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Make Me Laugh

Make Me Laugh is an television in which contestants attempt to suppress laughter while observing routines, earning monetary prizes for each second they maintain a straight face. The format was also adapted for television. The format originated with a short-lived prime-time series on in 1958, hosted by , which ran for 13 weeks and featured comedians performing to break contestants' composure within a time limit. A syndicated revival aired from 1979 to 1980, hosted by and produced by at studios in . In this version, three stand-up comedians each received one minute to elicit laughter from audience-selected contestants, who accumulated $1 for every second without reacting, up to a potential maximum per round. The show highlighted emerging talents in comedy, including , , , and Gallagher, often in early-career appearances. The 1979 series debuted on January 15, 1979, as part of a new syndication effort by the Program Development Group, airing five nights a week in various late-evening slots across stations like WPIX-TV in . It ran for one season, ending in early 1980; host died from cancer on July 31, 1980. A further iteration aired on from 1997 to 1998, hosted by and Mark Cohen, updating the core mechanic for a cable audience with 65 episodes produced by Buena Vista Television.

Overview

Premise

Make Me Laugh is a format originating in 1958, where contestants compete by attempting to maintain a straight face for one minute while exposed to performances by stand-up comedians. The core objective pits the contestant's composure against the comedians' efforts to elicit amusement, with the show revolving around the tension of suppressing laughter during short, targeted routines. Under the standard rules, each round features three comedians who perform sequentially for up to 60 seconds apiece. Comedians accumulate earnings based on the duration the contestant remains , typically at a rate of $1 per second, up to a maximum of $60 per performer or $180 total per round; any laughter causes forfeiture of the accumulating prize for that segment. Later iterations introduced escalating difficulty, such as additional comedians or challenges, to heighten the stakes while preserving the one-minute limit per act. The definition of "" has evolved across versions to encompass not only audible outbursts but any visible or audible reaction, including smiling, giggling, or other signs of amusement, ensuring strict enforcement of the straight-face rule. This broad interpretation maintains the format's focus on subtle comedic provocation, making even minor facial twitches consequential.

Broadcast History

"Make Me Laugh" debuted in the United States on on March 20, 1958, airing Thursdays at 10:00 PM for 13 half-hour episodes until June 12, 1958, before being replaced in the schedule by "." The short run was attributed to low ratings during a period when had limited success with game shows. A syndicated revival premiered on January 15, 1979, hosted by , and continued through February 29, 1980, producing 195 episodes across local stations nationwide. This version also ended after one season due to insufficient viewership. Comedy Central revived the format on June 2, 1997, with as host for the first season, followed by Mark Cohen taking over for the second season beginning in 1998, amid a shift in production approach; the series concluded on February 10, 1998, after 65 episodes. A proposed syndicated revival was discussed in 2015 for potential launch in fall 2016, but it never materialized due to lack of a distributor. In the , an adaptation aired on in late 1958 for one series, produced by and hosted by . A regional revival was produced by Tyne Tees Television for in 1983, hosted by , also limited to a single series.

Hosts

American Series Hosts

The American series of Make Me Laugh featured distinct hosts across its iterations, each bringing their unique style to the role of facilitating the -based competition. In the original 1958 ABC version, served as the sole host, guiding the show through its 13-week run with his signature lighthearted emceeing that characterized many early television game shows. , a veteran radio and television personality known for his witty, affable delivery on programs like The Name's the Same, announced contestants, timed the comedy rounds, and interacted with performers to maintain the show's playful tone. For the 1979–1980 syndicated revival, Bobby Van took on the primary hosting duties, infusing the series with energy drawn from his extensive background as a song-and-dance performer on and in films. , who had appeared in musicals like (1953) and hosted other game shows such as Showoffs (1975), managed contestant introductions, round timing, and comedian engagements, often leveraging his charismatic stage presence to heighten the comedic segments. His tenure ended prematurely due to his death in 1980, after which the show concluded its run. The 1997–1998 Comedy Central version employed rotating hosts to align with the cable network's irreverent format. Ken Ober hosted the 1997 season, bringing an improvisational flair honed from his work on MTV's Remote Control (1987–1990), where he excelled in quick-witted, offbeat banter. Ober handled the core host responsibilities—announcing participants, overseeing the timed performances, and engaging with comedians—while adapting the role to the show's edgier, audience-driven style. In 1998, Mark Cohen replaced Ober for the second season, contributing a sharper, more subversive vibe suited to Comedy Central's programming, as seen in his improvisational comedy background from shows like Whose Line Is It Anyway?. Cohen similarly focused on timing rounds and facilitating interactions, emphasizing the contestants' endurance against increasingly bold humor. A proposed 2016 syndicated revival never progressed to production, with no host announced prior to its cancellation amid challenges in securing a distributor.

British Series Hosts

The British adaptations of Make Me Laugh featured hosts who brought distinct flavors from the UK's variety and music hall traditions, emphasizing theatrical flair and audience engagement over the more structured game show formats seen elsewhere. For the 1958 ITV version, produced by Associated-Rediffusion, Chesney Allen served as the host across its single series of six episodes. Allen, a veteran of the music hall scene and one half of the renowned comedy duo Flanagan and Allen, infused the program with a polished, performative delivery rooted in his decades of stage experience, including wartime revues and appearances with The Crazy Gang comedy troupe. His background in song-and-dance routines and light-hearted sketches lent a sense of live theatre to the show, encouraging direct interaction with contestants and performers in a manner aligned with British variety programming of the era. In contrast, the 1983 revival by Tyne Tees Television for , which ran for 13 episodes, was hosted by , the younger half of the popular sibling comedy act . Known for his roles as the bumbling, everyman comic foil in the duo's routines—often featuring , , and family-oriented humor—Winters adapted his partnership-honed style to solo hosting, incorporating regional Northern English wit to connect with local audiences in the Tyne Tees broadcast area. This approach highlighted spontaneous banter and crowd involvement, drawing from the Winters brothers' long history in variety shows and pantomimes, where audience participation was a staple. Winters' tenure underscored the show's short format, allowing him to helm the limited run without deeper contractual ties, much like the earlier version. Overall, these hosts exemplified adaptations tailored to television's variety heritage, prioritizing charismatic, interactive presentation to suit brief series runs and foster a communal, laughter-filled atmosphere distinct from international counterparts. Allen's elegant music hall poise complemented the 1950s production's novelty, while Winters' affable, regionally inflected charm refreshed the concept for 1980s viewers, both ensuring the format's comedic core remained engaging within constrained episode counts.

American Versions

1958 ABC Version

The 1958 ABC version of Make Me Laugh premiered on March 20, 1958, and aired for 13 half-hour episodes until its final broadcast on June 12, 1958, occupying a Thursday primetime slot from 10:00 to 10:30 p.m. . Produced as a comedy game show, it marked the television debut of , emphasizing lighthearted challenges in an era of expanding network programming. The series featured a blend of everyday viewers and figures, aligning with 's efforts to attract diverse audiences during the competitive late-1950s television landscape. In each episode, four contestants—typically a mix of three civilians (one often playing on behalf of a home viewer selected via ) and one , though later episodes shifted toward all- lineups representing viewers—competed by attempting to maintain straight faces against comedians' routines. Each contestant faced up to three stand-up performers sequentially, with every routine limited to 60 seconds; participants earned $1 for each second they avoided laughing, yielding a potential $60 per round and a cumulative maximum of $180 for enduring all three. The structure highlighted the contestants' composure under pressure, with the overall determined by the longest total non-laughter time, often receiving an additional $100 . This setup tested the comedians' timing and material delivery while keeping the tone and free of risqué content to suit broadcast norms. The show showcased a roster of comedians, including established and up-and-coming talents such as , , Joey Carter, , Gene Baylos, and , who performed quick-witted, observational humor tailored to provoke reactions without props or elaborate staging. Celebrity contestants like , Julius LaRosa, , and added star power, often tying into promotional tie-ins for their concurrent projects. Episodes emphasized clean, accessible that relied on verbal timing and facial expressions, establishing a template for subsequent adaptations by prioritizing brevity and audience relatability. After 13 episodes, Make Me Laugh concluded its run and was replaced in its time slot by the interview series Confession on June 19, 1958, reflecting the rapid turnover typical of early network scheduling amid shifting viewer preferences. Despite its short duration, the version laid foundational elements for future iterations, including the core mechanic of timed non-laughter challenges and integration of celebrity participation to boost appeal.

1979–1980 Syndicated Version

The 1979–1980 syndicated version of Make Me Laugh represented a significant revival of the game show, airing in broadcast syndication from January 15, 1979, to February 29, 1980, and producing 195 episodes. This iteration, produced by Lukehill Productions in association with Paramount Television, achieved broad distribution at launch on 15 stations, including a new independent network backed by investor stations, marking a commercial expansion over prior formats through its appeal to local broadcasters seeking accessible comedy programming. The show's success stemmed from its engaging premise of audience participation, where everyday contestants tested their composure against professional humor, fostering high viewer relatability and live studio energy. In this version, three contestants were randomly selected from the to compete individually. Each contestant faced three stand-up comedians in sequence, with a 60-second per performer during which the player earned $1 for every second they maintained a straight face without laughing, smiling, or reacting audibly—capping at $60 per round and a potential $180 total if surviving all three. The format emphasized escalating comedic challenges, as comedians employed diverse styles ranging from observational wit to physical gags, building tension as the clock ticked upward and the contestant's endurance was pushed. The contestant who lasted the longest without breaking became the champion, while others received consolation prizes like novelty items. A key innovation was the bonus "Tag Team Round," where the champion paired with a guest—often a or —to confront two additional mystery under the same $1-per-second rules. This collaboration allowed for doubled stakes, with winnings based on the pair's collective survival time against the performers, potentially adding up to $120 more for a grand total of $300 if fully enduring both rounds. The involvement heightened production values, incorporating well-known figures to draw audiences and amplify the humor through improvised team dynamics, while the live audience's reactions added to the theatrical atmosphere. Overall, the syndicated run peaked commercially by blending accessible gameplay with star power, solidifying its status as the most enduring U.S. iteration through sustained viewer engagement and syndication viability.

1997–1998 Comedy Central Version

The 1997–1998 revival of Make Me Laugh aired on from June 2, 1997, to February 10, 1998, producing 65 episodes that adapted the core premise for a cable audience with a focus on irreverent, adult-oriented humor. Unlike prior versions, this iteration emphasized edgier stand-up routines tailored to younger viewers, incorporating elements like and interactive stunts, including audience plants to heighten the challenge for contestants. The show was produced by Dove Four Point Entertainment in association with Buena Vista Television, with taping beginning in March 1997 in front of a live audience to capture spontaneous reactions. Hosted initially by in 1997, the format featured three main rounds plus a bonus. In Round One, three solo s each performed for 60 seconds to elicit laughter from a contestant, who earned $1 per second of composure, potentially accumulating up to $180 for surviving the full three minutes. Round Two, titled "Toughest Room," shifted to a panel of three audience members acting as judges, predicting and wagering on whether a comedian could break another contestant's straight face; this involved two comedians each performing for 60 seconds to separate audience members. The Bonus Round involved a of three comedians targeting the top scorer for 60 seconds, awarding $5 per second up to $300, plus potential additional winnings from Round Two wagering. This structure encouraged high-energy, collaborative comedy while maintaining the stoic endurance test at its core. In 1998, Mark Cohen took over as host, introducing format tweaks to sustain engagement through the season. Round One retained the solo setup with the same $1-per-second payout and 60-second limits. Round Two evolved into Tag Team pairs of performing for a combined 90 seconds (30 seconds each), where remaining players bet on outcomes to build their scores. The Bonus Round innovated with a "Mystery Comic" reveal, giving the finalist 100 seconds to resist laughter at $5 per second, up to $500 plus potential additional winnings from Round Two wagering. Prizes remained cash-based, with consolation awards for eliminated players, aligning with Comedy Central's emphasis on accessible, high-stakes entertainment. The series showcased emerging and established stand-up talents, including , , , , and Steve Sanchez, who delivered routines blending observational humor with physical gags. Prop comedians like Marty Putz added visual flair, using everyday objects for absurd setups, while others employed audience plants and surprise interactions to disrupt contestants' focus. These elements distinguished the cable version's innovative, boundary-pushing style from the more restrained syndicated predecessor, contributing to its cult appeal among comedy enthusiasts.

2016 Revival Proposal

In 2016, producers considered reviving Make Me Laugh for daytime syndication, positioning it alongside other classic formats like and He Said, She Said (later known as ). The proposal emerged during discussions at the National Association of Television Program Executives (NATPE) conference, reflecting a broader industry interest in updating vintage properties for contemporary audiences. Despite the buzz, the remained in the stage with no confirmed production details, such as a host, set design, or specific format adjustments beyond the core premise of contestants enduring comedians' routines without laughing. No pilot episode was developed, and the project was ultimately shelved amid a crowded market for and programming. This unproduced effort highlighted ongoing for and game shows but did not lead to any tangible output, leaving the 1997–1998 version as the most recent iteration.

British Versions

1958 ITV Version

The 1958 ITV version of Make Me Laugh was the first British adaptation of the American game show format, airing as a single series produced by Jack Hylton for Associated-Rediffusion. It premiered on 15 September 1958 and ran for six episodes until 20 October 1958, broadcast weekly on Monday evenings at 9:30 pm. Hosted by veteran entertainer Chesney Allen, the show drew from the U.S. original by featuring audience volunteers as contestants who attempted to maintain a straight face while exposed to comedic performances, earning cash prizes that increased the longer they refrained from laughing. In this UK iteration, the core mechanic involved contestants facing off against resident comedians from The Crazy Gang, a renowned music hall troupe known for their chaotic, ensemble-style humor rooted in British variety traditions. Unlike the American version's rotation of individual stand-up acts, the show incorporated The Crazy Gang's group dynamics, such as routines and ad-libbed banter, to challenge participants' composure over timed segments similar to the U.S. structure. This adaptation emphasized theatrical elements from the era, aligning with ITV's early programming focus on . Prizes remained modest, reflecting 1950s British television regulations that capped awards to avoid perceptions of , with successful contestants taking home sums equivalent to typical incentives of the period. The series received poor reception and was not renewed beyond its initial run, often cited as a "legendary turkey" that failed to capture audience interest amid the rising popularity of straightforward quiz formats on . Critics and historians have described it as disastrous, particularly for damaging The Crazy Gang's prospects by highlighting mismatches between their live-stage energy and the game's rigid structure. Despite its brevity, the show is remembered as a curiosity in early ITV , illustrating the challenges of transplanting American comedy-game hybrids to the screen.

1983 Tyne Tees Version

The 1983 revival of Make Me Laugh aired as a single series of 13 half-hour episodes on Tyne Tees Television within the network, premiering on Friday, 8 April 1983, at 5:15 pm and running through the spring and summer. Produced regionally for the audience, the show adapted the core premise to spotlight local humor and talent in a compact format suited to ITV's fragmented scheduling. Contestants were selected from the studio audience, often local residents such as a South Shields nurse featured in one episode, who faced shorter, fast-paced rounds designed to fit the 30-minute slot. Participants aimed to keep a straight face—avoiding laughter, smiles, or smirks—while enduring stand-up routines from guest comedians and physical gags performed by host Bernie Winters, whose warm, interactive style evoked his earlier double-act experiences. This setup emphasized rapid-fire comedy over extended performances, fostering an intimate, community-oriented atmosphere. Successful contestants earned cash prizes for their composure, though the rewards were modest and secondary to the entertainment value, aligning with the show's focus on accessible fun rather than high-stakes competition. A key unique element was its role in showcasing up-and-coming regional comedians, including an early TV spot for , who later recalled his appearance as a nerve-wracking but pivotal moment in his career. Winters' hosting, infused with playful banter and visual stunts, helped launch such talents by providing a low-pressure platform amid the regional production constraints. The series resonated with North East viewers through its emphasis on homegrown performers and relatable antics but remained confined to the Tyne Tees region, reflecting ITV's decentralized structure in the early that limited broader expansion.

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