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Movies4Men

Movies4Men was a channel in the and that broadcast films, movies, westerns, and classic cinema primarily targeted at male audiences aged 16 and above. Launched on 1 February 2006 by Dolphin Broadcasting Services Ltd. as a 24-hour service, it initially operated on and expanded to other platforms. In January 2012, acquired Dolphin Broadcasting in a multi-million-pound deal, adding Movies4Men and four other male-themed channels to its UK portfolio, thereby increasing Sony's channels to six. The channel was available on Freeview, , and , offering non-stop entertainment described by its promoters as "super action for super men," including B- and C-grade films, , , and low-budget westerns alongside higher-profile classics. A refreshed package was introduced in February 2014, created by the design agency Stars and Heroes. However, the channel's name and drew criticism in for being "offensive" and perpetuating stereotypes by implying entertainment was exclusively for men, with commentators from Total Film and other outlets labeling it as "demographic box-ticking gone mad." Movies4Men ceased operations on 10 2019, when it was rebranded as Sony Movies Action as part of 's broader strategy to align its UK channels under the Sony .

History

Launch and early operations

Movies4Men launched as a on 1 February 2006, when Dolphin Broadcast Services Ltd acquired and rebranded the daytime Matinee Movies service from sit-up Ltd into a 24-hour movie network. The channel was established to provide dedicated film programming under Dolphin Broadcast Services' ownership, which managed operations from 2006 until its acquisition by in 2012. In its early years, Movies4Men emphasized classic films to appeal to a primarily audience, particularly those in middle to older age groups, by featuring content such as war movies, westerns, and other historical cinematic works. This focus on established genres helped differentiate the within the UK's growing digital TV landscape, targeting viewers interested in non-stop entertainment tailored to male interests. Initially available on the Sky Digital platform, Movies4Men reached subscribers through this primary satellite service shortly after launch. To expand its offerings, introduced Movies4Men 2 as a companion channel on 9 October 2006, providing additional movie content to complement the main service and broaden viewer access to specialized programming.

Ownership changes and rebranding

In January 2012, Sony Pictures Television Networks acquired the channels business of Broadcasting Limited, which owned Movies4Men and its related services, integrating them into Sony's growing portfolio. This multi-million-pound deal also included a majority stake in TV, the associated sales house, allowing Sony to expand its presence in the male-skewed entertainment market. The acquisition positioned Movies4Men as a key asset alongside Sony's other channels, such as the female-targeted launched the previous year. Movies4Men 2 was closed on 2 May 2012. Following the ownership shift, Sony maintained the channel's established identity focused on male-targeted content, including action, war, and western films, while enhancing its distribution and promotional efforts to solidify this niche. The Movies4Men +1 timeshift service, which allowed viewers to watch programming one hour later, was part of the acquired portfolio and continued operations seamlessly under Sony management. In September 2012, Movies4Men returned to the Freeview platform in the Greater Manchester area, marking an initial step in broader accessibility under Sony's oversight. Sony further expanded Movies4Men's reach with a nationwide rollout on Freeview starting , 2014, moving to channel 48 and increasing availability beyond its prior and slots. The Movies4Men +1 service joined on channel 50 but remained limited to at that time. Post-acquisition marketing emphasized the channel's action-oriented branding, promoting classic titles like Fort Apache and to appeal to middle-aged and older male audiences seeking rugged, genre-specific programming. This strategy aligned with 's broader channel ecosystem, leveraging through Dolphin TV to highlight the channel's tough, male-centric themes.

Closure and replacement

Movies4Men ceased broadcasting on 10 September 2019, after 13 years of operation since its launch in February 2006. The closure was announced on 24 July 2019 as part of 's strategy to rebrand and consolidate its channel portfolio. Under 's ownership since 2012, the channel was immediately replaced by Sony Movies Action on the same Freeview, , , and slots. The rebranding aimed to create a more unified Sony-branded lineup amid shifting dynamics in the free-to-air television market, including declining linear viewership and the need for portfolio efficiency. Sony Movies Action inherited select programming from Movies4Men, such as action-oriented films from the Sony library including Air Force One and Bad Boys, but broadened its scope to appeal beyond a strictly male demographic by incorporating a wider range of thrillers and adventures. Viewer notifications were issued through press releases and electronic programme guides (EPGs) in advance of the 10 September transition, with no special final programming aired; the channel simply signed off and switched to the new ident at the scheduled time. The shutdown concluded Movies4Men's role as a in free-to-air channels dedicated to male audiences, focusing on genres like westerns and war films, and its legacy influenced the continued presence of action-centric movie channels in the market through successors like Sony Movies Action.

Programming and content

Target audience and genre focus

Movies4Men primarily targeted an older audience aged 16 and above, appealing to viewers with interests in nostalgic and high-energy action narratives. The channel's branding emphasized "super action for super men," positioning it as a niche offering for audiences seeking through classic and genre-driven films, distinct from broader family or female-oriented programming. The core genres featured on Movies4Men included westerns, war films, action movies, , sci-fi, and horror, drawing heavily from the Golden Age of Hollywood (1930s–1960s) and extending into productions of the 1970s. This focus on era-specific titles, such as gritty war epics and shadowy noir detectives, reinforced the channel's identity as a repository for masculine-oriented classics, deliberately excluding contemporary blockbusters and content appealing to diverse or female demographics to preserve its specialized appeal. Scheduling patterns often highlighted these genres through dedicated blocks, such as extended airings of war films or marathons, further tailoring the lineup to the target demographic's preferences.

Film selection and scheduling

Movies4Men specialized in airing B-movies, exploitation films, low-budget , and classic , catering to niche interests within and adventure genres. Notable examples included Italian such as Day of Anger (1967) and A Man Called Django! (1970), alongside sci-fi classics like (1951) and thrillers such as (2004). The channel's curation was handled by following its acquisition of the Movies4Men portfolio in January 2012, which allowed access to Sony's extensive library of , , and titles. This process emphasized favorites and genre-specific over A-list Hollywood blockbusters, prioritizing lesser-seen or thematic films that aligned with the channel's male-targeted programming. Broadcasting operated for 21 hours per day, typically from early morning to late night, with a structure that incorporated repeats of popular titles and occasional themed marathons to fill the schedule. For instance, multiple airings of occurred across different days, and blocks of spaghetti westerns were grouped to appeal to dedicated fans. This approach ensured consistent availability of content without relying on high-profile premieres, maintaining a steady rotation of library holdings.

Availability and distribution

Broadcast platforms

Movies4Men was available as a channel exclusively in the and . The channel launched on in February 2006 at channel 323 and became available on at channel 304 from the platform's inception in May 2008. It joined Freeview nationwide on channel 48 on 1 2014, following a limited rollout in the area. It was also available on at channel 426. Viewers required only a basic digital setup, such as a compatible aerial for Freeview or for and , with no additional subscription fees. Broadcast in standard definition (SD) only, Movies4Men had no high-definition variant during its run. A service was offered on select platforms for flexible viewing. Movies4Men offered services to accommodate viewers unable to watch programming in , primarily through a +1 channel that aired content one hour after the main broadcast. The Movies4Men +1 channel launched on 25 February 2008 on Sky's electronic programme guide (EPG) position 326, providing a delayed feed of the flagship channel's film lineup. This service operated as a option, enabling flexible viewing without subscription fees beyond the base platform access. Complementing the main channel, Movies4Men 2 served as a companion service from its launch in October 2006 until its closure in May 2012, broadcasting similar male-oriented films and genres on EPG positions including 325. A variant, Movies4Men 2 +1, debuted towards the end of October 2008 on EPG 326, offering one-hour delayed repeats of the secondary channel's schedule to broaden accessibility. Like the primary , it was and focused on extending viewing opportunities for action, adventure, and documentary-style content. Following Television's acquisition of Dolphin Broadcasting—the original owner of the Movies4Men suite—in January 2012, operational changes integrated functionality more efficiently into the core service. Movies4Men 2 and its +1 counterpart ceased broadcasting on 2 May 2012, with their EPG slots reassigned to the new and its , respectively. The main Movies4Men +1 persisted under ownership; following the 2012 changes, the primary channel was on EPG 325 until a 2018 reshuffle relocated it to 323 with +1 on 324, where they continued delivering delayed programming until the channel's closure, thereby consolidating viewer options without the duplication of a separate companion feed. These auxiliary services enhanced overall reach on by allowing catch-up viewing, particularly for time-shifted audiences, while maintaining no-extra-cost availability on the platform.

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