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Luca Zingaretti

Luca Zingaretti (born 11 November 1961) is an , , and renowned for his portrayal of Commissario Salvatore Montalbano in the acclaimed television series Il commissario Montalbano (1999–2021), adapted from Andrea Camilleri's novels, which has garnered international acclaim and multiple awards. Born in and raised in the Magliana neighborhood, Zingaretti initially aspired to a career in professional football before pursuing , training at the prestigious Silvio d'Amico Academy of Dramatic Arts. Zingaretti began his career in theater in the 1980s, debuting under director Luca Ronconi in productions such as Anton Chekhov's Three Sisters and Shakespeare's Titus Andronicus, before transitioning to film with his debut in Gli occhiali d'oro (1987) and gaining early recognition for his role in The Pack (1994). His television breakthrough came with the role of a mafia boss in the miniseries La piovra 7 (1997), but Il commissario Montalbano cemented his stardom, spanning 37 episodes in the main series and earning him widespread popularity across Europe and beyond. In film, he has starred in notable works like Perlasca. Il coraggio di un uomo giusto (2002), where he portrayed Giorgio Perlasca, a diplomat who saved thousands of Jews during World War II, and Alla luce del sole (2005), for which he won the David di Donatello Award for Best Actor and the Best Actor award (tied) at the Karlovy Vary International Film Festival. Throughout his career, Zingaretti has received numerous accolades, including Nastro d'Argento nominations for Best Supporting Actor and Best Actor, as well as the Golden Dove for Peace Prize in 2003 for his contributions to social causes. More recently, he has expanded into producing and directing, making his directorial debut with La casa degli sguardi (2024), adapted from Daniele Mencarelli's novel, while continuing to act in high-profile projects such as the Sky Italia prison drama Il re (The King, 2022–present), where he plays the cunning director of a maximum-security facility, and the 2025 film Forbidden City. In his personal life, Zingaretti has been married to fellow Italian actress Luisa Ranieri since 2012, with whom he has two daughters, Emma (born 2011) and Bianca (born 2015); he was previously married to theater director Margherita D'Amico. His younger brother, Nicola Zingaretti, is a prominent politician who served as president of the Lazio region.

Early life and education

Family background

Luca Zingaretti was born on November 11, 1961, in , . His parents were Aquilino Zingaretti and Di Capua, the latter from a Jewish Roman family; as a child during , , known as Mimmi, narrowly escaped deportation to Auschwitz along with her sister at the age of seven. The couple separated when Luca was very young, leaving him to grow up primarily under his mother's influence in a marked by progressive values. Zingaretti is the eldest of three siblings, with a younger sister Angela and a younger brother , who later became a prominent politician as president of the region and secretary of the . His childhood unfolded in the Magliana neighborhood, a working-class on the outskirts of , where he experienced a rough, street-wise upbringing amid the city's vibrant yet gritty and atmosphere. Surrounded by strong female figures—including his enthusiastic and stimulating mother, grandmother, and sister—Zingaretti was raised in a left-leaning, feminist household that emphasized social engagement and personal expression, fostering an early appreciation for within Rome's culturally rich environment. These family dynamics, combined with the "school of the street" where he played , explored rivers and beaches, and navigated youthful scuffles over minor provocations, shaped his resilient character and initial curiosity toward performance before pursuing formal training. This eventually led him to enroll at the Accademia Nazionale d'Arte Drammatica Silvio d'Amico at age 19.

Academy training

Luca Zingaretti enrolled at the Accademia Nazionale d'Arte Drammatica Silvio D'Amico in , Italy's premier institution for actor training, following his early interest in the nurtured in the city's vibrant cultural environment. He was admitted around age 19 after a competitive entrance process, facing significant challenges due to the academy's limited spots, and committed to the rigorous three-year program that emphasized classical and contemporary techniques. Zingaretti graduated with a in 1984, marking the completion of his formal education in dramatic arts. During his time at the academy, Zingaretti engaged in intensive coursework that included core acting disciplines, voice training, and movement studies essential for stage performance. He participated in specialized sessions such as a dance stage for actors at Maurice Béjart’s school, focusing on classical and contemporary techniques to enhance physical expressiveness. Additional training involved lessons with Thierry Salmon on stage movement and Elsa Woollaston on actor preparation, which broadened his understanding of embodiment in performance. These experiences, conducted over six days a week with compulsory attendance, fostered a disciplined approach that influenced his versatile style, blending emotional depth with physical precision. Zingaretti benefited from guidance by prominent mentors who shaped his interpretive skills and appreciation for dramatic complexity. He trained under director Luca Ronconi, whose workshops on works by Shakespeare, Chekhov, and others introduced him to innovative staging and textual analysis. also provided lessons during this period, emphasizing narrative rhythm and character development, which later informed Zingaretti's nuanced portrayals. These interactions during his academy years instilled a preference for conflict-driven roles and experimental approaches, laying the groundwork for his professional ethos. Upon graduation, Zingaretti took his initial steps into professional by collaborating with established directors, building on the networks and skills acquired at the academy to transition from student exercises to live performances. This early phase involved touring productions that allowed him to refine his craft in real-world settings, solidifying his commitment to the stage before expanding into other media.

Theatre career

Early stage work

Following his from the Accademia Nazionale d'Arte Drammatica Silvio D'Amico in 1984, Zingaretti quickly entered the professional world, leveraging the rigorous training he received there as a foundation for his stage debut. His initial foray into professional acting came just prior to , marking an early breakthrough in a competitive landscape dominated by experimental and classical ensembles during the 1980s. Zingaretti's debut occurred in 1983 under the direction of renowned theatre innovator Luca Ronconi, with whom he would forge a pivotal early collaboration spanning multiple productions. In Santa Giovanna (Saint Joan) by , Zingaretti took on a supporting role, immersing himself in Ronconi's signature style of bold, machinery-infused stagings that challenged traditional narrative forms. This partnership continued into 1984 with Le due commedie in commedia by Giambattista Andreini, where Zingaretti again performed in a supporting capacity, contributing to Ronconi's exploration of 17th-century through intricate ensemble dynamics. Throughout the late 1980s and into the early 1990s, Zingaretti's work with Ronconi solidified his presence in Italy's theatre scene, including roles in adaptations of Anton Chekhov's (1989) and Karl Kraus's Gli ultimi giorni dell'umanità (1990). He also performed in William Shakespeare's (1989, directed by Peter Stein) and T.S. Eliot's (1990, directed by Franco Branciaroli). These formative experiences—particularly those under Ronconi's guidance, known for pushing actors toward physical and interpretive extremes—helped Zingaretti navigate the era's emphasis on innovative reinterpretations of canonical texts, establishing him amid a generation of performers vying for spots in prestigious stables like Milan's Piccolo Teatro.

Notable productions

Zingaretti solidified his reputation as a versatile stage actor through acclaimed performances in the classical repertoire, including his early role in George Bernard Shaw's Saint Joan (1983, directed by Luca Ronconi), which demonstrated his affinity for complex historical and moral characters. In the 2000s, Zingaretti expanded into contemporary adaptations, creating and starring in the one-man show La Sirena (2008), his dramatization of Giuseppe Tomasi di Lampedusa's short story Lighea. Performed solo with original music by Germano Mazzocchetti, the piece explores themes of love, myth, and Sicilian identity through the encounter between a young journalist and an elderly scholar, blending narration and subtle staging to evoke a timeless romance. Critics lauded Zingaretti's vocal modulation and emotional depth, describing his delivery as convincing and at times profoundly moving, which allowed the audience to immerse in the story's poetic atmosphere. The production toured extensively across Italy, including high-profile venues like the Teatro Romano at the Festival dei Due Mondi in Spoleto in 2020, where it captivated audiences with its intimate yet evocative style. This work, revived multiple times through the 2010s and into the 2020s via his production company Zocotoco, underscored Zingaretti's evolution as a theatre artist capable of bridging literature and performance, enhancing his stature beyond screen roles. In 2025, to mark the centennial of Andrea Camilleri's birth, Zingaretti directed and performed the monologue Autodifesa di Caino, an unproduced text by the author exploring themes of guilt and humanity. The production, with music by Manù Ferretti, premiered at the Festa del Teatro in in July 2025 and toured and internationally, including performances in in November 2025.

Television career

Montalbano series

Luca Zingaretti was cast as Commissario in 1999, marking his debut in the role for the Italian television series Il Commissario Montalbano, adapted from Andrea Camilleri's popular detective novels. Zingaretti brought a distinctive interpretation to the character, embodying the inspector's intellectual depth, moral integrity, and subtle humor without adhering to a preconceived physical description from the books, such as the author's initial idea of a mustached figure. The series, produced by Palomar in collaboration with Rai Fiction and broadcast on Rai 1, spanned 37 feature-length episodes from May 1999 to March 2021, each approximately 100 minutes long and often aired as TV movies. Filming primarily took place in southeastern Sicily's Val di Noto UNESCO World Heritage region, including the baroque towns of Ragusa Ibla, Scicli (doubling as the fictional Vigàta police headquarters), Punta Secca (Montalbano's seaside home), Modica, and Ispica, capturing the island's sun-drenched landscapes and architectural beauty that became integral to the show's atmosphere. Over its run, the character of Montalbano evolved from a solitary, gourmet-loving navigating mafia influences and personal dilemmas in the imaginary Sicilian town of Vigàta to a more reflective figure grappling with aging, relationships, and societal changes, reflecting the progression in Camilleri's later novels. Zingaretti's portrayal of Montalbano earned widespread critical acclaim for its authenticity and nuance, with reviewers praising his ability to convey the inspector's blend of cynicism, empathy, and culinary passion amid complex investigations. The performance garnered a for Best Performance in a TV Series at the 2021 Golden Ciak Awards, underscoring Zingaretti's commanding presence in the role. Directed primarily by Alberto Sironi, the series itself received high praise for its faithful adaptation of Camilleri's works, blending intricate plotting with social commentary on Sicilian life, and maintaining consistent quality across its long run. In , Il Commissario Montalbano became a cultural phenomenon, achieving record viewership with episodes regularly surpassing 10 million viewers and accumulating over one billion total viewings, making it one of Rai's most successful productions. Internationally, the series gained a devoted following through broadcasts on networks like in the UK and MHz Choice in the , where it was subtitled and appreciated for its atmospheric storytelling and insights into Mediterranean . Its impact extended to , drawing fans to Sicilian filming sites and boosting the local by highlighting the region's , with visitor numbers to places like Punta Secca increasing significantly post-broadcast. To mark the 100th anniversary of Andrea Camilleri's birth in 2025, Rai aired the documentary Camilleri 100 on September 6, directed by Francesco Zippel, exploring the author's life and legacy, followed by a special cycle titled Camilleri incontra Montalbano starting September 9 on , featuring reruns of select episodes interspersed with archival material on the novels and production. Zingaretti participated in related centenary events, including discussions on his portrayal and Camilleri's influence, reinforcing the series' enduring connection to the writer's oeuvre.

Other television roles

Zingaretti's television career extends beyond his iconic role in the Montalbano series, showcasing his versatility in historical dramas, political thrillers, and contemporary comedies. One of his early notable appearances was in the acclaimed La piovra 8 - Lo scandalo (1997), where he portrayed the ruthless boss Pietro Favignana, a character that highlighted his ability to embody complex antagonists in Italy's long-running mafia saga. In 2012, Zingaretti delivered a poignant performance as the real-life anti-Mafia judge Paolo Borsellino in the TV movie Paolo Borsellino: I 57 giorni, depicting the judge's final 57 days leading up to his assassination following the murder of his colleague Giovanni Falcone; the production earned praise for its emotional depth and historical accuracy. Later, in 2019, he made a guest appearance in the political miniseries 1994, playing journalist Paolo Mieli in an episode exploring Italy's turbulent political landscape during Silvio Berlusconi's rise to power. More recently, Zingaretti explored lighter fare in Dinner Club (2023), a culinary travelogue series where he joined chef on a journey through , blending food exploration with personal anecdotes in a format that revealed his charismatic off-screen . In 2022, he starred as the unconventional prison director Bruno Testori in the dark comedy-drama series Il re, a role that allowed him to delve into themes of and redemption within Italy's penal system, earning critical acclaim for its blend of humor and . His latest television venture, the 2024 comedy miniseries : Niente da segnalare, saw him as the bumbling gangster Marcello Manetti, contributing to the show's satirical take on undercover operations and criminal mishaps. These roles demonstrate Zingaretti's range, from intense biographical portrayals to comedic ensemble work, often leveraging his established fame to take on diverse characters in Italian broadcasting.

Film career

Early films

Zingaretti's entry into came after establishing himself in , where his training emphasized nuanced character work that informed his early screen performances. His debut occurred in 1987 with the role of Molon in Giuliano Montaldo's drama Gli occhiali d'oro (The Gold Rimmed Glasses), set in Fascist-era and exploring themes of and . He took on further supporting roles in the early 1990s, including as Raffaele in Lucio Gaudino's 1993 comedy-drama E quando lei morì fu lutto nazionale, a modest production exploring themes of talent and dissipation, and as Marco in Francesco Ranieri Martinotti's Abissinia (1993). In 1994, he took on more prominent supporting parts in two Italian dramas. Zingaretti portrayed , a key figure in a tale of obsession and , in Alessandro D'Alatri's Senza pelle (No Skin), which premiered at the Film Festival's section. That same year, he played Ottorino, a brutal member in Marco Risi's Il branco (The Pack), a stark depiction of youth violence inspired by a real 1983 rape case; his intense, ferocious performance drew early critical acclaim for its raw authenticity. Zingaretti continued with supporting roles in the mid-1990s, including the part of police officer Forte in Stuart Gordon's 1995 horror film , an American-Italian co-production set in a , where he contributed to the film's atmospheric tension amid its gruesome narrative. These early cinematic efforts showcased his versatility in and productions, often highlighting societal undercurrents through intense character portrayals. A significant breakthrough arrived in 2005 with Zingaretti's leading role as Father Giuseppe "Pino" Puglisi in Roberto Faenza's biographical drama Alla luce del sole (Come Into the Light), chronicling the priest's courageous resistance to influence in 1990s . His strong central performance, marked by quiet conviction and emotional depth, was praised for elevating the 's tribute to Puglisi's legacy and preventing sentimental excess. The role marked a pivotal shift toward more prominent leads, building on his theatre-honed intensity while earning widespread recognition for its impact.

Later films

Zingaretti's film career gained momentum in the with roles that showcased his versatility in historical dramas and contemporary narratives, evolving from supporting parts in his early work to leading characters that highlighted moral ambiguity and authority figures. In Mario Martone's epic We Believed (2010), he portrayed , the Sicilian statesman and architect of Italian unification, delivering a performance that captured the character's ideological fervor and political intrigue across decades of turmoil. This role marked a significant step in Zingaretti's cinematic presence, blending historical depth with personal intensity. By the mid-2010s, Zingaretti took on more complex protagonists in gritty cinema. In Edoardo De Angelis's Perez. (2014), he starred as Demetrio Perez, a principled yet flawed who navigates and personal temptation after being drawn into a criminal underworld. The film, which premiered at the , earned praise for Zingaretti's portrayal of a man teetering between and expediency, contributing to its recognition as a sharp commentary on southern society. Later, in the D'Innocenzo brothers' debut feature Boys Cry (), Zingaretti played Angelo, a seemingly benevolent local whose influence corrupts two young brothers entangled in . Selected for the section at the , the film underscored Zingaretti's ability to embody quiet menace, enhancing its exploration of generational despair in Rome's outskirts. Entering the 2020s, Zingaretti's roles expanded into international co-productions and genre-blending stories, reflecting a matured screen persona rooted in paternal authority and resilience. In Sydney Sibilia's Rose Island (2020), a Netflix original inspired by the true story of engineer Giorgio Rosa, he appeared as Giovanni Leone, the Italian President of the Council who oversees the government's response to the rogue micronation in the Adriatic Sea. The comedic drama highlighted Zingaretti's authoritative gravitas amid the film's whimsical rebellion theme. His most recent project, Gabriele Mainetti's Forbidden City (2025), cast him as Alfredo, a Roman restaurateur entangled in a web of family secrets, cultural clashes, and martial arts intrigue when a Chinese woman searches for her missing sister in his life. Premiering to acclaim at festivals like Fantasia and Fantastic Fest, the film represents Zingaretti's foray into action-oriented narratives, where his character bridges Italian and Asian worlds, further cementing his international profile through innovative storytelling.

Directing work

Documentaries

Luca Zingaretti made his directorial debut in with Gulu (2003), a 52-minute documentary co-directed with Margherita d'Amico that examines the in northern Uganda's district amid a 16-year civil war between the Ugandan army and the . Produced by AMREF Italia in collaboration with the Province of Turin's Department and the City of , the film is structured in five chapters addressing camps, , ongoing warfare, the outbreak, and the forced recruitment of child soldiers among the , highlighting issues like , displacement of 350,000 individuals into 32 camps, and limited access to basic resources such as less than five liters of water per person daily. Zingaretti, drawing from his platform to amplify issues, described the project as a personal revelation, stating he received more profound insights into humanity from the African experience than he contributed, underscoring themes of and the often-overlooked impacts of conflict on vulnerable populations. The documentary premiered with a special screening at the 60th Venice International Film Festival in the "Nuovi Territori" section and was presented publicly in on April 7, 2004, raising awareness for AMREF's initiatives in the region. In 2007, Zingaretti directed Suso: Conversazioni con Margherita d'Amico, a 58-minute documentary produced by Parus Film that features intimate interviews with acclaimed Italian screenwriter Suso Cecchi d'Amico, exploring her influential career in shaping post-war Italian cinema through scripts for films by directors like and . The work delves into Cecchi d'Amico's creative process, her contributions to neorealism and beyond, and her role as a pioneering female figure in the industry, presented through a series of reflective conversations that capture her legacy as a "master of our time." Regarded as a valuable archival piece, the documentary preserves insights into Italian film history and has been distributed on DVD for educational purposes, emphasizing Cecchi d'Amico's impact on over 100 screenplays. No additional documentary projects by Zingaretti have been released up to 2025, though his early efforts in this genre reflect a commitment to socially conscious storytelling tied to humanitarian and cultural advocacy.

Stage directing

Luca Zingaretti began his stage directing career in 2007 with Passa una vela... spingendo la notte più in là, a theatrical production inspired by Mario Calabresi's book of the same name, featuring original music by Arturo Annecchino and held at the Auditorium Parco della Musica in Rome. In this debut, Zingaretti handled the direction while drawing on his extensive theatre acting background to guide the ensemble in exploring themes of loss and resilience through intimate, narrative-driven staging. His second directorial effort, La Sirena in 2008, adapted Giuseppe Tomasi di Lampedusa's Lighea for the stage, where Zingaretti served as both and dramaturg, collaborating closely with performers to create an evocative blending and minimalistic to evoke mythical longing and human solitude. Critics praised the production for its faithful yet innovative transposition, highlighting Zingaretti's sensitive handling of the source material's poetic essence and its emotional depth in live performance. In 2015, Zingaretti directed and starred in The Pride by Alexi Kaye Campbell at venues including the Teatro della Corte in , employing a dual-timeline structure to examine themes of and desire across decades, with a focus on nuanced ensemble dynamics and subtle lighting to underscore psychological tensions. The production received acclaim for Zingaretti's balanced direction, which amplified the play's provocative dialogue while fostering authentic collaborations among the cast, earning applause for revitalizing contemporary British drama on Italian stages. Zingaretti's most recent stage directing credit as of 2025 is the 2018 Italian adaptation of Terence Rattigan's The Deep Blue Sea, produced by his company Zocotoco and starring his wife as the lead, which toured major Italian s like in . His approach emphasized restrained to capture repression and passionate turmoil, using sparse sets and focused interactions to provoke reflections on love's destructive potential in modern . The work was lauded for its emotional intensity and Zingaretti's precise guidance of Ranieri's performance, marking a high point in his direction with strong critical and audience reception.

Voice work

Animated dubbing

Luca Zingaretti gained prominence in the realm of animated by voicing , the anxious father, in the Italian version of Pixar's (2003), directed by . His portrayal captured the character's protective nature and emotional depth, contributing to the film's massive success in , where it became a family favorite. Zingaretti reprised the role in the sequel (2016), again directed by , where joins in her journey of self-discovery, further solidifying his association with the franchise. For his work as Marlin in Finding Nemo, Zingaretti received the Nastro d'Argento for Best Dubbing in 2004, an award presented by the Italian National Syndicate of Film Journalists recognizing excellence in voice acting. This accolade highlighted his ability to convey nuanced paternal concern through voice alone, blending warmth and humor effectively in the animated medium. Zingaretti's dubbing of Marlin demonstrated his versatility as a performer, allowing him to reach beyond live-action roles into animation tailored for Italian audiences. The role notably enhanced his appeal to younger viewers, who often recognize and react enthusiastically to his voice during screenings or home viewings of the films. In a 2016 interview, Zingaretti shared his joy in forming part of children's imaginative world, describing the "great satisfaction" of seeing young fans "estasiati" (ecstatic) upon identifying him as their beloved character. His voice work in these Pixar hits has enduringly connected him with family demographics, complementing his broader career in other dubbing endeavors.

Other voice roles

In addition to his prominent animated dubbing work, Luca Zingaretti has contributed his voice to several live-action international films through , particularly in supporting roles that highlight his versatile delivery. One notable example is his of as the character Fergus in the 2010 British drama L'altra verità (Route Irish), directed by , where he provided the synchronization for the investigative drama's tense narrative. Similarly, in 2016, Zingaretti dubbed Auteuil's lead role as Roché in Roberto Andò's Le confessioni (The Confessions), infusing the character's introspective monologues with a measured intensity that complemented the film's exploration of global power dynamics. Zingaretti's narration credits further demonstrate the breadth of his voice career, often in documentary and cultural projects that leverage his authoritative tone for storytelling. He served as the narrating voice in the 2005 sports documentary La grande finale, guiding viewers through archival footage of historic football matches with engaging commentary. In 2020, he narrated the Rai 3 documentary Paolo Conte: Via con me, directed by Giorgio Verdelli, where his warm, rhythmic delivery evoked the jazz-inflected life and music of the Italian singer-songwriter, blending personal anecdotes with musical excerpts. This role underscored his ability to convey emotional depth in biographical contexts. Building on opportunities from his earlier animated successes, Zingaretti's voice work evolved in the toward multimedia and awareness-raising formats. In 2023, he provided live narration for the opera production at 's Arena di Verona, as broadcast on , enhancing the spectacle with dramatic recitations that intertwined historical and musical elements during the summer festival. More recently, in 2024, Zingaretti narrated the podcast series Mmarea - Il Mieloma Multiplo. Onda dopo Onda, produced by Italia and the Italian Association Against Cancer, offering empathetic guidance through patient stories and medical insights to raise awareness about . In August 2025, he introduced a rebroadcast of the production on Rai 3. These projects reflect a sustained engagement with that prioritizes educational and artistic narration up to the present day.

Awards and honors

Acting awards

Zingaretti has received several accolades for his acting performances in film, including nominations from Italy's most prestigious awards bodies. In 2005, he earned a nomination for Best Actor at the David di Donatello Awards for his portrayal of the anti-Mafia priest Don Pino Puglisi in Come Into the Light (Alla luce del sole). That same year, he shared the Best Actor Award at the Karlovy Vary International Film Festival with Uri Gavriel, with the jury praising his unsentimental depiction of Puglisi. He also won the Audience Award for Best Actor at the Flaiano Film Festival for the same role. In 2006, Zingaretti received a for Best Actor at the Nastro d'Argento Awards for his performances in Come Into the Light and The Days of Abandonment. His supporting role as Ari in Daniele Luchetti's Our Life (La nostra vita) in 2010 led to a win for Best Supporting Actor at the Nastro d'Argento Awards, shared with Ennio Fantastichini for Loose Cannons. Zingaretti's lead role as Demetrio Perez in Edoardo De Angelis's 2014 Perez. earned him the Award at the 2015 Globi d'Oro. In recognition of his overall contributions to Italian cinema as a beloved performer, he received the Cult Award in 2014.

Other honors

In 2003, Italian President appointed Luca Zingaretti as a of the Order of Merit of the Italian Republic, an honor recognizing his significant contributions to national culture and the arts through his distinguished acting career. This state decoration, one of Italy's highest civilian honors, was conferred to acknowledge Zingaretti's role in elevating Italian on both national and international stages. In 2003, Zingaretti was awarded the Golden Doves for Peace Prize by the Archivio Disarmo, an organization dedicated to promoting and initiatives, in recognition of his humanitarian efforts and commitment to social causes beyond his professional work. The prize, symbolized by a dove with an sculpted by , highlights individuals who advance dialogue, , and through their public influence. In 2025, Zingaretti received a Special Nastro d'Argento for his directorial debut La casa degli sguardi.

Personal life

Marriages and children

Zingaretti was first married to the Italian journalist and writer Margherita D'Amico on , 1997; the couple divorced in 2008. He began a relationship with actress in 2004, having met her on the set of the 2001 television Cefalonia. The pair married in a on , 2012, at the in . Zingaretti and Ranieri have two daughters: , born July 9, 2011, and , born July 27, 2015. The family resides primarily in and maintains a relatively private personal life away from the public eye.

Social engagement

Luca Zingaretti has demonstrated a commitment to humanitarian causes through his directorial work, notably the 2003 documentary , which he co-wrote and directed to spotlight the ongoing conflict in northern Uganda's District. The film examines the plight of the , caught in a 17-year between Ugandan Yoweri Museveni's forces and the , emphasizing atrocities such as the forced recruitment of child soldiers, massacres, , and widespread displacement that have created a profound . Produced in collaboration with AMREF Italia and screened at the 60th , Gulu aimed to raise international awareness of these issues, reflecting Zingaretti's engagement with global concerns. In the realm of domestic social activism, Zingaretti has actively participated in campaigns addressing gender-based violence in . He joined his wife, actress , in a public demonstration organized by the Una Nessuna Centomila foundation in 2023 to protest , underscoring his support for initiatives promoting and victim advocacy. More recently, in 2024, he featured prominently in the foundation's "Se io non voglio, tu non puoi" ("If I don't want to, you can't") campaign, a effort launched ahead of the International Day for the Elimination of Violence Against Women on 25, which uses public service announcements to challenge rape culture and emphasize . Zingaretti's social involvement intersects with political spheres through his family ties, as his younger brother, , is a prominent politician who served as secretary of the centre-left from 2019 to 2021, as president of the region from 2013 to 2022, and has been a since 2024. While Luca Zingaretti has not held political office, he has occasionally commented on civic matters, critiquing how can alienate younger generations by prioritizing over action. For his contributions to peace advocacy, particularly through Gulu, Zingaretti received the Golden Dove for Peace award from the Archivio Disarmo in 2003.

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