, aligning with her accident-prone nature that leads to frequent mishaps, often exacerbated by her where she attributes problems to external factors rather than her own choices. Despite these flaws, her traits fuel the show's humor through exaggerated depictions of suburban entitlement and denial.

Relationships

Romantic and Marital Relationships

Kim Craig's romantic history prior to her marriage reflects an immature approach to commitment, often prioritizing superficial attractions over long-term stability. In a flashback depicted in the series, Brett Craig originally arrives at the Day household intending to date Sharon Strzelecki, but upon seeing Kim, he is immediately smitten by her self-proclaimed "unnatural beauty" and abandons his plans, marking the beginning of their whirlwind courtship. This impulsive start sets the tone for their relationship, characterized by passion but lacking depth. Kim married Brett Craig in 2002, shortly after the events leading into the first season. However, the union quickly faltered, with Kim leaving him after just two months and returning to live with her mother, Kath Day-Knight, amid suspicions of Brett's . Their became a cycle of separations and reconciliations driven by mutual cheating; for instance, in the first season, Kim joins a team specifically to confront the Bolton twins, Kylie and Dannii, who seduced a drunk Brett at a . Kim herself engages in flings during periods of estrangement, further straining the bond, though these are often downplayed in her reconciliations with Brett. Despite the turmoil, the couple repeatedly patches things up, enduring brief separations across multiple seasons. In the second season, ongoing arguments over home renovations and personal priorities lead to another split, with Kim blaming a lack of time to "sow her " before settling down. Brett's absences, such as skipping birth classes during Kim's pregnancy, exacerbate tensions, yet they reunite frequently, highlighting a pattern of masked as romance. The birth of their , Epponnee-Rae Charlene Kathleen Darlene Craig, in the second in 2003, temporarily stabilizes the by shifting focus to family responsibilities, though underlying issues persist. This event forces to confront his commitments, leading to a fragile amid the chaos of labor and family interference. Later seasons continue the volatility, with Brett's in the fourth season prompting Kim to evict him, only for them to navigate financial woes and rebuild once more.

Familial Relationships

Kim's relationship with her mother, Kath Day-Knight, is the core of the series' humor, blending deep affection with ongoing friction rooted in suburban domesticity. Kath often criticizes Kim's choices, weight, and maturity, using sharp-witted barbs that highlight their codependent ; for instance, during a exchange, Kim urges Kath to embrace spontaneity, prompting Kath to retort that she would but Kim had already "eaten it," underscoring the teasing dynamic that satirizes typical mother-daughter tensions. Despite these jabs, their interactions reveal underlying , as Kath frequently intervenes in Kim's crises, reflecting a dysfunctional yet enduring familial tie. Kim's dynamic with her , Kel , is marked by awkward avoidance interspersed with reluctant reliance. Married to Kath shortly after her divorce, Kel represents an unwelcome intrusion into 's close mother-daughter world, leading to minimal direct engagement; however, Kim occasionally turns to him for practical help, such as during home renovations or family logistics, revealing a pragmatic undercurrent to their otherwise distant connection. In contrast, Kim's biological father, Gary Poole, plays a peripheral role in her life, with his involvement limited to rare appearances that disrupt family harmony. As Kath's ex-husband, Gary briefly moves back into the household in season 3, creating tension as Kim navigates his absentee history against Kel's more present, if grating, step-parental role. As the mother of Epponnee Rae Craig, born at the end of season 2, Kim embodies a neglectful yet instinctively protective parenting style, often sidelining childcare responsibilities amid her self-centered pursuits while displaying fierce loyalty in moments of threat. Epponnee Rae, named with extravagant flair to reflect Kim's aspirations, is frequently cared for by Kath and Kel, highlighting Kim's immaturity in motherhood but also her occasional tender interventions.

Education and Employment

Formal Education

Kim Craig attended Fountain Lakes High School in the suburban setting of Fountain Lakes but dropped out after at age 15, describing her experience as a "crap " and leaving against advice to pursue modeling. Her disinterest and poor academic performance contributed to this early exit from formal schooling. After high school, Kim showed fleeting interest in vocational training by enrolling in a course at a local TAFE college, but she abandoned it without completion despite initial enthusiasm. Similarly, she began a design course, drawn to beauty-related skills, yet left this program unfinished as well. These incomplete educational endeavors highlight Kim's pattern of short-lived commitments to learning, portraying formal education as peripheral to her self-image as a stylish and socially adept individual. This background subtly underscores her later struggles with consistent career paths.

Career and Unemployment

Kim Craig's professional life in the series is characterized by prolonged periods of , often punctuated by short-lived attempts at that end in failure due to her laziness and lack of commitment. She frequently positions herself as a "" to her husband , emphasizing her role as a non-contributing homemaker despite offering minimal household support. One notable example occurs in season 3, episode 6 ("High and Dry"), where Brett's career advancement prompts Kim to seek work as a "door bitch" at a local nightclub to ease financial pressures on the family; however, her tenure is brief and marked by incompetence, quickly reverting to dependence on Brett's income. Earlier, in an iconic scene, Kim is fired from a call center position after displaying apathy and poor performance, highlighting her unsuitability for structured work environments. Kim's entrepreneurial aspirations, such as vague ideas for beauty-related ventures, similarly fizzle out without progress, reinforcing her pattern of avoidance. This reliance on and her mother Kath for financial support frequently sparks comedic tensions, as seen in episodes where money shortages force confrontations over spending habits and contributions.

Notable Quirks and Habits

Signature Phrases and Behaviors

Kim Craig's comedic persona in is marked by a series of catchphrases that reflect her superficial and self-aggrandizing worldview. One of the most recognizable is her mangled pronunciation of "nice, different, unusual," frequently deployed to critique or endorse suburban novelties, outfits, or interpersonal drama with feigned sophistication. This phrase, emblematic of the show's satirical take on Australian vernacular, underscores Kim's pretentious attempts at cultural commentary. Self-referential boasts form another cornerstone of her verbal style, particularly her proud declaration of being a "," a term she uses to tout her allure as a and homemaker despite evident laziness and disinterest in domestic duties. Kim extends this bravado by labeling herself a "hornbag," emphasizing her perceived sexual appeal in casual boasts like "I'm not a , I'm a hornbag." These phrases highlight her narcissistic tendencies, often arising from an underlying arrogance that prioritizes over reality. A habitual quirk involves Kim's frequent invocation of her unseen "best friend" , whom she name-drops for validation on everything from baby names to social plans, positioning Tina as an idealized confidante who mirrors her tastes. This unseen ally serves as a narrative device to bolster Kim's opinions, as seen when she laments Tina's absence from events like her , implying shared exclusivity. Kim's interactions reveal exploitative and dismissive behaviors, especially toward her "second best friend" Sharon, whom she rudely brushes off with lines like "Piss off, Sharon" during moments of irritation or when seeking favors. This dynamic often positions Sharon as a convenient sounding board or errand-runner, exploited for Kim's convenience without reciprocity. Visually, Kim's character relies on compulsive habits for humor, including incessant snacking on treats like Dippity Bix, Yowies, and Tiny Teddies, which appear as props in scenes of idleness or stress-eating. Smoking features prominently as another gag, with Kim casually lighting up or referencing cigarettes alongside laxatives as her "old-fashioned" weight-loss regimen, amplifying her unapologetic indulgence.

Interactions with Others

Kim Craig's interactions with her "second best friend" are characterized by exploitation and dismissiveness, often leveraging Sharon's loyalty for personal gain while offering little reciprocity. In one instance, Kim enlists to stalk her husband to investigate a suspected , leading to chaotic and embarrassing outcomes for Sharon. Similarly, Kim uses Sharon as a "" for her amateur attempts at cosmetic surgery during a misguided career pivot, prioritizing her own ambitions over Sharon's well-being. These dynamics extend Sharon's familial ties through her close bond with Kim's mother Kath, but Kim's approach remains one-sided and belittling. Craig frequently exhibits awkward or hostile behavior toward minor characters, exacerbating her social discomfort in suburban settings. At Brett's after-work drinks, she disrupts the gathering with erratic actions, alienating colleagues and highlighting her inability to navigate casual group interactions. Encounters with neighbors and acquaintances, such as during speed-dating events where she faces rejection, often turn confrontational, with Kim lashing out in frustration when attention shifts away from her. Interactions with figures like Kel's butcher shop associates are similarly strained, marked by curt dismissals that underscore her disdain for those outside her immediate circle. In social contexts, Craig draws comparisons to celebrities to bolster her self-image, such as likening herself to to emphasize her perceived allure and status as a "." These assertions, made amid boasts about her lifestyle, serve to elevate her in conversations but often come across as delusional, further isolating her from peers who view them as . Overall, Craig's rudeness in group scenes—through interruptions, insults, and self-centered monologues—amplifies her , despite the close-knit Fountain Lakes community. This pattern of meanness, evident in netball team support where she participates reluctantly only under pressure, reinforces her reputation as manipulative and unapproachable beyond her core relationships.

Media Appearances

Television Series

Kim Craig is a central figure in the original television series , which aired four seasons on from 2002 to 2005, with the fourth season broadcast in 2007 after a production shift to the Seven Network. The series centers on her self-absorbed, immature persona amid suburban family chaos in the fictional Fountain Lakes, where her antics often revolve around personal dissatisfaction and relational mishaps. The first season introduces Kim's major plotline of marital discord, as she abruptly moves back into her mother Kath's home shortly after marrying Craig, citing and suspecting infidelity. This separation underscores her impulsive and entitled nature, with episodes depicting her lounging idly while disrupting Kath's newfound happiness. Subsequent seasons amplify these troubles, featuring cycles of breakups—such as Brett changing the locks in Season 2's "The Announcement"—followed by reconciliations driven by convenience or external pressures, like family interventions. Season 2's core arc focuses on Kim's unexpected , announced amid ongoing spousal tensions, culminating in the birth of their , Epponnee Rae Craig, in the finale "The Hideous Truth." This development introduces fleeting moments of maternal responsibility, such as clashes over baby names and birthing preparations, but primarily serves to heighten comedic conflicts, including Kim's refusal to attend classes and her prioritization of comfort over preparation. Reconciliations with persist post-birth, yet remain superficial, perpetuating the pattern of instability seen in earlier episodes. Across the four seasons, Kim exhibits scant character development, steadfastly clinging to her immaturity through laziness, petty jealousies, and avoidance of accountability, even as life events like motherhood unfold. This stagnation amplifies the series' satirical take on suburban , with Kim's unchanging flaws providing consistent humor in episodes. A notable highlight is the 2005 Christmas telemovie special Da Kath & Kim Code, a of Dan Brown's , in which Kim uncovers a convoluted conspiracy tied to Fountain Lakes while grappling with Brett's affair with his boss, Kelly. Gina Riley portrays Kim in multiple roles within the film's layered, espionage-style narrative, blending her character's personal dramas with absurd, code-cracking escapades alongside Kath.

Films and Specials

Kim Craig, portrayed by Gina Riley, first appeared in a feature-length format in the 2005 telemovie Da Kath & Kim Code, a spin-off from the Kath & Kim television series. In this comedy, Craig joins her mother Kath Day-Knight on a suburban adventure exploring the hidden aspects of life in Fountain Lakes, highlighting her characteristic immaturity and mishaps amid family dynamics and local intrigue. The film satirizes everyday Australian suburban culture, with Craig's role emphasizing her self-absorbed personality and comedic conflicts with supporting characters like . Directed by Ted Emery, it received positive reception for its extension of the series' humor, earning a 75% approval rating on based on audience reviews. Craig's next major screen appearance came in the 2012 feature film Kath & Kimderella, where she travels abroad with her mother and friend to , becoming entangled in a satirical fairy-tale involving romance and mishaps. The story parodies tropes, with Craig embodying the diva-like daughter who navigates cultural clashes and personal dramas in the fictional town of . Released in cinemas on September 6, , the film grossed over AUD $6 million at the Australian box office, underscoring the franchise's enduring popularity despite mixed critical reviews, including a 26% score on . Her performance reinforced Craig's quirky, accident-prone traits, contributing to the film's focus on female friendship and suburban escapism. In 2022, Craig featured in the two-part anniversary specials : Our Effluent Life (20 November 2022) and : 20 Preposterous Years (21 November 2022), marking 20 years of the series with a mix of new scripted scenes, interviews, and archival footage. Airing on Channel 7 and in November 2022, the specials include about 10 minutes of original content where Craig reacts to family changes, such as her mother's lifestyle shifts, while interspersing retrospectives on her character's evolution. Guest appearances by celebrities like added to the celebratory tone, though critics noted its emphasis on highlights over substantial new narrative. This production extended Craig's media presence by blending nostalgia with light-hearted commentary on her iconic behaviors.

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