Mae Muller
Holly Mae Muller (born 26 August 1997), known professionally as Mae Muller, is an English singer-songwriter.[1][2] Born in Kentish Town, London, she gained initial recognition through collaborations and solo releases before achieving commercial success with the 2021 single "Better Days", a collaboration with NEIKED featuring Polo G, which marked her debut on the US Billboard Hot 100 and was certified platinum in several territories.[3][4][5] In 2023, Muller represented the United Kingdom at the Eurovision Song Contest in Liverpool with the song "I Wrote a Song", performing last in the grand final and receiving 24 points to finish 25th out of 26 entrants, despite automatic qualification as one of the "Big Five" countries.[6] Later that year, she released her debut studio album, Sorry I'm Late, on 29 September, featuring tracks that reflected on personal delays in her career trajectory.[7]Early life
Family heritage and childhood
Holly Mae Muller was born on August 26, 1997, in Kentish Town, north London.[8][1] She was raised by her parents, Matt Muller and Nicola Jackson, who separated when she was six years old.[9] Muller's family heritage includes Jewish roots tracing to her paternal grandfather, Robert Muller, who fled Nazi Germany as a 12-year-old refugee and settled in Wales.[10][11] This ancestry qualified her under Germany's 2021 legislation restoring citizenship to descendants of those persecuted by the Nazis, leading her to apply for a German passport, a process she confirmed in May 2023.[12][11] Her upbringing in Kentish Town exposed her to a multicultural London environment shaped by this European Jewish background.[13]Initial musical interests
Muller cultivated an interest in music from childhood, regularly performing at school assemblies and events, which fueled her aspiration to become a singer. She also began jotting down song ideas in her diary during this period, engaging in informal creative expression without formal training.[14][15] In her teenage years, spanning approximately ages 13 to 19, Muller immersed herself in pop and R&B genres, self-exploring vocal techniques through listening and imitation rather than structured lessons, as she later recalled not playing instruments initially. This phase marked a shift from casual enjoyment to a more dedicated pursuit, though her first full song composition occurred at age 19 during a train ride from Cornwall to London, prompted by a friend's challenge despite her lack of prior experience in songwriting. These pre-professional activities, devoid of industry connections, emphasized personal experimentation and built her foundational confidence in performing and lyric ideation.[3][16]Career
2017–2020: Early releases and industry entry
Muller began releasing music independently in early 2018 with her debut EP After Hours, a four-track project issued in February that included singles such as "The Hoodie Song" and "Jenny".[17][18] Later that year, following her signing to Capitol Records UK, she issued the follow-up EP Frankly on December 7, consisting of four tracks that showcased her pop-oriented songwriting.[19][20] These initial outputs received limited mainstream exposure, with no entries on major UK charts, but accumulated streams on platforms like Spotify, signaling emerging online interest among niche audiences.[21] In April 2019, Muller released Chapter 1, an 11-track compilation album under Capitol Records that incorporated material from her prior EPs alongside new songs, marking her first full-length project.[22] The album, distributed digitally, maintained modest performance metrics, peaking outside the UK Albums Chart top 100 and relying on organic streaming growth rather than radio play or sales.[23] This period represented her transition from self-released efforts to major-label infrastructure, providing resources for production and promotion while her catalog expanded without notable collaborations or breakthroughs. By 2020, Muller's output under Capitol continued with the EP no one else, not even you on November 6, featuring tracks that built on her established sound and furthered visibility through digital channels.[24] The release aligned with incremental audience expansion, as evidenced by sustained but sub-charting streams, positioning her for subsequent singles amid the evolving pop landscape.[25]2021–2022: Breakthrough singles and EPs
Mae Muller's breakthrough came in 2021 with the release of "Better Days", a collaboration with Swedish producer Neiked and American rapper Polo G, on 24 September via Capitol Records. The track peaked at number 32 on the UK Singles Chart, marking her first entry in the top 40, and achieved viral traction on TikTok, contributing to over 266 million Spotify streams by late 2021. This success expanded her visibility, leading to her first appearance on the US Billboard Hot 100 and recognition as Billboard's December 2021 Chartbreaker.[26][4] In 2022, Muller built on this momentum with additional singles, including "American Psycho" alongside electronic producer Marshmello and featuring Trippie Redd, released on 2 September. The collaboration highlighted her versatility in dance-pop and electronic genres, garnering playlist placements on platforms like Spotify's Pop Rising and contributing to further fanbase growth through live performances such as at Isle of MTV. These releases solidified her rising profile, with increased media coverage and streaming metrics reflecting broader commercial appeal prior to her major label album debut.[27][28]2023: Eurovision entry, debut album, and acting debut
Mae Muller was internally selected by the BBC to represent the United Kingdom at the Eurovision Song Contest 2023 with the song "I Wrote a Song", announced on 9 March 2023.[29] The contest was held in Liverpool, and Muller performed the track as the closing act in the grand final on 13 May 2023.[30] She finished in 25th place out of 26 entries, receiving 24 points entirely from the jury vote and zero points from the public televote.[30] [31] Muller's debut studio album, Sorry I'm Late, was released on 29 September 2023 through Capitol Records.[32] The album peaked at number 33 on the UK Albums Chart.[33] It received mixed to positive critical reception, aggregating a Metacritic score of 68 out of 100 based on available reviews.[32] In December 2023, Muller announced her entry into acting, having joined a talent agency and secured her debut role as Kelly, the love interest, in the British action-thriller film Gassed Up, directed by George Amponsah.[34] [35] Throughout the year, she also made appearances at several UK festivals, including Victorious Festival, Truck Festival, and Tramlines.[10] [36]2024–present: Label departure, hiatus, and independent return
In January 2024, Muller announced her departure from Capitol Records UK, the major label she had signed with in 2018, via a TikTok video.[37] The split, reported widely in February 2024, followed the underwhelming commercial performance of her debut album Sorry I'm Late and stemmed from her desire for a personal and creative reset amid industry pressures.[38][39] This exit ushered in a hiatus period, during which Muller stepped back from music releases and major public commitments to prioritize self-reflection and independence from label constraints.[40] She described the break as essential for rediscovering her identity beyond external expectations, allowing time away from the "noise" of her accelerated career trajectory post-Eurovision.[41] Muller's independent resurgence began in 2025 with the single "Breakaway" on March 21, followed by the five-track EP My Island on July 18, her first self-released project after 15 months of silence.[42][43] The EP, produced independently, features electro-pop elements and introspective lyrics on vulnerability and autonomy, including the title track "My Island" and "Breakaway."[44][45] Live activity resumed with a main stage performance at the Isle of Wight Festival on June 21, 2025, where she debuted independent-era material to festival audiences.[46] She followed with a headline show at Oslo Hackney in London on October 4, 2025, supported by Maisi, blending new tracks with earlier hits.[47] On October 8, 2025, Muller appeared at the Virgin Atlantic Attitude Awards at The Roundhouse, maintaining visibility in cultural events amid her self-managed phase.[48]Artistry
Musical style and influences
Mae Muller's music is characterized by a core pop sensibility infused with R&B and electronic elements, often delivering soulful melodies alongside candid, relationship-focused narratives. Tracks like "Better Days" exemplify this through their electronic production and upbeat yet introspective tones, blending dance-pop accessibility with emotional vulnerability. Her genre blending extends to contemporary R&B influences, creating an addictive mix that prioritizes rhythmic drive and melodic hooks.[49][50][51] Among her stated influences are British artists such as Lily Allen, Amy Winehouse, and Florence + the Machine, whose witty lyricism, soulful grit, and alternative pop edges inform Muller's approach to blending personal storytelling with polished production. She has also drawn from Gwen Stefani's pop versatility and toured with Little Mix, absorbing their harmonious, empowering pop dynamics. These inspirations contribute to her sound's confessional edge without veering into overt imitation, emphasizing instead a modern synthesis of pop's emotional range.[52][53][54] Later outputs, including the "My Island" EP, showcase an evolution toward liberated expression via eclectic pop subgenres, such as camp-infused euphoria and drum & bass-tinged flirtation, yielding a vibrant, multifaceted palette that prioritizes sonic experimentation and unfiltered personalism. This shift highlights her genre fluidity, incorporating hazy synths and hyper-pop emotiveness while maintaining pop's core appeal.[55][56][43]Songwriting approach and vocal technique
Mae Muller's songwriting process emphasizes autobiographical elements drawn from personal relationships and emotional self-reflection, which she has described as a form of "free therapy" to process experiences like heartbreak and growth.[57] For instance, her 2023 single "I Wrote a Song," released on March 9, channeled post-breakup anger into lyrics about empowerment through creative expression rather than direct confrontation, reflecting a deliberate shift from raw retaliation to therapeutic output.[58] She has confirmed that her music generally stems from such lived events, prioritizing authenticity over abstraction to foster relatability.[59] While Muller often collaborates in co-writing sessions, demonstrating adaptability to collective input—such as with Karen Poole and Lewis Thompson on "I Wrote a Song," where initial personal drafts evolved through iterative refinement—she maintains core solo contributions to ensure alignment with her narrative voice.[60] This balance allows for production choices that amplify introspective themes, like layered harmonies underscoring emotional resolution in tracks focused on self-empowerment.[61] Her vocal technique supports this approach through a soulful, blues-influenced delivery in a soft-pop framework, enabling emotive phrasing that conveys conversational intimacy alongside controlled belts for heightened personal disclosure.[62] Infused with saccharine R&B elements, her singing prioritizes narrative clarity over virtuosic range, as evident in the assured, less tentative tone she noted in later recordings compared to earlier work.[63][64]Political views
Criticisms of UK conservatism
Mae Muller has publicly criticized former Prime Minister Boris Johnson and Conservative Party policies on social media. On April 9, 2020, amid Johnson's hospitalization for COVID-19, she tweeted: "Unpopular opinion but I do not feel sorry for Boris Johnson. Yes he is human, yes he has kids, but so do 100s of other people who have actually died due to Tory policies. Taking up a bed in intensive care but you’re not on a ventilator and in ‘high spirits’ ? Nah mate."[65] This statement attributed deaths to government policies and expressed no sympathy for Johnson's condition, contrasting it with frontline workers' risks.[66] In 2020, during public debates over the Conservative government's refusal to extend free school meals vouchers during school holidays—a policy opposed by footballer Marcus Rashford—Muller tweeted "I hate this country" to voice frustration with the decision, which left some children without access to meals amid the pandemic.[67] The remark targeted perceived inadequacies in addressing child food insecurity under Tory leadership.[68] These tweets resurfaced in April 2023 following her selection as the UK's Eurovision entrant, prompting coverage in The Telegraph, which described her as an "anti-Boris Johnson left-wing activist" whose views reflected disdain for the UK and its leadership.[66] Conservative MP Craig Mackinlay condemned the comments as "foul-mouthed and unpleasant," suggesting they aligned with broader activist sentiments against the government.[66] On May 17, 2023, as her Eurovision entry "I Wrote a Song" climbed UK charts post-final, Muller posted on TikTok urging fans to "Stream my song to p*** off a Tory," framing chart success as a retort to conservative critics amid the backlash.[69] She later clarified in interviews that while the phrasing was "not ideal," her criticisms stemmed from policy disagreements rather than outright hatred of the UK.[67]Advocacy for social issues
Mae Muller has publicly supported transgender rights, asserting in an April 2025 post on X that trans women "are not going anywhere" despite opposition and labeling such opposition as transphobia.[70] Her statements align with broader advocacy against exclusionary views on gender identity, as evidenced by her classification as a trans ally in public discussions.[71] In May 2024, following Israel's victory at the Eurovision Song Contest, Muller expressed solidarity with Palestine by posting "free Palestine" and describing the event as dystopian. She reiterated this stance in May 2025 by signing an open letter with over 70 former Eurovision participants, demanding the exclusion of Israel's broadcaster KAN from the 2025 contest due to alleged complicity in Gaza-related events, despite her own Jewish heritage.[72] These positions reflect a pattern of engagement with progressive causes on gender and humanitarian issues via social media and public petitions. In April 2023, however, the BBC urged Muller to focus solely on her music ahead of Eurovision and avoid political commentary, underscoring expectations for artists to maintain an apolitical public image during the event.[73]Controversies
Political statements and public backlash
In April 2023, shortly after Mae Muller's selection as the United Kingdom's Eurovision entry, a 2020 tweet in which she stated "I hate this country" resurfaced, drawing accusations of unpatriotism from conservative media outlets.[66][74] The tweet, posted amid debates over free school meals during the COVID-19 pandemic, was framed by critics in The Telegraph and GB News as evidence of anti-UK sentiment, with headlines labeling her a "left-wing activist who hates the UK" and questioning her suitability to represent the nation on an international stage.[66][75] This prompted calls from some commentators, including BBC executives, for Muller to avoid political statements to prevent further controversy, emphasizing a desire to "stick to singing."[73] Muller responded in a May 2023 interview with The Times, acknowledging the tweet as "not ideal" while affirming her affection for the UK, stating "I love the UK."[67] Despite this, she expressed no broader regret over her past comments in other outlets, maintaining that they reflected frustration with specific policies rather than the country itself.[76] Defenses emerged from international peers, such as German Eurovision entrant Lord of the Lost, who praised Muller as "brave" for her political openness amid the backlash, contrasting with domestic pressures to depoliticize her public image.[77] Public reception polarized sharply, with fan communities on platforms like Reddit largely supportive—dismissing criticisms as right-wing overreach and highlighting perceived hypocrisy in selective outrage over artists' views—while conservative press like The Telegraph's front-page coverage amplified attacks, contributing to a narrative of divided national sentiment toward her candidacy.[78][66] Figures like Sharon Osbourne also weighed in, defending the tweet as a youthful outburst from two years prior and urging critics to "leave her alone."[79] This episode empirically impacted Muller's image, fueling online trolling and debates that overshadowed aspects of her Eurovision preparation, though it did not derail her participation.[80]Eurovision performance and selection debates
The United Kingdom's internal selection of Mae Muller to represent the country at the Eurovision Song Contest 2023 with "I Wrote a Song" sparked debates over the BBC's decision-making process, particularly after the public-voted success of Sam Ryder's "Space Man" in 2022, which secured second place. Critics argued that reverting to an internal selection by BBC executives, rather than a public contest, prioritized commercial pop appeal over broader appeal or innovation, resulting in a song perceived as formulaic Europop with simplistic revenge-themed lyrics about an ex-partner.[81][6] The track, co-written by Muller with Karen Poole and Lewis Thompson, was released on March 9, 2023, and drew mixed pre-contest reviews, with some outlets labeling it "standardised" and "naff" compared to the glam-rock energy of the prior entry.[60] Muller's performance in the final on May 13, 2023, in Liverpool faced scrutiny for execution flaws, including reports of flat vocals during rehearsals and choreography that failed to captivate, contributing to the UK's dismal 25th-place finish out of 26 entrants with just 24 points—all from national juries and zero from the global televote. This stark jury-televote disparity highlighted perceptions of the song's lightweight structure and Muller's live delivery as uncompetitive against entries like Sweden's "Tattoo" by Loreen, which won with 583 points. Post-event analyses attributed the televote nullity to the song's lack of standout staging or emotional depth, with insiders noting negative pre-event buzz amplified the outcome.[6][82] Debates also emerged around potential favoritism in the selection, as the BBC's choice of a chart-aligned pop track echoed trends from artists like Dua Lipa but overlooked Eurovision's preference for spectacle or novelty, leading to accusations of misjudging international tastes. Muller's prior political statements, including support for left-wing figures like Jeremy Corbyn and criticisms of former Prime Minister Boris Johnson, prompted BBC advisories in April 2023 to avoid political commentary to prevent alienating audiences, though no direct causal link to the vote was established in analyses. Some observers speculated that her outspoken views may have subtly eroded domestic televote enthusiasm, but empirical vote data pointed primarily to performance and song weaknesses.[73][83]Personal life
Romantic relationships
Mae Muller has publicly referenced past romantic partners primarily through their influence on her songwriting, while emphasizing her preference for privacy regarding personal details. Her 2023 Eurovision entry "I Wrote a Song" draws from a recent breakup with an ex-boyfriend who cheated, as described in promotional interviews where she portrayed the track as a humorous yet pointed response to infidelity.[35][84] No specific identity or timeline for this partner has been disclosed beyond the song's thematic basis. In a 2020 interview, Muller stated she had experienced four "proper relationships" since age 15, including her first boyfriend whom she once believed she would marry.[85] She has not confirmed any ongoing partnerships or named individuals in subsequent public statements. As of available reports through 2023, Muller described herself as single, with no verified dating history beyond these generalized accounts.[86] Muller detailed one early relationship starting at age 15 and lasting two and a half years, which she characterized as involving emotional and physical abuse that left her traumatized.[87][88][89] She escaped the dynamic after recognizing its toxicity, though she has avoided further elaboration on the partner's identity or aftermath to maintain boundaries.Mental health challenges
In 2024, Muller announced an extended hiatus from music, citing burnout and the need for personal reevaluation following the intense pressures of her rapid rise and the 2023 Eurovision Song Contest performance.[41] She described 2023 as "lowkey traumatic," emphasizing a desire to protect her peace amid escalating demands.[90] This break was linked to the "wild ride" of the pop industry, encompassing highs of success alongside stress, turmoil, and emotional strain from public scrutiny and career acceleration.[40] Muller has publicly addressed the broader issue of inadequate mental health protections for artists, stating in May 2024 that "the pressure is just too much" and advocating for systemic changes to normalize support in an environment where such strains are commonplace yet unaddressed.[91] In July 2025 interviews, she elaborated on stepping away to "re-learn who I am without all the noise," framing the hiatus as a deliberate pivot toward independence from major label structures that amplified these pressures.[55] Her songwriting has incorporated therapeutic elements as a coping mechanism, as seen in earlier tracks like "Therapist" (2020), which explores emotional processing through lyrics drawn from personal experiences of anxiety and relational stress without external intervention.[16] This approach underscores a self-directed response to industry-induced challenges, prioritizing introspection over formal diagnosis.[92] By March 2025, Muller ended the hiatus with the release of "Breakaway," signaling a return focused on vulnerability and reclaimed agency.[93]Discography
Studio albums
Mae Muller's sole studio album to date is Sorry I'm Late, her debut full-length release issued on 29 September 2023 by Capitol Records.[94][95] The album entered the UK Albums Chart at number 33, marking her first top 40 appearance on that ranking, and also charted on the Official Vinyl Albums Chart at number 19.[33][96] No certifications or detailed sales figures have been publicly reported for the project.[97] The 17-track album features production primarily handled by collaborators including Noah Gould and Pablo Bowman Navarro, with contributions from artists such as NEIKED and Polo G on the single "Better Days."[98] Its track listing is as follows:- "I Just Came to Dance"
- "Sorry Daniel"
- "Bitch with a Broken Heart"
- "I Wrote a Song"
- "Me, Myself & I"
- "Tatiana" (featuring Dylan)
- "Somebody New"
- "I Wish I Could Hate You"
- "Hormones"
- "Love You Like That"
- "Better Days" (with NEIKED and Polo G)
- "In My Head"
- "Strings"
- "Eurovision"
- "Close to My Chest"
- "The One"
- "From Me to You" [99][100]