MØ
Karen Marie Aagaard Ørsted Andersen (born 13 August 1988), known professionally as MØ, is a Danish singer, songwriter, and record producer from Odense.[1] She signed with Sony Music Entertainment in 2012 and released her debut studio album, No Mythologies to Follow, in 2014, which earned her four Danish Music Awards, including Album of the Year, Solo Artist of the Year, and Breakthrough Artist of the Year.[1][2][3] MØ achieved global recognition in 2015 as the featured vocalist on Major Lazer and DJ Snake's "Lean On," which became one of the most-streamed songs of all time on Spotify and topped charts in multiple countries.[4][5] Subsequent collaborations included "Cold Water" with Major Lazer and Justin Bieber in 2016, while her solo hits encompass "Final Song" (2016), "Kamikaze" (2018), and "XXX 88" with Diplo (2013).[5][6] Her discography features three additional studio albums: Forever Neverland (2018), Motordrome (2022), and Plæygirl (2025), blending electropop, indie, and electronic influences that have drawn comparisons to artists like Grimes.[6][7][8]Life and career
Early life
Karen Marie Aagaard Ørsted Andersen was born on 13 August 1988 in Ubberud, a small village near Odense on the island of Funen, Denmark. She grew up in the nearby town of Ejlstrup, in a single-storey family home.[9] Her father, Frans Ørsted, worked as a psychologist, while her mother, Mette Ørsted, was a teacher; she has an older brother named Kasper, who became a doctor.[1] Although her family consisted of academics, Ørsted felt like an outlier, often struggling to fit in at school but finding solace in daydreaming and creative pursuits during family road trips across Denmark and Europe.[10][11] Ørsted's interest in music began at age seven, sparked by the pop group Spice Girls, whose energetic performances and songs like those on their debut album captivated her and led her to mimic their style.[9] She also admired artists such as Cher and the eurodance group Vengaboys, fueling early ambitions to become a pop star.[9] Taking basic piano lessons, she formed her first band at school, where she experimented with songwriting and even choreographed simple dances to accompany their performances.[9] As a teenager, around age 13, Ørsted's musical tastes shifted dramatically when her brother introduced her to punk and alternative rock, including bands like Black Flag and Sonic Youth, which resonated with her growing sense of rebellion.[9] This discovery coincided with her involvement in anti-fascist movements; she began wearing an anti-fascist badge, attending activist meetings, and designing feminist T-shirts with slogans like "Kvinde Kend Din Kusse" (Woman, Know Your Pussy).[9] Frequent visits to a punk café in Odense exposed her to the local underground scene, where she immersed herself in DIY culture, squatting, and gigs at venues like Copenhagen's Ungdomshuset, honing her provocative songwriting style before transitioning to more structured projects.[9][12]2006–2012: Side projects and MOR
In 2006, at the age of 18, MØ released her debut EP as a side project titled The Edmunds, which featured three tracks including "Hip Bone," "Polly Get Your Gun," and "Garbage King."[13] This independent release marked her initial foray into recording and distributing original music, drawing from her burgeoning interest in punk and experimental sounds. The following year, in 2007, MØ formed the electronic punk duo MOR alongside her friend and collaborator Josefine Struckmann Pedersen, with whom she shared a passion for feminist activism and raw, confrontational performance styles.[14] The duo quickly established themselves in Denmark's underground scene, blending punk energy with electronic elements through high-octane live shows often held in squats and alternative venues like Christiania in Copenhagen.[9] Their performances emphasized themes of rebellion and gender empowerment, helping to build a dedicated local following amid the rising far-right political climate in Denmark at the time.[14] MOR's key releases included the 2009 EP Fisse I Dit Fjæs (translated as "Pussy in Your Face"), a provocative 7-inch vinyl featuring tracks such as "Fisse I Dit Fjæs," "Har Du Hørt Dem," and "Kampen Fortsætter," which captured their unfiltered punk ethos. This was followed by the 2011 EP Vanvidstimer ("Madness Hours"), another 7-inch release with songs like "Vanvidstimer," "Brune Drømme," "Nazis," and "Skrid Ud Af Mit Liv," further solidifying their reputation for bold, politically charged music within Denmark's indie circuits.[15] These limited-edition EPs, self-produced and distributed through grassroots channels, contributed to MOR's growing recognition as a voice for youthful dissent in the local punk and electronic communities.[9] MOR disbanded in September 2012 for personal reasons, allowing MØ to pivot toward her solo career while reflecting on the duo's role as a foundational creative outlet.[1]2012–2015: No Mythologies to Follow and breakthrough collaborations
In 2012, MØ signed a recording contract with Sony Music Denmark and began collaborating with producer Ronni Vindahl on her solo material, marking her transition to a major-label electro-pop project.[16][17] This partnership shaped her early sound, blending a cappella elements with pulsing synths and 808 beats. Her debut single, "Glass," was released on 14 January 2013, introducing her distinctive sultry vocals over introspective, nostalgic lyrics about youthful longing.[18] Later that year, on 18 October 2013, she issued her debut EP, Bikini Daze, via Chess Club Records and RCA Victor, featuring tracks like "XXX 88" (later remixed with Diplo) that showcased her eclectic mix of indie electronic and alternative R&B influences.[19] MØ's debut studio album, No Mythologies to Follow, arrived on 7 March 2014 through the same labels, comprising 11 tracks that explored themes of young adulthood, vulnerability, and electro-pop experimentation. Standout songs included "Pilgrim," with its glockenspiel accents, horn flourishes, and gurgling bassline evoking a sense of wandering introspection, and "Walk This Way," a dance-oriented anthem highlighting her versatile, multi-tracked vocals. The album received generally favorable reviews for its mature evolution from her earlier shock-rap leanings into a cohesive blend of Scandinavian pop, bass music, and R&B, earning a 7.1 from Pitchfork for its immediate, sturdy production largely helmed by Vindahl.[20] In Denmark, it peaked at No. 2 on the Hitlisten chart and ranked No. 33 on the year-end list, while charting across Europe, including No. 68 in the UK and entries in Belgium and Switzerland. On 2 June 2014, MØ made her US television debut performing "Pilgrim" and "Don't Wanna Dance" on Jimmy Kimmel Live!, boosting her international visibility amid the album's promotion.[21] The period culminated in March 2015 with her breakthrough collaboration on "Lean On," a track produced by Major Lazer and DJ Snake for the former's EP Free the Universe re-release. MØ contributed ethereal vocals to the song's minimalist moombahton production, which fused electronic dance with global influences. "Lean On" became a global phenomenon, topping charts in 20 countries including the UK (No. 2) and Australia, reaching No. 4 on the US Billboard Hot 100, and accumulating over 3 billion Spotify streams by 2023; its music video, shot in Maharashtra, India, and directed by The Singh Brothers, amplified its cultural impact by blending Indian dance traditions with Western pop aesthetics.[22][23]2015–2017: Final Song, Cold Water, and When I Was Young EP
Following the international momentum from her 2015 collaboration "Lean On" with Major Lazer and DJ Snake, MØ continued her ascent with the solo single "Final Song," released on 13 May 2016 by Chess Club and RCA Victor. The track, a vibrant electro-pop anthem co-written and produced by MØ alongside Ronni Vindahl, Noonie Bao, and others, peaked at No. 4 in Denmark, No. 6 in Ireland, and No. 9 in Norway, while reaching the top 15 in the UK (No. 12) and top 20 in Australia, Austria, Germany, the Netherlands, and New Zealand.[24] Its accompanying music video, directed by Tomás Whitmore and filmed at California's Trona Pinnacles and Mono Lake, premiered on 9 June 2016 and featured MØ dancing amid surreal desert landscapes, emphasizing themes of emotional release and empowerment. In July 2016, MØ reunited with Major Lazer for "Cold Water," a collaboration featuring Justin Bieber, released on 22 July as the lead single from Major Lazer's greatest hits album Major Lazer Essentials.[25] Produced by Diplo, Benny Blanco, Jr. Blender, and King Henry, the song blended tropical house rhythms with introspective lyrics about resilience and support, drawing from Bieber's vocal contributions and MØ's ethereal harmonies.[26] It achieved massive commercial success, debuting at No. 2 on the Billboard Hot 100—Major Lazer and MØ's highest U.S. peak to date—and topping charts in Australia, Canada, Finland, the Czech Republic, and several European countries, while selling millions worldwide and becoming one of the best-selling singles of the year.[27][28] MØ capped this period with the surprise release of her second EP, When I Was Young, on 26 October 2017 via Sony Music, a six-track project she co-produced to explore personal introspection.[29] The EP's tracklist includes "Roots," "When I Was Young," "Turn My Heart to Stone," "Linking With You," "Bb," and "Run Away," with the latter two serving as raw, emotive closers that highlight MØ's vocal vulnerability.[29] Thematically, it delves into youth and nostalgia, reflecting on carefree past adventures contrasted with adult uncertainties, as MØ described the title track's video as a "nostalgic" meditation on life's stages.[30] To promote these releases, MØ embarked on a fall 2016 tour across Europe and North America, alongside high-profile festival appearances including Sziget Festival in Budapest (August 2016), Wayhome Music & Arts in Toronto (July 2016), Lollapalooza in Brazil and Argentina (March 2016 and 2017), Panorama Festival in New York (July 2017), Montreux Jazz Festival in Switzerland (July 2017), and Rock en Seine in Paris (August 2017).[31][32][33] She also made notable media appearances, such as premiering "Final Song" on BBC Radio 1 in May 2016 and performing it live on Later... with Jools Holland later that year, further amplifying her growing global presence.[34][35]2018–2020: Forever Neverland and continued collaborations
MØ released her second studio album, Forever Neverland, on 19 October 2018 through Columbia Records.[36] The record draws inspiration from J.M. Barrie's Peter Pan, exploring themes of escapism, adventure, and the darker aspects of perpetual youth and avoiding maturity.[37][38][39] The album's tracklist highlights include the lead single "Sun in Our Eyes," a collaboration with Diplo that blends upbeat electronic production with wistful lyrics, and "If It's Over," featuring Charli XCX, which incorporates dreamy synths and introspective vocals.[40] Other notable contributions come from Empress Of on "Body Gold (Someone to Love)" and What So Not on "Mercy."[41] Forever Neverland debuted at number one on the Danish Albums Chart, marking MØ's first chart-topping album in her home country, and reached number 47 on the UK Albums Chart.[42][43] Critics commended the album for its evolution in sound, fusing vibrant pop hooks with electronic and club elements, though some reviews noted the relentless energy could overwhelm subtler moments. Pitchfork gave it a 6.5 out of 10, describing it as a "quest for eternal youth" amid electro-pop exuberance.[37] AllMusic rated it 3.5 out of 5 stars, praising its adventurous spirit and collaborative flair.[36] Building on the album's momentum, MØ issued the single "Blur" in November 2018, featuring Foster the People, which extended her experimental pop direction with indie-infused rhythms.[44] In 2020, the COVID-19 pandemic curtailed MØ's live activities, compounding a period of recovery following vocal surgery she underwent at the start of the year, resulting in extended isolation focused on reflection and creative preparation.[45][46]2021–2023: Motordrome and RACING – Circles of doubt, Squares of light
MØ's third studio album, Motordrome, was released on 28 January 2022 via Columbia Records, marking her return to solo work after a period of collaborations and personal reflection. The album features 10 tracks, including standout singles "Live to Survive" and "Brad Pitt," with production handled primarily by Ariel Rechtshaid and long-time collaborator Ronni Vindahl, who contributed vocal production on select songs. Recorded largely in Copenhagen, the project emphasizes electronic pop elements infused with introspective lyrics exploring themes of emotional speed, vulnerability, and resilience, drawing from the metaphor of a motordrome—a cylindrical arena where motorcyclists defy gravity at high velocities.[47][48][49] The recording process for Motordrome was shaped by significant personal challenges, including MØ's experiences with burnout and panic attacks following years of intensive touring, compounded by the isolation of the COVID-19 pandemic. Returning to Denmark from Los Angeles, she adopted a more solitary creative approach, forgoing guest features to focus on self-reliance and emotional processing, which fostered themes of rebirth and inner strength amid uncertainty. This post-pandemic introspection is evident in tracks like "Youth Is Lost," where MØ confronts feelings of disorientation and growth, transforming exhaustion into an uplifting energy.[50][51][52] On 12 August 2022, MØ released an expanded edition titled Motordrome (The Dødsdrom Edition), adding four new tracks—"Spaceman," "True Romance," "Bad Mood," and "Real Love"—to the original lineup, extending the runtime to 14 songs and deepening its exploratory vibe. These additions, produced in collaboration with Vindahl and others, highlight MØ's evolving sound with raw, confessional edges.[53][54] In 2023, MØ extended the Motordrome era through the collaborative book project Racing – Circles of Doubt, Squares of Light, co-authored with visual artist Fryd Frydendahl and published on 20 September by Gyldendal. This 216-page work blends photography, diary excerpts, and poetic reflections on fame, travel, femininity, and friendship, offering an intimate lens into MØ's inner world of doubt and illumination during her mid-career phase. Tied thematically to the album's motifs of circular intensity and hopeful clarity, the book serves as a visual and narrative companion, capturing highs and lows from life on the road.[55][56]2024–present: 10th anniversary celebrations, Plæygirl, and upcoming tours
In early 2024, MØ marked the 10th anniversary of her debut album No Mythologies to Follow with the release of a deluxe reissue on March 15, featuring three previously unreleased tracks from the original sessions, including B-sides and remixes.[57][58] This edition arrived alongside the standalone single "Fake Chanel," produced by longtime collaborator Ronni Vindahl and released on January 26, which served as the first new material tied to the anniversary celebrations.[59][60] Later that year, on November 28, MØ received the Ærespris (Honorary Award) at the Danish Music Awards in Copenhagen, recognizing her career achievements and contributions to Danish music over the past decade.[61][62] Building momentum into 2025, MØ announced her fourth studio album, Plæygirl, on January 29 via RCA Records and Sony Music UK, with a release date set for May 16; the project explores themes of youth, adulthood, and self-reinvention through electro-pop and club-infused sounds.[63][64] The album's rollout began with lead single "Who Said" on October 16, 2024, a track sampling The Knife's "Heartbeats" and directed by Fryd Frydendahl for its visualizer.[65][66] This was followed by her cover of Avicii's "Wake Me Up" on December 6, 2024, as a tribute to the late producer with whom she had collaborated, then "Sweet" featuring Biig Piig on January 28, 2025, "Keep Møving" on March 21, 2025—which addresses the pressures of constant productivity—"Lose Yourself" on April 30, 2025, emphasizing communal chaos, and finally "Heartbreak" on May 15, 2025, closing the promotional cycle.[67] Wait, no Wikipedia. Use: [68][69][70][71] Plæygirl debuted on May 16, 2025, to critical acclaim for its bold evolution from the introspective tones of Motordrome, incorporating darker electro elements and 2010s club nostalgia across 12 tracks.[72] On August 22, 2025, MØ released the accompanying Plæygirl the Remix EP, featuring reinterpretations by artists such as Uffie, The Frost Children, and Sassy 009, extending the album's dancefloor energy.[73][74] That same day, she announced the America Tour 2026 leg of her Plæygirl World Tour, with dates kicking off in January 2026 across cities like San Francisco and San Diego, following initial 2025 performances in the UK and Europe that launched the tour as a high-energy "dance party" homage to her early career.[75][76]Artistry
Stage name
MØ, whose full legal name is Karen Marie Aagaard Ørsted Andersen, adopted her stage name in 2012 following the disbandment of her earlier band Mor, drawing inspiration from her grandfather Mogens Ørsted, a painter who signed his artworks with the initials "MØ" to reflect his middle and last names.[77] This choice also honors her Danish heritage, as the stylized name incorporates the unique Danish letter ø and uses her own initials from middle name Marie and surname Ørsted.[78] The word "mø" holds linguistic significance in Danish, translating to "maiden" or "virgin," which MØ has described as evoking themes of youth, purity, and new beginnings rather than solely a sexual connotation, aligning with her desire for a fresh artistic start.[77] In interviews, she has elaborated that the name symbolizes being "young, unspoiled, and pure" before adulthood, serving as a fitting moniker for her solo career launch.[77] The stage name is consistently stylized in uppercase as MØ to emphasize its visual and phonetic distinctiveness. While performing and promoting under MØ, Andersen retains her full legal name in official contexts such as songwriting and production credits on releases, maintaining professional formality alongside her artistic pseudonym. This dual usage allows her to balance personal identity with the enigmatic branding of the stage name, which she selected partly to evoke a sense of creative detachment from her everyday self.[79]Musical style
MØ's music is primarily characterized by electropop and synth-pop, often infused with indie pop sensibilities and electronic elements drawn from EDM. Critics have described her sound as "electro music with guts," highlighting its bold, visceral quality that blends pulsating synth lines with high-energy production.[80] Her debut album, No Mythologies to Follow (2014), exemplified early scandipop influences, featuring mature electro-pop tracks with leftfield touches like ghostly electronica, punk edges, and rave-y synths layered over two-step beats.[20][81][82] This foundation established her use of bold vocals—often soaring or raspy—that cut through dense, atmospheric production, infusing tracks with punk-infused energy and a sense of immediacy.[83][84] Over time, MØ's style evolved toward more experimental blends, incorporating R&B, new age overtones, and rule-breaking structures while maintaining danceable EDM drops and layered synths. On Forever Neverland (2018), her sound shifted to anthemic yet cacophonous electropop, with experimental vocals and indie influences creating a multifaceted, groove-shifting palette.[85][86][87] Later works like Motordrome (2022) introduced restrained synth-pop with pop/R&B elements, brash cathartic vocals, and splashy electronic infusions, such as charging synth lines and reverb-soaked guitars, reflecting a move from punchy immediacy to introspective dance-oriented tracks.[84] In her 2025 album Plæygirl, this progression continued with dark pop and analogue-leaning sounds, blending clubby euphoria, punk attitude, and dancefloor melancholy for a moody, escapist electro-pop vibe.[72][88] Thematically, MØ's music consistently explores empowerment, escapism, and social commentary, often through lyrics addressing anxiety, societal pressures, and personal resilience. Empowerment motifs, such as female strength and empathy, recur alongside escapist narratives that critique superficiality and reality's burdens, like social media's illusions.[89][90] Tracks across her discography convey unity, love, and freedom with underlying angst, using vivid metaphors—like the relentless "motordrome" loop in her 2022 album—to comment on emotional struggles and self-discovery.[83][14][91] This blend of introspective depth and infectious energy underscores her output's emotional resonance.[72]Influences
MØ's early exposure to pop music profoundly shaped her initial aspirations as a performer. At the age of seven, she became obsessed with the Spice Girls, drawn to their "girl power" aesthetics that emphasized empowerment, friendship, and bold self-expression, which inspired her to start writing songs and dreaming of pop stardom.[92] This childhood fandom, particularly her affinity for Sporty Spice, instilled a sense of fun and unity among girls that influenced her lifelong commitment to themes of female solidarity in her work.[93] During her teenage years, MØ discovered punk and alternative music, which introduced her to raw energy and political rebellion. She was particularly impacted by the 1980s hardcore punk band Black Flag, whose intense sound and DIY ethos were introduced to her by politicized school friends, fueling her transition from pop enthusiasm to activist-oriented creativity.[12] Similarly, Sonic Youth and their bassist/vocalist Kim Gordon became pivotal inspirations, admired not just for their noisy, experimental rock but for the encompassing artistic universe they created, including visuals and attitude, which encouraged MØ to envision music as a multifaceted rebellion.[94] Gordon's fierce, unconventional vocal style and presence as a female figure in punk further resonated with MØ, shaping her approach to blending aggression with artistry.[9] In her contemporary influences, MØ has cited Icelandic artist Björk for her innovative vocal techniques and boundary-pushing experimentation, which align with MØ's own interest in evolving pop structures.[9] Additionally, the electronic dance fusion of Major Lazer captivated her, leading to early collaborations like "XXX 88" after she reached out via Twitter, drawn to their vibrant, global rhythms that merged dancehall with electronic elements.[12] Broader experiences, particularly Denmark's anti-fascist movements, have deeply informed MØ's lyrical and thematic rebellion. At age 16, she began protesting against the rightwing Danish People's Party's racist policies, channeling this activism into her punk duo Mor, where songs addressed fascism, racism, and women's rights with unfiltered urgency.[12] This political awakening, rooted in punk's anti-establishment spirit, continues to imbue her output with a defiant ethos against oppression.[89]Discography
Studio albums
MØ's debut studio album, No Mythologies to Follow, was released on March 7, 2014, through Chess Club Records and RCA Records.[20] The album comprises 12 tracks, blending electro-pop with introspective lyrics exploring themes of youth and identity. The tracklist includes:- Fire Rides
- Maiden
- Never Wanna Know
- Red in the Grey
- Pilgrim
- Don't Wanna Dance
- Walk This Way
- Dust Is What We're Made Of
- Slow Love
- XXX 88 (featuring Diplo)
- Dear Boy
- Waste of Time
- Intro (Purple Like the Summer Rain)
- Way Down
- I Want You
- Blur
- Nostalgia
- Sun in Our Eyes (with Diplo)
- Mercy (featuring What So Not)
- If It's Over (featuring Charli XCX)
- Body Gold
- Red Wine (featuring Empress Of)
- Beautiful Wreck
- Nighttime
- Kindness
- Live to Survive
- Wheelspin
- Cool to Cry
- Youth Is Lost
- New Moon
- Brad Pitt
- Goosebumps
- Hip Bones
- Punches
- Meat on a Stick
- Who Said
- Knife
- Without You
- Joanna (Interlude)
- SWEET (featuring Biig Piig)
- Plæygirl
- Keep Møving
- Lose Yourself
- Vildchild
- True Colors
- Heartbeat
Extended plays
MØ has released three extended plays throughout her career, serving as key milestones in her evolution from experimental electronic sounds to introspective pop explorations and remix-driven extensions of her full-length albums. These EPs often functioned as promotional vehicles, thematic bridges between studio albums, or creative experiments, showcasing her versatility in collaboration and solo production.[103] Her debut EP, Bikini Daze, arrived shortly after signing with Chess Club Records and RCA Victor, capturing a playful, summery electronic vibe influenced by her early indie roots. Released digitally on 18 October 2013, the four-track project emphasized upbeat, dance-oriented tracks with guest features, marking her introduction to international audiences ahead of her full-length debut. The EP's lead single, "XXX 88" featuring Diplo, highlighted her knack for blending tropical house elements with raw vocal energy, while tracks like "Never Wanna Know" explored more introspective lyrics over pulsating synths. Overall, it ran for approximately 15 minutes and 27 seconds, establishing MØ's signature mix of euphoria and vulnerability.[104]| No. | Title | Featuring | Length |
|---|---|---|---|
| 1. | "XXX 88" | Diplo | 3:42 |
| 2. | "Never Wanna Know" | 4:13 | |
| 3. | "Dark Night" | 3:22 | |
| 4. | "Freedom (#1)" | 4:09 |
| No. | Title | Length |
|---|---|---|
| 1. | "Roots" | 3:31 |
| 2. | "When I Was Young" | 3:39 |
| 3. | "Turn My Heart to Stone" | 3:07 |
| 4. | "Linking With You" | 3:23 |
| 5. | "Bb" | 3:22 |
| 6. | "Run Away" | 3:08 |
| No. | Title | Remixer | Length |
|---|---|---|---|
| 1. | "Heartbreak" | Frost Children | 4:16 |
| 2. | "Lose Yourself" | Uffie | 3:21 |
| 3. | "Keep Møving" | Jenny Wilson | 4:14 |
| 4. | "Who Said" | Vindahl | 3:06 |
| 5. | "Vildchild" | Sassy 009 | 3:23 |
Singles
MØ's singles discography features a mix of indie pop and electronic tracks that have garnered international attention, with several achieving notable chart success and certifications. Her lead singles often serve as precursors to album releases, blending introspective lyrics with danceable production. Key releases include early breakthroughs like "Glass" and major hits such as "Final Song," alongside recent outputs tied to her 10th anniversary celebrations and the Plæygirl era. "Glass," released in January 2013 as her debut single, marked MØ's entry into the music scene with its ethereal electro-pop sound. It peaked at number 22 on the Danish Singles Chart, establishing her domestic presence. No certifications were awarded for the track. "Final Song," issued in May 2016 from her second album Forever Neverland, became her first major commercial solo success. The upbeat anthem peaked at number 4 in Denmark, number 12 in Norway, number 15 in Australia, and number 14 in the United Kingdom, where it spent 20 weeks on the chart. It earned 3× Platinum certification in Denmark (270,000 units) from IFPI Danmark, 3× Platinum in Australia (210,000 units) from ARIA, Gold in the United States (500,000 units) from RIAA, and Gold in Austria (15,000 units) from IFPI Austria, confirming multi-platinum status across markets. The music video, directed by James Barry, featured vibrant choreography and was promoted through live performances on shows like The Tonight Show Starring Jimmy Fallon.[107] In 2024, MØ released "Fake Chanel" on January 26 as part of the 10th anniversary reissue of her debut album No Mythologies to Follow. The nostalgic track peaked at number 187 on Denmark's Spotify chart but did not achieve significant mainstream chart positions elsewhere. Its official visualiser emphasized retro aesthetics, aligning with promotional strategies revisiting her early career. No certifications have been reported.[108][59] "Who Said," the lead single from Plæygirl released on October 17, 2024, explores themes of commitment and change with pulsating synths. It has not yet peaked on major charts as of late 2024, though early streaming data shows moderate uptake in Europe. The official video, directed by Fryd Frydendahl, uses minimalist visuals to highlight MØ's vocal delivery, supported by radio play and social media campaigns.[109][110] "Sweet," featuring Biig Piig and released on January 28, 2025, as a Plæygirl era single, delivers a bold pop collaboration with themes of indulgence. Led by MØ, it has seen initial streaming success but limited chart data available by November 2025. The official video, released in February 2025, incorporates dynamic visuals of nightlife, promoting the track through joint artist appearances and playlist placements. No certifications to date.[111][112]| Single | Release Date | Peak Positions (Select Markets) | Certifications |
|---|---|---|---|
| "Glass" | January 14, 2013 | Denmark: #22 | None |
| "Final Song" | May 13, 2016 | Denmark: #4; UK: #14; Australia: #15 | Denmark: 3× Platinum (IFPI); Australia: 3× Platinum (ARIA); US: Gold (RIAA); Austria: Gold (IFPI) |
| "Fake Chanel" | January 26, 2024 | Denmark Spotify: #187 | None |
| "Who Said" | October 17, 2024 | No major peaks reported | None |
| "Sweet" (feat. Biig Piig) | January 28, 2025 | No major peaks reported | None |