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One Week Friends

One Week Friends (Japanese: Isshūkan Furenzu, lit. "One Week Friends") is a series written and illustrated by Matcha Hazuki, which was serialized in Square Enix's Monthly Gangan Joker magazine from January 2012 to January 2015, and collected into seven volumes. The story centers on high school student Yūki Hase, who becomes determined to befriend his isolated classmate Fujimiya after learning that she suffers from a mysterious condition causing her to lose all memories of her friends every Monday, forcing her to rebuild relationships weekly. The explores themes of , , , and emotional through the developing bond between Yūki and , as well as their interactions with other classmates like Shōgo Kiryū and Yamagishi. It blends elements of and , with Kaori's weekly resets serving as both a comedic device and a poignant for the fragility of connections. Serialized over 41 chapters, the series concluded in 2015 and was licensed in English by , receiving praise for its heartfelt storytelling and character development. In 2014, One Week Friends received an anime adaptation produced by studio under director Tarō Iwasaki, airing 12 episodes from April to June on and other networks. The anime faithfully adapts the manga's early arcs, featuring voice acting by as Yūki and as Kaori, with music including the opening theme "Niji no Kakera" by Natsumi Kon and ending theme "Kanade" by Amamiya. It was licensed for North American distribution by and streamed on platforms like , maintaining the series' focus on slice-of-life interactions amid Kaori's amnesia. The manga also received a stage play adaptation that ran in from November 14 to 24, 2014. A live-action , directed by , was released in on February 18, 2017, by , starring as Yūki and as . Running 120 minutes, the film condenses the manga's narrative into a teen romance emphasizing the protagonists' persistent efforts to overcome Kaori's memory loss, and it was well-received for its emotional depth and performances. A live-action was released on June 18, 2022. Additionally, a titled Sono Ato no Isshūkan Furenzu ("One Week Friends Afterwards") by Hazuki serialized five chapters from April 2021 to 2022 in Monthly Gangan Joker, continuing the story post-high school, before going on indefinite hiatus. The series portrays psychological challenges related to and relationships.

Premise and themes

Plot overview

One Week Friends centers on Yūki Hase, a high sophomore who notices his classmate Fujimiya is always isolated during lunch breaks and decides to approach her in an effort to form a . Despite her initial reluctance, Yūki learns that suffers from a unique condition that erases her memories of friends every Monday, stemming from trauma-induced caused by a childhood car accident, which has led her to avoid close relationships to prevent hurting others. Undeterred, Yūki commits to rebuilding their bond each week, turning what could be a fleeting connection into a persistent routine of shared moments and conversations. The story unfolds against the backdrop of everyday high school life in , emphasizing the subtle interpersonal dynamics within a classroom setting, where small gestures like eating lunch together or exchanging notes become significant milestones. Yūki's determination drives the narrative, as he navigates the emotional challenges of repetition and uncertainty, gradually uncovering layers of Kaori's guarded personality while fostering a sense of trust that persists beyond the weekly resets. This structure blends episodic elements—each week presenting a fresh start—with an overarching arc of character development spanning the school year, highlighting themes of perseverance in the face of impermanence.

Central themes

One Week Friends explores the fragility of through Kaori Fujimiya's memory loss condition, which erases her recollections of friends every Monday, serving as a for how disrupts personal identity and interpersonal bonds. This weekly reset, stemming from a past accident, underscores the emotional toll of repeated loss, where Kaori's fear of inflicting pain on others leads her to isolate herself, highlighting memory's role in sustaining relationships. The series portrays this not merely as a but as a profound commentary on trauma's lingering effects, where suppressed memories may exacerbate the condition during moments of emotional stress. Central to the narrative is the theme of built on , as Yuki Hase demonstrates unwavering commitment by reintroducing himself to each week, fostering a bond through consistent and despite the inevitable resets. This effort emphasizes that true s require ongoing work and understanding, transforming potential frustration into deeper connections via tools like a shared that preserves fragments of their history. The story illustrates how such persistence counters the disposability of modern relationships, valuing ties that prioritize mutual support over fleeting interactions. Emotional growth emerges as characters navigate and , with learning to balance self-protection against the risks of opening up, ultimately embracing connections that affirm her worth beyond her condition. , too, evolves from self-centered motives to genuine , recognizing the pain involved in loving others sacrificially. This development highlights the interplay of intimacy and , where sharing one's inner self fosters . The series offers subtle on high school life, critiquing the pressures of and the that arises from perceived differences, while championing relationships as vital antidotes to in adolescent settings. By focusing on non-romantic bonds amid typical school dynamics, it underscores the intrinsic value of empathy-driven friendships in combating .

Characters

Protagonists

Yūki Hase is the male protagonist, portrayed as an outgoing and sociable second-year high school student with a strong inclination to connect with others, especially those who appear isolated. His motivation to befriend Fujimiya arises from observing her in class, driving him to repeatedly approach her despite initial rejections, reflecting his broader desire to alleviate in those around him. Yūki's explores his growth in understanding , as he learns to balance his helpful intentions with respect for others' autonomy while supporting Kaori through her challenges. Kaori Fujimiya serves as the female protagonist, depicted as a reserved and introspective girl who immerses herself in books to cope with her social withdrawal. Afflicted by a condition that erases her memories of friendships every —stemming from a childhood that induced —Kaori maintains a guarded demeanor to protect both herself and potential friends from the pain of repeated forgetfulness. Her backstory reveals this as a manifestation of unresolved emotional wounds, leading her to avoid deep connections. Kaori's arc revolves around slowly developing trust through consistent interactions, culminating in her efforts to confront and reconcile with her traumatic past, allowing glimpses of vulnerability and genuine affection to emerge. The central relationship between Yūki and starts with tentative, awkward encounters that reset weekly due to her memory loss, where Yūki must reintroduce himself and rebuild rapport from scratch each time. As Yūki persists in asking her to be anew every , their interactions gradually deepen, fostering moments of shared laughter, quiet conversations, and mutual encouragement that transcend the weekly barrier. This evolution transforms their bond from superficial restarts into a profound understanding, where Kaori begins to retain emotional echoes of their time together, highlighting themes of and the incremental nature of .

Supporting cast

Shōgo Kiryū serves as Yūki Hase's best friend and classmate, often providing straightforward advice and reliability amid the group's challenges. Despite his initially cold and aloof demeanor, where he speaks his mind bluntly and treats many situations as bothersome, Kiryū demonstrates logical thinking and consistent support, such as helping with academic matters given his strong grades. His role adds balance to social interactions, offering through his casual speech and calculating observations that guide Yūki in navigating friendships. Saki Yamagishi acts as a cheerful classmate to both Yūki and , frequently bridging emotional gaps with her supportive nature despite her own forgetfulness. Known for being air-headed, clumsy, and overly reliant on others at times, she maintains a constant smile and determined friendliness, eagerly pushing to form bonds and assist during Kaori's memory lapses. As a former primary school acquaintance of Kiryū, Yamagishi contributes levity and persistence, helping to foster inclusivity in the group's daily encounters. Hajime Kujō, a transfer student and 's former primary school classmate, introduces tension through his initial resentment and unrequited affection toward her. Initially distant and accusatory—labeling Kaori a "traitor" over an unfulfilled childhood promise to meet before his family's move—Kujō gradually matures, reconciling by sharing his perspective and integrating into the circle. His toward Yūki evolves into personal growth, highlighting themes of in friendships. Together, Kiryū, Yamagishi, and Kujō form a supportive ensemble around the protagonists, enhancing by offering diverse perspectives on and emotional . This quartet dynamic rounds out interactions, providing , practical aid, and that deepen explorations of beyond the central duo.

Production

Manga development

One Week Friends was written and illustrated by Matcha Hazuki as her debut serialized . It originated as a one-shot published in the September 2011 issue of Square Enix's Monthly Gangan Joker. The full commenced in the magazine's January 2012 issue (released January 21) and concluded in the February 2015 issue (released January 22), comprising 7 volumes. The series collected 41 chapters across these volumes. Hazuki's narrative centered on emotional character interactions, using the premise of weekly memory loss to explore interpersonal bonds with restrained supernatural aspects. Early popularity during serialization prompted the announcement of an anime adaptation on November 22, 2013. The seventh and final volume shipped on April 22, 2015.

Adaptation processes

The anime adaptation of One Week Friends was produced by , a studio recognized for its handling of character-driven stories in genres including slice-of-life and drama, as seen in works like Natsume Yūjin-chō. Directed by Tarō Iwasaki, who also contributed storyboards and key , the production team aimed to capture the manga's focus on subtle interpersonal dynamics and emotional growth. Series composition was overseen by Shōtarō Suga, with scripts co-written by Suga, Mariko Kunisawa, and Megumi Shimizu across the 12 episodes; these adaptations prioritized the quiet tension of friendships tested by memory loss, using minimalist and expressive character designs by Eri Yamazaki to emphasize internal conflicts over external spectacle. The live-action , released in 2017, was directed by Shōsuke Murakami and written by Yōko Izumisawa, who adapted the while streamlining the narrative to highlight the core romance and premise within a feature-length runtime. Casting emphasized actors capable of portraying vulnerable, everyday high schoolers: was chosen for the persistent yet gentle Yūki Hase, drawing on his experience in youth-oriented roles, while portrayed the isolated Kaori Fujimiya, leveraging her nuanced performances in emotional dramas to convey subtle shifts in and connection. Production decisions focused on realistic settings and intimate scenes to maintain the source material's heartfelt tone, avoiding over-dramatization of the weekly resets. A stage play adaptation ran from November 14 to 24, 2014, in . The production featured Tomoki Okayama as Yūki Hase and Maya Okano as Kaori Fujimiya. Across these adaptations, a key challenge was representing the mechanism visually and performatively without diluting the story's emphasis on tender, week-by-week bonding.

Media releases

Original manga

One Week Friends (original title: Isshūkan Furenzu.) is a series written and illustrated by Matcha Hazuki. It was collected into seven tankōbon volumes, published by under the Gangan Comics Joker imprint from June 22, 2012, to April 22, 2015. The volumes' ISBNs range from 978-4-7575-3633-3 for the first to 978-4-7575-4435-2 for the seventh. An English-language translation was released by , beginning with volume 1 on December 19, 2017, and completing the series in 2019; digital editions are available on platforms including . The comprises 41 chapters, incorporating initial one-shots and special content within the volumes. Its art style employs clean, expressive linework that emphasizes facial emotions in pivotal scenes, enhancing the emotional resonance of interactions.

Anime series

The anime adaptation of One Week Friends, produced by , aired in Japan from April 6 to June 22, 2014, on , with subsequent broadcasts on networks including , , TVA, AT-X, and BS11. The series consists of 12 main episodes, each approximately 24 minutes in length, alongside 12 bonus short specials included in releases, collectively known as Isshūkan Furenzu Specials. These episodes adapt the manga's early story arcs, incorporating minor expansions and adjustments to enhance pacing and dramatic flow while staying faithful to the source material's core narrative. Key production staff included director Tarō Iwasaki, series composition by Shōtarō Suga, character design by Eriko Itō, and music composition by Ironé Toda. The opening theme, "Niji no Kakera" (A Piece of the Rainbow), was performed by Natsumi Kon, while the ending theme, "Kanade" (Symphony), was sung by , the voice actress for protagonist Kaori Fujimiya. The principal voice cast featured as Yūki Hase, as Kaori Fujimiya, Rumi Ōkubo as Saki Yamagishi, and as Shōgo Kiryū. In , handled the home video releases, issuing six Blu-ray and DVD volumes between June 18, 2014 (Volume 1, covering episodes 1–2), and November 19, 2014 (Volume 6, covering episodes 11–12 plus specials). Each volume included the corresponding episodes, the bonus specials, and limited-edition extras such as event tickets for the first release. Internationally, licensed the series and released a complete collection on Blu-ray and DVD in on July 7, 2015.

Stage play and live-action film

A live-action of One Week Friends was released in on February 18, 2017, directed by Shōsuke Murakami and written by Yōko Izumisawa. The stars as Yūki Hase and as Fujimiya, with supporting roles including Takashi Matsuo as Shōgo Kiryū and as Hajime Kujō. Running for 120 minutes, it focuses on the core narrative of Yūki's persistent efforts to befriend despite her weekly memory loss of friendships, culminating in emotional confrontations around her condition. The film visually depicts Kaori's memory resets through realistic , such as recurring Monday morning sequences that highlight her and the use of a shared to bridge forgotten weeks, emphasizing the psychological toll on both characters. Distributed by , it opened at number three in the box office, earning ¥153 million in its first weekend from 125,000 admissions. Overall, the film grossed approximately ¥794 million domestically. A live-action , directed by Chen Kexin, was released on November 11, 2022, starring as Yūki and as Kaori. It was a success, grossing over ¥1.7 billion (about $250 million) in . A stage play adaptation premiered earlier, from November 14 to 24, 2014, at CBGK-シブゲキ!! in , , spanning 11 performances. Directed by Kei Horie of , it features Tomoki Okayama as Yūki Hase and Maya Okano as Kaori Fujimiya, alongside Kimito Totani as Shōgo Kiryū and Juria Kawakami as Saki Yamagishi. The production adapts key arcs of building and resetting friendships, with live performances underscoring the repetitive emotional pleas to "become friends" and the shared vulnerability among characters. Unlike the , the stage version leverages direct audience interaction in intimate theater settings to amplify the raw, cyclical pain of memory loss, using minimal sets to focus on character-driven dialogue and physical expressions of .

Sequel manga

"Sonogo no Isshūkan Furenzu" (translated as "One Week Friends: Afterwards") is a sequel to the original series, written and illustrated by Hazuki. It began serialization in the May 2021 issue of Square Enix's Monthly Gangan Joker, released on April 22, 2021. The story extends the narrative beyond high school, following protagonists Kaori Fujimiya and Yūki Hase as university students. It examines the enduring consequences of Kaori's condition—where memories of friendships reset every Monday—on their romantic relationship and personal growth, incorporating side stories involving supporting characters like Shōgo Kiryū and Saki Yamagishi. In contrast to the original's focus on adolescent school life and initial friendships, the sequel emphasizes mature themes such as adult independence, long-distance elements in relationships, and the psychological toll of memory loss over time. The series remains ongoing as of November 2025 but has been on extended hiatus, with chapters appearing irregularly since its debut; no volumes have been compiled and released to date. No adaptation has been announced.

Reception and legacy

Critical reception

Critics praised the One Week Friends for its heartfelt exploration of character growth and the realistic emotional challenges of building friendships amid adversity. Reviewers highlighted protagonist Yūki Hase's persistent dedication to connecting with Kaori Fujimiya, portraying their bond as a soothing demonstration of genuine care that transcends weekly memory resets. The series was commended for its earnest slice-of-life tone, emphasizing the beauty of incremental progress in relationships without relying on overt drama. However, some critiques noted the manga's repetitive structure and contrived premise as limitations that strained believability, with the weekly reset serving as a convenient that occasionally risked becoming overly saccharine or predictable. Despite these elements, the narrative's focus on subtle emotional wear—such as Kaori's quiet of forgotten moments—was seen as a strength that added depth to the characters' vulnerabilities. The adaptation received positive feedback for its emotional resonance and delicate handling of themes like and connection, earning a B+ rating from for evolving into a gentle tale of friendship that fosters deep attachment through understated, bittersweet scenes. Animation by studio was lauded for its superb character expressions and focus on individuality, enhancing the heartfelt development as Kaori transitions from isolation to openness under Hase's influence. Critics appreciated the series' underplayed resonance, such as scenes of inevitable loss, which evoked strong viewer empathy despite the hokey setup. The 2017 live-action drew acclaim for its compelling performances, particularly Kento Yamazaki's portrayal of Hase as a good-hearted , and its mature depiction of first love's purity with unexpected twists that added emotional weight. Yet, reviewers criticized the film's rushed pacing, which handled key confessions too casually and compressed the manga's gradual buildup, resulting in a sentimental resolution where obvious emotions are overly verbalized. In thematic analyses, critics appreciated the story's subtle approach to issues, framing Kaori's condition as a psychological barrier to intimacy rather than a clinical , using tools like diaries to underscore acceptance of limitations in friendships. While some found the resolutions sentimental, the overall handling was viewed as a nuanced commentary on persistence and in the face of memory's fragility.

Commercial performance and impact

The original series, serialized in Square Enix's Monthly Gangan from 2011 to 2015, achieved significant commercial success in , with cumulative circulation exceeding 1.5 million copies by late 2016 and reaching 1.7 million copies by 2017. This performance underscored its popularity among readers, driven by its heartfelt exploration of and memory. The 2021 sequel , Sono Ato no Isshūkan Furenzu ("One Week Friends Afterwards"), began in Monthly Gangan in 2021, extending the narrative into the characters' post-high school years with 5 chapters compiled into 1 volume as of 2025; it has been on hiatus since 2021 and does not have publicly reported sales figures. The 2014 television anime adaptation, produced by and aired on networks including , garnered moderate domestic viewership and strong international streaming performance. It was licensed for global distribution by , which helped cultivate a dedicated overseas fanbase through availability. On , the series maintains a 7.52 average rating from over 152,000 users, reflecting sustained appreciation within anime communities. While specific Japanese television ratings were not prominently tracked, fan polls positioned it as a standout spring 2014 title for emotional storytelling. Adaptations into other media further demonstrated the franchise's viability. The November 2014 stage play, performed at Tokyo's CBGK Shibugeki!! theater over 17 shows, appealed primarily to young audiences and enthusiasts. The 2017 live-action film, directed by Shōsuke Murakami and starring and , debuted at third place in Japan's weekend with ¥153 million in its opening two days and ultimately grossed ¥794 million domestically. This success highlighted the story's adaptability to live formats, though it fell short of thresholds. Beyond metrics, One Week Friends fostered a niche cultural footprint through its motif of ephemeral relationships, inspiring , , and online discussions about and persistence in media portrayals of youth. Active communities on platforms like and emphasize the weekly reset theme, though the series did not secure major industry awards and is occasionally noted in curated lists of friendship-centric rather than broader acclaim.

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