Marc Rocco
Marc Rocco (June 19, 1962 – May 1, 2009) was an American film director, producer, and screenwriter renowned for his gritty, character-driven storytelling in independent and studio films.[1][2] Born in North Hollywood, California, to parents Harvey King and Sandi Garrett, Rocco was the adopted son of actor Alex Rocco and grew up in a family immersed in the entertainment industry.[1] He began his career at age 15 as a production assistant on the set of The Stunt Man (1980), directed by Richard Rush, which sparked his passion for filmmaking.[2] As the youngest member admitted to the Directors Guild of America's trainee program, Rocco received sponsorship from influential directors including Rush, Martin Scorsese, and Oliver Stone, accelerating his entry into the industry.[2] Rocco's directorial debut came with the rock musical Scenes from the Goldmine (1987), which he also wrote and produced, marking him as a multifaceted talent focused on raw, emotional narratives.[1] He followed with the teen comedy Dream a Little Dream (1989), but gained critical acclaim for his ensemble drama Where the Day Takes You (1992), which explored the lives of homeless youth in Los Angeles and featured Will Smith in his film debut.[1][2] His most commercially successful work, Murder in the First (1995), a historical courtroom drama starring Christian Slater and Kevin Bacon, earned a Screen Actors Guild nomination for Bacon and a Broadcast Film Critics Association award for Kevin Bacon.[2] Later projects included co-writing and co-producing the psychological thriller The Jacket (2005) and serving as executive producer on the drama Take (2007), as well as directing Pearl Jam frontman Eddie Vedder's music video "Guaranteed" that year.[1][2] At the time of his death, Rocco was developing ambitious projects such as a film about the Winter Hill Gang and a biopic on Janis Joplin, reflecting his interest in true-crime stories and musical icons.[2] He passed away in his sleep at his home in North Hills, Los Angeles, at age 46; the cause was undetermined pending further tests, with no evidence of foul play.[1] Survived by his wife of 17 years, Lisa, his father Alex, brother Lucien, and sister Jennifer, Rocco was remembered by mentor Richard Rush as possessing "the astonishing ability to capture a scene… turning it into a moment of unique, dramatic truth."[1][2] His body of work continues to be celebrated for its authentic portrayal of human struggles and its influence on character-focused cinema.[2]Early life
Family background
Marc Rocco was born on June 19, 1962, in North Hollywood, California, as Marc Daniel King to biological parents Harvey King and Sandi Garrett.[1][3] In 1964, his mother remarried actor Alex Rocco, who adopted him and changed his name to Marc Daniel Rocco.[1][3] Rocco was raised in Los Angeles alongside his half-siblings, brother Lucien and sister Jennifer, children of Alex Rocco and Sandra.[1][4] His upbringing was shaped by his stepfather's prominent acting career, notably Alex Rocco's portrayal of Moe Greene in the 1972 film The Godfather.[1]Entry into the film industry
Rocco's entry into the film industry began during his teenage years, when he served as a production assistant on the set of The Stunt Man (1980), directed by Richard Rush.[2] At just 15 years old, this role marked his initial professional exposure to filmmaking, facilitated in part by his family connection to actor Alex Rocco, who provided early Hollywood access.[1] Rush, recognizing Rocco's potential, became a pivotal mentor, guiding him through the practical aspects of production and fostering his interest in directing.[2] Building on this foundation, Rocco pursued formal training by becoming the youngest individual admitted to the Directors Guild of America (DGA) trainee program. He was sponsored by influential directors including Richard Rush, Martin Scorsese, and Oliver Stone.[2] This prestigious entry-level initiative allowed him to gain hands-on experience in directing under professional supervision, emphasizing the guild's commitment to nurturing emerging talent. Through the program, he contributed to various television productions, honing skills in set management and creative oversight. As a director trainee at Warner Bros. Television, Rocco worked on popular series such as The Dukes of Hazzard and The A-Team, where he assisted in episode preparation and execution.[2] These roles transitioned him from basic assistant duties to more involved creative contributions, including script analysis and scene coordination, which built his technical proficiency and industry network. This period of apprenticeship laid the groundwork for his later shift toward independent filmmaking endeavors.Career
Early projects and breakthrough
Marc Rocco made his feature film directorial debut with Scenes from the Goldmine (1987), a drama he co-wrote, directed, produced, and in which he appeared as an actor, focusing on the struggles of aspiring musicians in the Los Angeles rock scene.[5][6] The story centers on a young songwriter who joins a new wave band, forms a romantic connection with its leader, and grapples with exploitation and disillusionment as the group gains a record deal.[6] As an independent production, the film faced significant distribution hurdles, receiving only a limited theatrical release after premiering at the Houston Film Festival before shifting primarily to home video.[6] Critics offered mixed responses, praising the music and performances but critiquing the script's clichés, resulting in an IMDb user rating of 5.9/10 based on over 170 votes.[6] Building on this foundation, Rocco directed Dream a Little Dream (1989), a teen comedy-drama starring Corey Feldman, Corey Haim, and Meredith Salenger, which delves into coming-of-age themes through a fantastical body-swap narrative involving a high schooler and an elderly dream researcher.[7][8] The film explores adolescent identity, romance, and personal growth amid peer pressures and supernatural mishaps.[7] Commercially, it earned $5.55 million at the domestic box office, peaking at number five in its opening weekend, though it underperformed relative to expectations for a Vestron Pictures release.[9] Critical reception was largely negative, with Roger Ebert awarding it half a star out of four for its convoluted plot and uneven execution, and a Rotten Tomatoes critic score of 9% from 11 reviews.[8][10] These early independent efforts, produced on modest budgets amid the competitive late-1980s landscape, underscored Rocco's versatility as a multifaceted filmmaker while presenting challenges like securing wide distribution and financing.[5][6] Despite the mixed outcomes, they facilitated key Hollywood connections, leveraging his familial ties to actor Alex Rocco and prior mentorship from director Richard Rush to establish his reputation for character-driven stories.[5]Major directorial works
Marc Rocco directed Where the Day Takes You (1992), an ensemble drama depicting the harsh realities of street youth in Los Angeles, centering on a group of teenage runaways led by a character played by Dermot Mulroney, with supporting roles by Sean Astin, Balthazar Getty, and Will Smith (in an early film role as a homeless youth).[11] The film explored themes of youth homelessness and survival amid urban decay, drawing from Rocco's independent filmmaking roots to create a gritty, character-driven narrative.[12] Despite a modest budget of $3 million, it earned limited commercial success with a domestic gross of $390,152, but received critical recognition, including a Critics Award nomination for Rocco at the 1992 Deauville Film Festival and a Golden Space Needle Award for best actor at the Seattle International Film Festival.[13] Rocco followed this with Murder in the First (1995), a prison drama inspired by true events at Alcatraz, where a young attorney (Christian Slater) defends inmate Henri Young (Kevin Bacon) against a murder charge, exposing systemic injustices in the penal system.[14] The film addressed broader social issues of institutional abuse and legal inequities, building on Rocco's interest in marginalized lives from his prior work.[15] It achieved stronger commercial performance, grossing $17.4 million domestically, and garnered significant awards attention, with Bacon winning the Broadcast Film Critics Association Award for Best Actor and receiving a Screen Actors Guild nomination for Outstanding Performance by a Male Actor in a Supporting Role.[16][17][18] These 1990s directorial efforts solidified Rocco's reputation for tackling social injustices through compelling ensemble storytelling, blending indie sensibilities with mainstream appeal to highlight overlooked societal problems.[2]Later productions and contributions
Following the critical and commercial success of his 1990s directorial efforts, which established his reputation in Hollywood, Marc Rocco transitioned into producing and writing roles that expanded his influence across genres.[1] In 2005, Rocco co-wrote the story and served as co-producer on The Jacket, a science-fiction psychological thriller directed by John Maybury and starring Adrien Brody as a Gulf War veteran subjected to experimental treatments.[19][1] The film, which explored themes of time travel and redemption, received praise for its atmospheric tension and Brody's performance, grossing approximately $15.4 million worldwide despite a modest budget of $6 million.[20] Rocco continued his producing work with Take (2007), a drama directed by Charles Oliver and featuring Minnie Driver and Jeremy Renner as a single mother and death row inmate whose lives intersect through a school assignment. As executive producer, he helped bring the project to fruition in 2007, where it earned attention for its emotional depth and social commentary on capital punishment.[1] That same year, Rocco directed the music video for Eddie Vedder's "Guaranteed," the acoustic lead single from the Into the Wild soundtrack, which won a Golden Globe for Best Original Song.[2] Shot on 35mm film in a concise three-hour session, the video intercut Vedder's intimate performance with clips from Sean Penn's film, capturing the song's themes of solitude and perseverance; it premiered on VH1 in January 2008.[21] Toward the end of his career, Rocco developed several unproduced projects, including a biopic on rock icon Janis Joplin and a film centered on the notorious Winter Hill Gang, a Boston-based Irish-American crime syndicate.[2] These efforts reflected his interest in biographical and true-crime narratives, though neither advanced to production before his death in 2009.[1]Personal life
Marriage and immediate family
Marc Rocco married makeup artist Lisa Rocco (née Doering) on September 8, 1991, in a union that lasted 17 years until his death in 2009.[22] Their relationship was marked by shared experiences in Hollywood, where Lisa's career in makeup complemented Marc's work as a director and producer. The couple had no children, focusing instead on their professional and personal partnership, which provided mutual support amid the demands of the film industry.[1][22] A notable example of their collaboration came in 1995 on Rocco's directorial project Murder in the First, where Lisa served as key makeup artist, contributing to the film's production during a peak period in his career.[23] This professional overlap highlighted their intertwined lives in entertainment, with Lisa often involved in aspects of Marc's creative endeavors. Their bond remained strong, as evidenced by Lisa's location in Prague, Czech Republic, at the time of Marc's passing on May 1, 2009, when his body was discovered by a friend at their North Hills home.[1]Extended family relationships
Marc Rocco maintained a close and influential relationship with his adoptive father, Alex Rocco, throughout his adult life. Alex, a prominent character actor known for roles in films like The Godfather, provided both personal guidance and professional inspiration to Marc, who credited his father's acting prowess as a major influence on his own career in filmmaking. In a 1989 interview, Marc described Alex as "not only my father, [but] my favorite actor in the world," highlighting the deep admiration that shaped his creative pursuits. This bond extended to professional collaboration, as Alex appeared in two of Marc's early directorial projects: Scenes from the Goldmine (1987) and Dream a Little Dream (1989), where he played supporting roles that underscored their shared Hollywood environment.[24][25][26] Marc also shared strong ties with his siblings, brother Lucien Rocco and sister Jennifer Rocco, who formed a core part of his immediate family support network in adulthood. Lucien, a poet, and Jennifer, an attorney, both outlived Marc and remained connected through family traditions and shared experiences in the entertainment industry, including occasional anecdotes from their father's career that reinforced their familial Hollywood legacy. The siblings provided emotional support during key personal moments, such as following the family's private memorial for Marc in 2009, where their presence highlighted the enduring closeness of the Rocco family unit.[1][26][25] The death of Marc's mother, Sandra Elaine Garrett Rocco, from cancer in 2002, marked a significant shift in the family's dynamics, drawing the remaining members closer in their shared grief and reliance on one another. Sandra, a nightclub performer and screenwriter who had married Alex in 1964,[27] and brought Marc into the family through adoption, left a void that influenced the adult relationships among her children and Alex, fostering a tighter-knit support system amid their professional lives in Los Angeles. This loss preceded Marc's own passing by seven years, further emphasizing the siblings' and father's role in navigating family challenges.[26][28]Death and legacy
Circumstances of death
On May 1, 2009, Marc Rocco's body was discovered by a friend at a house-sitting residence in North Hills, California, where he was found to have died in his sleep at the age of 46.[1][29][2] The Los Angeles County Coroner’s Office reported no signs of trauma or foul play in the investigation.[1][29] The cause of death was never publicly disclosed.[29][1] Rocco's wife, Lisa, who was abroad in Prague, Czech Republic at the time, was notified of his passing by the friend who discovered the body.[1]Tributes and influence
Following Marc Rocco's death, a private memorial service was held for family and close friends. The family requested that, in lieu of flowers, donations be made to a memorial fund in his honor, with details available by emailing [email protected] or calling 888-999-5070.[1] Tributes from Rocco's mentor and collaborators emphasized his distinctive talent for storytelling, particularly in addressing social issues through film. Director Richard Rush, who mentored Rocco beginning with his work on The Stunt Man at age 15, described him as possessing "the astonishing ability to capture a scene on film, take a deep breath and blow life into it, turning the scene into a moment of unique, dramatic truth." Rush further noted Rocco's artistry, stating, "Marc was a storyteller, a very gifted movie director, and an artist, above all. His death is a loss to us, but happily his artistic legacy lives on."[2][1] Rocco's influence endures as a model for young directors transitioning from independent projects to mainstream success. His film Murder in the First (1995) received lasting recognition, including a Broadcast Film Critics Association Award for Best Actor (won by Kevin Bacon) and a Screen Actors Guild nomination for Bacon's performance, underscoring Rocco's skill in blending social commentary on injustice with compelling drama.[2] At the time of his death, Rocco was developing several projects that highlighted his ongoing potential, including a biopic on Janis Joplin and an adaptation of The Winter Hill Gang. These unfinished works reflect his continued interest in biographical and crime narratives rooted in real-life social struggles.[2]Filmography
Feature films
Rocco's credited involvement in feature films, listed chronologically, includes directing, writing, producing, and acting roles across several projects.[30]| Year | Title | Role(s) |
|---|---|---|
| 1987 | Scenes from the Goldmine | Writer, director, producer[31] |
| 1989 | Dream a Little Dream | Director, writer, producer[32] |
| 1992 | Where the Day Takes You | Director, writer, executive producer |
| 1995 | Murder in the First | Director[33] |
| 2005 | The Jacket | Story co-writer, co-producer[19] |
| 2007 | Take | Executive producer[34] |