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The Hatton Garden Job

The Hatton Garden Job (also known as One Last Heist) is a 2017 British crime film directed by Ronnie Thompson in his feature directorial debut, from a screenplay by Ray Bogdanovich and Dean Lines. The film dramatises the 2015 Hatton Garden heist, in which a gang of elderly criminals burgled the Hatton Garden Safe Deposit Company in central London over the Easter weekend, stealing an estimated £14 million in gems, jewellery, and cash from safe deposit boxes. It stars as Brian Reader, the gang's leader known as "The Master", alongside , , , and David Calder. The story follows the planning and execution of the burglary by the ageing thieves, who drill through a reinforced wall, and the subsequent . The film premiered in the on 14 April 2017.

Background

The 2015 Heist

The 2015 Hatton Garden heist was a major that took place over the weekend of April 2 to 5 at the Hatton Garden Safe Deposit Company, located at 88-90 in London's jewelry district. The raid targeted an underground vault containing safe deposit boxes belonging to jewelers, dealers, and private individuals, with the facility holding valuables estimated at up to £200 million in total. The gang, composed largely of elderly career criminals, executed the theft over two nights, ransacking 73 boxes and stealing items valued at around £14 million, including diamonds, gold, jewelry, and cash. The operation was led by experienced thieves, with key figures including Brian Reader, aged 76 and known as "The Guv'nor," who served as the primary ringleader; Terry Perkins, 67, another ringleader; John "Kenny" Collins, 75, who acted as a lookout; , 61, who helped enter the vault; Carl Wood, 59, who also entered the vault; and William "Billy" Lincoln, 60, the getaway driver. Hugh Doyle, 48, assisted in handling the stolen goods post-heist. A later-identified accomplice, Michael Seed, 54 at the time and nicknamed "Basil" or "The Governor," played a crucial role by disabling the building's security systems in advance. The group had planned the heist for nearly three years, drawing on their prior criminal expertise in burglaries. To gain access, the gang posed as utility workers and disabled the communal lift on the second floor of the five-story building, then descended the lift shaft to the basement using climbing gear. They forced open security gates and used a rented DD350 diamond-tipped drill to bore through a 50 cm-thick vault wall, creating a hole large enough for entry. Alarms triggered during the intrusion were ignored by the security firm, allowing the thieves to work undisturbed. Inside the , they pried open boxes with crowbars and hammers, emptying contents into bags before escaping undetected via a side . The was discovered on April 7, 2015, when staff returned after the Easter bank holiday and noticed the damage, including the drilled hole and scattered debris. launched Operation Julius, leading to arrests beginning in May 2015 based on CCTV footage, bugged conversations, and recovered evidence like tools and fingerprints. In January 2016, three additional members—, , and —were convicted of to commit at , following guilty pleas from Reader, Collins, Perkins, and Jones. Sentencing in March 2016 resulted in prison terms of six to seven years for the five main participants, with receiving a 21-month . Terry Perkins died in prison in February 2018 at age 69 from natural causes. Reader died in September 2023 at age 84 from cancer. Seed evaded capture until 2018 and was convicted in March 2019 of to burgle and conceal criminal property, receiving 10 years for the and an eight-year concurrent term for . While recovered some loot valued at around £4.6 million hidden in locations like graves and properties, approximately two-thirds of the £14 million haul remains unrecovered. The heist exposed significant vulnerabilities in safe deposit security, including inadequate alarm responses and physical barriers, contributing to the collapse of the Safe Deposit Company and financial losses for small jewelers. Dubbed the "largest in English " and the "heist of the century" by media outlets, it garnered widespread coverage for involving a of septuagenarians often called the "diamond geezers" or "bad grandpas." The events inspired several films, including King of Thieves (2018).

Fictional Adaptations in the Film

The film The Hatton Garden Job draws its core inspiration from the 2015 , using the real event as a foundation while extensively fictionalizing characters and motivations for dramatic effect. The real-life ringleader Brian Reader appears as a central figure portrayed by , but with an altered backstory emphasizing his past as a legendary thief to heighten his reluctant return to crime. A key invention is the character "XXX," played by , depicted as a enigmatic young recruiter who assembles the elderly gang and drives the plot forward, a figure entirely absent from the actual . Among the film's major inventions are the introduction of Erzebet Zslondos, a glamorous mob boss portrayed by , whose criminal organization serves as the primary antagonist and financier, creating external pressure on the gang that did not exist in the real events. The subplot involving a corrupt ex-policeman, with Stephen Moyer's character Marcus Ford employing David Calder's retired Detective Chief Inspector Frank Baskin as an , adds layers of and tension not present in the historical record. Additionally, the movie exaggerates elements like high-stakes chases during the escape and amplified internal gang conflicts, including fistfights and distrust among the thieves, which were not documented in the actual where the group operated with relative cohesion during the raid itself. The film omits or composites several real participants to streamline the narrative, notably excluding Michael Seed, known as "Basil," the electronics expert who played a crucial role in disabling alarms and drilling through walls in the genuine , with his contributions instead absorbed into the group's collective efforts. It avoids direct depictions of the subsequent arrests, which occurred weeks after the over Easter 2015, and the lengthy trials that followed, shifting focus almost entirely to the execution and immediate aftermath rather than the legal consequences faced by the perpetrators. Thematically, the adaptation amplifies the "one last job" motif, portraying the aging thieves as nostalgic retirees drawn back by the allure of a final score, complete with humor centered on their physical frailties like and —elements absent from factual accounts that describe the gang more as opportunistic criminals than sentimental figures. To improve pacing, the timeline is compressed, introducing an immediate police pursuit post-heist that contrasts with the real delay in detection, despite ignored alarms during the actual entry via a lift shaft. In terms of scale, the film inflates the 's stakes by depicting the stolen loot as worth up to £200 million in gems, cash, and valuables, accompanied by intense dramatic sequences like pursuits, far exceeding the real insured loss of approximately £14 million and the burglary's relatively low-key getaway without such chases.

Plot

Synopsis

The film opens with the enigmatic XXX (), a sharp young criminal recently released from a three-year prison stint, where he forged connections with figures that spark the idea for a daring . Recruiting a crew of aging, seasoned thieves—Brian Reader (), the 76-year-old ringleader; Terry Perkins (David Calder); Danny Jones (); and getaway driver Kenny Collins ()—XXX assembles the team to target the Safe Deposit Company in during the weekend of 2015, eyeing safety deposit boxes rumored to hold up to £200 million in jewels, cash, and valuables. The group, motivated by the promise of one final score to fund their retirements, meticulously plans the operation under XXX's direction, navigating tensions among the elderly criminals who grapple with their fading physical abilities and lingering loyalties. As the unfolds in the film's tense second act, the gains access to the by exploiting a shaft, then employs a heavy to breach the reinforced wall, ransacking dozens of boxes over several nights and hauling away millions in loot amid flickering alarms and a close call with a potential witness. Complications arise from the crew's age-related mishaps, such as creaky joints and equipment failures, heightening the drama as they evade security. Interwoven subplots introduce external pressures: the ruthless Hungarian crime boss Erzebet Zslondos (Joely Richardson), who demands a £14 million cut and later pursues the spoils with her enforcers; and a corrupt ex-policeman, Frank Baskin (Mark Harris), entangled with East End gambler Marcus Ford (Stephen Moyer), who schemes to double-cross the thieves for a share of the take. Internal betrayals simmer as greed fractures the group's camaraderie, leading to frantic chases through London's underbelly in the aftermath. In the 93-minute runtime's third act, the narrative shifts to the fallout, with the gang dispersing the ill-gotten gains amid escalating pursuits by both Zslondos's mob and pursuing police detectives. Most members face arrests after one of them unwittingly reveals incriminating details from past jobs, underscoring themes of loyalty, regret, and the futility of their "one last job" among these veteran thieves. XXX initially evades capture, his true identity a lingering mystery to his comrades, culminating in an ironic twist on the notion of the perfect crime as the elderly robbers confront the consequences of their ambitions. The story draws loose inspiration from the real 2015 Hatton Garden burglary but fictionalizes elements for dramatic effect.

Cast

Principal Actors and Roles

The principal cast of The Hatton Garden Job (2017) features a ensemble emphasizing veteran British actors to portray the aging criminal gang inspired by the real 2015 Hatton Garden heist participants. Larry Lamb stars as Brian Reader, the aging mastermind of the operation, known within the gang as "The Guv'nor," whose financial desperation motivates the high-stakes burglary. Matthew Goode plays "XXX," an enigmatic young planner who recruits the elderly crew and serves as a composite figure drawing from multiple real-life elements of the heist. Joely Richardson portrays Erzebet Zslondos, a ruthless Hungarian mobster who pursues the stolen loot with unyielding determination. Supporting the core gang are as Danny Jones, the tech-savvy driller responsible for breaching the vault's security; David Calder as Terry Perkins, a loyal veteran thief providing steadfast experience; and as Kenny Collins, who brings while managing the group's logistics. appears as Marcus Ford, a corrupt ex-policeman turned East End high-roller who aids the mob's interests. Smaller roles include figures such as security personnel and witnesses, contributing to the film's depiction of the heist's broader context. The casting deliberately prioritizes age-appropriate performers, with most principal actors over 50, to authentically capture the "" dynamic of the elderly criminals attempting one final score.

Production

Development and Writing

The project for The Hatton Garden Job was announced in March 2016 as a dramatization of the real-life 2015 , with the One Last Heist, which was later changed to The Hatton Garden Job. The development capitalized on the heist's recent occurrence and sensational media coverage to ensure timeliness, positioning the film as a timely British crime caper. Ronnie Thompson was selected as , marking a follow-up to his work on the 2012 thriller . The screenplay was written by Thompson alongside Ray Bogdanovich and Dean Lines, emphasizing the comedic elements of a gang of elderly criminals executing a high-stakes in a style reminiscent of Guy Ritchie's fast-paced crime films. Fiction Films served as the primary production company, with joining as a financier in June 2016; the film was produced on a low budget typical of British independent cinema. Early development encountered challenges in securing story rights amid multiple competing projects inspired by the same heist, including the 2017 film Hatton Garden: The Heist and the 2018 King of Thieves. To distinguish the and enhance dramatic tension, the writers revised the script to blend factual events with fictional additions, such as a subplot involving a young recruit and antagonistic mob figures. These changes allowed the to explore themes of camaraderie and redemption among aging thieves while avoiding a strictly approach.

Filming and Locations

Principal photography for The Hatton Garden Job took place over 25 days beginning in 2016, primarily in and around to maintain an authentic urban atmosphere reflective of the real location. Key exterior scenes were shot on location in 's district, including the corner of Greville Street and , capturing the jewelry quarter's distinctive streets. Additional exteriors included 1 West India Quay in and the abandoned at on Green Street E13, where a discussion scene between characters was filmed in an empty stand. Interior sequences, particularly the vault , were recreated in studios in Stratford, with Jeff Schell's team constructing a detailed replica of the safe deposit facility. Cinematographer Arthur Mulhern employed techniques such as split screens, cutaways, and voiceovers to heighten tension during the robbery sequences, drawing inspiration from Guy Ritchie's dynamic style while emphasizing the procedural "how" of the burglary. Practical effects were prioritized for realism, with actors performing actual drilling through the replica vault walls to simulate the thieves' efforts, avoiding reliance on extensive CGI. The film's 93-minute runtime necessitated efficient, focused shoots to cover the narrative concisely. Production faced logistical hurdles in coordinating the ensemble cast, including veteran actors like and , for the physically demanding heist recreations, while balancing fidelity to the true events with dramatic embellishments. Filming in London's variable summer weather also required adjustments for outdoor sequences in the East End.

Release

Premiere and Distribution

The world premiere of The Hatton Garden Job took place at the Curzon in on 11 April 2017. The event was attended by key cast members, including , , and , as well as director Ronnie Thompson. The film received a wide theatrical release in the on 14 April 2017, distributed by . It has a of 93 minutes and was rated 15 by the (BBFC) for strong language and violence. International distribution was limited, with theatrical releases in select markets including on 28 July 2017, on 10 August 2017, on 24 September 2017, and a television premiere in on 20 October 2017. There was no major theatrical release , with marketing efforts primarily targeting audiences drawn to the film's basis in local criminal history. Promotion for the film emphasized its roots in the real , with an official trailer released on 27 that highlighted the true-story elements and comedic portrayal of elderly "" criminals. Posters featured the of aging thieves, underscoring the film's blend of crime drama and humor. The campaign leveraged ongoing media coverage of the actual to build anticipation among viewers.

Home Media and Availability

Following its limited theatrical run, The Hatton Garden Job became available for home viewing through physical and digital formats in 2017. issued the DVD and Blu-ray editions in the on June 12, 2017, both certified for audiences aged 15 and over. The releases featured supplementary materials, including a featurette titled "Inside The Hatton Garden Job" that explored production insights and comparisons to the real-life 2015 , along with cast interviews, a director's , and a . Digital distribution began concurrently, with the film offered for purchase or rental on platforms such as and starting in April 2017. By 2025, it remains accessible for streaming on and Disney+ in select regions including the , as well as for free with advertisements on and . No UHD edition has been released to date. The film was briefly available on in the around 2020 before being removed. Home video sales were modest, reflecting the film's niche appeal as a low-budget ; it peaked at number 6 on the Official on Video Chart in August 2017 but did not achieve widespread commercial success. Internationally, physical releases are region-locked (Region 2 for DVD and Region B for Blu-ray), with limited dubbed audio tracks or available primarily in English-speaking markets or through select European distributors, restricting broader accessibility. Despite this, the ongoing presence on major streaming services has sustained its availability for global audiences.

Reception

Critical Response

The critical reception to The Hatton Garden Job was overwhelmingly negative, with the film earning a Tomatometer score of 17% based on 18 reviews on . User ratings were similarly lukewarm, averaging 5.6 out of 10 from over 6,600 votes on . The film received no aggregated score on due to insufficient reviews for coverage. Some critics appreciated the ensemble cast's chemistry, particularly Larry Lamb's portrayal of the ringleader, which brought gravitas to the aging criminals, and the lighthearted banter evoking a diluted sense of classic . described the film as a "weak slice of geezer-gangster ." However, the majority of reviews lambasted the film's dull pacing and clichéd script, which failed to generate tension during the sequences. The Daily Telegraph described large portions as "quite literally, just boring," criticizing its derivative Guy Ritchie-style pastiche with forced freeze-frames and swaggering music that undermined the story's potential. Empire magazine found it charming in spots but ultimately uninspired, with repetitive drilling scenes and underdeveloped subplots sapping any excitement. Thematically, reception was mixed regarding the depiction of elderly criminals, with some viewing it as a nostalgic take on aging outlaws, while others saw no redemptive value in glorifying their exploits. The Arts Desk called it "extraordinarily dull," faulting the lack of ethical depth or dramatic stakes in portraying the gang's audacious but flawed scheme. Later comparisons to the 2018 film King of Thieves, which covered the same heist, often positioned The Hatton Garden Job as inferior.

Box Office Performance

The Hatton Garden Job received a limited theatrical release in the United Kingdom on April 14, 2017, distributed by Signature Entertainment across a modest number of screens. The film did not chart in major UK box office rankings for April 2017, a period dominated by high-grossing blockbusters such as The Fate of the Furious and The Boss Baby, suggesting opening weekend earnings were low and insufficient to generate widespread attention. The film's total worldwide gross remains unreported in major tracking databases, indicating earnings under £1 million, primarily from the UK market with minimal international theatrical distribution in select territories like Norway and Japan. Produced on a low budget typical of independent British productions, it likely achieved break-even status through ancillary revenue streams rather than cinemas. Key factors limiting performance included its timing against major studio releases, niche appeal focused on UK audiences familiar with the real-life heist, and competition from higher-profile heist dramas like King of Thieves (2018), which earned £6.1 million in the UK. Overall, the film underperformed relative to initial hype surrounding the Hatton Garden robbery story, with mixed contributing to subdued turnout. In the long term, availability on video-on-demand platforms provided a revenue boost, though the theatrical run was widely viewed as disappointing for an crime title.

Accolades

Awards and Nominations

The Hatton Garden Job received a single nomination at the in 2018 for Best Drama, credited to producer Ben Jacques. The film ultimately lost to A Dream, another independent production. Promotional materials from the awards highlighted cast member Mark Harris, who portrayed the minor role of Frank Baskin, a corrupt ex-policeman involved in a . The film garnered no nominations or wins from major British awards bodies, including the (BAFTA) or the (BIFA). It also did not receive any prizes from film festivals, despite limited screenings at UK cinemas and events tied to its release in 2017. This modest recognition reflects the film's low-profile status as an independent crime drama, contrasting with the extensive media coverage and awards given to documentaries and reports on the real 2015 . As of 2025, no retroactive honors have been bestowed upon the film. The nomination nonetheless signifies a measure of acknowledgment for British independent , particularly in dramatizing true-crime stories.

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