Matthew Goode
Matthew Goode (born 3 April 1978) is an English actor recognized for his versatile performances in film and television, including lead roles in romantic comedies like Chasing Liberty (2004), dramatic features such as Woody Allen's Match Point (2005) and The Imitation Game (2014), and acclaimed TV series like The Crown (2016), where he portrayed Antony Armstrong-Jones, and A Discovery of Witches (2018–2022), in which he played the vampire Matthew Clairmont.[1][2] Born in Exeter, Devon, Goode is the youngest of five children to geologist father Anthony Goode and mother Jennifer, a nurse and amateur theatre director.[1] He attended Exeter School before studying drama at the University of Birmingham and completing his training at the Webber Douglas Academy of Dramatic Art in London.[1] His early interest in acting was influenced by his mother's involvement in local theatre, leading him to pursue professional opportunities after graduation.[1] Goode made his television debut in 2002 with the ABC adaptation Confessions of an Ugly Stepsister, followed by his film breakthrough in Chasing Liberty opposite Mandy Moore.[1] He gained critical attention for supporting roles in Match Point and the romantic drama Imagine Me & You (2006), and later for his portrayal of Charles Ryder in the 2008 adaptation of Brideshead Revisited.[2] His turn as Ozymandias in the superhero film Watchmen (2009) marked a shift toward more prominent Hollywood projects.[1] In the 2010s, Goode expanded into prestige television, earning an Emmy nomination for his work in The Crown and recurring as attorney Finley "Finn" Polmar in The Good Wife (2014–2015).[1] He reprised his Downton Abbey role as Henry Talbot in the 2019 film adaptation and starred in fantasy series A Discovery of Witches.[2] More recent credits include the horror film Abigail (2024), the biographical drama Freud's Last Session (2023), a lead role as DCI Carl Mørck in the Netflix series Department Q (2025) adapted from Jussi Adler-Olsen's novels, and voice acting in the animated film Spiked (2025).[1][3][4]Early life and education
Family background and childhood
Matthew Goode was born on 3 April 1978 in Exeter, Devon, England, as the youngest of five children to parents Anthony Goode, a geologist, and Jennifer Goode, a nurse and director of an amateur theatre group.[5] His siblings include a brother, two half-brothers, and a half-sister who works as a television presenter.[5] Goode spent his early years in the rural village of Clyst St. Mary near Exeter, immersed in a close-knit farming community that he later described as providing an idyllic and cherished childhood.[6][7] The family's environment fostered a strong appreciation for nature and community life, with Goode recalling his adoration for the rural surroundings and the sense of freedom they offered during his formative years.[7] His mother's involvement in local amateur dramatics introduced him to the performing arts from a young age, as she often brought him along to rehearsals, sparking an early fascination with theatre despite it not initially being a career aspiration.[8] Goode attended Exeter School, an independent co-educational institution in Exeter from 1989 to 1996, where he first actively engaged in drama activities through school productions and classes. He starred as the Duke of Buckingham in the 1995 production of Richard III, influenced by teacher Stephanie Trapmore who fostered his love of acting.[9][8] This period marked the beginning of his personal development in the arts, influenced by supportive teachers who encouraged his talent, laying a subtle foundation for his later pursuit of formal acting training.[8]Academic and dramatic training
Goode pursued his undergraduate studies in drama at the University of Birmingham, earning a Bachelor of Arts degree in Drama and Theatre Arts in 1999.[10] He chose the program partly to fulfill his parents' expectation of obtaining a degree, while nurturing his growing interest in performance.[8] During his time at the university, Goode actively participated in student drama activities, including large-scale productions that provided him with foundational experience in stage acting and helped hone his skills in front of live audiences.[8] Following his graduation, Goode enrolled in the postgraduate acting course at the Webber Douglas Academy of Dramatic Art in London, training there from 2000 to 2002.[5] The academy, known for its rigorous focus on classical techniques, voice production, and movement, equipped students with the tools necessary for professional theatre and emerging screen work.[11] Goode was inspired to apply after a friend gained admission, marking a pivotal shift toward dedicated professional preparation.[8] His training emphasized versatility, building on his university experiences with "big, big productions" to prepare him for the demands of both stage and film.[8]Acting career
Theatre debut and early stage work
Goode made his professional stage debut in 2001, portraying Ariel in William Shakespeare's The Tempest at the Mercury Theatre in Colchester, directed by Sue Lefton. In the role of the airy spirit bound to Prospero, Goode brought a grounded yet ethereal quality to the character, performing in modern dress amid a production that blended classical text with contemporary staging. Critics noted his commanding stage presence, describing him as "a slight, nimble, almost ordinary figure in trainers who casts a spell across the centuries," which highlighted his ability to convey emotional depth through physicality and voice.[12][13] That same year, Goode took on the role of the Moon in Federico García Lorca's Blood Wedding (Bodas de sangre), also at the Mercury Theatre under Lefton's direction. As the symbolic celestial figure who illuminates the tragic events of passion and vengeance, he contributed to a visually poetic production that explored themes of fate and desire through dance-infused movement and stark symbolism. The ensemble cast, including Goode alongside actors like Justin Grattan and Katy Stephens, emphasized Lorca's rhythmic language and emotional intensity in this intimate regional theatre setting.[14][13] These formative productions in 2001 at the Mercury Theatre provided Goode with essential experience in live performance, where the immediacy of audience interaction and the demands of improvisation in ensemble scenes sharpened his approach to building layered characters. Reflecting on his early stage work, Goode later credited the transition from theatre's unfiltered energy—facing a live audience night after night—to gaining the confidence needed for screen roles, allowing him to infuse performances with nuanced emotional authenticity.[15][2]Film breakthrough and key roles
Goode made his screen debut in the 2002 television film Confessions of an Ugly Stepsister, portraying Casper alongside Stockard Channing and Azura Skye in a reimagining of the Cinderella story.[16] His breakthrough arrived with the romantic comedy Chasing Liberty (2004), where he played Ben Calder, the charming Secret Service agent who becomes the love interest to Mandy Moore's presidential daughter; the role earned him a Teen Choice Award nomination for Choice Breakout Movie Star – Male. This performance marked his transition from stage work, where his early theatre training had honed his ability to convey subtle emotional layers, to leading film roles. Goode rose to greater prominence as Tom Hewett, the affluent Oxford student and friend to the protagonist in Woody Allen's Match Point (2005), a psychological thriller exploring class and infidelity. Critics lauded his portrayal for its authentic depiction of upper-class entitlement and subtle moral complexity, with Peter Bradshaw of The Guardian describing Goode as "utterly convincing and authentic as the young patrician." The film, which grossed over $85 million worldwide and received widespread acclaim for Allen's direction, helped solidify Goode's reputation as a versatile supporting actor capable of embodying privilege with understated nuance.[17] Throughout the late 2000s and early 2010s, Goode demonstrated his range across genres, including the period drama Brideshead Revisited (2008), where he starred as Charles Ryder, the aspiring artist drawn into the decadent Flyte family; his performance was noted for its reactive depth in capturing the character's evolving obsession and disillusionment.[18] He then took on the enigmatic superhero Adrian Veidt, aka Ozymandias, in Zack Snyder's Watchmen (2009), a big-budget adaptation of the graphic novel that highlighted his ability to blend charisma with underlying menace in a role central to the film's themes of power and deception.[19] This superhero turn contrasted sharply with his earlier work, showcasing Goode's adaptability from literary adaptations to action-oriented narratives. A pivotal achievement came with Stoker (2013), Park Chan-wook's English-language debut, in which Goode played Uncle Charlie, the charismatic yet sinister relative who disrupts a troubled family; his chilling embodiment of psychological menace earned critical praise for elevating the thriller's gothic tension.[20] The performance won him the Fangoria Chainsaw Award for Best Supporting Actor in 2014, recognizing his standout work in horror.[21] In interviews, Goode discussed the challenges of adopting an American accent for the role, noting it "always scares the hell out of me" due to the need for consistency, though the character's slightly Anglicized quality—stemming from his isolated backstory—eased the process during filming in Nashville.[22] He also highlighted the physical demands of portraying Charlie's predatory grace, requiring subtle transformations in posture and movement to convey an unsettling blend of allure and threat without overt changes to his appearance.[23]Television success and series leads
Goode's television career gained significant traction with his role as Henry Talbot in the final two seasons of the period drama Downton Abbey (2014–2015), where he portrayed a charming race car driver and eventual suitor to Lady Mary Crawley (Michelle Dockery), ultimately becoming her husband in a storyline that provided emotional closure amid the series' ensemble narrative.[24] This recurring part, spanning 15 episodes, marked a pivotal step in elevating Goode's profile within mainstream British and international audiences, leveraging the show's global popularity to showcase his suave, understated charisma in a high-stakes romantic arc. Building on this momentum, Goode earned critical acclaim for his portrayal of photographer Antony Armstrong-Jones in season 2 of Netflix's The Crown (2017), a performance that captured the subject's bohemian flair, emotional volatility, and strained royal marriage to Princess Margaret (Vanessa Kirby), highlighting the personal toll of public scrutiny.[25] His nuanced depiction of Armstrong-Jones' complexities—blending artistic rebellion with underlying insecurities—garnered an Emmy nomination for Outstanding Guest Actor in a Drama Series, affirming Goode's versatility in embodying historical figures with psychological depth. Goode took on a leading role as the centuries-old vampire Matthew Clairmont in the fantasy series A Discovery of Witches (2018–2022), adapted from Deborah Harkness' novels and spanning three seasons across 25 episodes, where his character forms a forbidden bond with witch Diana Bishop (Teresa Palmer) amid threats from supernatural factions.[26] Produced by Bad Wolf in collaboration with Sky Studios and distributed internationally through partnerships like AMC Networks in North America, the series allowed Goode to explore themes of immortality, loyalty, and redemption through Clairmont's brooding intensity and evolving vulnerability.[27] In 2022, Goode starred as Hollywood studio executive Robert Evans in the Paramount+ miniseries The Offer, a dramatization of the tumultuous production of The Godfather, where he infused the role with Evans' signature bravado and deal-making savvy during a pivotal era in film history.[28] His performance drew praise for incorporating improvisational elements in key scenes, such as heated negotiations and on-set confrontations, which enhanced the authenticity of Evans' larger-than-life persona and contributed to the series' vivid recreation of 1970s Tinseltown dynamics.[29]Recent projects and voice acting
In 2023, Goode portrayed C.S. Lewis in the philosophical drama Freud's Last Session, engaging in an imagined debate with Anthony Hopkins as Sigmund Freud on the eve of World War II, with the film earning acclaim at festivals like the Mill Valley Film Festival for its intellectual depth and performances.[30] The project highlighted Goode's ability to embody introspective historical figures, drawing on the source stage play to explore themes of faith, reason, and mortality.[31] Goode continued his diverse screen work in 2024 with a supporting role in the horror-comedy Abigail, directed by Matt Bettinelli-Olpin and Tyler Gillett, where he played the enigmatic vampire lord Kristof Lazaar, contributing to the film's blend of tense action, dark humor, and genre twists that received positive reviews for its ensemble dynamics.[32] His brief but impactful appearance underscored his versatility in high-stakes ensemble pieces within the evolving landscape of streaming and theatrical hybrids.[33] Marking a shift toward lead roles in prestige streaming series, Goode starred as the brooding Detective Chief Inspector Carl Mørck in Netflix's Dept. Q (2025), an adaptation of Jussi Adler-Olsen's novels that follows a guilt-ridden cop heading a cold-case unit in Edinburgh while grappling with PTSD from a traumatic ambush.[3] Critics praised his nuanced depiction of Mørck as a brilliant yet abrasive anti-hero, blending sharp deduction with emotional vulnerability, which propelled the series to strong viewership and a quick renewal for a second season.[34][35] This role exemplified Goode's adaptation to the streaming era's demand for character-driven narratives amid industry transitions.[36] In 2025, Goode joined the cast of the WWII espionage thriller Fortitude, directed by Simon West and co-starring Nicolas Cage.[37] Goode has also expanded into voice acting, lending his distinctive baritone to animated projects that showcase his range in non-visual storytelling. In the 2022 Netflix anthology The House, a stop-motion dark comedy comprising three interconnected tales of obsession and the uncanny, he voiced Raymond, a desperate father in the first segment who strikes a Faustian bargain for a dream home, allowing for an expanded exploration of the series' surreal, anthology-style structure that critiques capitalism and family dynamics through escalating absurdity.[38] Similarly, in the 2021 prequel The King's Man, Goode provided the voice and motion-capture for the villainous Captain Morton, aka The Shepherd, a German zeppelin commander whose role in orchestrating World War I chaos was reflected upon in 2023 interviews as a pivotal entry in the franchise, emphasizing Goode's contribution to its anti-war themes and ensemble intrigue.Personal life
Marriage and children
Matthew Goode met his wife, Sophie Dymoke, in 2005 upon returning to his flat in Clapham, London, where she was waiting as the best friend of his neighbour; the pair began dating soon after and married privately in the United Kingdom in 2007. Dymoke, who previously worked in the fashion industry, has been described by Goode as a key influence in his personal life, with the couple opting for a discreet ceremony to maintain their privacy from the public eye.[39][5][40] The couple welcomed their first child, daughter Matilda Eve Goode, in March 2009, followed by a second daughter, Teddie Eleanor Rose Goode, in September 2013, and their son, Ralph Goode, in August 2015. Goode and Dymoke have prioritized shielding their children from media attention, rarely appearing in public with them and avoiding sharing personal images or details on social platforms.[41][42][43] Goode has openly discussed the difficulties of balancing his intensive acting commitments—often involving international travel and long shoots—with family responsibilities, noting in interviews that Dymoke's unwavering support has been instrumental in navigating career choices and maintaining family stability. Their approach to co-parenting emphasizes mutual involvement and protecting their children's normalcy amid Goode's professional demands, reflecting a commitment to family-oriented values influenced by his own rural upbringing.[25][44]Lifestyle and public persona
Matthew Goode resides primarily in a countryside home in Surrey, England, where he has lived with his family since around 2017, occasionally staying in London for professional commitments. This rural setting aligns with his preference for avoiding urban environments, a choice influenced by his upbringing in the Devon countryside near Exeter, where he grew up in a farming community and developed a fondness for outdoor pursuits such as fishing and golf. He has described enjoying activities in scenic areas like Scotland's Highlands and the Isle of Skye, which he finds "breathtaking," reflecting a continued appreciation for nature reminiscent of his childhood roots.[6][45][7][46] An avid wine enthusiast, Goode co-hosted the television series The Wine Show from 2016 to 2019, traveling to vineyards in Italy, France, and beyond to explore and collect bottles, often discussing pairings and sustainable viticulture practices. His interest in wine ties to a broader appreciation for agriculture, stemming from his Devon farming background, where he has expressed admiration for local farming communities and the harmony between food and drink. In interviews, he frequently highlights favorites like rosé, which he shares with his family, and Spanish wines such as Marqués de Riscal, underscoring his role as a collector who values quality and regional traditions.[47][46][7] Goode maintains a notably private public persona, eschewing social media entirely and limiting media engagements to select interviews and promotions, which allows his family life to provide essential grounding amid his career's demands. Known for his witty, self-deprecating humor in these rare appearances—such as joking about his "geeky country" side or playfully recounting family anecdotes—he engages audiences with charm while firmly guarding his personal boundaries. Informally, he promotes environmental awareness through discussions of local agriculture and sustainable practices in farming and winemaking, though he avoids formal philanthropy.[44][46][45]Filmography
Feature films
| Year | Title | Role |
|---|---|---|
| 2003 | South from Granada | Gerald Brenan |
| 2004 | Chasing Liberty | Ben Calder |
| 2005 | Match Point | Tom Hewett |
| 2006 | Copying Beethoven | Martin Bauer |
| 2006 | Imagine Me and You | Heck |
| 2007 | The Lookout | Gary Spargo |
| 2008 | Brideshead Revisited | Charles Ryder |
| 2009 | Watchmen | Adrian Veidt / Ozymandias |
| 2009 | A Single Man | Jim |
| 2010 | Cemetery Junction | Freddie Taylor |
| 2010 | Leap Year | Declan O'Callaghan |
| 2011 | Burning Man | Tom |
| 2013 | Stoker | Charlie Stoker |
| 2013 | Belle | John Davinier |
| 2014 | The Imitation Game | Hugh Alexander [48] |
| 2015 | Self/less | Albright / Young Damian |
| 2015 | Pressure | Mitchell |
| 2016 | Allied | Guy Sangster |
| 2017 | The Hatton Garden Job | Billy 'The Fish' Bond |
| 2017 | The Sense of an Ending | Mr. Joe Hunt ) |
| 2018 | Birthmarked | Ben (https://www.rottentomatoes.com/m/birthmarked) |
| 2018 | The Guernsey Literary and Potato Peel Pie Society | Sidney Stark |
| 2019 | Official Secrets | Peter Beaumont |
| 2019 | Downton Abbey | Henry Talbot |
| 2020 | The Duke | Jeremy Hutchinson QC ) |
| 2020 | Four Kids and It | David [49] |
| 2021 | The Colour Room | Colley Shorter |
| 2021 | Silent Night | Simon [50] |
| 2021 | The King's Man | Morton [51] |
| 2022 | Downton Abbey: A New Era | Henry Talbot |
| 2022 | Medieval | King Sigismund [52] |
| 2023 | Freud's Last Session | C. S. Lewis |
| 2024 | Abigail | Father / Kristof Lazar ) |
Television series and miniseries
Matthew Goode's television series and miniseries appearances are listed below in chronological order, focusing on his credited roles in episodic and limited-run formats.[2]| Year(s) | Title | Role | Episodes/Notes |
|---|---|---|---|
| 2003 | The Inspector Lynley Mysteries | Peter Lynley | 1 episode ("A Suitable Vengeance")[53] |
| 2004 | He Knew He Was Right | Brooke Burgess | Miniseries, 4 episodes |
| 2005 | Agatha Christie's Marple | Patrick Simmons | 1 episode ("A Murder Is Announced") |
| 2013 | Dancing on the Edge | Stanley Williams | Miniseries, 5 episodes |
| 2013 | The Poison Tree | James | Miniseries, 4 episodes |
| 2013 | Death Comes to Pemberley | George Wickham | Miniseries, 3 episodes |
| 2014–2015 | The Good Wife | Finley "Finn" Polmar | 17 episodes[54] |
| 2014–2015 | Downton Abbey | Henry Talbot | 9 episodes |
| 2016 | Roots | Dr. William Waller | Miniseries, 2 episodes |
| 2016 | The Wine Show | Himself (host) | 6 episodes |
| 2017 | The Crown | Antony Armstrong-Jones | 6 episodes |
| 2018 | Ordeal by Innocence | Hugo McLean | Miniseries, 3 episodes |
| 2018–2022 | A Discovery of Witches | Matthew Clairmont | 27 episodes |
| 2022 | The House | Raymond (segment "I") | Anthology special, 1 segment[38] |
| 2021 | The White Lotus | Dominic Di Grasso | 6 episodes |
| 2022 | The Offer | Robert Evans | Miniseries, 10 episodes |
| 2025 | Dept. Q | Carl Mørck | Lead role, episodes TBA (Netflix series) |