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On Stranger Tides

On Stranger Tides is a historical fantasy novel by American author Tim Powers, first published in 1987 by Ace Books.^[1] Set during the Golden Age of Piracy in 1718, the story follows protagonist John Chandagnac, a French bookkeeper and puppeteer traveling to Jamaica to claim an inheritance, who is captured by pirates led by the notorious Edward Teach (Blackbeard) and drawn into a supernatural quest for the Fountain of Youth amid voodoo rituals, zombies, and mystical forces.^[2] The novel blends historical figures and events with speculative elements, exploring themes of redemption, loyalty, love, and the clash between European rationalism and Caribbean mysticism.^[2] It received critical acclaim, earning a nomination for the World Fantasy Award for Best Novel in 1988^[3] and finishing second in the Locus Award for Best Fantasy Novel that same year.^[4] Powers, known for his "secret history" style that weaves fantasy into real-world events, drew inspiration from 18th-century pirate lore and occult traditions to craft the narrative.^[5] On Stranger Tides has influenced popular culture, serving as a loose basis for the 2011 film Pirates of the Caribbean: On Stranger Tides, directed by Rob Marshall and starring Johnny Depp, which adapts the novel's core premise of pirates seeking immortality through the Fountain of Youth.^[5] The book's enduring appeal lies in its adventurous plot, richly detailed historical backdrop, and innovative fusion of genres, establishing it as a landmark in modern fantasy literature.^[6]

Publication History

Initial Release

On Stranger Tides was published by Ace Books in November 1987 as a hardcover edition comprising 325 pages.^[7]^[8] The book featured cover art by James Gurney and carried the ISBN 0-441-62683-1.^[9] This release marked a significant point in Tim Powers' career, following his earlier works such as The Anubis Gates (1983).^[10] The novel emerged amid the expanding market for fantasy literature in the late 1980s, a period when the genre saw increased publishing activity and reader interest, building on the success of epic series and innovative historical blends.^[11] Ace Books positioned On Stranger Tides within this landscape as Powers' latest contribution to historical fantasy, emphasizing its fusion of 18th-century piracy adventures with supernatural elements like voodoo and the quest for the Fountain of Youth.^[12] Contemporary previews highlighted it alongside other notable science fiction and fantasy titles in fall catalogs, underscoring its role in the season's genre offerings.^[13]

Editions and Awards

Following its debut hardcover publication by Ace Books in 1987, On Stranger Tides saw a mass-market paperback edition released by Ace in 1988, broadening its accessibility to a wider readership.^[14]^[15] Later reprints included a 2006 trade paperback from Babbage Press and multiple hardcover variants from Subterranean Press in 2008, featuring artwork by James Gurney.^[16] The novel has been translated into several languages, with early international editions including the French version Sur des mers plus ignorées..., published in paperback by J'ai Lu (an imprint of Presses de la Cité) in 1988 and translated by France-Marie Watkins, and the German edition In fremderen Gezeiten, released in paperback by Heyne in 1989 and translated by Walter Brumm.^[16] Additional translations followed, such as the Portuguese Vodu nas Caraíbas by Edições Saída de Emergência in 2007.^[16] On Stranger Tides received significant recognition in the fantasy genre, earning a nomination for the World Fantasy Award for Best Novel in 1988, where it competed against works like Replay by Ken Grimwood (the winner), Misery by Stephen King, Swan Song by Robert R. McCammon, Seventh Son by Orson Scott Card, and The Solitudes by John Crowley.^[3] It also placed second in the 1988 Locus Award poll for Best Fantasy Novel, behind Seventh Son by Orson Scott Card, ahead of Sign of Chaos by Roger Zelazny and Weaveworld by Clive Barker.^[4] In conjunction with the 2011 film adaptation Pirates of the Caribbean: On Stranger Tides, the novel experienced renewed interest through reissues, including a trade paperback reprint by Harper in 2011 featuring tie-in cover art.^[17] Subterranean Press also issued a special limited edition that year, comprising 250 signed and numbered hardcovers with premium cloth binding, exclusive illustrations by Tim Powers, and unpublished sketches by James Gurney, alongside a trade hardcover and a 26-copy lettered edition in a custom traycase.^[18]

Background and Development

Inspirations

Powers drew upon extensive historical research into the Golden Age of Piracy (1716–1722) to shape the novel's setting and events, focusing on the exploits of the pirate Edward Teach, known as Blackbeard, and the longstanding legend of the Fountain of Youth. He consulted biographies, journals, and 18th-century travelogues to capture authentic details of sailing, architecture, and Caribbean traditions, claiming that his preparation made him more knowledgeable about period navigation than many who had never sailed.^[19]^[5] The supernatural elements were inspired by Powers' studies of voodoo mythology, rooted in Haitian and West African traditions, which he integrated as a coherent magical system after researching its practices and rituals. This included interpreting Blackbeard's documented eccentricities—such as weaving lit fuses into his beard or blending gunpowder with rum—as voodoo-derived protections against spiritual threats.^[19]^[5] Pirate lore from 18th-century accounts further influenced the narrative's tone and structure, with Powers citing adventure novelist Rafael Sabatini's swashbuckling style in works like Captain Blood as a model for scenes of cutlass duels and naval battles. His approach emphasized "real-world lumber" from historical sources to build the fantastical elements without fabrication.^[19]^[5]

Writing Process

Tim Powers composed On Stranger Tides in the mid-1980s, shortly after the publication of his breakthrough novel The Anubis Gates in 1983, drawing on his established method of integrating supernatural elements into historical narratives.^[19] The book was ultimately published by Ace Books in 1987, marking a continuation of Powers' exploration of fantasy rooted in real-world history.^[5] Prior to this acceptance, Powers had faced rejections from editor Lester del Rey at Del Rey Books for several earlier manuscripts, including The Anubis Gates, which del Rey criticized as overly eclectic; these experiences influenced Powers' approach to crafting On Stranger Tides with deliberate inclusions of elements like pirates and voodoo that he anticipated might provoke similar feedback.^[19] Central to Powers' writing process was his "secret history" technique, wherein mythological and supernatural forces operate as concealed realities behind verifiable historical events, allowing myths to be "real but hidden" from the official record.^[19] For On Stranger Tides, this involved extensive research into 18th-century pirate lore using sources such as biographies, travel journals, and National Geographic articles, rather than on-site visits, to authenticate details like sea battles and cutlass fights while weaving in fantasy.^[5] Powers emphasized avoiding outright invention, instead connecting disparate historical facts—such as odd behaviors or anomalies—with magical explanations, stating, "I don’t have to make anything up, I just have to find it all."^[5] A distinctive aspect of the novel's creation was Powers' grounding of magic in historical anomalies, particularly voodoo rituals linked to pirate activities around 1718, the year of Blackbeard's death.^[19] He structured these supernatural systems with Newtonian logic for plausibility, ensuring that magical actions produced balanced physical consequences, such as a large fire inducing a corresponding frost elsewhere, thereby tying voodoo practices to real events like Blackbeard's ritualistic use of gunpowder and rum or his habit of tying lit matches in his beard as a warding spell.^[19]^[5] This approach required multiple revisions, including thorough outlining to explore plot variations and page-by-page polishing to maintain narrative coherence.^[19]

Narrative Elements

Plot Summary

In 1718, during the Golden Age of Piracy in the Caribbean, the novel follows John Chandagnac, a French puppeteer sailing from France to Jamaica aboard the Vociferous Carmichael to reclaim his family's stolen inheritance from his unscrupulous uncle.^[2]^[20] En route, the ship is overtaken by pirates led by the infamous Edward Teach, known as Blackbeard, who forces Chandagnac to join the crew or face execution, renaming him Jack Shandy as he begins learning the ways of piracy, including swordsmanship and seamanship.^[2]^[20] Shandy soon becomes entangled in Blackbeard's ambitious quest to locate the legendary Fountain of Youth, a pursuit intertwined with voodoo rituals and supernatural elements, including encounters with zombies raised by sorcerers and naval chases by British forces seeking to dismantle the pirate strongholds.^[2]^[20] As the narrative escalates, Shandy allies uneasily with Blackbeard and navigates treacherous alliances amid voodoo ceremonies aimed at harnessing mystical powers for the expedition, facing escalating threats from both human adversaries and otherworldly forces in the Florida swamps and beyond.^[2]^[20] The adventure culminates in a climactic confrontation at the Fountain of Youth, where the pirates' ritualistic ambitions collide with Shandy's personal stakes, weaving piracy, magic, and survival into a high-stakes resolution marked by redemption and profound loss.^[2]^[20]

Fictional Characters

John Chandagnac, who adopts the alias Jack Shandy, serves as the novel's protagonist, initially portrayed as a French puppeteer sailing to Jamaica after his father's death to reclaim a family inheritance stolen by his uncle.^[21] Captured by pirates early in his journey, Shandy is coerced into joining their crew, transitioning from a law-abiding civilian to a reluctant buccaneer whose skills in improvisation and resilience aid his survival amid supernatural perils.^[19] His development reflects a gradual embrace of pirate life, evolving from resentment toward his captors to a sense of belonging, driven by personal stakes including romance and self-discovery, ultimately preferring the freedom of the sea despite its dangers.^[20] Elizabeth Hurwood, the strong-willed daughter of a sorcerer, emerges as a key female figure and Shandy's romantic interest, embodying themes of personal agency as she navigates the treacherous world of piracy and magic alongside the protagonist.^[19] Intelligent and resourceful, she plays a pivotal role in the quest for the Fountain of Youth, challenging traditional gender roles through her determination to influence her own fate rather than remain a passive participant.^[20] However, her character arc is somewhat limited in depth, as she recedes from the narrative in later sections despite her initial prominence as a motivator for Shandy's actions.^[20] Benjamin Hurwood functions as the central antagonist, Elizabeth's father and an Oxford scholar turned sorcerer, whose obsession with immortality propels much of the story's conflict through his pursuit of the Fountain of Youth.^[19] Employing voodoo rituals to animate and control zombies as undead servants, he represents a corrupting influence of unchecked ambition, blending intellectual pursuits with dark mysticism in a manner that heightens the novel's supernatural tension.^[20] His development underscores a descent into madness, prioritizing esoteric knowledge and power over familial bonds, which strains his relationship with Elizabeth and positions him in opposition to Shandy's more grounded heroism.^[19] Supporting characters enrich the pirate dynamics, including Philip Davies, a skilled navigator whose loyalty to the crew is tested through moments of betrayal and redemption, contributing to the themes of trust amid treachery.^[20] The pirate crew members, depicted as a ragtag assembly living in a shanty town, provide comic relief and camaraderie, their individual arcs highlighting cooperation in battles and the harsh realities of betrayal, which collectively shape Shandy's integration into their world.^[19] These figures occasionally interact with historical pirates like Blackbeard, adding layers to their fictional loyalties without overshadowing their personal developments.^[21]

Historical Figures

In On Stranger Tides, Edward Teach, historically known as Blackbeard, is portrayed as the ruthless captain of the Queen Anne's Revenge, a pirate vessel that dominates the Caribbean seas in 1718. Powers fictionalizes Teach as a voodoo practitioner who learned the craft during his youth in the West Indies, using it to command supernatural forces and build an undead army to aid his quest for the Fountain of Youth. This depiction enhances his historical reputation for terror, attributing behaviors like igniting fuses in his beard and hair to magical wards against malevolent spirits, rather than mere intimidation tactics.^[5]^[20]^[19] The novel integrates Teach's documented blockade of Charleston in May 1718 as a strategic ploy infused with voodoo rituals, aimed at capturing a specific prisoner to advance his immortal ambitions, diverging from purely piratical motives in historical records. Powers further alters Teach's demise at Ocracoke Inlet by linking it to a climactic magical confrontation, where voodoo ceremonies amplify the supernatural stakes of his beheading by British forces under Lieutenant Maynard. These changes blend Teach's real exploits—such as his brief reign as a pirate king—with occult elements to frame him as a tragic figure ensnared by dark sorcery.^[21]^[19]^[5] Juan Ponce de León is portrayed as an immortal explorer who discovered the Fountain of Youth in the 16th century and has since lived for centuries by harnessing its magical properties. In the novel, he is revealed as the former governor of New Providence known as "Sawney," appearing as an ancient, mentally and physically degraded figure who advises the protagonist on countering sorcery, thereby warning of the corrupting perils of unnatural longevity. This fictionalizes his historical role as a Spanish conquistador who sought but never found the fountain, dying in 1521.^[19]^[21] Woodes Rogers, the historical governor of the Bahamas appointed in 1718 to suppress piracy, is depicted as a colonial authority enforcing British rule amid the novel's fantastical upheavals. Powers incorporates Rogers' real efforts to pardon or execute pirates, including interactions with figures like Blackbeard, but infuses these with encounters involving voodoo and mythical artifacts. Pirate allies such as Stede Bonnet, Teach's historical lieutenant captured and executed in 1718, appear as subordinates in the supernatural expedition, their documented alliances reimagined through lenses of ritualistic loyalty and undead servitude.^[21]^[20]^[19]

Themes and Analysis

Supernatural Motifs

In On Stranger Tides, the voodoo system forms a central supernatural framework, characterized by intricate rituals that invoke loa spirits for protection, guidance, and power. Practitioners perform ceremonies involving the sprinkling of rum and flour in trenches, accompanied by chants in Hebrew, French-African-Caribbean dialects, and offerings such as roasted chicken or goat drenched in rum to summon entities like Maitre Carrefour (Mate Care-For), Legba, Gede, and Baron Samedi.^[22] These loa are depicted as potent New World spirits that can empower individuals during conflicts, such as naval battles, or shield against supernatural threats like ghosts, often through symbolic items like ox-tails or low-smoldering fires from cigars and coals.^[22] Zombies emerge as a key element of this system, created through a combination of pharmacological drugs and magical rites; for instance, drugged Arawak Indians are sacrificed in rituals, resulting in animated corpses that serve as mindless laborers or combatants, appearing pale, puffy, and with milky eyes.^[22] Soul transference represents a pursuit of immortality within voodoo lore, involving blood rituals and preserved body parts to relocate a spirit into a new vessel, often timed to potent dates like Christmas Day for enhanced efficacy.^[22] The Fountain of Youth stands as a profoundly mystical site, envisioned as a hidden pool in Florida's rainforests or swamps, enveloped in optical illusions, auroral lights, and spectral faces within its spray, embodying eternal life but demanding a steep price through blood and seawater rites.^[22] Guarded by mythical creatures and local loa such as Este Fasta, the fountain's power warps perception and reality, serving as a nexus for sorcerous ambitions tied to resurrection and unending vitality.^[22] European witchcraft integrates seamlessly with Caribbean sorcery, creating a hybrid occult tradition where Old World techniques like mathematical precision in verver patterns and mirror-based invocations blend with voodoo elements such as herb-burning and blood offerings.^[22] This fusion draws from historical rumors of Blackbeard's "devil powers," reimagined through voodoo lenses: he employs a mummified dog head as a divining pointer, consumes flaming rum to banish spirits, and commands undead via brimstone rituals and alliances with Baron Samedi, granting him unnatural resilience against wounds.^[22]^[5] Powers employs a "rationalized fantasy" approach, where magic adheres to pseudo-scientific rules to maintain internal consistency, treating supernatural phenomena as matter-of-fact extensions of the world rather than wondrous anomalies.^[20] Spells carry a detectable "hot-metal smell" and are influenced by tidal forces, with potency peaking at low tide to enable strategic timing in confrontations; iron objects disrupt magical energies, as seen in the use of swords or compass needles to counter sorcery, while prohibitions on pistols stem from the heat generated by occult workings.^[22] This structured system underscores the novel's blend of historical piracy with occult mechanics, where rituals demand precise planning and adherence to natural laws.^[20]

Historical and Mythical Integration

In On Stranger Tides, Tim Powers intertwines the historical turbulence of 1718 in New Providence—a notorious pirate stronghold in the Bahamas—with the enduring myth of the Fountain of Youth, originally linked to Spanish explorer Juan Ponce de León's 1513 expedition to Florida. New Providence served as a chaotic hub for pirates during the Golden Age of Piracy, culminating in the arrival of British governor Woodes Rogers, who offered royal pardons and enforced anti-piracy measures to reclaim the island for the Crown.^[23]^[24] Powers leverages this real event as the backdrop for his protagonists' involvement in pirate crews, where the quest for the mythical fountain—said to grant eternal youth and rooted in Ponce de León's documented voyages seeking new lands and resources—drives alliances and conflicts among historical figures like the pirate Blackbeard.^[25]^[26] The novel employs a "secret history" approach, positing that voodoo practices, drawn from the spiritual traditions of enslaved Africans in the Caribbean, covertly shaped pirate alliances and betrayals during this era. Powers researched voodoo extensively to integrate it plausibly, suggesting that esoteric rituals influenced figures like Blackbeard, transforming mundane pirate intrigues into supernatural power struggles without altering verifiable historical outcomes.^[19] This technique echoes the broader colonial context of the Caribbean, where British naval pursuits to suppress piracy intersected with the echoes of the transatlantic slave trade, as enslaved people's syncretic beliefs like voodoo permeated island societies and indirectly fueled the mythical quests at the novel's core.^[26] Powers' method of grounding fantasy in verifiable events exemplifies this integration, as seen in his reimagining of Blackbeard's documented intimidation tactics—lighting slow-burning fuses in his braided beard to create a terrifying, smoke-wreathed apparition during battles—as a voodoo-derived magical ability to commune with spirits. By deriving supernatural elements from such historical oddities, Powers ensures the fantasy enhances rather than contradicts the era's documented realities, creating a cohesive narrative that respects pirate lore while unveiling hidden mythical layers.^[27]^[28]^[19]

Reception

Critical Reviews

Upon its publication in 1987, On Stranger Tides received widespread acclaim from fantasy critics for its seamless integration of historical adventure and supernatural elements. Orson Scott Card, in his review for The Magazine of Fantasy & Science Fiction, lauded the novel's blend of swashbuckling piracy and occult magic, describing it as "as good as storytelling ever gets" and praising Powers' ability to combine "powerful Indian magic, black vodun," and historical figures like Blackbeard into a cohesive narrative that delivers both marvels and horrors without flaws.^[29] The review highlighted the clean, elegant prose that propels the tale forward, ensuring readers remain engaged through vivid characters and relentless momentum.^[29] Kirkus Reviews echoed this enthusiasm, commending Powers as a "rich stylist whose charismatic language keeps pace with his storytelling" and celebrating the novel's imaginative world-building, where the Fountain of Youth exists amid unstable natural laws and voodoo-infused pirate lore.^[30] The publication noted the story's bubbling energy, filled with ghost ships and sorcery, as confirmation of Powers' vast talent, predicting it would attract new fans alongside his existing audience from works like The Anubis Gates.^[30] Critics did identify some limitations, particularly in pacing and resolution. Kirkus observed that toward the end, the narrative relies on "mere derring-do and acrobatics," shifting from supernatural depth to conventional action.^[30] Despite such notes, the contemporary consensus positioned On Stranger Tides as an innovative fantasy triumph, evidenced by its nomination for the 1988 World Fantasy Award for Best Novel.^[31] Reviewers frequently evoked Powers' style as a form of "swashbuckling occult" adventure, capturing the novel's thrilling fusion of historical accuracy and mystical peril that boosted its appeal amid the era's interest in pirate-themed tales.^[29]

Reader and Scholarly Response

Readers have embraced On Stranger Tides for its swashbuckling pirate adventure infused with supernatural elements, evidenced by an average rating of 3.82 out of 5 on Goodreads from over 10,957 ratings as of 2025.^[32] The novel maintains a cult following in fantasy communities, where enthusiasts praise its meticulous historical research and eerie magical realism as a standout in the genre.^[33] Scholarly analysis of On Stranger Tides has positioned it within Tim Powers' contributions to the secret history subgenre. Following the 2011 film adaptation, modern reassessments have highlighted renewed interest in the novel's voodoo representations, analyzing its portrayal of loa deities and sorcery as a fusion of African diasporic traditions with pirate lore.^[2] Critiques have also addressed gender roles in pirate narratives, noting the limitations in female agency amid male-dominated quests and magical gender restrictions.^[2] However, scholarship reveals gaps, with limited deep dives into the ecological motifs surrounding the Fountain of Youth quest and its implications for environmental mythology in fantasy.^[2] In 2025, a review described the novel as "pleasingly old-fashioned" with formal prose and atmospheric detail, offering a reprieve from modern speculative fiction's irony and providing gravitas through its blend of history, folklore, and eldritch horror.^[34]

Legacy and Adaptations

Influence on Literature and Games

On Stranger Tides has exerted a notable influence on the fantasy literature genre, particularly within the subgenre of historical fantasy centered on piracy. By weaving real historical figures such as Blackbeard into a narrative infused with supernatural elements like voodoo magic, zombies, and the quest for the Fountain of Youth, the novel established a template for blending authentic Golden Age piracy with occult lore, contributing to the evolution of "secret history" fantasy.^[34] This approach has encouraged later authors to explore similar intersections of history and the mythical, though direct attributions remain sparse in published interviews.^[35] The novel's impact is most prominently documented in video games, where it directly shaped the development of the Monkey Island series. Ron Gilbert, the creator of the franchise, has stated that On Stranger Tides, which he read in the late 1980s, served as a primary inspiration, particularly for incorporating voodoo rituals, zombies, and pirate adventures into the game's world.^[36] The first title, The Secret of Monkey Island (1990), and subsequent entries borrow heavily from the book's atmospheric blend of humor, horror, and high-seas escapades, transforming these elements into interactive storytelling.^[37] Official accounts from Lucasfilm and developers further affirm the novel's role alongside influences like the Disneyland Pirates of the Caribbean ride, solidifying its foundational status in adventure gaming.^[38] Echoes of its themes also appear in broader pirate-themed games from the 1990s onward, though explicit citations beyond Monkey Island are limited. As of 2025, On Stranger Tides continues to resonate in fantasy and gaming communities without major new literary adaptations post-2017, maintaining its legacy through reprints and discussions in genre forums. The 2011 film adaptation briefly amplified the novel's visibility, spurring renewed readership that indirectly sustained its influence on creative works in literature and interactive media.^[39]

Film and Media Adaptations

The primary media adaptation of Tim Powers' On Stranger Tides is the 2011 Disney film Pirates of the Caribbean: On Stranger Tides, directed by Rob Marshall and starring Johnny Depp as Captain Jack Sparrow. The movie is loosely inspired by the novel's central quest for the Fountain of Youth, its depiction of the pirate Blackbeard, and elements of voodoo mysticism, but it significantly alters the plot, characters, and tone to fit the existing Pirates of the Caribbean franchise.^[21] In the novel, the protagonist is John Chandagnac, a puppeteer who becomes the pirate Jack Shandy, whereas the film centers on Sparrow navigating betrayals and supernatural threats alongside characters like a missionary and a mermaid.^[21] Powers received an official "based on the novel by" credit in the film's production, reflecting Disney's optioning of the book between the second and third franchise installments.^[40] The film was a commercial success, grossing $1.045 billion worldwide against a $250 million budget, which heightened visibility for Powers' original work and contributed to renewed interest in the novel among audiences.^[41] However, the adaptation prioritizes high-seas action, humor, and visual spectacle over the book's deeper exploration of occult rituals and historical mythology, resulting in a more streamlined narrative that diverges substantially from the source material's intricate supernatural framework.^[21] Beyond the film, On Stranger Tides has been adapted into an audiobook format, with a notable 2010 Blackstone Audio edition narrated by Bronson Pinchot, running approximately 12 hours and emphasizing the story's eerie pirate lore.^[42] As of 2025, no television series, comic book, or other major visual adaptations of the novel exist. Minor extensions appear in Disney theme park attractions, such as temporary projections of Blackbeard (from the film) integrated into the Pirates of the Caribbean ride at Disneyland to promote the 2011 release, alongside lingering audio cues evoking the story's mystical elements. No significant new adaptations have emerged since the 2017 Pirates of the Caribbean film Dead Men Tell No Tales.^[43]

References

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Out of stockThe Subterranean Press edition of On Stranger Tides will be available in three unique editions: Trade: fully cloth bound hardcover. Limited: 250 signed ...
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On Stranger Tides - Grumpy Gamer
Sep 19, 2004 · Some people believe the inspiration for Monkey Island came from the Pirates of the Caribbean ride - probably because I said it several times ...Missing: sources | Show results with:sources
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Lucasfilm Games Rewind: The Secret of Monkey Island
Apr 1, 2024 · Inspired by Tim Powers' novel On Stranger Tides with a dash of Disneyland's Pirates of the Caribbean, the game was destined to stand out among ...
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On strange and funny tides - the history behind the Monkey Island ...
Oct 15, 2020 · The Secret of Monkey Island, released in 1990, borrowed heavily from two main sources. One of them was the fantasy novel “On Stranger Tides” by ...
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The True Secrets of Monkey Island's Development - IGN
Sep 12, 2022 · ... On Stranger Tides by Tim Powers, led to the genesis of Monkey Island. ... “That was an idea that I had before Monkey Island,” Ron Gilbert explains ...
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Full cast & crew - Pirates of the Caribbean: On Stranger Tides - IMDb
Pirates of the Caribbean: On Stranger Tides (2011) - Cast and crew credits, including actors, actresses, directors, writers and more ... characters. Tim Powers.
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Pirates of the Caribbean: On Stranger Tides - Box Office Mojo
The movie grossed $241,071,802 domestically and $804,642,000 internationally, for a worldwide total of $1,045,713,802.
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https://www.the-numbers.com/movie/Pirates-of-the-Caribbean-On-Stranger-Tides
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Pirates of the Caribbean: On Stranger Tides (2011) - Box Office and ...
The holdover sold more units at 550,000 units to 503,000 units, but the newcomer led the way in revenue at $11.49 million to $9.89 million. That represented an ...