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Matt Sharp

Matthew Kelly Sharp (born September 22, 1969, in , ) is an American musician, , and best known as the original for the band and as the founder and frontman of the band . Sharp grew up in , , before moving to in the early to pursue music. He met drummer while working at a tanning salon and soon joined as its shortly after the band's formation by and Wilson in 1992. With his energetic stage presence and contributions to songwriting and arrangements, Sharp helped shape 's early sound, playing on their breakthrough debut album Weezer (commonly called the Blue Album) in 1994, produced by , and the introspective follow-up Pinkerton in 1996. He was instrumental in securing the band's initial record deal with through persistent networking and also coordinated high-intensity early tours like the Self-Punishment Tour to build momentum. However, growing tensions over touring commitments and creative direction led to his departure from in 1998. In parallel with his Weezer work, Sharp launched in 1995 as a side project drawing on '70s and '80s influences, initially featuring drummer and Weezer collaborator Karl Koch. The band's debut album, , arrived later that year on Maverick Records and included the hit "Friends of P.," establishing Sharp as a multifaceted artist capable of blending retro with indie sensibilities. The Rentals released a second album, , in 1999, but disbanded soon after amid Sharp's legal disputes with over royalties. The project remained mostly dormant until Sharp reformed the band in the mid-2000s with new members, including frequent collaborator Lauren Everett, releasing in 2014—a exploring isolation and technology—and Q36 in 2020, which continued the group's evolution toward more experimental electronic sounds. Beyond these core projects, Sharp has contributed as a bassist and producer for other artists, including sessions with , while maintaining a focus on as his primary creative outlet into the 2020s.

Early life

Childhood and family

Matt Sharp was born on September 22, 1969, in , , to American parents working abroad during the era. When he was one year old, the family relocated to Arlington, Virginia, where Sharp grew up in a suburban American environment. His father, Richard, had traced a path from rural Colorado roots through Ivy League universities to wartime Thailand before settling in the Washington, D.C., area. At age nine, Sharp bought his first musical record—a 45 rpm single of "Le Freak" by Chic—which introduced him to popular music. When he turned sixteen, Sharp moved to , , adapting to the coastal city's culture and lifestyle.

Early musical influences and first bands

Sharp's introduction to music came early, with his first record purchase at age nine—a 45 rpm of Chic's hit "." This initial exposure to pop and sounds marked the beginning of his musical curiosity, though his tastes later shifted toward heavier rock by age fourteen. At fifteen, Sharp acquired his first bass guitar, immersing himself in the instrument amid the vibrant alternative scene. By sixteen, he had relocated to , a hub for emerging punk and alternative acts in the late 1980s. There, in 1989, he fronted the short-lived goth band Clique, which drew from influences like and but disbanded after less than a year. Following the band's disbandment, Sharp moved to the Bay Area, where he maintained ties to the San Diego scene, including befriending drummer through the local music circuit. At that time, Wilson was involved in the precursor band 60 Wrong Sausages with , on guitar, and Pat Finn on bass. Formed in late 1991, the group played a single gig in November 1991 before dissolving.

Career

Weezer era (1992–1998)

Matt Sharp co-founded in February 1992 in alongside (guitar and vocals), (drums), and (guitar), marking the beginning of the band's sound rooted in and geek culture influences. The group quickly began rehearsing and writing original material, with their first performance occurring on March 19, 1992, opening for ' band Dogstar. Sharp's energetic stage presence and vocal harmonies helped shape Weezer's early dynamic as they built a local following through club shows. As Weezer's bassist, Sharp played a pivotal role on the band's self-titled debut album, (commonly known as the Blue Album), released on May 10, 1994, by . He contributed distinctive bass lines to standout tracks such as "" and "," which highlighted his melodic and driving style, while also providing backing vocals that added depth to the album's raw, emotive production under . Sharp co-wrote "My Name Is Jonas" and was integral to the recording sessions at New York's Fort Apache Studio, where the band's nerdy lyricism and guitar-driven arrangements solidified their breakthrough sound. During this era, Sharp briefly formed as a to explore elements. Sharp continued as bassist on Weezer's sophomore album , released on September 24, 1996, delivering prominent bass work on songs like "Tired of Sex," which opened the record with its urgent, confessional tone. His creative input influenced the album's darker, more introspective direction during sessions at various studios, including early demos of tracks that reflected the band's evolving personal narratives. marked a shift from the Blue Album's accessibility, though it initially received mixed commercial reception. Weezer's ascent to mainstream fame accelerated in 1994 with heavy rotation of the Spike Jonze-directed "" video, which peaked at No. 18 on the Modern Rock Tracks chart and propelled the Blue Album to multi-platinum status. The band embarked on extensive tours, including supporting slots with acts like Live and , culminating in high-profile appearances such as their set at 1996, where they showcased hits alongside previews of material to growing audiences. These tours amplified Sharp's live contributions, including his high-octave backing vocals on fan favorites. By 1998, amid ongoing touring demands and creative tensions within the band, Sharp departed to prioritize his commitments with . His exit followed the tour and a period of uncertainty, with the band briefly going on hiatus before recruiting as his immediate replacement; Welsh later left in 2001, and assumed the bass role thereafter.

The Rentals formation and early years (1994–1999)

In 1994, Matt Sharp founded as a while still committed to , enlisting drummer from along with guitarist Rod Cervera, keyboardist Tom Grimley, violinist , and vocalist/keyboardist to form the initial lineup. The band drew on Sharp's experiences in but emphasized a distinct sound incorporating 1980s-style synthesizers, bass lines, and orchestral touches from Haden's , creating a quirky aesthetic with male-female vocal harmonies and themes exploring technology's influence on relationships. The Rentals' debut album, Return of the Rentals, was self-produced by Sharp for approximately $5,000 and released on October 31, 1995, via Maverick Records, a subsidiary of . The record blended energy with electronic elements, including prominent synth hooks and string arrangements, setting it apart from Weezer's guitar-driven rock while maintaining melodic accessibility. It spawned the radio hit "Friends of P.," an ode to model that peaked at number 7 on Billboard's Modern Rock Tracks chart, and the follow-up single "Please Hold," which further showcased the band's witty lyrics and retro-futuristic production. To promote the album, The Rentals toured extensively, opening for acts like in 1995–1996 and headlining club shows in 1997–1998, including a notable performance at MTV's where their low-budget "Friends of P." video, shot for $400 using a World War II-era camera, aired despite technical issues. As tensions within escalated, Sharp prioritized , leading to his departure from Weezer in early 1998 to focus on the project full-time. The band's sophomore effort, , was largely written by Sharp during a stay in , , and recorded in at studios like and , incorporating contributions from British guests such as and for a more eclectic, hedonistic vibe with diverse instrumentation. Released on April 13, 1999, via , the album featured tracks like the upbeat "" and reflected Sharp's personal transitions, blending pop hooks with experimental edges amid the band's growing international scope. Following a world tour in support of the release, quietly disbanded later that year, allowing Sharp to pursue solo endeavors.

Solo pursuits and Weezer disputes (2000–2003)

Following his departure from in 1998, Matt Sharp relocated to , in early 2000, seeking a creative reset away from the music scene. The rural setting, a small community about an hour outside Nashville with limited amenities like one restaurant and one gas station, allowed him to focus intensely on songwriting and recording in a stripped-down environment. There, Sharp experimented with acoustic-based material, drawing from and influences to craft personal, introspective songs that contrasted his earlier pop-oriented work. In 2003, Sharp released his debut solo EP, Puckett's Versus the Country Boy, on the independent label In Music We Trust. Recorded at his home in Leiper's Fork, the four-track effort blended folk and countrified elements with subtle alternative melodies, exploring themes of loss, regret, and emotional displacement. Tracks like "Goodbye West Coast" reflected on returning for a friend's , while "Visions of Anna" delved into romantic introspection, marking a shift toward sparse, narrative-driven arrangements rather than the layered production of his past projects. The EP, running about 20 minutes, received modest attention for its raw honesty but was critiqued for uneven execution in capturing its ambitious emotional scope. Amid these solo endeavors, became embroiled in a legal dispute with . On April 18, 2002, he filed a five-count lawsuit in against the band's members, their lawyers, former manager, and accountants, alleging breach of fiduciary duty, legal malpractice, accounting malpractice, , and negligent misrepresentation. claimed he was denied proper royalties and songwriting credits for contributions to tracks on 's debut album Weezer (1994) and (1996), including co-writing elements of songs like "Undone – The Sweater Song" and several from the latter record. He further accused the parties of failing to provide financial transparency and mishandling partnership affairs during his tenure. The strained relations but concluded with an out-of-court in 2003, the terms of which remained undisclosed. The agreement reportedly allowed Sharp to retain certain royalty rights, though it did not immediately resolve personal tensions with his former bandmates. During this period, Sharp supplemented his solo work with low-key performances, including college tours in 2002 where he debuted unrecorded material in intimate settings, often playing on the floor or integrating audiences onstage to foster a direct connection. These gigs, sometimes featuring collaborations with musicians like former guitarist Greg Brown, helped test songs that would later appear on the EP.

Reunions and later projects (2004–present)

In 2004, Matt Sharp and frontman reconciled following a period of estrangement, culminating in a joint performance at , on February 12, where they played songs including "Time Song." The duo had been writing original material together in the preceding months, though they opted against forming a band and instead pursued the collaboration informally, which helped mend their professional relationship. This reunion was facilitated by a 2003 settlement over royalties that Sharp had initiated against , clearing the path for future interactions. Sharp reformed in 2005 after a six-year hiatus since their previous album, assembling a new lineup that included drummer and other collaborators to revive the project. The band toured extensively in 2006 and 2007, performing at venues across the and releasing the EP The Last Little Life on August 14, 2007, which featured tracks like "Last Romantic Day" and marked their return with fresh material blending and elements. The Rentals remained active into the late 2000s, with notable performances in 2009 as part of the multimedia project Songs About Time, a series of EPs accompanied by photographs and short films that Sharp developed during studio sessions. These shows, including appearances in and other cities, showcased the band's evolving sound before they entered another hiatus in late 2009, shifting Sharp's focus to other endeavors. In 2011, Sharp contributed background vocals to the track "FAQ" on Berri Txarrak's album Haria, a post-hardcore release by the Basque band that also featured production by Ross Robinson. This collaboration highlighted Sharp's ongoing connections in the alternative rock scene, though he did not participate in bass or production roles on the record. Sharp participated in the 2024 oral history of Weezer's debut album Weezer (commonly known as the Blue Album) for a Los Angeles Times feature marking its 30th anniversary, where he reflected on his foundational role in the band, early rehearsals, and contributions to tracks like "Undone – The Sweater Song." His comments emphasized the group's nerdy ethos and the relief he felt during Weezer's mid-1990s break, allowing time for The Rentals, but stopped short of discussing a full band reunion. As of November 2025, Sharp has maintained a low musical profile with no major new releases from since their album Q36, though he occasionally teases potential projects via , such as the release of archival live footage on , and engages in archival work, such as scoring for film and television. He has released no solo albums since his self-titled 2004 debut, instead prioritizing preservation amid ongoing fan interest in his tenure and departure, often discussed in terms of creative differences rather than unsubstantiated rumors.

Discography

Contributions to Weezer

Matt Sharp served as Weezer's bassist from the band's formation in 1992 until 1998, providing bass guitar and backing vocals on their first two studio albums. On the debut album, Weezer (commonly known as the Blue Album), released in 1994, Sharp performed bass and contributed backing vocals across all ten tracks, including prominent lines in "My Name Is Jonas" and "No One Else." His playing helped define the album's power pop sound, with the record achieving platinum certification in the United States. For Weezer's second album, , released in 1996, Sharp again handled bass guitar and backing vocals on every track, notably supporting the emotional intensity of songs like "Across the Sea" and "." The album's raw production highlighted his rhythmic contributions, though it initially underperformed commercially before gaining cult status. Sharp's involvement marked the end of his primary recording role with the band. Beyond the studio albums, Sharp appeared on select B-sides and compilations during Weezer's early years. He provided bass and vocals on "," a track included on the 1994 single for "" and later featured on the 1994 compilation DGC Rarities. This acoustic-leaning song, written by , showcased Sharp's versatility in a more stripped-down format. Following his departure in 1998, Sharp received no official credits on subsequent releases. However, the 2024 super deluxe edition box set Weezer 30, celebrating the Blue Album's 30th anniversary, incorporates remastered versions of the original tracks along with unreleased demos and live recordings from the era that feature his bass performances. In total, Sharp's recorded contributions to span two studio albums and a handful of associated singles and compilations from 1994 to 1996.

Releases with The Rentals

The Rentals' debut full-length album, , was released on October 24, 1995, through Maverick Records. The record highlighted Sharp's songwriting with influences, featuring standout tracks like the "Friends of P.," which peaked at No. 7 on the Alternative Songs chart, and "Waiting," included on the soundtrack. Other notable songs included "The Love I'm Searching For" and "Please Hold," blending elements with electronic textures recorded at Poop Alley Studios. The band's second album, , arrived on April 13, 1999, also via Maverick Records. Written by during a stay in , , and recorded in , , the album was produced by Sharp himself and featured guest appearances from artists like of Lush on "The Cruise." Key singles included "," released in March 1999, while tracks like "Hooray for Holly" and "" showcased the band's evolving sound with and synthesizers. The album was mastered at Masterdisk in and dedicated in memory of Sharp's father. Following a period of inactivity, reformed and issued the four-track EP The Last Little Life on August 14, 2007, available digitally and on limited . The release included "Last Romantic Day," "Little Bit of You in Everything," "Life Without a Brain," and the extended "Sweetness and Tenderness," emphasizing acoustic elements and cello contributions from Jeffrey White. Additional production came from Shon Sullivan on guitar. The band continued with the benefit compilation The Rentals Present: Resilience (A Benefit Album for the Relief Effort in Japan) on May 17, 2011, via Ernest Jenning Record Co., featuring outtakes and covers supporting disaster relief. The Rentals returned with their third studio album, Lost in Alphaville, a exploring isolation and technology, released on August 25, 2014, through Polyvinyl Records. Notable tracks include "Thought of Sound" and "Alphaville," blending with . In 2020, the band released the four-track EP Forgotten Astronaut (A Q36 Special Feature) on March 31, self-released, featuring variations of the title track including acoustic, remix, and instrumental versions. Later that year, on June 26, issued their fourth studio album Q36, a self-released delving into experimental electronic and sounds, with tracks like "Shake Your Diamonds" and "Nowhere Girl." In 2022, The Rentals Present: The Midnight Society Soundtrack (A Matt Sharp / Nick Zinner Score) was released on April 23 via Death Waltz Recording Co. as a limited Record Store Day vinyl, later digitally, providing an ambient horror soundtrack inspired by a paranormal podcast.

Solo and independent work

Matt Sharp's solo career began with the release of his debut EP, Puckett's Versus the Country Boy, in 2003 on In Music We Trust Records. The four-track recording featured acoustic-driven songs such as "Goodbye West Coast," "Some Come Running Through," "Visions of Anna," and "Hey, What You Gonna Do?," showcasing a shift toward introspective folk elements with subtle country influences. Produced during Sharp's time living in Leiper's Fork, Tennessee, the EP was issued in a limited run, emphasizing raw, personal songwriting over the polished rock sounds of his prior band work. This EP served as a precursor to Sharp's self-titled full-length solo album, released on October 10, 2004, also via In Music We Trust Records. The 11-track effort, including "All Those Dreams," "Everytime ," and expanded versions of EP material like "Goodbye ," adopted a sparse acoustic rock style with , , and organ providing minimal accompaniment to Sharp's vocals. Recorded entirely in , the album reflected a period of personal reflection, blending singer-songwriter introspection with subtle Americana textures. During his Tennessee residency from around 2000 to 2005, Sharp's musical style evolved from the energetic alt-rock of his earlier projects to a more subdued, country-tinged aesthetic, prioritizing emotional vulnerability and acoustic simplicity. This phase produced no additional major solo releases post-2004, though Sharp documented sessions for an unreleased collaborative project with former bandmate in early 2004, yielding 15 to 16 songs that remain unfinished and unavailable. Independent demos and singles from this era have not surfaced in significant documented form as of 2025.

Other collaborations

In 1998, Sharp provided bass for the one-off supergroup Homie on the track "American Girls," which appeared on the soundtrack to the film Meet the Deedles. Sharp collaborated with the Canadian indie pop duo Tegan and Sara during the mid-2000s, contributing Moog synthesizer to their 2004 album So Jealous. He further supported the project by playing bass on several tracks from Sara Quin's compositions on their 2007 album The Con, including "I Was Married," "Relief Next to Me," "Floorplan," and "Call It Off." In 2013, Sharp lent backing vocals to the Spanish rock band Berri Txarrak's song "" from their album Haria, produced by . He later joined the band onstage during their 2019 performance in , , marking a live extension of this collaboration. Sharp has occasionally reunited with for milestone events without new studio recordings, such as select 2024 performances celebrating the 30th anniversary of their debut album.

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