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Sir Thomas More (7 February 1478 – 6 July 1535) was an English Renaissance humanist, lawyer, philosopher, and statesman renowned for his intellectual contributions and principled resistance to royal overreach. Born in London to a prominent legal family, he rose through education at Oxford and the Inns of Court to become a judge, member of Parliament, and ultimately Lord Chancellor of England from 1529 to 1532, the highest secular office after the king. More's most enduring achievement is his 1516 Latin treatise Utopia, which satirically depicts an imaginary island society with communal property, religious tolerance, and rational governance to critique European vices like enclosure and corruption, influencing later political thought while embodying humanist ideals of reform through reason. As chancellor, he vigorously enforced anti-heresy laws, prosecuting Lutheran reformers—a role reflecting his devout Catholicism but drawing modern criticism for intolerance, though contemporary accounts emphasize his fairness in judicial matters. His defining stand came during Henry VIII's break with Rome: More resigned over the king's divorce and refused the 1534 oath affirming royal supremacy in the Church, leading to his imprisonment in the Tower of London and execution by beheading for treason under a parliamentary act, an act he viewed as violating conscience and natural law. Canonized by the Catholic Church in 1935 alongside John Fisher, More exemplifies the tension between personal integrity and state power, with his writings and martyrdom underscoring a commitment to moral absolutes amid Reformation upheavals.

Computing

Command-line pager

The more command is a pager utility in Unix-like operating systems designed to display the contents of text files or piped output one screenful at a time, pausing to allow user navigation through large inputs that would otherwise scroll off the terminal. It originated as a simple replacement for earlier pagination methods like the cr3 script, which relied on terminal bells that failed on muted or slow systems. Developed in 1978 by Daniel C. Halbert, a first-year graduate student at the University of California, Berkeley, on the institution's initial VAX Unix system, more drew inspiration from the Incompatible Timesharing System (ITS) at MIT, which used a "--MORE--" prompt and spacebar continuation for file output. Halbert's initial implementation printed "--More--" at the screen bottom after each page, accepted spacebar input to advance, and supported multiple filenames, addressing limitations in terminal handling for ADM-3/ADM-3A devices common at Berkeley. Subsequent enhancements by Eric Shienbrood and Geoff Peck added command-line options, such as specifying starting lines or suppressing pauses for short files, before its inclusion in 3.0 BSD in 1979.) This evolution prioritized forward pagination efficiency over complex editing, reflecting the era's focus on terminal-based workflows with constrained hardware. Core functionality centers on sequential forward navigation: the spacebar advances one full screen, the Enter key scrolls one line, and lowercase 'q' or Ctrl+C quits; limited backward movement via 'b' became available in later versions but requires buffering the entire file, unlike pure forward mode. Options like -n for line-numbered output or +num to start at a specific line enable scripting integration, while piping support (e.g., ls -l | more) extends it to command output. In contrast to the less pager, which permits full bidirectional scrolling, searching, and vi-like keybindings without full-file loading, more emphasizes simplicity and lower memory footprint, originally lacking reverse capabilities to avoid overhead on resource-limited systems. Widely adopted in BSD distributions and ported to Linux via GNU coreutils, more achieved standardization in POSIX.1-2008, ensuring portability across compliant systems like Solaris, macOS, and embedded environments. Its persistence stems from empirical advantages in server scripting and minimal-resource terminals, where graphical alternatives consume more CPU and memory; for instance, it processes streams without unnecessary buffering, outperforming feature-rich pagers in high-throughput logging scenarios. Despite less often aliasing more in modern shells for enhanced usability, more's lightweight design retains utility in constrained or automated contexts, as evidenced by its default presence in distributions like Ubuntu and Red Hat Enterprise Linux as of 2023.

Music

Albums

More (1969) is the third studio album and first soundtrack album by English rock band , released on 13 June 1969 by Columbia in the . Composed for Barbet Schroeder's More, it features tracks including "" and "," recorded in January–February 1969 at Pye Studios and Studios. The album peaked at No. 9 on the but did not chart highly in the , reflecting the band's transitional phase post-Syd Barrett. More (2001) is the second studio album by American pop singer Vitamin C (Colleen Fitzpatrick), released on 5 June 2001 by Elektra Records. Predominantly pop with dance influences, it includes singles like "The Itch" but achieved lower commercial success than her self-titled debut, failing to crack the Billboard 200 top 100. Production involved collaborators such as Guy Roche, emphasizing upbeat tracks amid Fitzpatrick's shift toward mature themes. More (2004) is the third studio album by Canadian R&B singer Tamia, released on 4 April 2004 by Image Entertainment. Featuring contemporary R&B and soul, it debuted at No. 17 on the Billboard 200 and No. 4 on the Top R&B/Hip-Hop Albums chart, with lead single "Officially Missing You" reaching No. 1 on the US Adult R&B Airplay. Produced by figures like Missy Elliott and Mario "Yellowman" Winans, the album sold over 415,000 copies in the US. More. (2025) is the eighth studio album by English rock band , released on 6 June 2025 by , marking their first full-length release in 24 years. Produced by , it revives the band's and sound with 11 tracks exploring modern relationships and nostalgia, receiving critical acclaim for its lyrical depth and disco-infused production. The album entered the at No. 6.

Songs

"More (Theme from Mondo Cane)" is a composition by Italian musicians Riz Ortolani and Nino Oliviero, originally created as an instrumental for the 1962 documentary film Mondo Cane. Lyrics were subsequently added by Marcello Ciorciolini, transforming it into a vocal ballad expressing themes of romantic longing. Kai Winding's jazz-trombone version, arranged by Claus Ogerman, achieved commercial success, peaking at number 8 on the Billboard Hot 100 chart in 1964 and earning a Grammy nomination for Best Instrumental Theme. The song received an Academy Award nomination for Best Original Song at the 1964 Oscars, highlighting its melodic appeal despite the film's controversial shock-documentary style. "More" by the English gothic rock band The Sisters of Mercy was released as the lead single from their third studio album Vision Thing on October 1, 1990. Written by frontman Andrew Eldritch, the track features driving guitar riffs and lyrics exploring insatiable desire and dissatisfaction, with Eldritch's baritone vocals delivering lines like "Some people get by with a little understanding / Some people get by with a whole lot more." It topped the Billboard Modern Rock Tracks chart, marking the band's commercial peak in alternative music circles. "More" by American R&B singer , produced by with additional contributions from , appeared on the deluxe edition of his sixth studio album , released digitally as a on December 7, 2010. The uptempo track, emphasizing club energy and romantic pursuit through hooks like "If you really want more, scream it out louder," peaked at number 15 on the , supported by strong digital sales and radio airplay. A by and Jimmy Joker extended its dance-floor appeal, though the original version faced limited streaming availability in later years.

Bands and musicians

More is a British heavy metal band formed in London in 1979, emerging as part of the New Wave of British Heavy Metal (NWOBHM) scene. The group secured a rare major-label deal with Atlantic Records, distinguishing it among contemporaries in the underground movement. Original lineup included vocalist Mike Freeland, guitarist Baz Nicholls, bassist Steve Rix, and drummer Pete Wells. The band's discography centers on two early albums: debut Warhead (1981), featuring tracks like "Killer on the Prowl" and "Traitors Gate," and follow-up Blood and Thunder (1982). They also issued two singles during this period. Activity ceased shortly after due to member departures to other NWOBHM acts, leading to an initial disbandment. Reformations occurred sporadically, including in 1985, 1998–2000, and from 2011 onward, culminating in the 2023 release of Destructor, the final album produced by guitarist Chris Tsangarides before his death. Despite limited commercial success and no major chart placements, More maintains a niche following among NWOBHM enthusiasts, with discography available on platforms like Discogs. No prominent solo musicians or other ensembles primarily known as "More" have achieved comparable recognition in verified music histories.

Places

In the United States

No incorporated municipalities or census-designated places named "More" exist in the United States, as confirmed by U.S. Census Bureau population totals for cities and towns. The USGS Geographic Names Information System (GNIS), the federal standard for domestic geographic names, records no populated places, unincorporated communities, or historical locales under that name across states including Texas and Idaho. Claims of obscure unincorporated communities, such as in Loving County, Texas, or historical sites in Idaho, appear unsubstantiated by official records, with no associated demographic data, establishment dates, or economic details like ranching available from federal sources. Loving County itself maintains a population under 100 residents, primarily supported by oil and gas extraction rather than named settlements beyond its county seat, Mentone.

International locations

More is a rural parish (pagasts) in Municipality, Region, , situated at approximately 57°04′56″N 25°05′03″E with an elevation of 137 meters. As an administrative subdivision, it encompasses populated localities and natural areas, including proximity to the , and serves as a site for local tourism attractions such as the More Safari Park, where visitors can observe and feed deer along a 1.5 km trail. The parish holds historical significance due to its role in defenses, forming part of the protection line where key battles occurred against advancing Soviet forces in ; a dedicated of Battles in More preserves artifacts and exhibits from these engagements. Settlement in the broader region traces to ancient tribes around 3000 BC, though specific records for More emphasize its 20th-century military context rather than medieval origins. Other international locales bearing the name "More" include small settlements in Chad and Nigeria, documented in global gazetteers but lacking detailed administrative or population data in accessible records; these are primarily rural and unassociated with notable historical events beyond local geography. In Ireland, suffixes like "More" (from Irish mór, meaning "great" or "big") appear in place names such as Knocklishen More, denoting larger variants of primary settlements, but these do not constitute standalone "More" designations.

Media and entertainment

Film and television

More is a 1969 English-language romantic drama film written and directed by Barbet Schroeder as his directorial debut, produced as a co-production between West Germany, France, and Luxembourg. The film premiered at the Cannes Film Festival on May 13, 1969, and had its U.S. premiere in New York in August 1969. It holds a 69% approval rating on Rotten Tomatoes from 71 reviews, with critics noting its exploration of 1960s counterculture themes, and received a 2.5 out of 4 stars review from Roger Ebert, who described it as a "weird, freaky movie" about hedonism. A 2013 American television series titled More provided weekly recaps of episodes from the soap operas All My Children and One Life to Live, airing on the Prospect Park YouTube channel following the shows' cancellation. The series ran from 2013 onward, targeting fans seeking summaries amid the soaps' transition to online formats after network runs ended in 2011 and 2012, respectively. An HBO Max drama pilot titled More, starring Christian Serratos in the lead role of Londyn Lorenz, was greenlit in September 2020 and cast additional series regulars including Ana Ortiz and Gore Abrams by late 2022. As of 2024, the pilot had not advanced to full series production or received a premiere date.

Radio

"More or Less" is a long-running BBC Radio 4 programme dedicated to analysing and clarifying the use of statistics in public discourse, media, and policy. First broadcast on 28 March 2000 as a one-off special, it became a regular series in 2001, examining claims involving numbers to promote greater numerical understanding. The programme typically airs weekly in a 28- to 30-minute format, with episodes addressing topics such as election polling accuracy, economic indicators, and health data interpretations. Originally hosted by statistician Andrew Dilnot, who co-created the series, presentation duties shifted to economist Tim Harford in October 2007; Harford has continued as lead presenter, supported by a team including Ruth Alexander and Michael Blastland. By 2025, the show has produced over 500 episodes, maintaining a focus on empirical scrutiny rather than advocacy, often correcting overstated or misleading figures from official sources and reports. It has been praised for enhancing public statistical literacy, with episodes archived for on-demand access via BBC Sounds. In the United States, "The Woody Show More Show" serves as an uncensored podcast extension of the syndicated rock comedy radio programme "The Woody Show," hosted by Woody (Woodford Johnson) and broadcast on iHeartRadio affiliates since 2005. The "More Show" variant, available via platforms like Apple Podcasts, features unfiltered discussions and segments from the core radio content, emphasizing raw, ad-libbed interactions among hosts including GregGory and others. Airing daily in markets such as San Diego and San Jose, the parent show reaches audiences through over 20 stations, with the podcast format allowing for extended, less-edited material beyond FCC constraints.

Other uses

Technical protocols and software

The , an for MAC-independent Opportunistic and Encoding, constitutes a technical standard engineered for mesh networks, emphasizing throughput enhancement via opportunistic packet forwarding decoupled from layers. Developed by researchers at MIT's Computer Science and Artificial Intelligence Laboratory, it integrates random (RLNC) to encode packets into linear combinations over a Galois field, permitting intermediate nodes to forward mixed batches without per-packet acknowledgments, thereby mitigating decoding delays inherent in traditional . This approach yields empirically higher delivery rates in lossy environments, as validated in prototype tests on 802.11 testbeds where MORE achieved up to 3x the throughput of prior opportunistic schemes like ExOR under comparable conditions. First detailed in a 2007 conference paper, MORE's specification outlines a userspace implementation leveraging raw sockets for direct interaction with wireless interfaces, bypassing kernel-level dependencies to facilitate portability across Linux-based systems. Core mechanics include batch-based forwarding, where sources generate coded packets until the destination signals sufficient degrees of freedom for decoding via lightweight batch ACKs, and credit assignments to relay nodes based on ETX (expected transmission count) metrics for path diversity. No formal standardization by bodies like IETF occurred; instead, it remains a research benchmark, with protocol specs disseminated through open-source code repositories enabling simulation in tools such as NS-2 for multi-hop scenarios. Adoption has been predominantly academic, with extensions adapting MORE for domain-specific needs, such as QoS-aware variants incorporating dynamic credit mechanisms for prioritized traffic in mesh topologies, demonstrated to reduce latency by 20-30% in IEEE 802.11s simulations. Applications in video sensor networks modified the protocol for adaptive multi-stream encoding, supporting real-time transmission over loss-prone links with improved perceptual quality metrics over baseline MORE. Further research integrated MORE into satellite networks via path-scalable network coding, addressing orbital handoffs, though empirical deployments remain experimental rather than production-scale. Usage statistics indicate niche persistence in legacy wireless testbeds and simulators, with citations exceeding 500 in peer-reviewed literature by 2020, but negligible integration into commercial mesh firmware like those from Cisco or Ruckus, favoring standardized alternatives such as BATMAN or OLSR.

Historical and cultural references

Sir Thomas More (1478–1535), an English lawyer, scholar, writer, and statesman, served as Lord High Chancellor from 1529 to 1532 under Henry VIII before his execution on July 6, 1535, for refusing to recognize the king as supreme head of the Church of England. His writings, including polemical defenses of Catholic doctrine against Protestant reformers, reflected Renaissance humanism's emphasis on classical learning and moral philosophy, influencing later debates on church-state relations. Hannah More (1745–1833), an English poet, playwright, and philanthropist, contributed to 18th- and 19th-century social reform through tracts promoting evangelical , , and ; she co-founded the , a group that petitioned against the slave trade, culminating in the 1807 Slave Trade Act. More's Village Politics (1792–1793), a series of dialogues, countered revolutionary ideas by advocating moral and religious virtues as stabilizers of society amid French Revolutionary fervor. Her efforts established Sunday schools in rural , educating over 2,000 children by 1800 in basic and . The surname More, a variant of Moore prevalent in English and Scottish contexts since the 13th century, often denoted topographic origins near moors or, in some cases, ethnic descriptors for dark-complexioned individuals akin to "Moor." In Maratha culture of Maharashtra, India, More signifies a clan name linked to the peacock symbol (Sanskrit mayūra), appearing in historical records of regional warrior and agrarian communities.

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