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Let Me Take You Dancing

"Let Me Take You Dancing" is a song by Canadian , serving as his debut solo single released on November 6, 1978, by . Co-written by Adams and producer when Adams was just 18 years old, the track originated from a Vallance developed in February 1978 and was recorded at in . The song's upbeat, dance-oriented sound contributed to its moderate success, peaking at number 22 on the Hot Dance/ chart following a 1979 remix by John Luongo that sped up the tempo and altered Adams' vocals for club appeal. In , it reached number 62 on the RPM Top Singles chart in September 1979 and topped New York-area charts, ultimately selling approximately 200,000 copies worldwide. The single earned Adams the 1979 Procan Award from the Performing Rights Organization of for its commercial impact. Despite its role in launching Adams' career—paving the way for his signing with A&M and the release of his self-titled debut in 1980—the track has been largely disavowed by the artist, who has rarely performed it live and excluded it from most compilations due to its stylistic mismatch with his later rock-oriented work. A 12-inch promotional version featuring the Luongo was issued in the , emphasizing its roots with extended instrumental sections tailored for floors.

Background

Writing and composition

"Let Me Take You Dancing" was co-written by and in February 1978 in , , marking an early collaboration in their songwriting partnership after their first meeting in January 1978. The song originated from a riff Vallance composed during Christmas 1977, inspired by the style of Robbie King, which Adams helped expand into a full . Intended as a straightforward pop track, the center on romance and dancing as an invitation to , with themes of desire, movement, and playfully disrupting routine life, such as lines evoking turning the world "upside down" and stealing hearts. At age 18, Adams infused the song with his emerging rock influences, resulting in an initial demo captured at a basic tempo that conveyed a lighthearted pop vibe. This early version reflected Adams' budding career as a songwriter, prior to his breakthroughs with other artists.

Recording

The original version of "Let Me Take You Dancing" was recorded in 1978 at in , . The track, co-written by and , was engineered by Geoff Turner, who handled the session using a 16-track tape machine to capture the basic elements of vocals, drums, bass, and keyboards in a single day. This production yielded a mid-tempo pop arrangement without any disco influences, relying on conventional 1970s multi-track tape techniques for layering and mixing. The resulting original mix for the single version ran approximately 3:13 in length.

Release

Initial release

"Let Me Take You Dancing" was released on November 6, 1978, by A&M Records as Bryan Adams' debut solo single, marking his transition from songwriter to performing artist after contributing to acts like Prism and Bachman-Turner Overdrive. The 7" vinyl single, catalogued as AM-474 in Canada, featured the title track on the A-side and "Don't Turn Me Away"—co-written by Adams and Jim Vallance—on the B-side. Prior to the retail launch, a promotional 7" version (DJ-AM468) was distributed to radio stations, providing an early listen in stereo and mono formats. Initial marketing emphasized the track as Adams' breakout effort, highlighting his emerging voice in pop and disco amid his established songwriting credentials.

Promotion

A&M Records signed the 19-year-old Canadian Bryan Adams to a recording contract in 1978 for a nominal fee of one dollar, positioning him as an emerging talent from the local scene through targeted radio exposure for his debut single "Let Me Take You Dancing." The label focused on securing airplay on Canadian stations, with the track appearing on adult-oriented rock playlists and regional CANCON listings, including position 20 on RPM's Adult Oriented Playlist and spots on CFUN Vancouver's singles rotation. In early 1979, A&M intensified promotion in the US by releasing a 12-inch disco remix of the song, aiming to leverage the genre's dominance on dance charts at the time. This version targeted club and radio play in the dance music circuit, reflecting the label's strategy to adapt Adams' material for broader commercial appeal despite his rock-oriented roots. As a newcomer without prior major-label backing, Adams' promotion operated on a limited budget, prioritizing cost-effective regional efforts such as playlist placements on disco-oriented stations in cities like Vancouver (position 6 on the Top 20 Disco chart), Toronto (position 13), and Montreal (position 7). These tactics were supplemented by local media appearances, including Adams presenting awards at the Western Canada International Disco Awards in Vancouver on June 17, 1979.

Commercial performance

Chart performance

"Let Me Take You Dancing" achieved its highest charting position on the US chart, where the remix version propelled it to a peak of number 22 in July 1979. The track spent 23 weeks on the chart. Despite this dance chart success, the song experienced limited mainstream impact, failing to enter the in the United States. In , it reached number 62 on the RPM Top Singles chart in September 1979, underscoring its marginal performance on national pop listings. The single garnered notable regional airplay in disco-centric markets, including strong rotation in and , contributing to its niche popularity within the genre.

Sales and certifications

"Let Me Take You Dancing" experienced limited commercial success as ' debut single, selling approximately 200,000 copies worldwide and failing to achieve widespread recognition beyond niche dance audiences. No certifications were awarded for the single by the RIAA in the or , underscoring its modest impact compared to Adams' subsequent multi-platinum releases that sold tens of millions of copies worldwide.

Remixes and controversy

The Luongo remix

In early 1979, remix engineer John Luongo reworked ' original 1978 recording of "Let Me Take You Dancing" to target the market, transforming it into a club-friendly version by accelerating the tempo to 120 beats per minute. This adjustment, achieved by speeding up the multitrack tapes from 16-track to 24-track format, allowed for additional overdubs while introducing a high-pitched vocal effect due to the era's lack of advanced time-compression technology. To enhance its dance appeal, Luongo incorporated new percussion elements, including congas performed by Ray Ayotte, which bolstered the track's rhythmic drive and emphasized a prominent four-on-the-floor beat typical of productions. The resulting mix extended the song's duration to 5:35, making it suitable for the 12-inch single format popular in nightclubs. A&M Records issued the remix as a 12-inch vinyl single under catalog number SP-12014, featuring the vocal disco mix on side A and an instrumental version on side B, aimed directly at DJs and dance floors without requiring full artist involvement in the final alterations.

Bryan Adams' disavowing

Bryan Adams expressed strong dissatisfaction with the remix of "Let Me Take You Dancing," particularly the sped-up vocals that resulted in a high-pitched sound, which he felt misrepresented his voice and artistic direction as a rock musician. In a 2004 interview, co-writer Jim Vallance recounted that Adams, then just 18 years old, was particularly displeased with how the remix by John Luongo altered his fragile vocal range to fit the disco tempo, making it sound unnaturally elevated. The track's disco orientation, driven by A&M Records' decision to remix an early demo without Adams' full involvement, further contributed to his sense of it being an unwanted detour from his rock roots. Vallance has described the release in interviews as a label-initiated project from Adams' youth that the artist later viewed as an embarrassment, leading him to distance himself professionally from it over the years. Following its 1979 release, Adams has rarely included "Let Me Take You Dancing" in his live sets, with only a handful of performances documented. This avoidance stemmed directly from his discomfort with the remix's vocal alterations, which clashed with his evolving rock persona. Adams has issued copyright claims to block unauthorized digital uploads on platforms such as YouTube, effectively limiting its availability beyond official releases. As of 2025, the song remains largely unavailable on YouTube due to copyright enforcement. This effort underscored his ongoing rejection of the track as emblematic of an early career phase he preferred to leave behind.

Reception and legacy

Critical reception

Upon its 1979 release, "Let Me Take You Dancing" garnered attention in trade publications for its upbeat energy, though critics noted its adherence to conventional genre elements. included a review in its July 14 issue, positioning the single as a viable entry in the saturated market with its rhythmic drive suitable for club rotation. Retrospective assessments frame the track as emblematic of late-1970s conventions, with particular scrutiny on the John Luongo remix's production choices. The sped-up vocals, adjusted to fit a 122 , have elicited mixed reactions, often characterized as overly gimmicky or "chipmunk-like" in tone. A 2009 Popdose analysis deemed the song "not that offensive, if a little bland," crediting the remix with securing Adams' deal with despite his vocal dissatisfaction. Co-writer has reflected on the track via his official website as an initial foray into genre experimentation, originating from a simple and marking Adams' debut solo effort at age 18, completed shortly after their collaboration began. The single earned a 1979 PROCAN Award for its writers but no major industry accolades overall, and it is frequently regarded as a peripheral entry in Adams' oeuvre by later commentators. , in a overview of Canadian artists, described it as a "minor Canadian hit" that preceded Adams' to rock, underscoring its transitional role in his early career.

Cultural impact

"Let Me Take You Dancing" marked ' debut as a recording artist in 1978, despite its orientation contrasting his emerging inclinations. The track's minor chart success provided an early entry point into the music industry that paved the way for Adams' breakthrough in the with albums like You Want It You Got It (1981) and (1983), even as Adams later expressed disappointment over the 1979 John Luongo remix that sped up his vocals to fit a 122 tempo. The song exemplifies the transitional phase many Canadian artists navigated in the late 1970s, shifting from disco's commercial dominance to rock's resurgence amid the genre's post-disco backlash. As one of the few disco-oriented releases by a future rock mainstay, it highlights how emerging talents like Adams adapted to market trends before establishing their core styles, contributing to Canada's broader evolution in during the era. Occasionally featured in nostalgia-driven disco compilations such as Disco Box Vol. 2: Disco Heat (2000), the track appears in retrospective playlists exploring late-1970s rather than mainstream Adams retrospectives. It receives passing mentions in Adams' biographies as a curious early footnote—a "what if" artifact of an alternate path he ultimately rejected—while lacking notable covers, samples, or inclusions in documentaries on his career.

Releases and availability

Original formats

The original release of "Let Me Take You Dancing" debuted in on November 6, 1978. In , the was issued as a 7-inch promo under catalog number DJ-AM468 and a retail version under AM-474, both featuring the B-side "Don't Turn Me Away". The release followed in 1979 with a 7-inch under catalog number AM 2163 and a 12-inch under SP-12014, the latter containing a 5:33 version. Internationally, 7-inch were released in the UK under catalog number AMS 7460 and in various European markets, such as under A&M 2196. All original formats were pressed on and utilized standard sleeve artwork featuring a photograph of .

Reissues and compilations

The John Luongo 12" remix of "Let Me Take You Dancing" was reissued on in 2000 as part of the Disco Box Vol. 2: Disco Heat, marking one of the few official post-original releases of the track. The original 1979 version has official digital availability on major streaming platforms such as since at least 2016, though has publicly disavowed the song and his representatives suppress unauthorized uploads and distributions. In the , the single appeared in limited reissues within collector-oriented sets, such as ' anthologies targeted at enthusiasts. As of November 2025, the song is accessible through original vinyl pressings, official digital streaming, and compilations, with an official standalone digital single available.

Production

Personnel

The original recording of "Let Me Take You Dancing" featured on lead and harmony vocals. contributed drums, bass guitar, keyboards, and backing vocals. Additional musicians included Wayne Kozak on and , and Don Clark on . Backing vocals were provided by Joani Taylor, Rosalyn Keene, and possibly Nancy Nash or Mary Saxton, with Adams also participating. The track was produced by and , and recorded at Pinewood Studios in by engineer Geoff Turner.

Technical credits

The original recording of "Let Me Take You Dancing" took place in 1978 at in , where it was engineered by Geoff Turner. The track was produced by and , utilizing a during the sessions. The mix was subsequently mastered for release as a 7-inch single by in 1978. For the extended disco remix, John Luongo handled remixing duties in 1979, transferring the original multitrack from the Scully to a 24-track machine, though the tape suffered damage that required repairs through splicing and editing. Additional engineering focused on percussion overdubs, including shakers, maracas, tambourines, and performed by , and congas performed by Ray Ayotte; these were recorded at Little Mountain Sound in , possibly by engineer Roger Monk and assisted by Pat Glover and Ron Vermeulen, before final assembly in . The tempo was accelerated to 120 beats per minute to suit dance formats. This version, credited to Luongo as remixer and producer, appeared on the 12-inch promotional single.

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