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Lootpack

Lootpack is an American hip hop group from , consisting of and rapper (Otis Jackson Jr.), rapper Wildchild (Jack Brown), and DJ Romes (Romeo Jimenez). Formed during high school in the early 1990s, the group initially included Kan Kick as a fourth member before he pursued a solo career. Lootpack first gained recognition in 1993 when produced the track "" for ' album 21 & Over. The group released their debut EP, Ill Psych Move, in 1996 on the independent Crate Digger’s Palace Records, which was self-funded by 's father, Jackson Sr. They signed with after label founder discovered them through college radio airplay. Their sole full-length studio album, Soundpieces: Da Antidote!, was released in 1999 on Stones Throw, featuring jazz-influenced beats, intricate lyricism, and contributions from guest artists like MED and Declaime. The album established Madlib as a prominent figure in underground hip hop and exemplified Lootpack's old-school revivalist style rooted in boom bap production. Post-2000, the group issued compilations such as The Lost Tapes (2004) and the Loopdigga EP (2014), though they largely disbanded around that time. Lootpack's work has influenced West Coast underground hip hop, with Madlib's production techniques continuing to impact the genre.

History

Formation and early career

Lootpack was formed in 1992 in , by Otis Jackson Jr. (known as ), Jack Brown (Wildchild), and Romeo Jimenez (DJ Romes), three high school friends who bonded over their shared enthusiasm for music and vinyl record collecting. The group initially included producer Kan Kick () as a fourth member before he left to pursue a solo career. The trio began experimenting with beats and rhymes in Madlib's home studio, drawing from the burgeoning underground scene, where their focus on sampling rare funk, jazz, and soul records set them apart from mainstream trends. Early on, Lootpack connected with the Likwit Crew collective through producer Madlib's work with , leading to the group's debut appearance as producers on the 1993 album 21 & Over, including the track "," and as lyrical contributors on tracks like "Turn Tha Party Out," marking their entry into Southern California's interconnected network, fostering relationships that amplified their visibility beyond Oxnard. The initiative tied into the broader Crate Diggas Palace collective, Madlib's Oxnard-based studio and creative hub established around 1994. This period also saw the release of their debut vinyl, the Ill Psych Move EP, in 1996 on the Crate Diggas Palace label founded by Madlib's father, Otis Jackson Sr., representing their inaugural foray into independent production and distribution. Through local performances at small venues and house parties in the area, along with circulating mixtapes and demo tapes within the underground circuit, Lootpack steadily built buzz among crate-digging enthusiasts and fellow artists like Declaime and MED. The Ill Psych Move EP, particularly the lead track "Psyche Move," gained traction on college radio stations, further solidifying their presence before attracting major label interest.

Debut album and Stones Throw era

In 1997, Lootpack signed to , an independent label founded in 1996 by Chris Manak, known as , a longtime friend and collaborator of from their shared Oxnard roots. This partnership provided the group with professional distribution and support, transitioning them from local cassette releases to a broader underground audience while allowing creative control. The group's first release on Stones Throw was the 1998 EP The Anthem, which showcased Madlib's production style through dusty, sample-heavy beats and featured tracks like "The Anthem," "Lost Art," and "Likwit Fusion" with guest appearances from The Alkaholiks and Defari. This EP helped solidify their raw, underground sound, blending intricate by DJ Romes with the duo's lyrical interplay. Lootpack's debut album, Soundpieces: Da Antidote, was produced entirely by and recorded throughout the late 1990s in informal sessions that incorporated heavy sampling from , , and records, with input from Wildchild and DJ Romes on lyrics and cuts. Released on June 29, 1999, the album highlighted collaborative elements in tracks such as "Da Antidote," which opens with a gritty loop emphasizing group unity; "Whenimondamic," showcasing high-energy rhymes over upbeat scratches; and "The Anthem," reprising the EP's lead with layered vocal deliveries. To promote the album, Lootpack performed live shows across and at key events, including West Coast showcases that built buzz through their energetic sets blending DJ Romes' with live freestyles. These efforts earned critical acclaim within the for their authentic, sample-driven approach, though commercial success remained limited due to the label's indie status.

Post-album activities and legacy

Following the release of their debut album Soundpieces: Da Antidote! in 1999, Lootpack informally disbanded around 2000 as members shifted focus to individual pursuits, forgoing an official second group album while maintaining sporadic collaborations. Madlib, in particular, expanded his production work across multiple projects, including his alias and partnerships that elevated his profile in . In 2004, the group issued the compilation The Lost Tapes on Crate Diggas Palace, a collection of unreleased tracks recorded during their sessions, offering fans archival material from their formative years. The project highlighted early demos and outtakes produced primarily by , preserving the raw, sample-heavy sound that defined their initial output. Lootpack's involvement extended to Wildchild's solo debut Secondary Protocol in 2003, released on , where handled half the production and DJ Romes contributed scratches throughout, effectively functioning as a group reunion effort. The album featured all three members' input, bridging their collective style with Wildchild's personal lyricism on tracks like "Code Red," though it remained credited as a solo release. A decade later, in 2014, Stones Throw released the Loopdigga EP, drawing from original masters of Lootpack's early out-of-print 12-inch singles and signaling occasional revivals of their material. Tracks such as "Loopdigga" (featuring MED) and the "Weededed Remix" (with Rasco and Oh No) revisited themes of and laid-back , underscoring the enduring appeal of their minimalist beats. Lootpack's legacy endures as pioneers of crate-digging , with Madlib's innovative sampling techniques influencing key figures like —whose shared stylistic roots in jazz-soul loops—and , through their landmark collaboration that echoed Lootpack's experimental edge. In underground circles, they are recognized for safeguarding jazz-infused amid the genre's evolution, prioritizing obscure vinyl sources to craft beats that blended accessibility with East Coast grit.

Members

Madlib

Otis Jackson Jr., known professionally as , was born on October 24, 1973, in . He grew up in a musical family; his father, Otis Jackson Sr., was a soul singer and who founded the independent Crate Diggas Palace Records, while his mother, Dora Jackson, was also a musician. This environment provided Madlib with early exposure to diverse sounds, including connections to the scene through family ties and local collaborations. Within Lootpack, formed alongside childhood friends Wildchild and DJ Romes, served as the primary producer, beatmaker, and occasional MC. He was responsible for crafting the group's beats by sampling rare and soul records, as evident in tracks from their debut album Soundpieces: Da Antidote such as those drawing from and . His production style emphasized dusty, looped samples that defined the group's underground aesthetic. Madlib's specific contributions included producing the entirety of Lootpack's debut EP, Psyche Move (1996), released on Crate Diggas Palace Records. He also handled all production for the group's sole studio , Soundpieces: Da Antidote (1999), leveraging his multi-instrumental skills on keyboards and drums to layer live elements over sampled foundations. These efforts established Madlib's foundational role in shaping Lootpack's sound during their active years.

Wildchild

Jack Brown, better known by his stage name Wildchild, is an American rapper born on November 2, 1973, in Oxnard, California. He grew up in the area, where he initially engaged in hip-hop culture as a dancer before transitioning to rapping, and connected with future Lootpack collaborators Madlib and DJ Romes as childhood friends through shared interests in the genre. The group officially formed around 1993, after high school, when the three began seriously pursuing music together under the name Lootpack, an acronym for "Lyrics On Original Tracks Possible Antidote Created in Kali." As the lead MC in Lootpack, Wildchild served as the primary vocalist, delivering sharp, raw, and freestyle-inspired battle lyrics that complemented Madlib's production. His role emphasized energetic, rapid-fire flows, contributing to the group's sound during their early releases. On the 1999 debut Soundpieces: Da Antidote!, Wildchild's verses stood out for their verbose and dynamic delivery, particularly on the title track "Da Antidote," where he helped establish the trio's playful yet confrontational style. Wildchild's key contributions to Lootpack included co-writing lyrics for their early extended plays, such as the 1996 Psyche Move EP, which showcased the group's raw energy and cemented their presence in the scene. During the era, he brought hype and vitality to live performances, progressing from high school freestyles to club shows and opening slots for established acts like , enhancing the group's engaging stage presence. Following Lootpack's core activities, Wildchild's 2003 solo album Secondary Protocol, released on Stones Throw and produced largely by , maintained ties to the group's sound through collaborative elements, focusing on his MC skills in a post-Lootpack context.

DJ Romes

DJ Romes, born Romeo Jimenez in , joined Lootpack during high school alongside and Wildchild, serving as the group's dedicated DJ and turntablist. As the trio's sonic architect behind the decks, Romes provided essential and cuts that layered texture over Madlib's intricate beats, defining Lootpack's raw, sound from their earliest days. In Lootpack's recordings, Romes' turntablism shone through on key tracks, such as his credited scratches on "Loopdigga" from the 2000 single, where his precise cuts amplified the track's looping rhythms and featured guest verses. His contributions extended to early releases like the 1996 Psyche Move EP, where scratches added gritty depth to the group's debut vinyl effort, enhancing the overall production with dynamic vinyl manipulations. On the full-length Soundpieces: Da Antidote (1999), Romes delivered notable scratching, including the closing cuts on "Long Awaited," which complemented the collaborative energy with guests like Dilated Peoples. Beyond the studio, Romes elevated Lootpack's live performances during their tours, handling mixing and to create seamless transitions and high-energy sets that captivated audiences across the U.S. His DJ work ensured the group's rare selections and beat-driven translated powerfully to the stage, solidifying Lootpack's reputation as a cohesive unit in the scene.

Artistry

Musical style

Lootpack's musical style is emblematic of , characterized by boom-bap drums and raw, unpolished aesthetics that prioritize authenticity over commercial production values. The group's sound draws heavily from old-school influences, featuring minimalist grooves and sample-heavy beats that evoke a gritty, DIY ethos typical of late-1990s scenes. This approach results in midtempo, head-nodding tracks that emphasize texture over flashy effects, creating an intimate, unrefined listening experience. Their album Soundpieces: Da Antidote! celebrated its 25th anniversary in 2024, highlighting the enduring appeal of this style. Lyrically, Lootpack explores humorous and introspective themes centered on crate-digging, everyday life in their Oxnard hometown, and broader hip-hop culture, delivered through a laid-back, conversational tone. Tracks like "Crate Diggin'" celebrate the ritual of hunting for obscure vinyl loops, portraying it as an essential, almost meditative pursuit for unique sounds amid the industry's commercialization. These rhymes often blend wit with personal reflection, avoiding gangsta tropes in favor of lighthearted commentary on MC battles and creative integrity, fostering a sense of camaraderie and cultural preservation. The group's dynamic is defined by the interplay of Madlib's dense, eclectic sampling, Wildchild's energetic and dynamic flows, and DJ Romes' precise scratches, which together impart a live, jam-session vibe. Madlib's production layers left-field samples—often from jazz and soul sources—over punchy drums, while Wildchild's fierce delivery contrasts Madlib's more relaxed, blunted verses, adding rhythmic tension. Romes' turntablism punctuates transitions, enhancing the organic, collaborative feel without overpowering the core elements. In comparison to contemporaries, Lootpack shares a DIY underground spirit but distinguishes itself through a more pronounced jazz-oriented sampling palette that infuses their beats with improvisational flair. This fusion aligns them with the broader revival of golden-age on the , where raw lyricism and crate-digger aesthetics reign supreme.

Influences and production techniques

Lootpack's music drew heavily from crate-digging traditions, with citing 1970s jazz and soul records as primary influences, including artists like Donald Byrd and from Blue Note's catalog, which informed the group's soulful, improvisational textures. Funk and soul acts such as , , and Junie Morrison also shaped their sampling approach, emphasizing groovy basslines and rhythmic complexity sourced from obscure vinyl finds. In the realm, pioneers like and influenced their ethos of -infused loops and boom-bap foundations, echoing the sample-heavy aesthetics of East Coast acts while adapting them to sensibilities. Madlib's production centered on layering obscure samples from diverse genres—jazz, funk, rock, and global sounds like and records—with occasional live instrumentation to create dense, atmospheric beats. He favored low-fi recording in home studios, using a minimalist setup with vintage keyboards, a , and an upright bass, eschewing professional engineers for raw, self-managed sessions that preserved an unpolished vibe. scratches and turntable manipulation took precedence over digital effects, with Madlib employing tools like the SP-606 and SP-303 to chop and loop samples quickly, often limiting each beat to under 10 minutes for spontaneity. This approach balanced sampled elements with original contributions, roughly 50/50, resulting in the gritty, tactile sound characteristic of their work. The group's sessions fostered innovation through collaboration, as , Wildchild, and DJ Romes traded ideas during beat-making, drawing from their shared crate-digging roots to produce eclectic tracks on albums like Soundpieces: Da Antidote. This interactive process, rooted in their Oxnard collective, allowed for real-time refinements, blending Madlib's loops with group input to yield varied, sample-driven compositions that highlighted their ethos.

Crate Diggas Palace

Record label

Crate Diggas Palace also refers to the Oxnard-based studio and loose-knit hip-hop collective (often abbreviated CDP) formed by Madlib in the early 1990s, where local rappers collaborated on recordings focused on underground hip-hop, jazz, and funk samples. The record label bearing the name was established in 1996 by Otis Jackson Sr., the father of Lootpack member Madlib, as an independent imprint specializing in underground hip-hop vinyl releases. The imprint operated on a small scale, focusing on pressing limited runs of 12-inch singles and EPs, with funding primarily sourced from family resources to support emerging artists from the Oxnard and Los Angeles areas. This DIY approach emphasized grassroots production and distribution, often handling manufacturing and promotion through personal networks rather than major industry channels. For Lootpack, the served as a key platform for their early output, debuting with the Psyche Move EP in 1996, which featured raw, sample-heavy tracks produced by and showcased the group's innovative underground sound. This release, pressed in limited quantities, became a rare collector's item due to its constrained production and informal distribution methods, highlighting the label's challenges in reaching wider audiences amid the mid-1990s landscape. The EP's success within niche circles helped elevate Lootpack's profile, paving the way for future opportunities. The label continued to support Lootpack with the 2004 compilation , a collection of previously unreleased material from their formative years, including demos and outtakes that captured the group's experimental ethos. A repress of was issued in 2025, renewing interest in the label's archival releases. Operating with a strong DIY ethic, Crate Diggas Palace prioritized artistic control and community-driven releases over commercial scalability, ultimately influencing the independent model later adopted by labels like , where Lootpack would find broader distribution. Despite its limited scope and logistical hurdles, such as small pressings and regional focus, the imprint played a foundational role in nurturing Lootpack's career during their pre-major label phase.

Discography

Studio albums

Lootpack's sole studio album, Soundpieces: Da Antidote!, was released on June 29, 1999, by . Produced entirely by group member , the project features 18 tracks showcasing the trio's raw lyricism and innovative beats, drawing from , , and samples to create a dense, atmospheric sound. Guest appearances from artists like , Oh No, and MED add layers to the collaborative spirit, while tracks such as "Whenimondamic" and "Answers" highlight the group's playful yet skillful approach to . The album captured the essence of late-1990s West Coast alternative rap, emphasizing crate-digging aesthetics and anti-commercial themes that positioned Lootpack as antidote to mainstream trends. Its cohesive vibe, rooted in 's meticulous production, earned praise for blending humor, introspection, and technical prowess, solidifying Stones Throw's reputation as a hub for experimental . Despite its cult status, Soundpieces: Da Antidote! remains the group's only full-length studio effort, as , Wildchild, and DJ Romes shifted focus to solo careers and individual collaborations in the years following its release.

Extended plays

Lootpack's extended plays represent key milestones in their early development and later retrospectives, showcasing their innovative production and lyrical styles through shorter-form releases. Their debut EP, Ill Psych Move, was released in 1996 on Crate Diggas Palace, a label founded by Madlib's father, Otis Jackson Sr.. This 4-track vinyl introduced the group's signature sound, featuring Madlib's intricate scratches and sample-based beats alongside Wildchild's energetic flows on tracks like "Psyche Move (Original Mix)" and "Attack of the Tupperware Puppets.". Funded independently and distributed regionally, it garnered attention through college radio play, paving the way for their association with .. In 1998, Lootpack issued The Anthem on , a 6-track EP that functioned as a teaser for their impending full-length .. Including vocal and instrumental versions of standout cuts like "The Anthem," "Lost Art," and "Likwit Fusion," the release highlighted the trio's collaborative chemistry and Madlib's jazz-infused production, establishing them within the scene.. In 1998, Whenimondamic appeared on Stones Throw as a companion to their , emphasizing MC showcases across its 6 tracks.. Featuring Wildchild's rapid-fire delivery on the title track, alongside "Questions" and "Answers" with guest , plus es and instrumentals, it underscored Lootpack's focus on witty lyricism and loop-heavy beats.. Much later, in 2014, Stones Throw released Loopdigga EP, a 6-track project revisiting and remixing early material from out-of-print singles.. Tracks such as "Loopdigga" featuring MED, "Lost Art," and a of "Weededed" with Rasco and Oh No, drawn from original masters, offered fans a curated glimpse into the group's foundational work while incorporating fresh elements..

Singles and compilations

Lootpack released several standalone singles through , often featuring non-album tracks and es that highlighted the group's raw, style. The 2000 single "Weededed ()" served as a promotional release following their debut , with the A-side featuring guest verses from Rasco and Oh No over Madlib's production, backed by the instrumental "Loopdigga." Similarly, the 1999-recorded "Questions ()" appeared as a 7-inch in 2002, pairing the Madlib-produced with the B-side "On Point," drawing from archival Invazion sessions and emphasizing the group's lyrical interplay. The group also issued "" as a single-sided 7-inch in conjunction with the 2012 reissue of their album; the track originated as an outtake on the Strength Magazine's compilation in 1999. Lootpack contributed tracks to various Stones Throw samplers, including appearances on compilations like Stones Throw 10 Years, where selections such as "America's Most Blunted" showcased their beat-driven aesthetic alongside labelmates. In 2004, the archival compilation The Lost Tapes was released via Crate Diggas Palace (later reissued by Traffic Entertainment Group), collecting over 20 unreleased tracks from the mid-1990s, including variants of "Psyche Move" and other early demos that captured the group's formative Oxnard sound; a repress was issued in 2025. Additionally, Lootpack members contributed to affiliated projects, such as tracks on Wildchild's 2003 solo album Secondary Protocol under Stones Throw, where group production and features reinforced their collaborative dynamic.

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