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Open Hand

Open Hand is an American rock band formed in Hollywood, California, in 1997 by guitarist and vocalist Justin Isham. The band blends indie rock and post-hardcore elements, drawing influences from alternative and emo scenes. After early independent releases, Open Hand signed with major labels in the early 2000s, releasing albums such as You and Me (2005) and Sirens & Siests (2003), before transitioning to indie phases and a hiatus in the late 2000s. The group reunited in 2011 and has continued with new material, including the 2010 album Honey and subsequent works as of 2025. Known for lineup changes over the years, Open Hand maintains a dedicated following in the underground rock community.

History

Formation and early releases (1997–2000)

Open Hand was founded by Justin Isham on guitar and vocals in Hollywood, California, in 1997, initially conceived as a solo project that soon evolved into a full band with the addition of bassist Michael Anastasi and drummer . The group's early sound was shaped by influences from the and scenes, drawing from Isham's previous experience in the underground outfit I Awake. The band's debut EP, , arrived in 1998 via the independent label American Propaganda Records, delivering raw and energetic tracks such as "The Struggle" and "Thought Process" that captured their nascent intensity. This release marked Open Hand's entry into the local scene, emphasizing aggressive riffs and introspective lyrics amid the late-1990s emo revival. The follow-up EP, Evolutions, followed in 1999 on the same label, demonstrating a maturation in songwriting and production with songs like "In Your Eyes" and "The Dream," which blended melodic elements with their roots. During this period, Open Hand undertook independent tours across to build a following, which attracted attention from larger labels and culminated in their signing with Trustkill Records in 2002. In early 2000, the band recorded material at The Loft in , including fresh compositions alongside selections from their EPs. This session formed the basis for the The , released by Trustkill in 2003, which integrated the prior EP tracks with unreleased songs to provide a cohesive overview of their formative work.

Major label era and lineup changes (2001–2005)

Following the success of their independent EPs, Open Hand signed with Trustkill Records in July 2002, with the label's releases distributed through Roadrunner Records. In early 2003, Trustkill issued The Dream, a compilation album that collected tracks from the band's prior EPs Radio Days (1998) and Evolutions (1999), along with unreleased songs, marking their entry into wider distribution and helping build momentum for their major label phase. The period was marked by significant lineup instability, as original bassist Michael Anastasi and drummer departed amid personal and touring pressures, leaving only founder Isham. Isham rebuilt the group, bringing back Anastasi on while adding drummer Paxton Pryor and guitarist , with Paul Malinowski contributing on for recordings; these changes reflected the band's evolving sound but contributed to brief pauses in activity due to internal conflicts and the challenges of constant touring. From 2003 to 2005, Open Hand undertook extensive touring across the U.S. and internationally, including European dates that tested the fragile new lineup and a support slot on the 2005 for select shows in June. These tours amplified their exposure within the and scenes but were complicated by label expectations and the physical toll of life , including periods of for band members. In February 2005, the band released their second studio album You and Me on Trustkill/, produced by Isham and Malinowski at The Blasting Room in . The 12-track record explored themes of relationships, inner conflict, and through a blend of fuzzy , energy, and stoner influences, with standout tracks like "2, 3, 4" and guest female vocals adding emotional depth. It received critical praise for its genre-blurring ambition and raw intensity, though reviews noted its eclectic shifts could challenge listeners.

Independent phase and hiatus (2006–2010)

Following the end of their contract with Trustkill Records in 2006, Open Hand transitioned to an independent phase, eventually signing with the Chicago-based indie label Anodyne Records. The band continued extensive global touring through 2009, including European and Japanese legs, but the relentless schedule led to and an informal wind-down of activities. This period of exhaustion contributed to the group's effective starting in late 2009. Open Hand's third studio album, Honey, was released on April 20, 2010, via Anodyne Records. Co-produced by frontman Justin Isham and engineer Paul Malinowski, the record was recorded at Great Western Recorders in Tolono, Illinois, and various Los Angeles locations, with additional work at The Blasting Room in Fort Collins, Colorado. The album marked a shift toward experimental indie rock, blending stony guitars and heavy beats with playful female vocals, piano, horns, and diverse instrumentation from guest contributors like Breanne Martin on vocals and keyboards, and multiple drummers including Sam Hoskins and Jason Gerkin. Standout tracks such as "The Hand" and "Honey" exemplified the album's atmospheric and genre-blurring approach. Promotion for Honey was limited, as band members prioritized personal commitments and side projects, including Isham's involvement in other musical endeavors. The release represented the culmination of the independent phase, after which Open Hand entered , with no new material or tours until their reunion. In 2020, Blacktop Records announced a remixed, resequenced, and remastered edition of Honey to commemorate its 10th anniversary, reflecting sustained archival interest in the band's work.

Reunion and contemporary work (2011–present)

In 2011, Open Hand informally reunited with the release of the EP The Mark of the Demon on Blacktop Records, a single 10-minute track showcasing heavier, sludgy elements influenced by and . The band continued preserving its legacy through reissues of live recordings, including Live at CBGBs 2002—a 2002 performance originally released via a magazine—reissued by Blacktop Records in November 2015 to capture the raw energy of their early shows. Similarly, Live at The Rainbow Bar & Grill 2010, documenting a performance from the end of their hiatus period, was reissued in April 2016, highlighting the band's evolving live dynamics. A full reunion was announced in early 2020 amid reissues of earlier material, culminating in the band's fourth studio album, Weirdo, released on March 5, 2021, via Blacktop Records. The album, produced by frontman Justin Isham, was lauded for its mature songcraft, blending psychedelic fuzz, vintage synths, and emotive vocals to explore themes of and after years of uncertainty. Guest appearances from artists like and members of added to its eclectic scope. Following Weirdo, Open Hand maintained an independent status with Blacktop Records, where Isham continued to oversee production on subsequent releases. Post-2021 activities included sporadic U.S. festival appearances, such as at Furnace Fest in Birmingham, Alabama, in September 2022 and 2023, alongside limited live shows amid ongoing challenges from the COVID-19 pandemic. Archival efforts persisted with the instrumental EP In the Clouds in July 2022 and the live album Live on KXLU—a 1990s radio session—in March 2023, both on Blacktop, emphasizing experimental and historical material without a new studio album as of November 2025. The band sustains an active social media presence through platforms like Facebook and Bandcamp, engaging fans with updates and streams. As of November 2025, Open Hand remains committed to occasional touring. In 2025, the band performed at Buddies Fest in , , in and on the No New Friends Tour in , in October, signaling potential for further work.

Musical style and influences

Genre characteristics and sound

Open Hand's core musical identity is rooted in , incorporating aggression, melodicism, and grooves to create a multifaceted sound that blends driving guitars with rhythmic complexity. The band's style draws from diverse influences, resulting in tracks that seamlessly integrate drums, drone-like riffs, and intricate instrumental passages, often evoking a sense of urgent without relying on overt velocity. Central to their sonic palette are Justin Isham's emotive vocals, which alternate between breathy sensitivity and sweet delivery, providing a to the layered, guitar-heavy riffs that propel the forward. These riffs, characterized by powerful rhythms and cool textures, contribute to dynamic shifts that build from subdued, melodic verses to explosive choruses, enhancing the emotional intensity of the compositions. The overall instrumentation emphasizes lush melodies amid frantic energy, distinguishing Open Hand from more straightforward rock acts through their experimental edge. In terms of production, Open Hand's early work features a raw, lo-fi indie aesthetic that captures the grit of their post-hardcore origins, evolving into polished yet organic mixes that retain a live-wire feel. Post-2010 releases, such as the 2021 album Weirdo, reflect this maturation with self-production by Isham, incorporating psychedelic fuzz, vintage synths, and genre-blending elements for a more refined but still visceral sound. Lyrically, the band maintains thematic consistency around personal turmoil, relationships, and self-discovery, delivered with poignant urgency—as seen in reflections on heartbreak and emotional escape—that underscores their introspective rock ethos. This approach yields emotional depth akin to contemporaries like Queens of the Stone Age, prioritizing melodic nuance over raw aggression.

Evolution across discography

Open Hand's early releases, spanning from the 1998 demo Radio Days through the 1999 EP Evolutions and culminating in the 2003 The , showcased an aggressive sound rooted in energy and characterized by minimal production values. Tracks featured raw, distorted guitars, rapid tempos, and intense vocal deliveries that emphasized emotional urgency over polish, as heard in songs like "Life as Is" with its technical riffing and harmonious choruses. This phase captured the band's youthful ferocity, blending melodic elements with metal-style breakdowns typical of late-1990s . In the mid-period, exemplified by the 2005 album You and Me, Open Hand incorporated melodies and adopted cleaner production techniques, which broadened their appeal while expanding sonic textures. The album shifted toward riff-driven structures with lush, oppressive passages and a mix of slow builds and faster sections, drawing in and influences to create a more dynamic, genre-blending listen. Representative tracks like "Crooked Crown" highlighted infectious hooks and harmonically distorted emo-punk fusion, marking a maturation from the earlier rawness. The 2010 album Honey represented a significant pivot to experimental , introducing atmospheric elements, subtle synth touches, and subdued tempos that reflected the band's introspective hiatus. This release layered psychedelic, neo-psychedelic, and motifs with diverse influences like and international dance rhythms, resulting in intricate, multilayered compositions that prioritized mood over aggression. Songs such as those blending beats with foundations underscored a , exploratory depth, diverging from prior high-energy roots. Recent works, from the 2012 EP The Mark of the Demon to the 2021 album Weirdo, signaled a return to the band's foundations with mature, refined twists including heavier riffs, electronic undertones, and eclectic guest contributions. The Mark of the Demon evoked sludgy, droning guitars reminiscent of , while Weirdo fused 1970s-1990s rock aesthetics with prog-rock progressions, horn sections, and alternative hooks for a weirder, more hypnotic eclecticism. This era balanced nostalgic intensity with sophisticated genre-blending, as in tracks featuring heavy Peter Gabriel-inspired feels. Across their discography, Open Hand progressed from the raw, punk-infused of their youth to a sophisticated maturity that retained emotional drive while embracing experimental and genre-fluid innovations, evolving without abandoning core intensity.

Key influences and comparisons

Open Hand's sound draws heavily from the and movements of the , particularly the rhythmic complexity and emotional intensity found in bands like and . Reviews of their early work, such as the 2003 album The Dream, highlight these parallels, noting the band's melodic vulnerability and dynamic shifts reminiscent of emo's introspective style, while maintaining a raw edge akin to 's aggressive structures. Additionally, broader and influences from acts like Nirvana, , and infuse their music with heavy, distorted guitar tones and sludgy grooves, contributing to a sense of rhythmic innovation that echoes 90s pioneers. Frontman Justin Isham's familial ties to the music industry further shape the band's approach, as his father, renowned music video director Wayne Isham—known for visuals for artists like Metallica and —has influenced the incorporation of cinematic and visual storytelling elements into Open Hand's aesthetic and performances. While Wayne Isham provided occasional video support without financial aid, this background has instilled a narrative-driven sensibility in the band's presentation, blending auditory and visual media in a way uncommon for acts. The band also engages with California's scene, sharing melodic and experimental traits with regional contemporaries, alongside nods to the post-punk revival through angular riffs and atmospheric textures in later releases. Comparisons often position Open Hand alongside for their shared melodic intensity and roots, yet the band distinguishes itself with more experimental flourishes, such as prog-rock elements inspired by and early , which add progressive complexity beyond mainstream alt-rock like Dashboard Confessional's acoustic-driven . Over time, their influences evolved from the punk-heavy of Isham's prior project Hate Face toward shoegaze-tinged experimentation, evident in albums like (2010) and Weirdo (2021), where hazy guitar walls and psychedelic layers draw from My Valentine-esque drone, marking a shift from early aggression to immersive soundscapes.

Personnel

Current members

The current lineup of Open Hand, stable since 2021 and enabling consistent live performances including 2025 tours, features founder Justin Isham as and since the band's formation in 1997; he remains the primary songwriter and produced both Honey (2010) and Weirdo (2021). Ryan Castagna has played guitar, adding textural layers such as shimmering guitars to tracks on Weirdo. Ethan has been on drums since at least and is known for his precise, dynamic playing in live settings. Erik Valentine has been the bassist since at least , providing the foundational groove for reunion tours. Kyle Hamood rounds out the group on keyboards since 2021, introducing atmospheric elements like funky keys and synths that were absent in the band's early work, particularly evident on Weirdo.

Former members

Open Hand's original lineup featured bassist Michael Anastasi, who served from 1997 to 2003 and co-wrote the band's early EPs before departing to focus on other work. Drummer , also an original member from 1997 to 2003, played a key role in shaping the band's initial sound and left around the same time. Paul Malinowski played bass from 2003 to 2005, replacing Anastasi during the recording and release of You and Me. provided guitar support as a former member. contributed on drums starting in 2016, including session work for Weirdo (2021). Other former members include Breanne on vocals and keyboards (circa 2010), Paxton Pryor on drums (post-2005), on guitar (joined 2005), and Mike Longworth on bass (later periods). The band also employed various short-term touring musicians, such as those involved in the 2010 promotional activities.

Discography

Studio albums

Open Hand's studio albums represent the band's core full-length recordings, evolving from roots to more diverse explorations over two decades. The debut studio album, , was released on January 14, 2003 on Trustkill Records. This compilation-style effort gathered material from the band's prior EPs and Evolutions, comprising 11 tracks such as "In Your Eyes," "Life As Is," and the title track "." Recorded across multiple studios between 1999 and 2001, it served as an introductory showcase of the band's aggressive, melodic sound. The follow-up, You and Me, arrived on February 22, 2005, via Trustkill Records. Featuring 11 tracks, including standout numbers "Tough Girl," "Her Song," and "You and Me," the album refined the band's edge with introspective lyrics and dynamic arrangements. Honey, the third studio , was issued on April 20, 2010, by Records. The 10-track release, with key cuts like "Heart of Hearts" and the title song "Honey," marked a sonic pivot incorporating psychedelic and experimental elements alongside foundations. Available initially as a limited edition vinyl pressing, it reflected the band's creative maturation during a period of lineup flux. The most recent album, Weirdo, emerged on March 5, 2021, through Blacktop . Comprising 10 tracks, including the lead single and title track "Weirdo," "Return" (featuring ), and "The People's Temple," the record blends fuzzy psych-rock, synth textures, and guest contributions from former members of and Nothingface. Launched digitally first with subsequent physical reissues on , it underscored Open Hand's enduring resilience after an 11-year gap.

Extended plays

Open Hand's extended plays represent key transitional releases in the band's early career and post-hiatus period, showcasing evolving production and thematic shifts while serving as precursors to full-length albums. The band's debut EP, , released in 1998 on American Propaganda Records, captures their initial raw, sound with five tracks recorded at The Loft in . The tracklist includes "The Struggle," "Thought Process," "Radio Days," "Forever," and "Never Alone," emphasizing elements through Justin Isham's guitar, vocals, and keyboards, alongside contributions from Alex Rodríguez on drums and Michael Anastasi on bass and vocals. Issued initially as a EP, it marked the band's entry into recording, produced by Isham himself, and laid the groundwork for their subsequent material. Following closely, Evolutions, the second EP from American Propaganda Records in 1999 (with a 2000 CD pressing), refined the band's demo-like approach across five tracks, demonstrating improved production and songwriting that attracted attention from major labels. The songs—"In Your Eyes" (2:35), "Life As Is" (4:17), "The Dream" (4:39, featuring additional vocals by Keith Barney), "11th Street" (4:39), and "This Is The End" (3:35)—explore introspective themes with intensity, recorded at and mastered at Mastering. This release played a pivotal role in the band's career , as several tracks were later incorporated into their debut studio The Dream (2003, Trustkill Records), signaling a path to broader recognition. Released in CD format, it highlighted Open Hand's progression from underground demos to polished output. Open Hand followed Honey (2010) with The Mark of the Demon in 2011 on Blacktop Records, a concise EP featuring a single 10-minute title track blending and darker, atmospheric tones. It features contributions from various band incarnations, including Alex Rodríguez of , and reflects continued evolution toward more intricate compositions. Available digitally and on a sold-out hand-numbered CD, with a limited run of 25 lathe-cut 10" vinyl editions including an unreleased B-side track, the EP underscored the band's thematic depth during their contemporary era.

Live albums

Open Hand has released three official live albums, with reissues by Blacktop Records, capturing the band's dynamic performances during key periods of their career. These recordings preserve the raw energy and emotional depth characteristic of their stage shows, drawing from material in their early discography. The band's first live release, Live at CBGB, was recorded in 2002 at the iconic venue in during an early show that exemplified their nascent sound. Originally issued in 2003 as part of the Law of Inertia magazine compilation, the album features six tracks, including "The ," "626," and "In Your Eyes / Inside," performed by vocalist/guitarist Justin Isham, guitarist , bassist/vocals Sean Rosenthal, and drummer . This set highlights the raw intensity of Open Hand's 2000s performances, with unpolished energy and direct audience connection that mirrors the gritty ethos of their debut album The (2003). The 2015 Blacktop Records reissue remastered the soundboard recording, making it widely available digitally and emphasizing the band's foundational live vigor. Live at The Rainbow Bar & Grill 2010, recorded on March 11, 2010, at the historic Rainbow Bar & Grill in West Hollywood, documents a more refined phase of Open Hand's live prowess. Released digitally by Blacktop Records in 2016, the contains ten tracks such as "You and Me," "Crooked Crown," "Tough Girl," and "Herons," largely drawn from their 2005 sophomore You and Me. Remastered from frontman Justin Isham's personal collection, it showcases the band's polished execution and explosive dynamics during the You and Me era, blending melodic hooks with aggressive riffs in a intimate club setting. This release underscores Open Hand's evolution toward tighter, more emotive stage presentations while retaining their core intensity. The most recent live album, Live on KXLU, was recorded during a 2023 session at KXLU 88.9 FM in and released on March 3, 2023, by Blacktop Records. Featuring tracks like "In Your Eyes," "," and "Life As Is," it captures the band's continued vitality with a mix of early material performed live in a radio setting.

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