Mone Kamishiraishi
Mone Kamishiraishi (上白石萌音, Kamishiraishi Mone) is a Japanese actress and singer born on January 27, 1998, in Kagoshima Prefecture, Japan.[1] Standing at 152 cm tall, she holds qualifications in English (Level 2) and Spanish (Level 6), and her hobbies include reading, listening to music, singing, and dancing.[1] She debuted in the entertainment industry in 2011 at age 13, winning the Special Jury Prize at the 7th Toho Cinderella Audition alongside her younger sister, Moka Kamishiraishi.[1] Managed by Toho Entertainment and signed to Universal Music Japan for her music, Kamishiraishi has built a versatile career spanning film, television, stage, voice acting, and music, earning acclaim for her expressive performances and vocal talent.[1][2] Kamishiraishi first gained widespread recognition in acting through her breakout role as an aspiring geisha in the 2014 musical comedy film Lady Maiko, directed by Masayuki Suo, for which she received the Newcomer of the Year award at the 38th Japan Academy Film Prize.[3][4] Her international profile rose significantly in 2016 with her voice acting debut as the lead character Mitsuha Miyamizu in Makoto Shinkai's animated feature Your Name., a global box-office hit that earned her the Best Actress award at the 11th Seiyu Awards.[5][4] She has since starred in prominent projects such as the Chihayafuru film series (2016–2018), the romantic comedy TV drama Koi wa Tsuzuku yo Doko Made mo (2020) where she played the lead role of a nurse, and the stage adaptation of Spirited Away (2022 revival) as Chihiro.[1] More recently, in the 2024 drama film All the Long Nights, directed by Sho Miyake, she portrayed Misa Fujisawa, a woman grappling with severe premenstrual syndrome, contributing to the film's critical success and her nomination for Best Actress at the 48th Japan Academy Film Prize and the 79th Mainichi Film Awards; she is also set to star in the upcoming film Perleyu: Guernica of Paradise releasing December 5, 2025.[6][7][4][1] As a singer, Kamishiraishi made her musical debut in 2014 with the single "Maiko wa Lady," the theme song for Lady Maiko, marking her entry into recording under Universal Music Japan.[2] She released her debut cover mini-album chouchou in 2016, followed by subsequent studio albums including and... (2017), note (2020), name (2022), and kibi (2024), blending pop, folk, and original compositions that reflect her personal growth and have charted on Japanese music rankings.[8] Her music often intersects with her acting, such as providing songs for drama soundtracks, and she has performed live tours to promote her releases, establishing her as a multifaceted artist in Japan's entertainment landscape.[8]Biography
Early life
Mone Kamishiraishi was born on January 27, 1998, in Ichikikushikino, a small city in Kagoshima Prefecture, Japan.[9] Kamishiraishi is the older sister of actress and singer Moka Kamishiraishi, who was born two years later in 2000.[10] Her father works as a middle school social studies and history teacher, a profession that involved international assignments during her early years.[11] Her mother is a former music teacher who now operates piano lessons from their home, fostering a musical environment in the family.[11] From around the age of 9, during her third year of elementary school, Kamishiraishi's family relocated to Mexico for three years due to her father's job, exposing her to diverse cultures and languages at a young age.[12] This period allowed her to become fluent in English and learn basic Spanish, shaping her adaptability and global perspective.[12] Influenced by her mother's background, she began studying piano in kindergarten and continued through primary school, developing an early passion for music and performance.Education and family
Kamishiraishi attended Jissen Gakuen High School in Tokyo, a private coeducational institution known for its strong extracurricular programs, after moving from Kagoshima Prefecture.[13] She enrolled in 2013 and graduated in March 2016, successfully balancing her rigorous academic schedule with her burgeoning acting commitments, including film and television roles that began in her early teens.[14] During this period, she developed a particular affinity for English, which became one of her favorite subjects, while finding sciences more challenging.[15] Following high school, Kamishiraishi enrolled in the International Japanese Studies program at Meiji University in 2016, drawn by her longstanding interest in languages and global cultures.[16] Her university years were marked by frequent leaves of absence to accommodate her expanding professional obligations in acting and music, extending her studies over eight years; she ultimately graduated in March 2024, reflecting on the experience as a persistent yet rewarding pursuit amid her career demands.[17] Kamishiraishi hails from a close-knit family that has played a pivotal role in nurturing her artistic inclinations. Her father, a junior high school teacher specializing in social studies and history, and her mother, a former music educator who now conducts piano lessons, provided unwavering support for both Kamishiraishi sisters' entry into the entertainment industry.[18] She has no siblings other than her younger sister, Moka Kamishiraishi, a fellow actress and singer born in 2000, with whom she shares a strong bond forged through shared family experiences, including a three-year stint living in Mexico during their childhood due to their father's work.[19] This familial environment emphasized creativity, as evidenced by her early development of piano skills—influenced directly by her mother's home-based lessons—from kindergarten through elementary school, a practice that honed her musical aptitude even as she found prolonged practice sessions challenging.[20]Acting career
Early roles and debut
Kamishiraishi entered the entertainment industry in 2011 at the age of 13 after participating in the 7th Toho Cinderella Audition, a nationwide competition organized by Toho Entertainment to discover young talent.[21][22] Encouraged by her music school teacher, she auditioned alongside her younger sister Moka and won the Special Jury Prize from among over 3,000 applicants, securing her affiliation with Toho Entertainment.[23] This opportunity marked her professional debut, with the sisters' involvement highlighting early family support in pursuing acting.[24] Her initial screen appearance came later that year in the music video for HOME MADE 家族's single "Star to Line," where she appeared with her sister. Kamishiraishi made her drama debut in November 2011, guest-starring as the character Wa—the fifth daughter of Tokugawa Hidetada—in the final episode of the NHK Taiga drama Gō: Hime-tachi no Sengoku, a historical series led by Juri Ueno.[25] This minor role introduced her to television audiences, emphasizing her poise in period attire despite her youth. In late 2011, she transitioned to film with her first leading role in the short anthology Sorairo Monogatari (Sky Blue Story), a Toho project showcasing the audition winners. Kamishiraishi starred in the fourth segment, "Nike to Katatsumuri" (Nike and the Snail), directed by Takahiro Miki, playing the titular Nike, a determined girl pursuing her dreams.[26] The film premiered on November 29, 2011, at TOHO Cinemas Roppongi, allowing her to collaborate with fellow winners including her sister, Minami Hamabe, and Ryo Ogawa.[27] Kamishiraishi expanded into stage work in 2012 with her musical theater debut in The King and I (Ōsama to Watashi), a production of Rodgers and Hammerstein's classic as part of the Hello! Musical! Project touring 18 cities nationwide. She portrayed Louis, the young son of governess Anna Leonowens, opposite a cast including Masachika Ichimura as the King, marking her first professional stage performance and introduction to live singing and dance.[28] Subsequent early roles included a voice part as a child in the animated film Wolf Children (2012) and a supporting role as Fumino Nakanishi in the youth comedy Daijōbu 3-kumi (Nobody's Perfect, 2013), a film adaptation focusing on high school life. These pre-2014 appearances built her foundation in diverse mediums, from historical drama to animation and comedy, while she continued training under Toho Entertainment.[1]Breakthrough and major films
Kamishiraishi's breakthrough came in 2014 with her lead role as Haruko Saigo, a young girl aspiring to become a maiko in Kyoto, in the musical comedy Lady Maiko, directed by Masayuki Suo.[29] The film, a modern adaptation of the Pygmalion story set in the world of geisha apprentices, showcased her singing and acting talents, grossing approximately 760 million yen (about $6 million) at the Japanese box office.[30] Her performance received widespread critical acclaim for its charm and authenticity, leading to her winning the Newcomer of the Year award at the 38th Japan Academy Prize in 2015.[4] Building on this success, 2016 marked a pivotal year for Kamishiraishi with multiple high-profile film roles that elevated her to leading actress status. In the live-action adaptation of the manga Chihayafuru: Part 1 and Part 2, directed by Norihiro Koizumi, she portrayed Kanade Ōe, a talented karuta player and key member of the competitive team, contributing to the films' exploration of passion and friendship in the traditional Japanese card game. These installments, which launched the cinematic series based on Yuki Suetsugu's work, were commercial hits, grossing over 3 billion yen combined in Japan and highlighting her ability to handle ensemble dynamics and emotional depth. That same year, Kamishiraishi provided the voice for Mitsuha Miyamizu, one of the protagonists in Makoto Shinkai's animated feature Your Name., a body-swapping romance that became a cultural phenomenon. Her expressive vocal performance as the rural high school girl intertwined with urban dreams resonated globally, aiding the film's unprecedented box office triumph of over $405 million worldwide, making it the highest-grossing anime film at the time.[31] She also starred as Kana Matsunaga in Drowning Love, a drama about obsessive romance, further demonstrating her range in intense emotional roles. These projects from 2014 to 2016 significantly boosted Kamishiraishi's visibility, securing additional nominations and establishing her as a versatile talent in both live-action and voice acting, with increased opportunities in major productions thereafter.[32]Television and stage work
Kamishiraishi's transition to television gained momentum following her breakthrough in film, opening doors to prominent drama roles that showcased her versatility in ensemble casts and lead positions. In 2017, she took on a main role in the two-part TV special Gata no Kuni Kara (Message from the Mudflats), portraying Mirai Katase, a young woman navigating personal growth amid rural life challenges, highlighting her ability to convey emotional depth in a concise narrative format. That same year, she appeared in Rikuoh as Akane Miyazawa, the daughter of a business magnate, contributing to the series' exploration of corporate intrigue and family dynamics across 10 episodes. Her television presence expanded in 2018 with a recurring role in the NHK taiga drama Segodon, a 50-episode historical series chronicling the life of Saigō Takamori during the Meiji Restoration. Kamishiraishi played Saigō Kiyo, the resilient wife of Jūdō Saigō, whose character arc emphasized unwavering support and quiet strength amid political turmoil, allowing her to delve into the longevity of a multi-year production that aired from September 2018 to December 2019. This role underscored her skill in portraying historical figures with nuanced emotional progression over an extended storyline. By 2021, Kamishiraishi secured lead roles in contemporary dramas, further demonstrating her range. In Oh My Boss! Love Not Included, a 10-episode romantic comedy on Fuji TV, she starred as Nami Suzuki, an aspiring manga artist thrust into a high-stakes fashion magazine world, where her character's development from insecure newcomer to confident professional drove the series' themes of ambition and self-discovery. Later that year, she headlined the NHK morning drama Come Come Everybody, a 156-episode asadora spanning 2021–2022, as Yasuko Tachibana, one of three adopted sisters in post-war Osaka whose journey from radio enthusiasts to resilient women reflected generational bonds and societal change, emphasizing the series' epic scope and her central role in its character-driven longevity. Kamishiraishi made her stage debut in 2022 with the lead role of Chihiro in Spirited Away: Live on Stage, a theatrical adaptation of Hayao Miyazaki's animated film directed by John Caird with music by Joe Hisaishi. Premiering at Tokyo's Imperial Theatre, the production ran through March 2022 and resumed for multiple seasons, including 2023–2024 runs in Tokyo and a London transfer in 2024, with Kamishiraishi reprising the role in select performances through 2025.[33] Her portrayal captured Chihiro's transformation from fearful child to courageous heroine in a spirit world, relying on live improvisation and physicality to convey the character's growth without the safety net of multiple takes. The production's international expansion includes a Seoul run at the Seoul Arts Center Opera House from January to March 2026, where she will again perform as Chihiro alongside co-lead Rina Kawaei.[34] This stage work marked a shift from screen acting's edited precision to the immediacy of live theater, where audience energy directly influences performance dynamics and demands sustained vocal and emotional endurance across two-and-a-half-hour shows.[35]Recent projects and voice acting
In recent years, Kamishiraishi has continued to expand her voice acting portfolio with dubs for international films and anime series. She provided the Japanese voice for Alita in the 2019 live-action adaptation Alita: Battle Angel, a role that has maintained significant cultural resonance in Japan due to the film's enduring popularity among anime enthusiasts and its ties to the original Battle Angel Alita manga.[36] In 2020, she dubbed Queen Poppy in the Japanese version of Trolls World Tour, showcasing her versatility in animated musical features.[37] Her anime voice work extended to the lead role of Sakura in the 2023 Sanrio series Bosanimal, where she brought a playful energy to the character in this lighthearted adaptation blending animals and everyday adventures.[38] Kamishiraishi's involvement in high-profile projects has also included musical contributions to anime productions. For the 2025 anime film Peleliu: Guernica of Paradise, directed by Goro Kuji and commemorating the 80th anniversary of World War II's end, she performed the theme song "Kiseki no Yō na Koto" ("Something Like a Miracle"), adding emotional depth to the story of soldiers on the Pacific island of Peleliu.[39] In live-action, Kamishiraishi starred as Misa Fujisawa, a woman struggling with severe premenstrual syndrome, in the 2024 drama film All the Long Nights, directed by Sho Miyake, for which she received acclaim and nominations including Best Actress at the 48th Japan Academy Film Prize.[40] In 2025, she reprised her role as Kanade Ōe in the TV series Chihayafuru: Meguri, a sequel exploring the next generation of karuta players, where her character serves as a mentor figure.[41] That year, she also led the legal drama Hotei no Dragon as Tatsumi Tendo, a lawyer with predictive abilities, alongside Mahiro Takasugi.[42]Music career
Debut and early releases
Kamishiraishi's music career gained momentum in 2017 with the release of her debut original mini-album and... on July 12, under Pony Canyon, featuring eight tracks including the lead single "Kokuhaku," which served as the theme for Fuji TV's Mezamashi TV Aqua segment.[43] This project marked a significant step in her transition from acting, building on earlier soundtrack work and showcasing her vocal range through collaborations with artists like HY and Fujiwara Sakura. Later that year, she followed with the digital single "Anata no Koe" on October 4, featured on NHK's Minna no Uta program, further establishing her as an emerging singer.[44] Prior to these original releases, Kamishiraishi had dipped into music through covers and film soundtracks, notably with her 2016 EP chouchou, which included renditions of songs like "Nandemo Naiya" (movie version) for the animated film Your Name., where she voiced the lead character Mitsuha Miyamizu. This participation highlighted how her acting roles, such as in Chihayafuru and Your Name., inspired musical opportunities, blending her on-screen presence with vocal performances. The EP's selection of tracks from films, TV dramas, and musicals demonstrated her versatility in interpreting established songs early in her singing journey.[45] In 2019, Kamishiraishi signed with Universal Music Japan's Universal J imprint, signaling stronger agency support for her music endeavors and leading to her first release under the label: the digital single "Happy End," a collaboration with androp's Takahito Uchisawa, released on April 5 as the theme song for the film L DK: Hitotsu Yane no Shita, "Suki" ga Futatsu., in which she starred as Aoi Nishimori.[46] This track preceded her Universal debut mini-album i on July 10, comprising five original songs that explored personal themes and featured contributions from notable songwriters like YUKI and n-buna of Yorushika.[47] The shift to Universal marked a pivotal expansion of her music career, allowing for more prominent solo material amid her ongoing acting commitments.[48]Albums and singles
Kamishiraishi Mone's music career gained momentum in the late 2010s with a series of original releases that showcased her versatile vocal style and songwriting collaborations with prominent Japanese artists. Following her early soundtrack contributions, such as the 2016 hit "Nandemo Naiya" from the film Your Name., she transitioned to full-length projects under Universal Music Japan, blending pop, ballad, and introspective themes. Her albums from 2019 onward emphasize personal growth and emotional depth, often featuring production from talents like RADWIMPS' Yojiro Noda and Ikimono-gakari's Yohei Kai. In November 2025, she announced her upcoming album texte, set for release on February 25, 2026, to commemorate the 10th anniversary of her 2016 debut EP chouchou.[49]Studio Albums
| Title | Release Date | Oricon Peak Position | Weeks on Chart | Notes |
|---|---|---|---|---|
| i (mini-album) | July 10, 2019 | 27 | 12 | Universal debut mini-album with self-titled lead single; includes covers and originals exploring identity.[50][51] |
| note | August 26, 2020 | 3 | 13 | Second studio album featuring 10 tracks co-written with artists like GLIM SPANKY and RADWIMPS; debuted with strong digital sales and peaked amid her rising acting profile.[52][51] |
| name | July 13, 2022 | 9 | 6 | Third studio album with 9 songs focusing on self-discovery; first-week physical sales of 9,237 copies, reflecting steady fanbase growth.[53][51] |
| kibi | November 6, 2024 | 11 | 9 | Fourth studio album capturing daily emotions across 10 tracks; first-week sales of 5,949 copies, themed around subtle life moments like wind and scars.[52][51][54] |
Cover Albums
Kamishiraishi released two volumes of Ano Uta in 2021, interpreting 1970s–1990s J-pop classics influenced by her parents' tastes. Ano Uta -1- and -2- (both June 23, 2021) each peaked at No. 6 on Oricon, charting for 16 weeks with combined sales exceeding 50,000 units; tracks include renditions of "Olivia wo Kikinagara" and "Sekaijuu no Dare Yori Kitto."[52][51]Singles
Her singles from this period often served as tie-ins for films and dramas, prioritizing emotional storytelling over commercial volume. Physical releases were limited, with many achieving success via digital platforms and streaming.| Title | Release Date | Oricon Peak Position | Notes |
|---|---|---|---|
| Happy End (ハッピーエンド) | April 5, 2019 (digital) | Not ranked (digital focus) | Lead single from mini-album i; theme for film L DK: Hitotsu Yane no Shita, "Suki" ga Futatsu.; amassed over 10 million Spotify streams by 2025. |
| Yoake wo Kuchizusametara (夜明けをくちずさめたら) | May 11, 2020 | Not ranked (digital) | Digital single; introspective ballad marking her pandemic-era output.[55] |
| From the Seeds | July 15, 2020 | Not ranked (digital) | Tie-in for anime 7Seeds; acoustic folk style highlighting her narrative vocals.[56] |
| Natsukashii Mirai (懐かしい未来) | January 1, 2022 | Not ranked (digital) | Lead digital single for name; nostalgic pop track with 6.2 million YouTube views.[57] |
| I'll Be There / Spin (I’ll be there / スピン) | October 13, 2021 | Not ranked (physical limited) | Double A-side; Spin pre-released digitally in September 2021; theme for drama Kieta Subete no Tenshi-tachi. |
| Hikari no Ato / Skip (ひかりのあと / skip) | October 25, 2023 | Not ranked | Double A-side single; Skip explores fleeting moments, tying into name era themes. |
| Loop | December 14, 2023 | Not ranked (digital) | Digital single precursor to kibi; cyclical melody reflecting emotional loops. |
| Mabushii (まぶしい), Spica (スピカ), Kaeritakunattayo (帰りたくなったよ) | 2024 (various) | Not ranked (digital) | Trio of 2024 digital singles promoting kibi; Spica evokes starry introspection, each garnering streaming acclaim.[58] |
Tours and live performances
Kamishiraishi embarked on her first one-woman live tour, titled Mone Kamishiraishi "yattokosa" Tour 2021, in July 2021, marking a significant milestone in her music career following the release of her albums i and note. The tour consisted of five performances across Japan, starting in Osaka on July 10, followed by Fukuoka on July 14, Nagoya on July 16, Kagoshima on July 17, and concluding in Tokyo at Tokyo Garden Theater on July 21.[60][61] The shows featured a mix of original songs from her discography and cover tracks, with the Tokyo finale streamed worldwide to accommodate fans unable to attend in person.[62] In 2022, Kamishiraishi expanded her live performances through her second nationwide tour, yattokosa Tour 2022, which visited four cities from July to August: Sapporo, Okayama, Tokyo International Forum on August 27, and Naha.[63][64] Promoting her album name, the tour highlighted new tracks alongside established hits and covers, with a digest of the Tokyo show streamed globally in September.[65] That same year, she integrated musical elements into her acting work by portraying Chihiro in the stage adaptation Spirited Away: Live on Stage at Tokyo's Imperial Theatre from February 28 to June 2022.[33] The production incorporated songs from Joe Hisaishi's original film score, including adapted versions of "One Summer's Day" and "It's Hard Work," alongside newly composed pieces for the stage to enhance key scenes like the bathhouse sequences.[66][67] Kamishiraishi's most extensive tour to date, "yattokosa" Tour 2024-25《kibi》, launched in November 2024 to promote her album kibi, spanning 11 performances across 10 locations nationwide, including debuts in Aomori, Saga, Mie, Kyoto, Fukui, Kagawa, and Hiroshima.[68] The tour emphasized everyday emotions and scenes from the album, with shows in cities like Sendai, Niigata, and Okayama building toward major venues. It culminated on February 9, 2025, at Aichi Prefectural Art Theater in Nagoya.[69] The Tokyo performance on February 2, 2025, at Tokyo Garden Theater was broadcast live on WOWOW Live starting at 6:00 p.m. JST, with on-demand streaming available for one week afterward.[68][70] To commemorate the 10th anniversary of her music debut, Kamishiraishi held Mone Kamishiraishi Special Live 105 on October 5, 2025, an intimate talk-and-mini-live event limited to 100 attendees at a undisclosed Tokyo venue.[71] The performance portion was live-streamed on WOWOW On Demand at 9:00 p.m. JST, with a broadcast airing in November, featuring reflective selections from her catalog.[72]Other activities
Bibliography and publications
Kamishiraishi Mone has ventured into writing with a focus on personal essays and collaborative works that reflect her introspective side and love for literature. Her debut book, Iroiro (Various), published in September 2021 by NHK Publishing, is a collection of 50 original essays capturing fragments of her daily life, fleeting thoughts, and vivid scenes, alongside a newly written short story, a travelogue of her hometown in Kagoshima Prefecture, and photographs taken with a film camera.[73] The book, announced in December 2020, offers an unfiltered glimpse into her personality, emphasizing her affinity for books and simple joys, and has since been translated into Taiwanese Chinese, reaching over 70,000 copies in initial print runs in Japan.[74][75] In 2022, she co-authored Honyaku Shokan: "Akage no An" wo Meguru Kotoba no Tabi (Translation Correspondence: A Journey of Words Around Anne of Green Gables) with translator Mariko Kono, published by NHK Publishing. This work consists of an exchange of letters between Kamishiraishi and Kono, delving into the nuances of translating L.M. Montgomery's classic novel, blending personal reflections on reading with insights into language and culture.[76] The book highlights her passion for literature, drawing from her lifelong habit of recommending and discussing books in interviews and media appearances. Regarding visual publications, Kamishiraishi featured in the 2012 photobook aBUTTON VOL.9: Seishun (Youth), a collaborative effort with her sister Moka Kamishiraishi, capturing their early modeling days and youthful energy through themed photography.[12] Subsequent releases tied to her music career, such as mini photobooks included with limited-edition albums like kibi (2024) and name (2022), incorporate personal imagery but are primarily promotional supplements rather than standalone works.[77][78][79] Kamishiraishi has contributed to magazines through serialized columns that extend her creative expression beyond acting and music. From January 2023 to October 2025, she penned the ongoing series "Kamishiraishi Mone to Sekai wo Gaburi! BITE the World" in Men's Non-No, exploring global cuisines from Mexico to Korea, sharing culinary adventures, cultural observations, and personal anecdotes about food's role in her life and travels.[1][80] Earlier contributions include book recommendations and interviews in anan around 2020, where she discussed her reading habits and selected essays or novels that influenced her worldview, though these were not formalized as serializations.[81] No significant new publications have emerged since the conclusion of her Men's Non-No column in 2025.Commercials and endorsements
Kamishiraishi has been actively involved in television commercials since her early career, leveraging her versatile image as an actress and singer to promote a range of products from skincare to beverages. One of her notable long-term endorsements is with the skincare brand Minon Amino Moist, a sensitive skin care line by Daiichi Sankyo Healthcare. She first appeared in their TV CM "Confidence Has Emerged" in September 2021, portraying a young professional gaining self-assurance through the product's moisturizing benefits, and continued with campaigns like "Morning Too" in October 2023, emphasizing daily hydration routines.[82][83] In the beverage sector, Kamishiraishi has served as an ambassador for Suntory products, starting with the green tea Iyemon Tokucha in 2020. The campaign "Cleanup is Exercise Too" featured her alongside actor Kentaro Sakaguchi, highlighting health benefits through everyday activities, and included interactive LINE promotions for fan engagement beginning January 2021. She renewed her association with Suntory in 2023 for their premium beer, appearing in the "Super Dry" series, and extended it into 2025 with the "Suntory Draft Beer" CM, focusing on refreshing summer moments. These endorsements have boosted her visibility, complementing her acting roles in recent projects.[84][85] Beyond TV, Kamishiraishi has participated in public service endorsements, notably as the ambassador for the Japanese Red Cross Society since April 2023. Her campaigns, including the TV CM "The Red Cross is Moving!" with original music by Uru, underscore the organization's year-round disaster relief and humanitarian efforts, with updates in 2024 featuring NHK collaborations for overseas aid awareness. In 2025, she featured in several new web and TV ads, such as the eSIM app Trifa's "Encounter with the Unknown" (July), portraying adventurous travel scenarios, and the attendance management software Raku Raku Kin Tai (February), demonstrating efficient work-life balance. Additionally, her appearance in the music video for Ayaka's "Wonder!" in September 2025 served as a promotional web ad tied to musical collaborations. No direct campaigns linked to her 2024 album kibi were identified in 2025, though her tour promotions indirectly amplified brand partnerships.[86][87][1] Fashion endorsements have been limited, with no major ongoing partnerships like Uniqlo confirmed, though her personal style often aligns with casual, accessible brands in media appearances. Overall, these commercials from 2020 to 2025 have showcased her approachable persona, contributing to her broad appeal across demographics.[1]Awards and nominations
Kamishiraishi's breakthrough performance in the 2014 film Lady Maiko earned her the 38th Japan Academy Prize for Newcomer of the Year in 2015, recognizing her as a promising talent in Japanese cinema.[32] She later received the Elan d'or Award for Newcomer of the Year at the 45th ceremony in 2021, honoring her rising prominence in film and television following roles in projects like Koi wa Tsuzuku yo Dokomade mo.[88] In her music career, Kamishiraishi has been acknowledged for her contributions as a singer-songwriter, though specific major wins like the Japan Gold Disc Award remain unconfirmed in available records up to 2025; her work has instead garnered attention through performances and releases such as her 2021 debut album note, which contributed to her growing discography impact.[12] Recent nominations highlight her versatility in stage and music. The stage adaptation of Spirited Away, in which she portrayed Chihiro during its 2022 Tokyo run and subsequent tours, received four nominations at the 2025 Laurence Olivier Awards, including Best New Play, marking a significant international recognition for the production.[89] Additionally, the London transfer won Best New Play at the 25th WhatsOnStage Awards in February 2025.[90] Her 2024 album kibi has been noted in early 2025 award considerations for its artistic depth, though no formal nominations were announced by November 2025.[91] For her role as Misa Fujisawa in the 2024 film All the Long Nights, Kamishiraishi received nominations for Best Actress at the 48th Japan Academy Film Prize and the 79th Mainichi Film Awards in 2025.[7][4]| Year | Award | Category | Work | Result |
|---|---|---|---|---|
| 2015 | Japan Academy Prize | Newcomer of the Year | Lady Maiko | Won[32] |
| 2021 | Elan d'or Awards | Newcomer of the Year | N/A | Won[88] |
| 2025 | Laurence Olivier Awards | Best New Play (production) | Spirited Away (stage) | Nominated[89] |
| 2025 | WhatsOnStage Awards | Best New Play | Spirited Away (stage, London) | Won (production)[90] |
| 2025 | Japan Academy Prize | Best Actress | All the Long Nights | Nominated[4] |
| 2025 | Mainichi Film Awards | Best Actress | All the Long Nights | Nominated[7] |
Filmography and discography
Films
Kamishiraishi began her film career as a child actress, appearing in supporting roles before achieving prominence with lead performances in musical comedies and animated features. Her work spans live-action dramas, romantic comedies, and voice acting in high-profile anime productions, often showcasing her versatility in portraying young women navigating personal growth and relationships. Notable among these is her role in the critically acclaimed animated film Your Name., which marked a significant milestone in her career and contributed to her rising international profile.| Year | Title | Role | Director | Notes |
|---|---|---|---|---|
| 2011 | Sky Blue Story | Nike Kusakabe | Takehiko Shingu | Debut feature film as lead in this family drama.[92] |
| 2013 | Nobody's Perfect | Ayano Nakanishi | Masanori Tominaga | Supporting role in this coming-of-age story.[93][92] |
| 2014 | Lady Maiko | Haruko Saigo | Masayuki Suo | Lead role as an aspiring geisha from Osaka training in Kyoto; the musical comedy earned her the Newcomer of the Year award at the 38th Japan Academy Prize.[94] |
| 2015 | Kazoku Gokko | Support role | Masayuki Suzuki | Supporting appearance in family-themed film.[92] |
| 2016 | Your Name. | Mitsuha Miyamizu (voice) | Makoto Shinkai | Voiced the female protagonist in this body-swapping romance anime; the film grossed $405,312,768 worldwide, becoming Japan's highest-grossing film at the time.[95][96] |
| 2016 | Chihayafuru Part 1 | Kanade Oe | Norihiro Koizumi | Supporting role as a talented karuta player in the adaptation of the manga series.[97] |
| 2016 | Chihayafuru Part 2 | Kanade Oe | Norihiro Koizumi | Continued role in the competitive karuta drama trilogy.[97] |
| 2016 | Drowning Love | Kana Matsunaga | Kōki Esumi | Supporting role in this romantic drama based on a shojo manga.[98][92] |
| 2018 | The Miracle of Crybaby Shottan | Mariko | Jun Ikeido | Supporting role as a childhood friend in this biographical film about a comedian.[93][92] |
| 2018 | The Forest of Wool and Steel | Sakura Kazune | Kōki Esumi | Supporting role in this adaptation of a novel about a piano tuner.[99][92] |
| 2018 | Chihayafuru Part 3 | Kanade Oe | Norihiro Koizumi | Concluding role in the karuta-focused trilogy.[97] |
| 2019 | L♡DK | Aoi Nishimori | Maya Nakamura | Lead role in the romantic comedy film adaptation of the manga.[100][92] |
| 2019 | Startup Girls | Hikari Komatsu | Yūichi Onuma | Lead role in this entrepreneurial drama.[93][92] |
| 2024 | All the Long Nights | Misa Fujisawa | Sho Miyake | Lead role as a woman struggling with severe premenstrual syndrome (PMS), in this emotional drama exploring mental health and workplace stigma.[101] |
| 2025 | 35th Love Letter | Kyoko Nishihata (young) | Renpei Tsukamoto | Supporting role in this heartwarming true-story adaptation about an illiterate husband learning to write a love letter to his wife.[102][103] |
Television series
Kamishiraishi has built a diverse television career spanning dramas, variety shows, and promotional content, often showcasing her ability to portray relatable young women in romantic, mystery, and coming-of-age narratives. Her roles frequently emphasize emotional depth and growth, contributing to popular series that blend everyday life with dramatic tension. While early appearances were guest or supporting, she has increasingly taken lead roles in recent years, reflecting her rising prominence in Japanese broadcast media. The following table summarizes her key television drama appearances in chronological order, including episode counts and brief character overviews. Variety and promotional appearances are noted separately below.| Year | Title | Network | Episodes | Role | Character Overview |
|---|---|---|---|---|---|
| 2016 | Ossan's Love | TV Asahi | 1 | Haruna (Guest) | A brief appearance as a colleague's acquaintance in the pilot episode of this BL comedy series.[32] |
| 2017 | Rikuoh | Fuji TV | 10 | Akane Miyazawa (Supporting) | The determined daughter of a business magnate, navigating family legacy and corporate intrigue.[92] |
| 2018 | Chihayafuru | NTV | 15 | Kanade Oe (Supporting) | A skilled and introspective karuta competitor, supporting the protagonist's journey in the competitive world of traditional poetry cards.[32] |
| 2020 | Miman Keisatsu: Midnight Runner | NTV | 2 | Ami (Guest, Ep. 2-3) | A troubled runaway teenager entangled in a police investigation, highlighting vulnerability and redemption.[92] |
| 2020 | Oh! My Boss! Love Not Included | Fuji TV | 10 | Nami Suzuki (Lead) | An ambitious assistant editor at a fashion magazine, balancing career ambitions with unexpected romance in the high-pressure publishing industry.[32] |
| 2020 | An Incurable Case of Love | TBS | 10 | Nanase Honda (Lead) | A clumsy but dedicated nurse who develops a deep affection for a stoic doctor, exploring themes of perseverance and heartfelt romance.[32] |
| 2021 | Come Come Everybody | NHK | 156 | Yasuko Tachibana / Yasuko Kijima (Lead) | Lead in NHK morning drama spanning three eras, portraying a woman and her descendants in post-war Japan.[92] |
| 2021 | Reach Beyond the Blue Sky | NHK | 136 | Atsugimi / Tensho-in (Supporting) | Historical support role in taiga drama about Tokugawa Ieyasu.[92] |
| 2022 | Fushigi Dagashiya Zenitendo | Fuji TV | 10 | Wakaba (Lead) | A curious young woman who frequents a mysterious candy shop run by supernatural beings, uncovering personal secrets through fantastical encounters.[32] |
| 2022 | OCTO +VANILLA | WOWOW | 5 | Akari Shinno (Lead) | A detective with synesthesia-like ability to visualize human emotions as colors, solving crimes through intuitive emotional analysis in this psychological thriller.[104] |
| 2023 | Bosanimal | TBS | 8 | Sakura (Main) | A free-spirited high schooler grappling with identity and relationships in a raw portrayal of adolescent turmoil.[92] |
| 2023 | Marriage Is Difficult for a Ninja | Fuji TV | 1 | Aika Yamada (spy) (Guest, Ep. 8) | A secretive spy adding intrigue to a comedic tale of modern ninja life and romance.[32][92] |
| 2025 | Hotei no Dragon | TV Tokyo | 8 | Tatsumi Tendo (Main) | A fiery rookie lawyer challenging corruption in the courtroom, embodying justice and resilience in high-stakes legal battles.[92] |
| 2025 | Chihayafuru: Meguri | NTV | 10 | Kanade Oe (Supporting) | Reprising her role as a mature karuta enthusiast, reflecting on past competitions and new challenges a decade later.[92] |
Stage productions
Kamishiraishi began her professional stage career at age seven, debuting as young Cosette in the long-running Japanese production of the musical Les Misérables at Tokyo's Imperial Theatre in 2005. She continued in the role for subsequent runs at the same venue through 2007, as well as in touring productions at Fukuoka's Canal City Theatre and Osaka's Shinkabuki-za, establishing her early reputation as a child performer capable of handling demanding vocal and emotional demands. Her association with Les Misérables persisted intermittently over the next decade, with returns to the role in 2011–2014, 2016, and 2017 across Imperial Theatre performances and regional tours, allowing her to evolve the character from a vulnerable child to a more nuanced portrayal as she matured into adolescence and young adulthood.[21] In 2015, Kamishiraishi assumed her first lead role as the titular orphan in the musical Annie at Tokyo's Nissay Theatre, followed by tours to Fukuoka's Canal City Theatre and Osaka's Shinkabuki-za, where her spirited performance and strong singing earned praise for capturing the character's resilience and optimism. Four years later, in 2019, she transitioned to a supporting role with comedic flair as the glamorous Swedish actress Ulla in The Producers at Nissay Theatre, showcasing her versatility in a Broadway adaptation known for its satirical take on theater production.[21] In 2023, she starred as the titular Jane Eyre in a Japanese production of Jane Eyre at Tokyo's New National Theatre, earning praise for her portrayal of the independent protagonist.[92] Kamishiraishi achieved international acclaim with her portrayal of Chihiro in the stage adaptation of Hayao Miyazaki's Spirited Away, directed by John Caird. She first took on the role from February to July 2022 at Tokyo's Imperial Theatre, alternating with Kanna Hashimoto in a production that faithfully recreated the film's spirit world through elaborate sets and puppetry. The show was revived in 2023 at Imperial Theatre before touring to Fukuoka's Canal City Theatre, Osaka's Shinkabuki-za, Aichi's Japan Special Ceramics Citizens Forum Hall, and Tokyo's Tokyu Theatre Orb. Further Japanese runs in 2024 included Nagoya's Misono-za, Fukuoka's Canal City Theatre, Kyoto's Minami-za, Hokkaido's Sapporo Cultural Arts Theater Hitru, and Shizuoka, culminating in the European premiere at London's Coliseum from April to August, where she alternated with Hashimoto in Japanese-language performances with English surtitles. The production's expansion continued with the announcement of its Korean premiere from January to March 2026 at Seoul's Arts Center Opera Theater, where Kamishiraishi will reprise Chihiro, alternating with Rina Kawaei.[21][106][107] Looking ahead to 2025, Kamishiraishi is scheduled to star as Jerusha Abbott in the musical Daddy Long Legs and as the Jailer's Daughter in the arena live production of Knights' Tale: Knight Story, further diversifying her stage portfolio with romantic and historical narratives.[21]Singles
Mone Kamishiraishi debuted as a singer with the single "Maiko wa Lady" in 2014, marking her entry into music alongside her acting career. Subsequent releases have included both physical singles and digital downloads, often tied to her roles in films, anime, and television programs. Her singles typically feature introspective lyrics and acoustic arrangements, reflecting her versatile vocal style. While physical releases have achieved modest commercial success, her digital singles have garnered significant streaming attention, particularly those associated with media tie-ins.[108] The following table lists her major standalone singles, including release dates, key tracks, editions, notable tie-ins, and available chart information (primarily from Oricon, where applicable; digital releases often prioritize streaming metrics over traditional sales charts).| Release Date | Title | Tracks | Editions | Tie-in | Chart Performance |
|---|---|---|---|---|---|
| July 16, 2014 | Maiko wa Lady | 1. Maiko wa Lady 2. Koi no Yokan (included in EP version) | Physical maxi-single (CD) | Theme song for the film Lady Maiko, in which Kamishiraishi starred as the lead character Koharu.[109] | Peaked at No. 28 on Oricon Weekly Singles Chart; sold approximately 5,000 copies in first week. |
| April 28, 2017 | Kokuhaku | 1. Kokuhaku | Digital single | Theme song for Fuji TV's Mezamashi TV Aqua (2017).[8] | Digital release; no Oricon physical chart entry; strong radio airplay contributed to early recognition. |
| October 4, 2017 | Anata no Koe | 1. Anata no Koe | Digital single | Standalone release, featured in promotional events for her acting projects. | Digital release; streamed over 1 million times on major platforms within first year.[58] |
| April 5, 2019 | Happy End (with Takahito Uchisawa of androp) | 1. Happy End | Digital single | Theme song for the film L-DK: Two Loves Under One Roof.[110] | Digital release; peaked at No. 12 on Billboard Japan Hot 100; over 10 million streams on Spotify. |
| October 13, 2021 | I'll Be There / Spin | 1. I'll Be There 2. Spin (Spin released digitally on September 25, 2021) | Physical CD (regular and first-press limited editions with bonus content); digital | "I'll Be There" as ending theme for TBS NEWS23; "Spin" as companion track to her digital book Iroiro. | Peaked at No. 15 on Oricon Weekly Singles Chart; limited edition sold out pre-release. |
| October 25, 2023 | Hikari no Ato / Skip | 1. Hikari no Ato 2. Skip | Physical CD (regular and first-press limited editions); digital | Standalone release promoting her live performances; "Hikari no Ato" provided by Kensuke Kakudate of Yogee New Waves.[111] | Peaked at No. 10 on Oricon Weekly Singles Chart; first-week sales of 12,000 units. |
| December 14, 2023 | Loop | 1. Loop | Digital single | Standalone release ahead of her album kibi; performed during 2023 tour promotions. | Digital release; entered Billboard Japan Hot 100 at No. 45; over 2 million streams in initial months. |
| February 14, 2024 | Kaeritakunattayo | 1. Kaeritakunattayo | Digital single | Cover version; tied to reflective themes in her recent live shows. | Digital release; strong streaming performance, exceeding 500,000 plays on release week. |
| April 24, 2024 | Spica | 1. Spica | Digital single | Opening theme for the anime BARTENDER: Glass of God. | Peaked at No. 8 on Billboard Japan Hot Animation Chart; over 5 million streams tied to anime premiere. |
Albums
Mone Kamishiraishi has released several albums since her musical debut in 2016, encompassing cover collections, mini-albums, and original full-length works. Her early releases often featured interpretations of film and musical theater songs, reflecting her background as an actress, while later albums incorporate original material, collaborations with prominent Japanese artists, and themes exploring personal emotions and daily life. These works are distributed through Pony Canyon for her initial output and Universal Music Japan for subsequent releases.[51][113] The following table summarizes her studio albums and mini-albums:| Title | Type | Release Date | Label | Key Notes |
|---|---|---|---|---|
| chouchou | Cover mini-album | October 5, 2016 | Pony Canyon | Debut release featuring covers from films like Your Name. and musicals like Les Misérables; includes tracks such as "366 Nichi" and "Nandemo Nai Ya (movie ver.)".[114] |
| and… | Original album | July 12, 2017 | Pony Canyon | First original full-length album with 8 tracks; collaborations include Hiroki Qin, Yuko Yomoto, Sakura Fujiwara, HY, and Takahito Uchisawa (androp); features three songs with lyrics by Kamishiraishi. Tracklist: "Kokuhaku", "Sunny", "Puzzle", "Kimi ni", "Cassette Tape", "String", "The Voice of Hope", "Storyboard".[115] |
| i | Mini-album | July 10, 2019 | Universal Music Japan | Features collaborations like lyrics by YUKI and music by n-buna (Yoasobi); includes "Eien wa Kirai" and "Happy End" with Takahito Uchisawa. Limited edition adds bonus tracks and DVD.[116] |
| note | Original album | August 26, 2020 | Universal Music Japan | Second original album with 10 tracks; emphasizes introspective themes. Notable songs: "Shiroi Doro" (anime Major 2nd opening), "From The Seeds" (anime 7SEEDS opening), "Yoake o Kuchizusametara" (NHK Minna no Uta), "Happy End" (film L♡DK theme), "Ichiru" (film Rakuen theme). Limited edition includes DVD. Tracklist: "Shiroi Doro", "Dozan Dori", "Eien wa Kirai", "From The Seeds", "Akubi", "Starchis", "Yoake o Kuchizusametara (note ver.)", "Happy End (with Takahito Uchisawa)", "Little Birds", "Ichiru".[117] |
| note book | Compilation album | December 23, 2020 | Universal Music Japan | Repackaged edition of note with additional content, including live versions and covers.[118] |
| Ano Uta -1- | Cover album | June 23, 2021 | Universal Music Japan | Covers of 1970s Japanese songs; tracks include "Olivia wo Kikinagara" and "Saraba Koibito". Released alongside -2-.[119] |
| Ano Uta -2- | Cover album | June 23, 2021 | Universal Music Japan | Covers of 1980s–1990s Japanese songs; tracks include "Sekaijuu no Dare Yori Kitto". Special edition combines -1- and -2-.[119] |
| name | Original album | July 13, 2022 | Universal Music Japan | Third original album focusing on emotional narratives; features tracks like "I'll Be There" (lyrics by Junji Ishiwatari, music by Atsushi Suemitsu), "Jellyfish", "Choice", "Spin", and "Natsukashii Mirai" (lyrics by Naotaro Moriyama, music by Moriyama). Limited edition includes bonus content.[120][79] |
| kibi | Original album | November 6, 2024 | Universal Music Japan | Latest original album, marking a return after over two years; explores nuances of emotions across a single day's flow through various scenes. Includes self-written lyrics on multiple tracks, such as "Loop" (drama Jiten Shinagara Koten Suru theme), "Hiker" (Fuji TV Live News It! theme), and "Spica" (anime Bartender ending). Limited edition pairs with DVD. Tracklist includes 10 songs capturing daily introspection.[121][122][123] |