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Little Witches

Little Witches is a Canadian-American directed by Jane Simpson and written by Brian DiMuccio and Dino Vindeni. The story centers on a group of teenage girls at Santa Carlita Academy, an all-girls Catholic , who remain on campus during break and uncover a hidden room containing the mummified remains of six girls from a 19th-century society accused of devil worship. Intrigued, the modern students perform a that summons an ancient evil entity known as "He Who Comes," leading them to discover an old book of spells that transforms them into a of witches and unleashes chaos. The film stars as Jamie, who initiates the activities; Mimi Rose (credited as Mimi Reichmeister) as , the devout leader of the group; and as Kelsey in a supporting role, alongside established character actors Jennifer Rubin, , and . Clocking in at 90 minutes, it blends elements of teen , , and religious themes, drawing comparisons to contemporaries like The Craft due to its premise of schoolgirls embracing dark magic. Produced on a low budget by Entertainment and Planet Productions, Little Witches was released directly to video in the United States on December 23, 1996, and has since gained a for its campy tone, atmospheric visuals, and unapologetic embrace of B-movie tropes despite its modest production values. Critically, the film holds a 4.0 out of 10 rating on based on 1,898 user votes (as of November 2025) and a 40% Tomatometer score on from five reviews (as of November 2025), with critics noting its derivative but praising its energetic direction and memorable supporting performances. It features notable practical effects for its era, including gore and manifestations, though some sequences were edited for compliance under the American Humane Association's monitoring, ensuring no live animals were harmed beyond props like a fake dead crow. Over the years, Little Witches has been appreciated in circles for Jane Simpson's sophomore directorial effort, highlighting her skill in creating tension within confined school settings, and it remains available on streaming platforms like for modern audiences (as of November 2025).

Production

Development

The screenplay for Little Witches was written by Brian DiMuccio and Dino Vindeni, who conceived the project in the mid-1990s amid rising interest in teen-oriented horror films featuring witchcraft themes. The story draws inspiration from 1990s trends in supernatural teen narratives, sharing conceptual similarities with contemporary releases like The Craft (1996). Jane Simpson was selected to direct, bringing her experience from music videos and prior features such as Number One Fan (1995) to helm this low-budget horror entry. Producer Donald P. Borchers oversaw the production through Le Monde Entertainment and Planet Productions, emphasizing cost-effective strategies to keep expenses minimal in line with the film's modest scale. The script specifically integrates a Catholic girls' setting with Satanic elements, centering on the protagonists' discovery of an ancient Latin spellbook that leads to a demon-summoning , heightening the thematic contrast between and forbidden power. wrapped by early 1996, with creative decisions prioritizing practical effects for the horror sequences given the era's limited access to advanced and the project's budget constraints.

Casting

The lead role of Faith Ferguson, the shy and innocent at the center of the story, was cast with newcomer Mimi Rose, selected for her ability to convey vulnerability and wide-eyed curiosity in early auditions. Mimi Rose, making her debut, brought a fresh, unpolished quality that aligned with the character's arc. was chosen for the role of the rebellious , praised for her high-energy and defiant audition performance that captured the character's fiery spirit. Her dynamic presence helped establish the contrasting dynamics among the young members, as envisioned by Jane Simpson in the script's character interactions. Jennifer Rubin portrayed Sister Sherilyn, drawing on her established background in horror cinema, including her role in A Nightmare on Elm Street 3: Dream Warriors (1987), which added depth to the nun's authoritative yet tormented demeanor. In supporting roles, Zelda Rubinstein played Mother Clodah, leveraging her iconic portrayal of the diminutive medium Tangina in Poltergeist (1982) to embody the stern, otherworldly nun archetype. Jack Nance was cast as Father Michael, bringing his experience from David Lynch films to the role of the priest. Tommy Stork was cast as Daniel, the construction worker who becomes entangled with the girls. Other young actresses filled out the schoolgirl coven, including Clea DuVall in a minor role as Kelsey, marking her feature film debut in a low-profile indie production. The casting process prioritized young, relatively unknown talents to suit the film's low-budget aesthetic, with callbacks conducted in during spring 1996 to assemble the ensemble of schoolgirls. This approach allowed for authentic, ensemble-driven performances in the occult-themed narrative.

Filming

for Little Witches took place in , . Filming locations included , USA, which helped evoke the atmosphere of a Catholic through its exteriors and facilities. The production was handled by Le Monde Entertainment and Planet Productions, with principal shooting occurring in early 1996. was led by Ron Turowski, who utilized dim lighting and shadows to build tension and heighten the elements throughout the film. Editing was overseen by Kristina Trirogoff, focusing on pacing the supernatural sequences to maintain suspense. The original score was composed by Nicholas Rivera, incorporating eerie choral and atmospheric sounds to underscore the blend of religious themes and occult horror. As a low-budget independent production, the film relied on practical effects for depictions of occult rituals, gore, and demon manifestations, such as prosthetics and fog for atmospheric effects.

Release

Distribution

Little Witches was released directly to video on December 23, 1996, distributed by A-Pix Entertainment. The film carried an MPAA R-rating due to depictions of , , and themes, which limited its appeal to adult audiences. Marketing efforts positioned the film as a provocative teen centered on , highlighted by posters showcasing schoolgirl characters in suggestive poses and the "Forgive Me Father, For I Am Sin." Promotional strategies targeted niche venues such as drive-in theaters and midnight screenings to capitalize on the genre's . The rollout faced significant hurdles amid stiff competition from high-profile 1996 horror releases like Scream, which debuted just days earlier and dominated the market. International expansion occurred in 1997-1998, with releases across and .

Home media

Following its debut, Little Witches was first released on in the United States on December 23, 1996, distributed by A-Pix Entertainment under Entertainment, often bundled with other low-budget titles in collections. This initial edition featured a full-screen and became sought after by collectors due to its rarity, with used copies occasionally reselling for premium prices on secondary markets. A DVD version followed, released by Image Entertainment in the late , offering a standard format with audio but minimal extras such as no commentary tracks or behind-the-scenes features. The disc emphasized the film's appeal among enthusiasts, though production quality remained basic, reflecting its B-movie origins. No official Blu-ray edition has been issued as of 2025, though fan discussions highlight demand for a remastered high-definition release from boutique labels. In the digital era, Little Witches gained wider accessibility through streaming platforms. It appeared on ad-supported services like Tubi in the early 2020s and was added to subscription options such as Netflix during the mid-2010s, before rotating off; as of November 2025, it remains available for rent or purchase on Amazon Prime Video ($3.99 digital rental) and Shudder ($4.99 rental), catering to niche horror audiences. Internationally, a Region 2 DVD surfaced in the UK around 2005 via independent distributors, while a video-on-demand version launched in Japan in 2015, with some editions featuring minor edits to nudity scenes for local ratings compliance. The film's modest cult status has fueled collector interest. These releases underscore its enduring, if niche, legacy in home media formats.

Reception

Critical response

Upon its initial release in 1996, Little Witches received largely negative reviews from critics, who frequently highlighted its clichéd storyline and derivative elements reminiscent of contemporary teen horror films. The described it as one of the worst movies of the year, criticizing its reliance on overused tropes and subpar . Similarly, reviewers noted its status as a "transparent takeoff" on The Craft, released the same year, but lacking the originality or polish of that film. Critics commonly pointed to the film's overreliance on and at the expense of narrative depth, with one assessment stating it "one-ups The Craft by containing a lot of " but "fails in every other respect." A review from Reel Film Reviews echoed this, emphasizing the weak scripting and execution despite the sensational elements. Aggregate scores reflect this tepid critical reception, with reporting a 40% approval rating based on five reviews as of 2025. The film's user rating stands at 4.0/10 from approximately 1,900 votes, though professional critiques remained the focus of early discourse. In later reassessments during the and , some retrospectives highlighted the film's campy charm and value as a piece of nostalgia. , in a 2022 piece, praised it as "silly" and "fun," suggesting the casting and B-movie energy made it worth revisiting despite its flaws and inescapable parallels to The Craft. This shift underscores a growing appreciation for its unpretentious horror tropes amid renewed interest in era-specific genre fare.

Audience and legacy

Little Witches garnered mixed audience reception, appealing to enthusiasts of low-budget for its portrayal of rebellious teenage girls dabbling in amid a setting, while its exploitative depictions of young characters alienated others. On , the film holds an average user rating of 4.0 out of 10 from approximately 1,900 user ratings, reflecting its status as a campy B-movie with uneven execution. Viewers often praised the atmospheric underground sequences and thematic echoes of rebellion, though many criticized the plot's predictability and technical shortcomings. The film's contributed to low attendance and a rapid shift to distribution, underscoring its commercial underperformance as a micro-budget production. Despite the absence of detailed figures, its quick markets highlighted the challenges faced by niche indies in achieving wide theatrical success during the mid-1990s. Over time, Little Witches cultivated a small , particularly from the onward through horror conventions and online forums where fans discussed its place among witch-themed films. It has been referenced in "so bad it's good" compilations for its over-the-top elements and unintentional humor, solidifying its appeal among genre aficionados. In terms of legacy, the film contributed to the low-budget subgenre by exploring themes of teenage occultism and the clash between Catholicism and forces, paralleling contemporaries like The Craft in its focus on youthful through magic. Director Jane Simpson's career stalled following the project, with no subsequent feature-length directorial credits listed in major film databases. In contrast, cast member Jennifer Rubin continued working in , appearing in titles such as Last Lives (1997) and Twists of Terror (1997). As of 2025, Little Witches remains available for rent and purchase on platforms like Amazon Video, with occasional inclusions in Halloween-themed streaming marathons on select services. Its enduring niche interest manifests in fan-driven analyses, including podcasts examining its Catholic-occult tensions, though revivals are minor compared to more prominent entries.

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