Noritake Kinashi
Noritake Kinashi (born March 9, 1962) is a Japanese comedian, actor, singer, painter, and television personality, best known as the shorter member of the comedy duo Tunnels, which he formed in 1980 with Takaaki Ishibashi.[1][2] Rising to prominence through television appearances and hosting roles on popular shows, Kinashi became a household name in Japan for his charming and amicable persona, often ranking highly in celebrity image surveys.[2][3] Beyond comedy, Kinashi has pursued a multifaceted career in entertainment and the arts. As a singer and musician, he has released albums featuring original songs and served as a record producer, blending pop and comedic elements in his work with Tunnels and solo projects.[4] In acting, he has appeared in films such as Inuyashiki (2018) and Ultraman Zearth 2 (1997), showcasing his versatility on screen.[5] His passion for painting emerged in the early 1990s, leading to an abstract style inspired by everyday life and positivity; by 2013, he had held seven solo exhibitions, with his artwork later displayed internationally, including a 2018 show in London.[6][3][7] Kinashi's personal interests, including a love for soccer, have influenced his public image and creative output, while his long-standing marriage to actress Narumi Yasuda since 1994 has occasionally intersected with his professional life through joint projects.[2][8] In 2025, he released his third album and collaborated on various music and art projects, including a limited-edition G-Shock watch.[9][10] His enduring appeal lies in his ability to transition seamlessly between humor, performance, and fine arts, maintaining relevance in Japanese media over four decades.[11][12]Early life and education
Childhood and family
Noritake Kinashi was born on March 9, 1962, in Chitosedai, Setagaya, Tokyo, Japan.[13] He stands at 1.77 meters tall and has blood type O.[13] His family owned and operated a bicycle shop called Kinashi Cycle, founded by his father, Sakuzo Kinashi, in 1961 in the Soshigaya neighborhood of Setagaya.[14] Sakuzo transitioned to running the shop, which served as both the family business and their home on the bustling local shopping street.[15] Kinashi grew up in the modest living quarters above the shop with his family.[16] The environment of the Soshigaya shopping district, with its community-oriented daily life and Kinashi Cycle's role as a neighborhood hub, shaped his formative years in Setagaya.[17]Schooling and early interests
Noritake Kinashi attended Teikyo High School in Tokyo, a prestigious institution known for its strong athletic programs. During his time there from the late 1970s, he joined the school's renowned soccer club, which achieved national championships in his first and third years. The team was highly competitive, drawing elite players from across Japan, and Kinashi, though not among the top starters on the 130-member roster, contributed to the squad's emphasis on teamwork and perseverance.[18] In high school, Kinashi's early interests extended beyond soccer to performance and entertainment, sparked by seniors who encouraged him to develop banquet-style acts starting around his second year. These informal school events honed his comedic timing and stage presence, often involving skits and improvisations with classmates, including future comedy partner Takaaki Ishibashi, whom he met at Teikyo. He also showed an affinity for music through organizing karaoke sessions, selecting songs tailored to participants' preferences, which reflected his budding creative instincts. Additionally, Kinashi had been fascinated with drawing since a young age, inspired by landscapes and emotions, though this passion deepened later in life.[18][4] Around age 18, following his high school graduation in 1980, Kinashi briefly worked at Daihatsu Motor Co. before transitioning to professional aspirations in comedy. Supported by his family's encouragement from his childhood in a bicycle shop household, he and Ishibashi entered the audition program Owarai Star Tanjō!! as the duo "Takashi & Noritake," marking his entry into owarai and setting the stage for a performance career. This shift came after initial successes in amateur contests, where he quit his job to pursue comedy full-time.[19]Career
Comedy with Tunnels
Noritake Kinashi formed the comedy duo Tunnels in 1980 alongside his high school classmate Takaaki Ishibashi while attending Teikyō High School in Tokyo. Kinashi, at 177 cm tall, is known as the "short member" in contrast to Ishibashi's 182 cm stature, a dynamic that plays into their on-stage interplay.[20][21] The pair quickly gained notice by winning the grand prize on Nippon Television's talent show Owarai Star Tanjo!! that same year, marking their entry into professional owarai.[22] Tunnels' comedy style emphasized physical humor through outrageous live stunts and absurdist gags, diverging from traditional manzai by incorporating ippatsu (one-liner) jokes and monomane (impersonations) that appealed to younger audiences in the early 1980s.[23] Their routines often featured high-energy physicality, such as comedic chases and exaggerated props, which became a hallmark of their variety show appearances. This approach, combined with brief forays into music releases under the Tunnels name starting in 1981, helped blend their comedic persona with pop elements.[23] The duo achieved major breakthroughs on television during the 1980s and 1990s, particularly through Fuji Television's long-running variety show Tonneruzu no Minasan no Okage deshita, which aired from 1988 to 1997 and showcased their stunts, celebrity interactions, and improvisational segments to massive viewership.[24] Earlier appearances on shows like All Night Fuji in the mid-1980s further solidified their rise, establishing Tunnels as icons of irreverent, youth-oriented entertainment that influenced subsequent owarai acts.[23] Tunnels has maintained ongoing activities into the 2020s, including a sold-out comeback concert at Nippon Budokan on November 8–9, 2024—their first in 29 years—drawing over 18,000 fans with a mix of comedy sketches and musical performances.[23] In December 2024, they hosted a golf competition segment on their program Tunnels no Supōtsu Ōhanashi, featuring celebrity guests.[25] However, in April 2025, Ishibashi announced a hiatus from entertainment due to esophageal cancer treatment, temporarily pausing duo efforts while Kinashi continued solo projects.[26]Music and singing
Noritake Kinashi began his musical endeavors in the late 1990s as part of the pop group Yaen, formed alongside comedy partner Takaaki Ishibashi and other collaborators, releasing several albums and singles from 1998 to 2001 that blended upbeat pop with humorous elements drawn from their comedic background.[23][27] In the early 2000s, Kinashi ventured into collaborations that showcased his skills as a singer-songwriter. He contributed vocals and songwriting to the 2002 single "Ganbare Nippon" alongside rock musician Kiyoshiro Imawano, a motivational track supporting the Japanese national team during the FIFA World Cup.[28] By 2006, he formed the soul band Ajisai, serving as lead vocalist and producer for their debut single "Futaridake no Sekai," which emphasized intimate, soulful melodies and marked his shift toward more personal musical expressions.[29] Kinashi's collaborative work continued into the 2010s and 2020s, often highlighting his producer role. He co-produced tracks for the comedic group Yazima Beauty Salon in 2010, infusing pop arrangements with playful energy.[30] In 2020, he released "Tomoyo," a heartfelt ballad featuring Naoyuki Fujii, Hiromi, and Ken Horiuchi, with lyrics by Fumiya Fujii, demonstrating his ability to blend ensemble vocals in emotionally resonant singer-songwriter style.[31] Transitioning to independent work, Kinashi launched his solo career in 2019 with the EP Kinashi Funk -Nori Nori No-ri- under his own label, Kinashi Records, evolving from group-oriented comedy-infused music to introspective funk and soul compositions.[32] This progression culminated in recent releases, including the 2024 singles "Kiminotakoyaki," a lighthearted pop track, and "Ichinichi Gotoni" with Hiromi and George Tokoro, focusing on daily life's joys.[33][34] That year, he issued his third solo album Kinashi Soul on October 30, featuring collaborations with artists like AK-69 and emphasizing raw, soulful production.[35] In 2025, Kinashi released the single "Fanfare" on June 5, a celebratory anthem underscoring his matured role as an independent singer-songwriter and producer.[36] That February, he performed "KINASHI SOUL The Live" on February 7 at Zepp DiverCity in Tokyo, showcasing tracks from his album alongside guest artists.[37]Acting roles
Kinashi began his acting career in the mid-1980s with television appearances, marking a shift from his primary comedic work. His debut dramatic role came in the 1986 TV series Obocchama ni wa Wakarumai!, where he portrayed the lead character Hirata Masami across 13 episodes, showcasing early potential beyond comedy sketches.[38] This was followed by another leading role in the 1987 series Gyookaikun ga iku!, playing Tsuruta Norio in a six-episode run that highlighted his versatility in lighter dramatic formats.[38] A significant milestone arrived in 1998 with his lead performance as Yuino Kitaro in the TV drama Amai Kekkon (Sweet Marriage), a 11-episode production that established him as a capable dramatic actor capable of carrying narratives centered on personal relationships.[38] In film, Kinashi's early work included the 1986 movie Sorobanzuku (Abacus), where he starred as Wataru, blending subtle humor with character-driven storytelling.[5] He continued with a main role as Nishimura Matsubee in the 2002 historical drama Ryōma no Tsuma to sono Otto to Aijin (Ryoma's Wife, Her Husband and Her Lover), earning praise for his nuanced portrayal of complex emotional dynamics.[39] His comedic background from the Tunnels duo occasionally informed cameo appearances in humorous supporting parts, adding levity to ensemble casts. Kinashi's evolution toward more serious leading roles culminated in the 2018 science fiction film Inuyashiki, where he delivered a critically acclaimed performance as the protagonist Ichiro Inuyashiki, a middle-aged salaryman transformed by extraordinary circumstances, demonstrating his range in intense, transformative characters.[40][41] This role, requiring extensive makeup to age his appearance, solidified his reputation as a multifaceted performer.[39] He has also appeared in special television programs, including the ongoing variety-drama hybrid Kinashi Mesen! Nori sun no Hawaii on BS Fuji since 2012, featuring three annual episodes where he performs scripted sketches and improvisational acting in a Hawaiian-themed setting.[42] Continuing his acting pursuits into the 2020s, Kinashi took on the main role of Shiina Masahiko in the 2024 TV drama Haru ni Nattara, an 11-episode series exploring themes of renewal and family.[38] In 2025, he appeared in a supporting capacity as Hisashi in the seven-episode prison drama Hei no Naka no Biyoshitsu, further illustrating his sustained engagement with dramatic television narratives.[38] These roles reflect a progression from comedic cameos to substantial leads, allowing Kinashi to balance his entertainment roots with deeper character explorations across film and television.Visual arts and exhibitions
Noritake Kinashi began exploring visual arts amid his established comedy career, initially inspired by a spontaneous painting segment on a television program in 1994, where he depicted a landscape of the Seine River. This experience reignited his childhood interest in drawing, leading to his debut as a visual artist that same year. His first solo exhibition, titled "Taiyo Niconica Exhibition," was held in Nagoya, Aichi Prefecture, under the pseudonym Kintaro Kinashi, marking the start of his parallel artistic pursuits alongside comedy.[43][44][11] Kinashi's artistic style is eclectic and intuitive, characterized by childlike, colorful abstractions that blend humor derived from his comedic background with non-conformist motifs of everyday objects and human forms. His works often feature positive, uplifting imagery—such as stylized hands symbolizing connections and peace—rendered in acrylic on canvas or wood with gestural brushstrokes and mixed media elements, evoking influences like Jean Dubuffet while incorporating pop-like patterns and text for emotional depth. This approach reflects an improvisational process without revisions, emphasizing themes of domesticity and joy to evoke happiness in viewers.[11][45][7] By 2013, Kinashi had completed at least seven solo exhibitions in Japan, showcasing his evolving body of paintings, sculptures, and drawings. A notable milestone was the 2013 exhibition "Noritake Kinashi Bijutsukan 2: Ai to Kibō to Hikari to Kapiolani Kōen to Watashi to" in Kyoto, which highlighted his thematic focus on love, hope, light, and personal introspection through vibrant, abstract compositions. His international presence expanded in the mid-2010s, beginning with a debut U.S. solo show at hpgrp Gallery in New York in 2015, featuring around 30 works including large-scale cityscapes and early impasto paintings.[46][45] Key exhibitions in the late 2010s further solidified Kinashi's reputation. In 2018, he made his London debut with "REACH OUT" (also presented as "-moment-") at Protein Studios in Shoreditch, organized by imura art gallery, where recurring hand motifs underscored messages of human connection and peace across cultures. That same year launched his major Japan tour "Timing – Light of the Moment," a national museum circuit spanning 2018 to 2020 with over 130 works—including paintings, sculptures, and drawings—visiting venues like the Osaka Culturarium at Tempozan and culminating at the Ueno Royal Museum in Tokyo, drawing record attendance and affirming his pop-influenced, humorous abstractions on a grand scale.[3][11][47] Kinashi's exhibition activities extended into the mid-2020s with his third national touring exhibition, titled "Noritake Kinashi Exhibition - TOUCH SERENDIPITY - Meaningful Coincidence," announced in November 2024 and running from 2025 to 2027. It began in Osaka at Knowledge Capital from July 19 to August 31, 2025, followed by Kanazawa at the 21st Century Museum of Contemporary Art from September 13 to October 12, 2025, with subsequent stops including Saga at the Saga Prefectural Museum from December 20, 2025, to February 8, 2026.[48][49]Personal life
Marriage and family
Noritake Kinashi married actress Narumi Yasuda in 1994, after they first met while co-starring in the 1986 film Sorobanzuku.[50][51] The couple has maintained a relatively private personal life amid their entertainment careers, though they have occasionally appeared together publicly, such as during a casual outing spotted in mid-May 2024 to mark their 30th wedding anniversary.[52] Kinashi and Yasuda have three children: sons Kanta (born 1995) and Ginji (born 2000), and daughter Miharu (born 2004).[41] Their eldest son, Kanta, has pursued interests outside the spotlight, while middle son Ginji has followed in his father's footsteps as an artist.[50] With their children now grown as of 2025, the couple has begun exploring new phases of their relationship, including their first joint television appearance on a travel program documenting a trip to Peru.[53] The family's life centers around shared passions in the arts and entertainment, with Kinashi's pursuits in visual arts complementing Yasuda's acting background, fostering a creative home environment.[52] Their careers have intersected through occasional media collaborations, such as the 2025 travel show, which highlighted their enduring partnership.[53] As of 2025, Kinashi and Yasuda's 31-year marriage is widely regarded as a model of stability in Japan's entertainment industry, admired for its longevity and the couple's ability to balance professional demands with family privacy.[53] Public interest in their relationship has grown with recent joint projects, portraying them as a supportive duo entering an empty-nest era with optimism.[52]Professional affiliations
Noritake Kinashi maintained a long-term professional partnership with Takaaki Ishibashi, his collaborator in the comedy duo Tunnels, through shared management of their careers via the talent agency Arrival, which the duo established in 1994 after leaving their previous agency, Office A to Z. As a founding member of the agency, Kinashi served as executive vice president from its inception until June 2018, overseeing operations and talent representation during a period that supported Tunnels' diverse entertainment ventures.[6][54] Following his resignation from Arrival to establish his independent agency Kinashikokka (formerly Coca), Kinashi continued to leverage his industry connections for collaborative projects, including production oversight in music and art endeavors. His involvement extended to executive production roles in recent releases, such as the 2024 album KINASHI SOUL and the associated 2025 live event KINASHI SOUL The Live, where he coordinated featured artists and performances to blend his musical and artistic visions.[9][55] Within professional circles, Kinashi is commonly addressed by affectionate nicknames such as "Nori-san" and "Nori-chan," which underscore his approachable demeanor and enduring rapport with colleagues across entertainment, music, and arts sectors.[7][41] These monikers, derived from his given name, highlight the informal yet respectful dynamics that have facilitated his sustained industry affiliations.Filmography
Television appearances
Kinashi Noritake began his television career prominently through his work with the comedy duo Tunnels, featuring in long-running variety programs where he performed sketches and hosted segments. One of the most notable was Tonneruzu no Minasan no Okage Deshita (1997–2018), a Fuji Television variety show that evolved from the earlier Tonneruzu no Minasan no Okage Desu (1988–1997), in which Kinashi and partner Takaaki Ishibashi delivered signature comedic content including parodies and physical humor that defined 1990s Japanese TV entertainment.[56] Earlier appearances included Tonneruzu no Ikite Daradara Ikasete!! (1991–2001) on Nippon Television, showcasing improvised comedy sketches.[57] Transitioning to solo projects, Kinashi has hosted the ongoing BS Fuji variety special series Kinashi Mesen! Nori sun no Hawaii since 2012, airing periodically (typically three times annually) to explore Hawaiian culture, activities, and cuisine from his personal perspective as a frequent visitor.[58] In dramatic roles, Kinashi took the lead as Kitaro Yuino, a workaholic publisher facing marital crisis, in the 1998 Fuji Television drama Amai Kekkon, co-starring Naomi Zaizen as his wife, which explored themes of family and personal growth over 10 episodes.[59] He returned to leading drama roles after a 26-year hiatus with Haru ni Nattara (2024) on Kansai Television and Fuji Television, portraying father Masahiko Shiina in a heartfelt story of impending loss and reunion opposite Nao as his daughter.[60] In 2025, he appeared in a supporting role in Hei no Naka no Biyoushitsu on WOWOW, adapting a novel about a barber in a women's prison.[61] Up to 2025, Kinashi has continued appearing in sports-themed specials, often drawing on his athletic background. He hosted Yume Taiketsu 2025: Tonneruzu no Sports Ou wa Ore da!!—also known as Tonneruzu no Sports Ou wa Ore da!!—on Television Asahi on January 2, 2025, leading Team Kinashi in competitions against Team Ishibashi, featuring penalty kicks with Japanese soccer legends.[62]Live-action films
Kinashi Noritake made his feature film debut in the 1986 comedy Sorobanzuku, directed by Yôji Yamada, where he played a supporting role as a young abacus enthusiast navigating quirky family dynamics in post-war Japan. This early appearance marked his entry into cinema following his rising prominence in television comedy. His next notable film role came over a decade later in the 1997 tokusatsu sci-fi adventure Ultraman Zearth 2: Superhuman Big Battle - Light and Shadow, in which he portrayed a comedic sidekick aiding the titular hero against extraterrestrial threats, blending humor with action sequences typical of the Ultraman franchise. In 2002, Kinashi took on a supporting role in the historical drama Ryōma no Tsuma to sono Otto to Aijin (Ryoma's Wife, Her Husband and Her Lover), directed by Kōki Mitani, depicting the turbulent relationships surrounding Sakamoto Ryōma during the Bakumatsu period; he embodied a loyal retainer whose wit lightened the film's tense political intrigue. This performance showcased his versatility beyond comedy, contributing to the ensemble cast's exploration of loyalty and betrayal. He followed with a minor antagonistic part in the 2003 yakuza action film Jusei: Last Drop of Blood, directed by Yasushi Akimoto, as a limping hitman dispatched to eliminate a reformed gangster, adding a layer of menace to the revenge-driven narrative.[63] Kinashi's film career gained momentum in the mid-2000s with roles in dramatic works, including the 2004 comedy Warai no Daigaku (University of Laughs), where he supported the lead in a meta-story about adapting a play for wartime censorship. In 2006, he starred as the protagonist Shigeyuki Kizaki in Ashita no Kioku (Memories of Tomorrow), a poignant adaptation of Hiroshi Fukumura's novel about a man's battle with Alzheimer's, earning praise for his empathetic portrayal of gradual memory loss and familial bonds. The 2008 mystery drama Posutoman (Postman) featured him in a key supporting role as a postman unraveling small-town secrets, highlighting his ability to infuse everyday characters with subtle depth. Later films included a comedic cameo in the 2010 spin-off Yajima Biyoshitsu THE MOVIE: Yume o Tsukama Neva-da (Miracle Girls: Neva-da Stop Dreaming), based on the manga series, where he played a quirky salon client. In 2015, Kinashi appeared as the Shizuoka branch manager in the romantic thriller Inishieishon Rabu (Initiation Love), adapted from Keiichi Tanaka's novel, contributing to the film's exploration of youthful obsession and deception through his authoritative yet humorous presence. A career highlight arrived in 2018 with Kinashi's lead role as Ichirō Inuyashiki in the live-action adaptation of Ō Hajime's manga Inuyashiki, directed by Kōji Fukada. Portraying a terminally ill salaryman transformed into a cyborg after a mysterious accident, Kinashi delivered a nuanced performance balancing vulnerability, rage, and redemption, opposite Takeru Satoh's antagonistic counterpart; the film grossed approximately ¥710 million at the Japanese box office and was noted for its social commentary on alienation and vigilantism.[64] His preparation involved extensive physical training to depict the character's superhuman abilities, marking a rare dramatic lead after 16 years.[65] Post-2018, Kinashi's live-action film appearances were sparse, with his most recent role in the 2019 tokusatsu entry Gekijōban Kamen Rider Zi-O: Over Quartzer, where he played Takeshi Kinashi, a time-traveling ally in a multiverse battle against historical villains, appealing to fans of the long-running franchise. No feature films starring or featuring Kinashi have been released between 2020 and 2025, though he continued active in television dramas during this period.[66]| Year | Title | Role | Notes |
|---|---|---|---|
| 1986 | Sorobanzuku | Wataru Tokitsukaze (supporting) | Debut film; comedy. |
| 1996 | Ultraman Zearth | Butsukichi Konakai | Tokusatsu action. |
| 1997 | Ultraman Zearth 2: Superhuman Big Battle - Light and Shadow | Butsukichi Konakai (sidekick) | Tokusatsu action. |
| 2002 | Ryōma no Tsuma to sono Otto to Aijin | Nishimura Matsubee (retainer) | Historical drama. |
| 2003 | Jusei: Last Drop of Blood | Hitman | Yakuza action.[63] |
| 2004 | Warai no Daigaku | Supporting | Comedy-drama. |
| 2006 | Ashita no Kioku | Shigeyuki Kizaki (lead) | Drama on Alzheimer's. |
| 2008 | Posutoman (Postman) | Postman (supporting) | Mystery. |
| 2010 | Yajima Biyoshitsu THE MOVIE: Yume o Tsukama Neva-da | Client | Comedy spin-off. |
| 2015 | Inishieishon Rabu | Branch manager | Romantic thriller. |
| 2018 | Inuyashiki | Ichirō Inuyashiki (lead) | Sci-fi action; box office ¥710M.[64] |
| 2019 | Gekijōban Kamen Rider Zi-O: Over Quartzer | Takeshi Kinashi | Tokusatsu. |
Voice acting
Noritake Kinashi has contributed to the Japanese dubbing of several prominent animated films, bringing his comedic timing and expressive delivery to character roles that emphasize familial bonds and adventurous spirits. His voice work primarily appears in dubs of Western animations, where he infuses characters with warmth and humor.[67] One of Kinashi's most notable voice roles is that of Marlin, the overprotective clownfish father, in the Japanese dub of Pixar's Finding Nemo (2003). He reprised the role in the sequel Finding Dory (2016), portraying the character's anxious yet endearing personality through nuanced vocal inflections that resonated with Japanese audiences. These performances highlight Kinashi's ability to convey emotional depth in animated family-oriented narratives.[68][69] In addition to the Finding Nemo franchise, Kinashi voiced Patchi, a young pachyrhinosaurus on a journey of self-discovery, in the Japanese dub of the animated film Walking with Dinosaurs (2013). This role showcased his versatility in lending voice to prehistoric creatures in an educational yet entertaining context, contributing to the film's appeal in Japan.[67]Discography
Albums
Noritake Kinashi's musical career began with collaborative projects in the late 1990s as a key member of the pop group Yaen, alongside comedian Takaaki Ishibashi and other performers. The group released three studio albums between 1999 and 2001, blending upbeat pop with humorous and energetic themes reflective of their comedy roots, achieving mainstream success with all releases charting in the top ten on the Oricon charts. Kinashi contributed as a vocalist and co-producer, emphasizing lively, accessible tracks that appealed to a broad audience.[70] The albums Staff Roll (1999), Evolution (2000), and Tesshū (2001) showcased Yaen's pop style, with Kinashi's production role helping craft songs that mixed fun, narrative elements inspired by everyday life and adventure.[71] In 2006, Kinashi formed the soul band Ajisai, releasing the collaborative album Futaridake no Sekai, which explored intimate, soulful themes of personal connection and emotion through original compositions blending pop and soul influences. The project highlighted Kinashi's vocal range and production skills, marking a shift toward more introspective music.[29] Kinashi's solo career gained momentum in 2019 with his debut full-length album Kinashi Funk the Best, a collection of 10 original tracks fusing funk, pop, and collaborative elements with artists across genres, earning praise for its mature, energetic sound and Kinashi's refined singing voice. The album established his independent label Kinashi Records and underscored his role as singer-songwriter and producer.[72] Following this, Kinashi Music Connection Saishuushou -60th Anniversary- (2022) compiled tracks from Kinashi's "Music Connection" series, featuring new collaborations with performers like Matsuko Deluxe, Mitsu Mangrove, Pindon Noriko, and Rino Sashihara, focusing on themes of celebration, connection, and anniversary reflection through diverse pop and funk arrangements; Kinashi produced the project to showcase his extensive network in the industry. The album received positive attention for its star-studded lineup and joyful vibe.[73][74] His third solo album, Kinashi Soul (2024), features 10 original songs blending pop, soul, funk, and hip-hop, with guest appearances from artists including SWAY, Kazuki Hayashi, JAY'ED, DJ DARUMA from PKCZ, and Crystal Kay; it evokes the spirit of his debut while expanding on personal expression and rhythmic innovation, produced entirely by Kinashi to capture his evolving musical world. The release has been noted for its vibrant, genre-spanning appeal and Kinashi's commanding presence as a multifaceted artist.[75][55][76]| Album Title | Release Year | Key Themes and Style | Notable Collaborations/Role |
|---|---|---|---|
| Staff Roll (Yaen) | 1999 | Upbeat pop with humorous narratives | Co-producer, vocalist |
| Evolution (Yaen) | 2000 | Energetic pop adventures | Co-producer, vocalist |
| Tesshū (Yaen) | 2001 | Reflective pop closure | Co-producer, vocalist |
| Futaridake no Sekai (Ajisai) | 2006 | Intimate soul connections | Producer, lead vocalist |
| Kinashi Funk the Best | 2019 | Funk-pop maturity | Various artists; producer |
| Kinashi Music Connection Saishuushou -60th Anniversary- | 2022 | Celebratory connections | Matsuko Deluxe et al.; producer |
| Kinashi Soul | 2024 | Soul-funk personal expression | SWAY, Crystal Kay et al.; producer |