Lisa Bonet
Lisa Bonet (born Lisa Michelle Bonet; November 16, 1967) is an American actress best known for her portrayal of Denise Huxtable, the free-spirited second daughter in the Huxtable family, on the NBC sitcom The Cosby Show from 1984 to 1992.[1][2] Bonet's breakthrough came at age 16 when she was cast as Denise after competing against hundreds of actresses, leading to her prominence as part of the show's ensemble that depicted a stable, affluent African-American family and achieved top ratings for much of its eight-season run.[1][2] She received an Emmy nomination for Outstanding Supporting Actress in a Comedy Series in 1986 and a Young Artist Award in 1989 for Best Young Actor/Actress Ensemble in a Television Series for her work on the program.[3] Following her television success, Bonet transitioned to film, starring in roles such as Epiphany Proudfoot in the 1987 thriller Angel Heart, which featured explicit content that sparked controversy and prompted a temporary leave from The Cosby Show due to creative tensions with producer Bill Cosby.[2] She reprised her role in the spin-off A Different World for its inaugural season in 1987 before departing to focus on film projects, though her subsequent cinematic output remained sporadic, including appearances in High Fidelity (2000) and Lethal Weapon (1989).[2] In her personal life, Bonet married musician Lenny Kravitz in 1987, with whom she had daughter Zoë Kravitz (born December 1, 1988), an actress and singer; the couple divorced in 1993 but maintained an amicable co-parenting relationship.[1][2] She later entered a long-term partnership with actor Jason Momoa in 2005, marrying him in 2017 and sharing two children, daughter Lola Iolani Momoa (born July 21, 2007) and son Nakoa-Wolf Manakauapo Puti-Sebastian Joao Ávila (born November 2008); the pair announced their separation in January 2022, finalizing divorce proceedings in 2024 amid reports of an amicable split focused on family unity.[2][4] Bonet, who legally changed her name to Lilakoi Moon in 1995 while retaining her professional moniker, has largely withdrawn from public life in recent years, emphasizing privacy and selective projects over sustained Hollywood visibility.[1][5]Early Life
Family Background and Upbringing
Lisa Michelle Bonet was born on November 16, 1967, in San Francisco, California, to Arlene Joyce Litman, an Ashkenazi Jewish schoolteacher and musician of Eastern European descent, and Allen Bonet, an African-American opera singer born in Texas.[6][1][7] Her biracial heritage—African-American from her father and Jewish from her mother—shaped her early identity amid a culturally diverse family environment influenced by her parents' artistic professions in music and performance.[6][1] Bonet's parents separated shortly after her birth, with her mother assuming primary custody and raising her as a single parent without remarrying.[6][1][8] This early family dissolution limited her contact with her father, contributing to a childhood centered on her mother's household in a middle-class setting.[6] The divorce's timing, when Bonet was an infant, meant she had minimal direct involvement with her paternal side during formative years, fostering an upbringing marked by her mother's educational and creative guidance rather than extended family dynamics.[1][5]Education and Initial Aspirations
Bonet attended Birmingham High School in Van Nuys, California, graduating in 1985.[9] Following graduation, she enrolled at the Celluloid Actor's Studio in North Hollywood to study acting, forgoing traditional college.[6] Her early interests gravitated toward the performing arts, where she found a sense of security amid personal challenges from her parents' divorce.[1] Bonet began auditioning for commercials at age 9, later recalling that acting was her dream from that point.[10] By age 11, she secured her first professional roles in television advertisements, marking the start of her pursuit of an acting career over other paths.[6] This focus intensified after high school, as she prioritized acting training and auditions, including a stage role as Ruth in A Raisin in the Sun, rather than broader academic or vocational alternatives.[11]Professional Career
Breakthrough on Television
Lisa Bonet achieved her breakthrough in television with the role of Denise Huxtable, the free-spirited middle daughter in the Huxtable family, on the NBC sitcom The Cosby Show, which premiered on September 20, 1984.[12] At age 16, Bonet was cast after appearing in commercials and minor guest spots on television series during her childhood, marking her transition from beauty pageants and early acting pursuits to a prominent series regular position.[2] The character's portrayal as an unconventional, fashion-forward teenager resonated with audiences, contributing to the show's immediate success as a top-rated program that emphasized family dynamics in an affluent African-American household.[1] Bonet's performance as Denise earned her critical acclaim, including a nomination for the Primetime Emmy Award for Outstanding Supporting Actress in a Comedy Series in 1986 for her work in the series' early seasons.[13] The role's visibility propelled her into national prominence, with The Cosby Show averaging over 30 million viewers per episode during its peak years and running for eight seasons until 1992, though Bonet appeared in 131 episodes from 1984 to 1991.[12] Her casting reportedly highlighted her distinctive look, including braces, which casting directors found appealing for the character's youthful authenticity.[14] During seasons 1 and 2 of The Cosby Show (1984–1986), Bonet also starred as Denise in the spin-off A Different World, which focused on her character's college experiences at Hillman College, further solidifying her television presence before she temporarily departed for film projects.[15] This dual role underscored her rapid ascent, as A Different World itself became a hit, though Bonet returned to The Cosby Show in later seasons after recasting adjustments in the spin-off.[16] The Huxtable role established Bonet as a symbol of youthful rebellion within a structured family narrative, influencing her public image and opening doors to subsequent opportunities in entertainment.[17]Transition to Film and Select Roles
Following her breakthrough on The Cosby Show, Bonet pursued opportunities in feature films, debuting on the big screen in 1987 with the role of Epiphany Proudfoot in Angel Heart, a psychological horror film directed by Alan Parker. In the film, set in 1950s New Orleans, her character is a young woman entangled in voodoo rituals and a murder investigation alongside private detective Harry Angel (Mickey Rourke) and mysterious client Louis Cyphre (Robert De Niro). The role required Bonet, then 19, to perform nude scenes and a graphic sex sequence, which generated significant media attention and backlash for contrasting her wholesome television image.[18][19] The controversy surrounding Angel Heart contributed to tensions with The Cosby Show producers, prompting Bonet's temporary exit from the series after its second season to lead the spin-off A Different World, though she returned for guest appearances in later seasons. Despite the film's mixed reception—praised for its atmospheric tension but criticized for exploitative elements—Bonet's performance demonstrated her versatility in edgier, adult-oriented material, signaling an intentional pivot from family sitcom constraints to cinematic exploration.[19] Bonet's subsequent film work remained selective and supporting in nature. In 1998, she portrayed Rachel Banks, a key figure aiding the protagonist in the action-thriller Enemy of the State, directed by Tony Scott and starring Will Smith and Gene Hackman, which grossed over $250 million worldwide on a $90 million budget. Two years later, in 2000, she played indie musician Marie De Salle in High Fidelity, John Cusack's adaptation of Nick Hornby's novel, where her character briefly romances the lead record store owner (Cusack), showcasing Bonet's chemistry in romantic comedy-drama amid a cast including Jack Black and Catherine Zeta-Jones. These roles highlighted her appeal in ensemble-driven projects but reflected a pattern of limited output, with fewer than a dozen feature credits post-Angel Heart.[20][21]Later Career Phases and Reduced Output
Following her departure from The Cosby Show and its spin-off A Different World in the early 1990s, Bonet pursued selective film roles, appearing as Marie DeSalle in the comedy-drama High Fidelity released on March 31, 2000.[20] She subsequently portrayed Queenie, a motorcycle club matriarch, in the action film Biker Boyz, which premiered on January 31, 2003, reuniting her onscreen with former Cosby Show castmate Laurence Fishburne.[22] These projects marked a shift toward supporting parts in independent and genre films, with no lead roles in major studio productions during this period. In the 2010s, Bonet's output further diminished, consisting primarily of brief television appearances. She guest-starred as Marny Grace in episodes of the Showtime series Ray Donovan across its first two seasons, from 2013 to 2014.[2] Additional cameo roles included segments in Comedy Central's Drunk History anthology series starting in 2013, as well as episodes of Fox's New Girl (2011–2018) and HBO's Girls (2012–2017).[23] Her final credited acting credit to date is the short film Jellywolf in 2017, after which she has not pursued new projects publicly.[2] This reduced output correlates with Bonet's prioritization of family life following the births of her children: daughter Zoë Kravitz in 1988 with ex-husband Lenny Kravitz, and two children with partner Jason Momoa—daughter Lola Iolani in 2008 and son Nakoa-Wolf in 2009.[24] Bonet has described maintaining a low-profile, screen-free home environment focused on environmental awareness and child-rearing, effectively pausing extensive professional commitments to serve as a stay-at-home parent.[25] Her aversion to social media and preference for privacy have compounded this retreat from Hollywood visibility, with sources attributing the career slowdown to deliberate choices amid personal explorations and relational shifts rather than external barriers.[26] The 2021 separation from Momoa, formalized by divorce filing on January 9, 2024, citing irreconcilable differences, has not prompted a return to acting as of October 2025.[27]Personal Life
Romantic Relationships and Marriages
Lisa Bonet met musician Lenny Kravitz in 1985 backstage at a New Edition concert, initially forming a friendship that progressed to shared living arrangements and a romantic relationship.[28] The couple married on November 16, 1987, at A Chapel of Love in Las Vegas, coinciding with Bonet's 20th birthday.[28] They welcomed daughter Zoë Kravitz on December 1, 1988.[28] Bonet and Kravitz separated in 1991 and finalized their divorce in 1993, though they have maintained an amicable relationship, describing each other as "best friends" and collaborating on family matters, including co-parenting Zoë.[28] Following her divorce from Kravitz, Bonet began a relationship with actor Jason Momoa in 2005 after meeting at a jazz club in Los Angeles.[29] The couple welcomed daughter Lola Iolani Momoa on July 21, 2007, followed by son Nakoa-Wolf Manakauapo Namakaeha Momoa on December 15, 2008.[29] Bonet and Momoa married secretly in October 2017 at their home in Topanga, California.[29] They announced their separation on January 12, 2022, with Bonet later filing for divorce on January 8, 2024, citing a separation date of October 7, 2020, due to irreconcilable differences; the divorce was finalized the following day.[29] Despite the split, Bonet and Momoa have emphasized prioritizing their children's well-being and have continued to present a united family front publicly.[29]Family and Parenting
Lisa Bonet has three children from two long-term relationships. Her first child, daughter Zoë Isabella Kravitz, was born on December 1, 1988, to Bonet and musician Lenny Kravitz, whom she married in November 1987 and divorced in 1993.[30] [31] Zoë, now an actress and singer, was primarily raised amid her parents' amicable co-parenting arrangement, which Kravitz described as avoiding legal disputes and prioritizing family unity.[32] Bonet has reflected on early motherhood at age 21 as a transformative experience, emphasizing instinctual bonding and minimal interference in child-rearing.[33] With actor Jason Momoa, whom she began dating in 2005, married in 2017, separated from in 2022, and divorced in 2024, Bonet welcomed daughter Lola Iolani Momoa on July 21, 2007, via home birth, and son Nakoa-Wolf Manakauapo Namakaeha Momoa on December 15, 2008.[34] [35] [36] The couple maintained a blended family dynamic, with Bonet prioritizing privacy for the children while integrating them into creative environments; for instance, both younger children have appeared in minor roles or contributed informally to Momoa's projects.[34] Post-separation, Bonet and Momoa committed to conscious uncoupling and joint custody, focusing on the children's well-being without public acrimony.[37] Bonet's parenting philosophy draws from holistic and spiritual influences, advocating for "listening to the wisdom of the body" in child-rearing and fostering self-reliance over structured interventions.[24] She has described motherhood as an intuitive process, stating in interviews that children thrive when parents attune to natural rhythms rather than external prescriptions, a view shaped by her own biracial upbringing amid parental divorce in 1969.[33] [38] Despite her reticence on personal matters, Bonet has occasionally highlighted the challenges of balancing fame with family, including Zoë's teenage decision to relocate to live primarily with Kravitz, which Bonet later acknowledged as emotionally difficult but ultimately supportive of her daughter's autonomy.[39]Lifestyle and Philosophical Influences
Bonet has adopted a bohemian lifestyle characterized by simplicity and minimalism, residing in a remote mountainous location without a television in the household to prioritize family presence and reduce media influence.[24] [40] She limits technology use, maintaining only one computer at home and avoiding phone checks in front of her children, reflecting a deliberate choice to foster direct interpersonal connections over digital distractions.[24] Her dietary regimen emphasizes plant-based foods for health and environmental benefits, though she has shifted from stricter veganism to a more flexible clean-eating approach heavy on vegetables.[41] [42] Fitness routines include weekly yoga sessions for flexibility and mindfulness, Pilates twice per week for core strength, gym workouts twice weekly, and African dance classes, which she credits for vitality and physical expression.[43] [44] [45] She incorporates natural remedies like organic coconut oil for hair and skin care, aligning with a holistic wellness philosophy.[46] Philosophically, Bonet identifies as a self-proclaimed "hippie at heart," prioritizing authenticity and self-discovery over conventional career demands, which she acknowledges has entailed professional sacrifices.[47] [48] Her worldview emphasizes overcoming mental resistance to bodily ease, viewing human origins as tied to profound natural depths, and embodies an "earth mother" ethos focused on nurturing and grounded living rather than external validations.[49] [24] This orientation informs her free-spirited aesthetic and rejection of performative norms in favor of intrinsic truth.[50]Controversies and Challenges
Conflicts on The Cosby Show Set
Tensions between Lisa Bonet and Bill Cosby emerged during the production of The Cosby Show, centered on Bonet's desire for more mature roles that clashed with Cosby's emphasis on a wholesome, family-friendly portrayal of Black life. In 1987, Bonet filmed Angel Heart, which included a graphic nude sex scene with Mickey Rourke, prompting Cosby's strong opposition as it undermined the sitcom's image.[51] [52] Cosby also objected to her marriage to musician Lenny Kravitz that same year, when Bonet was 20 years old, viewing it as premature and inconsistent with the controlled environment he fostered on set.[51] These disputes led to Bonet's reduced presence in the fourth and fifth seasons, with her character Denise Huxtable written out amid the controversy.[53] Bonet departed after the third season in 1987 to headline the spin-off A Different World, but returned to The Cosby Show for its sixth season (1989–1990) following the birth of her daughter Zoe with Kravitz. However, conflicts persisted, exacerbated by reports of Bonet's tardiness and failure to adhere to strict production schedules imposed by Cosby, who maintained tight creative control over the series.[54] In April 1991, ahead of the eighth season, Bonet was fired, with the official reason cited as "creative differences."[55] These issues highlighted broader frictions over Bonet's independence versus Cosby's authoritative oversight, which some accounts describe as manipulative.[53] Reflecting in 2018 amid sexual assault allegations against Cosby, Bonet stated she had sensed a "sinister, shadow energy" from him during filming, though she emphasized no personal knowledge of his off-set behavior at the time.[53] [56] She expressed no surprise at the accusations, attributing it to the unease she felt on set, but focused her comments on professional discord rather than endorsing specific claims against him.[52]Response to Bill Cosby Allegations
In a March 9, 2018, interview with Net-a-Porter's Porter magazine, Lisa Bonet addressed the sexual assault allegations against Bill Cosby for the first time publicly, stating she had always sensed a "sinister, shadow energy" from him during production of The Cosby Show (1984–1992).[53][56] She clarified that she had no direct knowledge of Cosby's specific alleged misconduct toward others, emphasizing, "There was no knowledge on my part about his specific actions before they were revealed," and that she would have intervened had she witnessed any inappropriate behavior on set.[57][51] Bonet expressed no surprise at the revelations, attributing her intuition to an intangible "energy" that "cannot be concealed," while noting Cosby's on-set habits, such as kissing female cast members on the lips despite his portrayal as a wholesome TV father, which she viewed as him "taking liberties."[58][53] She refrained from vindictiveness, remarking, "I don't need to say, 'I told you so.' I just leave all that to karma and justice and what will be," and has not accused Cosby of personal misconduct against her in any subsequent statements.[51][57] Bonet departed The Cosby Show after its second season in 1987, prior to the public emergence of most accusers' claims in the mid-2010s.[52]Career Setbacks and Public Scrutiny
Bonet's role in the 1987 film Angel Heart, directed by Alan Parker, drew significant public scrutiny due to its explicit content, including a graphic sex scene with co-star Mickey Rourke that initially earned the film an X rating from the Motion Picture Association of America (MPAA).[19] The scene was trimmed by approximately 10 seconds to secure an R rating, but the nudity and simulated intercourse—Bonet's first such on-screen depictions—clashed with her established image as the wholesome Denise Huxtable on The Cosby Show.[19] Bill Cosby, the show's creator and star, reportedly expressed disapproval over the role, viewing it as incompatible with the program's family-oriented values, which exacerbated tensions on set and contributed to her temporary departure from the series after its second season.[59] These creative differences, compounded by reports of Bonet's tardiness and unreliability during production, led to her effective dismissal from The Cosby Show in 1987, after which she starred in the short-lived spin-off A Different World for its first season.[59] She exited A Different World in 1988 amid her real-life pregnancy with daughter Zoë Kravitz, born December 1, 1988, to then-husband Lenny Kravitz, prioritizing personal life over the demanding schedule.[60] Bonet briefly returned to The Cosby Show for seasons 5 through 7 but was fired in April 1991, officially cited as due to "creative differences," though insiders attributed it to ongoing conflicts over her evolving bohemian persona and reluctance to adhere to the show's scripted conservatism.[59] Post-Cosby Show, Bonet's film career encountered setbacks, with roles in lesser-known projects like Bank Robber (1993) and New Eden (1994) failing to generate commercial success or critical acclaim, reflecting limited opportunities for Black actresses outside ensemble TV formats during the era.[26] Public perception of her as enigmatic or difficult—stemming from her free-spirited lifestyle, interracial marriage to Kravitz (1987–1993), and avoidance of mainstream Hollywood norms—further hindered typecasting beyond her youthful Cosby archetype, leading to sporadic appearances rather than sustained leading roles.[38] By the mid-1990s, she largely stepped back from acting to focus on motherhood and selective projects, citing a deliberate shift away from industry pressures that had scrutinized her authenticity.[26]Legacy and Reception
Cultural Impact and Influence
Lisa Bonet's portrayal of Denise Huxtable on The Cosby Show from 1984 to 1991 established her as a breakout figure in 1980s television, embodying a free-spirited, eclectic young woman whose character resonated with audiences for its depiction of youthful rebellion within a stable family dynamic.[61] The role, which earned her a 1986 Primetime Emmy nomination for Outstanding Supporting Actress in a Comedy Series, contributed to the series' role in normalizing positive portrayals of African-American family life, influencing subsequent sitcoms by prioritizing aspirational narratives over stereotypes.[14] Her distinctive bohemian aesthetic, characterized by layered fabrics, headwraps, oversized accessories, and a blend of hippie and urban elements, positioned Bonet as an originator of 1990s "boho chic" trends, predating and shaping later adopters in fashion.[62] Outfits such as floral slip dresses paired with combat boots or kimonos over tailored suits exemplified her fusion of feminine fluidity and masculine edge, which Refinery29 credits with defining era-specific styles that persist in contemporary wardrobes.[63] This influence extended to high-profile figures, with one of her red-carpet looks—a printed dress with a top hat—inspiring recreations by artists like Beyoncé, underscoring her role in bridging streetwear and couture.[64] Beyond acting, Bonet's multiracial heritage—born to an African-American mother and Jewish father on November 16, 1967—and her commitment to environmental advocacy amplified her as a symbol of diverse, nonconformist identity in Hollywood, though her output waned post-1990s, limiting broader institutional impact.[17] Vogue has noted her as the "queen of earth-mother style," with enduring visual motifs like dreadlocks and peasant skirts informing modern aesthetic revivals on platforms like Pinterest and Reddit.[65] [66] Despite later career intermittency, her stylistic legacy persists in fashion media, where she is retrospectively hailed for challenging rigid beauty norms through authentic, unpolished presentation.[62]Achievements Versus Criticisms
Lisa Bonet's portrayal of Denise Huxtable on The Cosby Show from 1984 to 1992 established her as a breakout star, earning her a nomination for the Primetime Emmy Award for Outstanding Supporting Actress in a Comedy Series in 1986.[67] Her depiction of the free-spirited, unconventional daughter infused the character with a relatable bohemian edge that resonated with audiences, contributing to the series' status as a top-rated family sitcom during its peak years, averaging over 30 million viewers per episode in the mid-1980s.[6] She also received a Young Artist Award in 1989 for Best Young Actor/Actress Ensemble Cast in a Television Comedy or Drama Series for her work on the show.[3] In film, Bonet's role as Epiphany Proudfoot in Angel Heart (1987) garnered a nomination for the Saturn Award for Best Supporting Actress, with reviewers noting her ability to hold her own alongside established actors like Mickey Rourke and Robert De Niro in the supernatural thriller.[68] The performance was praised for its intensity and vulnerability, particularly in scenes requiring emotional depth amid the film's dark narrative.[69] These roles highlighted her early promise as a versatile actress capable of transitioning from television comedy to more provocative cinema. Critics, however, have pointed to Bonet's career trajectory as marked by underachievement relative to her initial fame, attributing it to a perceived lack of acting range and inconsistent output following The Cosby Show.[70] Her decision to depart the series after season three—despite returning sporadically—coincided with a shift toward sporadic film appearances, such as in High Fidelity (2000), after which roles diminished, leading observers to question whether she prioritized personal life over professional momentum.[26] The controversial nudity and simulated sex scene in Angel Heart drew backlash for clashing with her wholesome TV image, alienating family audiences and reportedly straining relations with producer Bill Cosby, who later cited creative differences as a factor in her reduced involvement.[19] Some analyses suggest her reliance on ethereal beauty overshadowed technical skill, resulting in typecasting and fewer challenging opportunities in Hollywood's competitive landscape.[70]Filmography
Film Roles
Bonet's cinematic debut came in 1987 with the supernatural thriller Angel Heart, directed by Alan Parker, in which she portrayed Epiphany Proudfoot, a voodoo-practicing teenager entangled in a detective's occult investigation alongside Mickey Rourke and Robert De Niro. The role featured explicit nude and sex scenes that drew widespread controversy, clashing with her family-friendly image from television and reportedly contributing to tensions with The Cosby Show producers, who had initially approved the project but later objected to the final cut's intensity.[19][71] Following a hiatus from major features, Bonet appeared in smaller capacities in subsequent films. In the 1998 action thriller Enemy of the State, directed by Tony Scott, she played Rachel Banks, the wife of a surveillance-targeted academic murdered early in the plot, sharing screen time with Will Smith and Gene Hackman in a high-stakes conspiracy narrative.[2] In 2000's High Fidelity, an adaptation of Nick Hornby's novel directed by Stephen Frears, Bonet embodied indie singer Marie De Salle, a fleeting romantic interest for protagonist Rob Gordon (John Cusack), highlighted by her performance of Peter Frampton's "Baby, I Love Your Way" during an intimate scene.[72][73] Bonet took the lead role of Queenie, a motorcycle club matriarch, in the 2003 action drama Biker Boyz, directed by Reggie Rock Bythewood, which explored underground racing culture and reunited her with rapper Kid Rock. Later credits include supporting parts as Flora in the 2014 road drama Road to Paloma, a low-budget indie about Native American fugitives, and a minor receptionist role in the 2017 horror-comedy Jellywolf.[2] These sporadic film appearances underscore Bonet's selective engagement with cinema, prioritizing roles amid her primary television work and personal life commitments.[20]Television Roles
Bonet first gained widespread recognition for her role as Denise Huxtable, the free-spirited middle daughter of the Huxtable family, on the NBC sitcom The Cosby Show, which premiered on September 20, 1984, and ran for eight seasons until April 30, 1992.[2] She auditioned and joined the cast at age 16, portraying a character known for her eclectic fashion sense, academic struggles, and multiple college attempts, which evolved across storylines involving family dynamics and personal growth.[14] Bonet's performance earned her a Primetime Emmy nomination for Outstanding Supporting Actress in a Comedy Series in 1986.[16] She reprised the role in the spin-off series A Different World, starring as Denise during its inaugural season from September 1987 to May 1988, where the character navigates life at the fictional Hillman College, focusing on themes of young adulthood and cultural identity.[74] Bonet appeared in all 23 episodes of that season before exiting due to her pregnancy.[15] She returned for select guest spots in season 3, including the episode "Forever Hold Your Peace" in 1989, which reunited elements of the Huxtable family.[75] Following The Cosby Show, Bonet's television appearances shifted to more limited and varied roles, reflecting a selective approach to projects amid her focus on film and family. In the ABC fantasy drama Life on Mars (2008–2009), she played Maya Daniels, a key figure in the protagonist's investigation, across the series' 17 episodes.[22]| Series | Years Active | Role | Notes |
|---|---|---|---|
| The Red Road | 2014–2015 | Sky Van Der Veen | Recurring role in SundanceTV drama series.[76] |
| Ray Donovan | 2016 | Marisol Campos | Guest appearance in season 4.[2] |
| Girls | 2015 | Tandice Moncrief | Guest in two episodes of season 5.[23] |
| New Girl | 2014 | Brenda Brown | Guest in season 4, episode "Teachers."[76] |
| Drunk History | 2015 | Various | Guest narrator/actor in Comedy Central anthology.[20] |
Awards and Honors
Nominations and Recognitions
Lisa Bonet received recognition primarily for her early television and film roles, including a Primetime Emmy nomination and wins from the Young Artist Awards.[77] Her performance as Epiphany Proudfoot in the 1987 film Angel Heart earned her a Saturn Award nomination for Best Supporting Actress.[3]| Year | Award | Category | Work | Result |
|---|---|---|---|---|
| 1986 | Primetime Emmy Awards | Outstanding Supporting Actress in a Comedy Series | The Cosby Show | Nominated[77] |
| 1988 | Saturn Awards | Best Supporting Actress | Angel Heart | Nominated[3] |
| 1988 | Young Artist Awards | Best Young Female Superstar in Motion Pictures | Angel Heart | Won[3] |
| 1988 | Young Artist Awards | Best Young Actress Starring in a New Television Comedy Series | A Different World | Nominated[3] |
| 1989 | Young Artist Awards | Best Young Actor/Actress Ensemble in a Television Comedy, Drama Series or Special | The Cosby Show | Won[3] |