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Opoona

Opoona is a lifestyle role-playing video game developed by ArtePiazza and published by Koei for the Nintendo Wii.^[1] Released in Japan on November 1, 2007, in North America on March 25, 2008, and in Europe on September 12, 2008, the game centers on a young boy named Opoona, a descendant of the Cosmo Guards—elite warriors who maintain peace across the galaxy using a mystical power known as the Holy Force.^[2] While on a family vacation, Opoona's spaceship crashes on the planet Landroll due to a mysterious accident, separating him from his siblings and leaving his parents hospitalized; he must then adapt to life on this unfamiliar world by finding employment, forging relationships, and obtaining a travel license to search for his family.^[3] The gameplay emphasizes exploration and daily life simulation in a whimsical, cartoonish universe, where players control Opoona using only the Wii Nunchuk for navigation, interactions, and real-time combat involving "Energy BonBons" as projectiles.^[3] Players can take on various jobs such as delivery worker or miner to earn money and reputation, build friendships with quirky inhabitants, and progress through a narrative that blends personal growth with interstellar intrigue, all set to a soundtrack composed by renowned artist Hitoshi Sakimoto.^[3] Developed by the team behind several Dragon Quest titles, Opoona innovates on traditional RPG elements by prioritizing lifestyle management and social dynamics over linear quests.^[3] Upon release, Opoona received mixed reviews from critics, earning a Metascore of 65 out of 100 based on 33 reviews, with praise for its charming art style and unique mechanics but criticism for clunky controls and a simplistic story.^[4] User reception has been more positive, with an average score of 8.0 out of 10 from eight ratings, often highlighting it as an underrated gem for Wii owners seeking a relaxed RPG experience.^[4] Despite its innovative approach, the game struggled commercially, partly due to its launch timing in Japan alongside major titles like Super Mario Galaxy.^[4]

Development and Publication

Development

Opoona was developed by the Japanese studio ArtePiazza, a team renowned for their work on multiple Dragon Quest titles, with Koei serving as the publisher.^[2]^[5] Key personnel included planning director Sachiko Sugimura, who handled scenario and game design, drawing from her prior experience on Dragon Quest projects, and composer Hitoshi Sakimoto of Basiscape, responsible for the game's orchestral soundtrack.^[6]^[7] The game was initially revealed in March 2007, with early previews highlighting its innovative control scheme designed exclusively for the Wii Nunchuk, allowing one-handed operation without requiring the Wii Remote.^[8]^[9] This approach aimed to create an accessible, intuitive experience tailored to the Wii's hardware, emphasizing relaxed gameplay over complex inputs.^[10] ArtePiazza drew inspirations from both traditional JRPG structures and lifestyle simulation elements, positioning Opoona as a "lifestyle RPG" that blended adventure with everyday social interactions.^[11] Sugimura specifically sought to incorporate family themes, portraying relationships and personal growth as central to the narrative, with an emphasis on how "every single person means something" in a communal world, fostering a sense of hope through familial bonds and role models.^[12] The visual design, led by art director Shintaro Majima, was influenced by modern architecture and industrial aesthetics to evoke a clean, futuristic yet approachable environment.^[7]^[12] Development faced challenges in adapting the combat system to Wii motion controls, particularly in balancing the Nunchuk-based throwing mechanics with engaging JRPG battles, while integrating a job system that allowed players to acquire licenses for roles like rescuer or idol to progress.^[13]^[14] The team also navigated the risk of prioritizing socialization and exploration over intense action, which could diverge from conventional RPG expectations.^[7]

Release and Distribution

Opoona was initially released in Japan on November 1, 2007, by publisher Koei for the Nintendo Wii.^[15] The game launched in North America on March 25, 2008, also under Koei's publishing, marking its debut in Western markets.^[1] In Europe, the release was originally scheduled for July 25, 2008, but was postponed to September 12, 2008, primarily due to the need for additional language translations.^[16] Australia followed shortly after with a launch on September 25, 2008.^[17] Koei, which later merged to form Koei Tecmo, managed the global publishing and distribution for all regions.^[18] The game's initial marketing campaigns highlighted its whimsical fantasy elements, blending contemporary design with a cartoon-like aesthetic to position it as an accessible family adventure suitable for players of various ages.^[19] Opoona remains exclusive to the Nintendo Wii, with no ports, remakes, or re-releases announced or available as of November 2025.^[4]

World and Story

Setting

Opoona is set on the planet Landroll, a once-thriving world transformed into a post-apocalyptic landscape by the catastrophic impact of a massive meteorite composed of crystallized dark energy. This event caused a gravitational shift that locked the planet in tidal synchronization with its sun, resulting in half of Landroll becoming the barren Deadlands, where vegetation and most lifeforms perished due to extreme heat and harsh conditions.^[20] The surviving half features diverse biomes, including wild lands teeming with mutated creatures known as Rogues, which emerged from the meteorite's influence.^[20] To shield its inhabitants from the toxic environment and Rogue threats, human societies constructed expansive glass-domed cities that preserve habitable zones amid the ruins. These urban centers reflect advanced technological remnants from the pre-impact era, such as automated systems and research facilities dedicated to studying the meteorite's anomalies.^[20] Overarching this divided world is Sanctuary, a massive floating island positioned above the northern pole, which remained untouched by the disaster and serves as a central safe hub for governance, trade, and refuge.^[20] The setting incorporates sci-fi elements central to interplanetary travel, with spaceships facilitating movement between Landroll and distant worlds like the protagonist's home planet, Tizia. Cosmo Guards, elite warrior protectors wielding mystical Holy Force energy, patrol these realms to combat cosmic threats and maintain order.^[21] Environmental themes of recovery and adaptation permeate the world-building, highlighting humanity's resilience through dome-based societies that blend bureaucracy, innovation, and ecological restoration efforts in the face of irreversible planetary damage.^[20] These environments integrate seamlessly with exploration mechanics, allowing traversal across domes, wild areas, and elevated structures.^[22]

Plot Summary

Opoona, a young Tizian and descendant of the Cosmo Guards—elite warriors dedicated to maintaining universal peace—embarks on a family vacation aboard their spaceship to the planet Landroll. En route, a mysterious incident causes the vessel to crash-land, separating Opoona from his siblings, Copoona and Poleena, while his parents, Mameena and Dadeena, are left hospitalized in a coma.^[23]^[7]^[24] Stranded on Landroll, Opoona must adapt to life among its inhabitants by enrolling in the Starhouse academy, where he trains and qualifies as a Ranger due to his youth preventing him from joining the Cosmo Guards like his parents. As a Ranger, he takes on various jobs—ranging from combating rogue monsters to environmental tasks like fishing and delivery—to earn Matia crystals, which serve both as currency and a means to heal his family. Throughout his journey, Opoona builds alliances with locals, integrates into society, and gradually uncovers a larger threat to Landroll posed by a dark force originating from an ancient meteor, all while searching for his lost siblings.^[21]^[7]^[25] The narrative unfolds in major acts beginning with Opoona's initial survival in the wilderness after the crash, followed by his acquisition of employment and social connections in the city of Belleview. These efforts lead to deeper involvement in planetary affairs, culminating in revelations about the true nature of the accident that scattered his family. Central themes include the strength of familial bonds, Opoona's personal growth through independence and responsibility, harmony with the environment via sustainable jobs, and the broader pursuit of peace upheld by the Cosmo Guards.^[7]^[26]^[10]

Characters

Opoona, the titular protagonist, is a young boy from the planet Tizia and a descendant of the Cosmo Guards, an elite group of galactic warriors who wield the Holy Force to protect the universe.^[7] As the eldest sibling in his family, he exhibits a carefree and adventurous personality, reflecting his playful yet determined nature during his quest to reunite with his separated family following a spaceship crash on the planet Landroll.^[7] His design features a whimsical, Playmobil-esque alien form with an orange Energy Bonbon—a spherical energy orb—hovering above his bulbous, cartoon-like head, emphasizing his innocent and heroic archetype.^[14] Poleena serves as Opoona's younger sister, offering emotional support and guidance throughout their shared ordeals on Landroll.^[7] She possesses a fiery and proactive personality, balancing magical abilities with melee combat skills, and demonstrates a unique affinity for communicating with spirits, which aids in uncovering hidden aspects of the story.^[7] Visually, Poleena has a lemon-yellow Energy Bonbon above her rounded, toy-like head, contributing to the game's diverse and endearing character aesthetics that highlight familial bonds and youthful resilience.^[14] Copoona, Opoona's little brother, contributes to the adventurous elements of the narrative as a sweet and caring healer who relies on magical support in conflicts.^[7] His calm and friendly demeanor makes him popular among Landroll's inhabitants, fostering alliances that assist the siblings in their journey.^[7] Like his siblings, Copoona sports a grape-colored Energy Bonbon atop his bulbous, cartoonish frame, underscoring the family's shared Tizian heritage and whimsical design style.^[14] Aizel functions as a mentor figure, particularly influencing Copoona's path, though his guidance reveals duplicitous undertones tied to larger conspiracies on Landroll.^[27] As Master Aizel, he plays a pivotal role in the antagonistic forces, manipulating events from behind the scenes while initially appearing as an advisor.^[28] Chaika emerges as a key ally in unraveling the central conspiracy, serving as a young Landroll Ranger, inventive engineer, and corporate executive who multitasks across multiple roles.^[7] Her friendly and chipper personality, combined with fierce combat prowess, makes her a reliable companion, especially in her close friendship with Poleena, which strengthens the group's dynamics against threats.^[7] Chaika's design aligns with the game's cartoon-like aesthetic, featuring a blue Energy Bonbon that complements her innovative and supportive character arc.^[14]

Gameplay Mechanics

Combat System

The combat in Opoona revolves around the Active Bon-Bon Battle System, an active-time battle mechanic where players control floating Energy Bon-Bons to engage enemies in dynamic battles.^[25] These Bon-Bons serve as the primary tools for attacks, defenses, and special abilities, allowing players to hurl projectiles at varying angles and speeds to exploit enemy weaknesses.^[7] Unlike traditional turn-based systems, battles feature continuous enemy actions with the player acting upon filling their energy meter, emphasizing quick reflexes and spatial awareness.^[10] Motion controls are integral, primarily using the Wii Nunchuk's analog stick to aim and charge Bon-Bon trajectories—tilting the stick determines the arc (such as downward for high bounces or sideways for curves), while holding it builds power before release.^[10] This setup supports both offensive strikes and defensive maneuvers, like intercepting incoming attacks, though alternative inputs via the Wiimote or Classic Controller are available for accessibility.^[25] Job licenses influence combat styles, with the Ranger license supporting combat-related tasks that can improve overall skills and access, while other roles like Rescuer provide healing abilities.^[7] Enemies encountered in the Deadlands—barren wilderness areas—and dungeons include diverse Rogues such as agile Jellies that dodge linear shots or durable Golems requiring charged, arcing assaults.^[7] Resource management centers on the Energy Meter, which fills over time to a maximum of 100, enabling the player to act before resetting, requiring strategic timing of actions to avoid vulnerability; items like health restoratives can be deployed mid-battle via menus without pausing.^[10] The system balances action-oriented projectile play with strategic elements, such as selecting Force spells (offensive or defensive abilities gained through leveling) to complement Bon-Bon attacks, all within a strict two-minute time limit per encounter due to the physiological limits of Tizians in controlling their Bon-Bons using the Holy Force.^[25] This design rewards predictive aiming and energy conservation over rote button-mashing, creating tense, skill-based fights without relying on conventional RPG turns.^[7]

Exploration and Progression

Opoona's exploration emphasizes traversal across the planet Landroll using one-handed controls via the Wii Nunchuk, where the analog stick handles movement and the C button facilitates interactions with the environment and NPCs.^[10]^[29] The Classic Controller serves as an optional alternative for menu navigation and basic actions, allowing players to roam without dual-hand input.^[22] This setup supports seamless navigation through connected domes and outdoor wastelands, such as the Blue Desert, where players use tools like the hoverboard for faster travel and skypods to link major areas like Tokione and Lifeborn.^[22]^[30] Central to progression is the job license system, where players acquire licenses for roles such as ranger, attendant, or detective by completing specific tasks, unlocking access to new areas, skills, and currency known as matia.^[31]^[10] For instance, the attendant license involves serving customers at eateries or fashion stores, while the ranger license requires exploration-based feats like collecting items in wild areas.^[22] Licenses rank up from trainee to higher stars through repeated task fulfillment, gradually expanding Opoona's capabilities and story advancement without relying solely on combat.^[30]^[22] The game's semi-open world encourages discovery across urban domes and barren wastelands, with environmental interactions like fishing minigames or sweeping debris integrated into puzzles that involve elevators for vertical navigation in structures such as Tokione's Starhouse.^[22]^[30] Hidden elements, including secret codes on walls that shift from pink to blue once uncovered, reward thorough scouting for items and shortcuts.^[10] No loading screens between rooms enhance the fluidity of movement, though fixed paths in outdoor zones limit free camera rotation outside safe areas.^[10]^[30] Character advancement blends traditional leveling—gained via job tasks and exploration—with "lifestyle RPG" features, including side quests that build relationships through gifts and dialogues to raise friendship levels up to eight with NPCs.^[22] Examples include retrieving lost items like a gold belt for Debia in Artiela or delivering packages across domes, which boost stats such as power or fame and fund recovery efforts for Opoona's family.^[22] This system prioritizes adaptive growth, where earning currency and alliances via everyday jobs like farming or mining directly influences access to further content.^[30]^[10]

Audio and Visual Design

Soundtrack

The soundtrack of Opoona was primarily composed by Hitoshi Sakimoto in collaboration with the Basiscape team, including Masaharu Iwata, Manabu Namiki, Kimihiro Abe, Noriyuki Kamikura, and Mitsuhiro Kaneda.^[32]^[33] Sakimoto, celebrated for his orchestral and ambient compositions in JRPGs like Final Fantasy XII and Valkyria Chronicles, employs a fusion of symphonic orchestration and electronic elements to convey wonder and melancholy, aligning with the game's narrative of loss and discovery.^[34] This approach results in a distinctive atmospheric soundscape that underscores the protagonist's journey across diverse planetary environments.^[35] The full original soundtrack (OST) comprises 62 tracks spread across three CDs, with a total runtime of approximately 3 hours and 34 minutes, and was released by Basiscape on December 22, 2010.^[35] Standout tracks include the recurring "Main Theme," a poignant orchestral piece that serves as the emotional core of the score and appears in various arrangements to tie narrative moments together.^[34] For exploration in urban settings like the city of Tokione, relaxing ambient themes such as "At Tokione" feature subtle electronic layers and gentle melodies to foster a sense of everyday wonder.^[36] In contrast, tense motifs accompany hazardous areas like the Deadlands, with tracks like "Dark Force" utilizing brooding strings and percussive builds to heighten suspense and isolation.^[37] Emotional family moments are elevated by heartfelt pieces, including "Rosa," which blends piano and orchestral swells for a tear-jerking intimacy reflective of the story's personal stakes.^[38] Combat sequences feature dynamic shifts to energetic themes, such as "Warriors of Tizia" and "Partizans," where heroic brass and rhythmic drive intensify action while incorporating motifs from the main theme for continuity.^[39]^[34] These musical transitions enhance gameplay immersion, seamlessly bridging serene exploration with sudden confrontations.^[35]

Art Style and Graphics

Opoona features cartoon-like, bulbous character designs characterized by whimsical, rounded aesthetics and smooth, colorful models that evoke a sense of playfulness and innocence. The protagonists, such as the alien siblings Opoona and Copoona, exhibit Playmobil-esque proportions with exaggerated, childlike features, while enemy designs draw from industrial and mechanical inspirations, often appearing blocky and tubular to contrast the organic world. These elements were crafted under art director Shintaro Majima, who drew from his interest in modern architecture and industrial design to create a visually clean and innovative style suited to the Wii's capabilities.^[7]^[12]^[2] The game's environments employ vibrant, colorful palettes that highlight the contrast between the enclosed, lush glass domes protecting futuristic cities and the barren, uninhabitable Deadlands outside, fostering themes of exploration and post-apocalyptic beauty. Cityscapes within the domes showcase detailed modern architectural influences, including expansive urban layouts with animated backgrounds of towering structures and natural elements like sparkling rivers and sapphire dunes. Graphics utilize a toned-down cel-shading technique with bold outlining and minimal hard shadows, enhancing the hand-drawn, non-photorealistic feel while incorporating particle effects in battle sequences for dynamic visual feedback, such as equipment manifestations resembling flames or UFOs.^[7]^[40] Despite the Wii's hardware constraints, the art direction prioritizes smooth, fluid animations to support motion controls, including motion-captured movements for human characters and cartoony, personality-driven motions for rogues during combat and exploration. The floating Sanctuary island, unaffected by the planetary destruction, is rendered with ethereal, detailed visuals that emphasize openness and wonder, complementing the overall emphasis on a glossy, futuristic aesthetic. This approach ensures immersive traversal through diverse biomes, from verdant outdoor areas to intricate indoor galleries, without exceeding the console's graphical limits.^[7]^[40]

Reception and Legacy

Critical Reception

Opoona received mixed reviews upon its release, with critics appreciating its whimsical charm and innovative elements while critiquing its execution in core gameplay mechanics. The game holds a Metacritic aggregate score of 65/100 based on 33 critic reviews, indicating mixed or average reception.^[4] In Japan, Famitsu awarded it a score of 31 out of 40, praising its cute characters and overall appeal to a younger audience.^[41] Critics frequently highlighted the game's unique one-handed controls and the novel Energy Bonbon battle system, which uses motion controls to launch projectile-like attacks in a circular arena, as a refreshing departure from traditional RPG combat.^[24] The relaxing atmosphere, fostered by its sci-fi setting of domed colonies and a laid-back lifestyle simulation involving jobs and social interactions, was also commended for providing a soothing, endearing experience suitable for casual players.^[40] Charming cel-shaded art, featuring distinctive character designs reminiscent of children's toys and expressive animations, contributed to its visual appeal, often described as gorgeous and heartfelt.^[30] Innovative lifestyle elements, such as earning licenses for part-time jobs and building relationships in a merit-based alien society, were noted for adding depth to the progression beyond standard RPG tropes.^[42] However, several reviewers pointed to clunky combat mechanics, including frequent random encounters that disrupted exploration and led to frantic, time-limited battles feeling repetitive after extended play.^[30] Progression was criticized as slow and aimless, with backtracking, shallow storytelling, and unhelpful navigation tools like the in-game GPS exacerbating tedium.^[23] Control inaccuracies, particularly in precise aiming during combat or maneuvering in complex indoor environments, were common complaints that hindered enjoyment.^[25] Some outlets observed that Opoona struggled to stand out amid high-profile Wii contemporaries like Super Mario Galaxy, which overshadowed its more niche, experimental approach.^[40] IGN rated the game 6.8 out of 10, calling it "charming and generally pleasant to play" for its visuals and battle system but faulting excessive wandering that killed pacing.^[24] GameSpot gave it a 6.5 out of 10, praising the lively characters and distinctive bonbon battles while lamenting the aimless wandering and minor annoyances that undermined its potential.^[23] Japanese outlets like Famitsu emphasized its cultural appeal through cute, accessible design elements that resonated with domestic audiences seeking lighthearted RPGs.^[41]

Commercial Performance

Opoona experienced low commercial success worldwide, with estimated global sales totaling approximately 100,000 units.^[43] This underperformance was largely attributed to its release timing, particularly in Japan where it launched on November 1, 2007, the same day as Nintendo's blockbuster Super Mario Galaxy, overshadowing third-party titles amid a crowded Wii launch window.^[43]^[44] Sales varied by region, with the strongest performance in Japan at around 80,000 units, reflecting some initial domestic interest in its quirky JRPG elements. In contrast, North America saw only about 10,000 units sold, while Europe recorded negligible figures, likely due to the game's niche appeal in Western markets, where its unconventional "lifestyle RPG" mechanics and whimsical art style failed to resonate with the broader casual Wii audience. "Other" regions accounted for the remaining 10,000 units.^[43]^[45]^[30]^[44] As of 2025, Opoona has seen no re-releases, remasters, or digital ports, confining its availability to physical copies traded on second-hand markets such as eBay and Amazon Renewed listings.^[46]^[47]

Cultural Impact

Opoona has cultivated a dedicated cult following among retro gaming enthusiasts, who regard it as an underrated gem due to its innovative lifestyle RPG mechanics and charming sci-fi narrative, despite middling critical reception upon release. The game's relaxing pace, emphasizing exploration, job-taking, and social adaptation over intense combat, has endeared it to players seeking low-pressure experiences in the Wii library. Its distinctive cel-shaded visual style evokes a whimsical, optimistic early-2000s aesthetic that stands out in retrospective analyses.^[7] The original soundtrack, composed by the studio Basiscape, remains a highlight, featuring quirky orchestral and peppy electronic tracks that perfectly complement the game's serene and exploratory tone, often cited as its most memorable element.^[7] In November 2017, coinciding with the game's 10th anniversary, director Sachiko Sugimura teased a "wonderful announcement" via Twitter, fueling fan speculation about a possible sequel or remake, though no further developments emerged.^[48] Opoona's structure as a "lifestyle RPG"—focusing on integration into alien societies through non-violent means—has drawn comparisons to simulation titles like Animal Crossing, reimagined in a sci-fi framework, positioning it as an early example of adaptive, player-driven progression in the genre.^[7] As of 2025, no official remaster, port, or sequel has been released, limiting accessibility to original hardware or emulation setups. Fans have addressed localization shortcomings with a community-developed re-localization patch, which corrects grammar, syntax, and continuity issues in the English version to enhance readability while preserving the original intent.^[49] The game continues to appear in curated lists of Nintendo Wii hidden gems, underscoring its lasting, if obscure, appeal to collectors and retro enthusiasts.^[50]

References

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Opoona Release Information for Wii - GameFAQs
Rating 65% (33) Opoona – Release Details ; Platform: Wii ; Genre: Role-Playing » Japanese-Style ; Developer: ArtePiazza ; Publisher: Koei ; Release: March 25, 2008.Missing: video | Show results with:video
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Opoona is a lifestyle RPG. Th eplayer must adapt to a new environment, meet new people, get a job, all while becoming aware of the precious world and people ...
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Rating 65% (33) Opoona has a Metascore of 65 (Mixed/Average) and a user score of 8.0 (Generally Favorable). Critics note it's a hidden gem, but with flaws.
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Mar 26, 2008 · Developed by ArtePiazza, the team behind four installments of the best-selling DRAGON QUEST® series of RPGs, Opoona showcases the talent of some ...
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New Opoona screens still don't explain the controls - Yahoo! Tech
Mar 19, 2007 · But, of course, the real issue with Opoona is the control scheme, which uses only the Nunchuk. Whaaaaa? Unfortunately, these new screens don't ...
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May 29, 2008 · Control. Even for the Wii, Opoona's control scheme is unique. Although there are a small number of shortcuts that use the Wiimote, the entire ...
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Mar 31, 2008 · Opoona has all of the trappings of a classic RPG, but beyond that, we like to refer to it as a "lifestyle RPG." That's because within it, we ...
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May 31, 2007 · Sachiko Sugimura: For me, it seems that there are more people who feel this world we are now living in is not as happy as the world in the past.
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Feb 5, 2008 · Opoona is a Wii-exclusive traditional role-playing game that is light on the Wii motion, and heavy on classic design.Missing: challenges adapting
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Mar 18, 2007 · Exclusive to Wii~ **The Official Opoona Media & Hype Thread** Haters be damned. The crew working on this reads like an RPG fan's wet dream.Missing: history challenges
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Nov 1, 2007 · Opoona (オプーナ Opūna?) is a role-playing video game developed by ArtePiazza and published by Koei for the Wii.
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Opoona slips from July to September | Eurogamer.net
Jun 18, 2008 · KOEI has pushed Wii-exclusive role-playing game Opoona back from July to September in Europe. Language translations are to blame, ...
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Jan 5, 2018 · Retro Game Friday is a weekly column by Michael Blaker covering various games from the past. This week he covers Opoona!
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Opoona comes from a family who are members of the Cosmo Guard, guardians of the galaxy and wielders of a mystical power called the Holy Force.
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Rating 6.8/10 · Review by Daemon HatfieldApr 3, 2008 · After a disaster befalls his family while on vacation, Opoona is separated from his kin and must make his way on his own in a new society. The " ...Missing: plot summary
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An Eastern RPG, developed by Arte Piazza and published by Koei for the Nintendo Wii in 2008. Touted as a Lifestyle RPG, Opoona follows the titular character.
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Touted as a Lifestyle RPG, Opoona follows the titular character, whose family is traveling to the planet Landroll for a vacation.Missing: Aizal | Show results with:Aizal
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Aug 21, 2009 · These are rogues you fight, but that do not appear in the game rogue list. ... Ring Tunnel 10 has no rogues, but leads to the Aizel and Babuscha ...
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Jun 25, 2021 · Nunchuk, Classic Controller, Action. Neutral nunchuk, Move Opoona, throw Bon Bon, move between choices in the menu. C button, Talk, interact.
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Rating 7/10 · Review by Sean AaronSep 26, 2009 · This is a story about Opoona and his family: his daddy is a famous Cosmo Guard -- that's right, Opoona and his family are from the planet Tizia.
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May 6, 2010 · Sugimura's scenarios were wonderful from start to finish. From the bottom of my heart, I was completely struck by their creativity. I would like ...Missing: Sachiko | Show results with:Sachiko
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opoona original soundtrack | BSPE-1022~4 - VGMdb
Oct 3, 2010 · Total tracks 62 Total length 3:36:58 Sound Direction: Masaaki Kaneko Music Produce: Basiscape Co.,Ltd. Composers (also Arrangers unless specified)
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Dec 22, 2010 · The defining composition of the soundtrack, and indeed Hitoshi Sakimoto's central contribution as a whole, is the game's main theme. The theme ...
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"Rosa" is one of the first places in the game you'll hear one of the game's "main themes." The music alone is a Tear Jerker without the story that goes with it.Missing: key tracks
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Rating 6/10 · Review by Keza MacDonaldSep 9, 2008 · Opoona is a simple, charming Japanese space-RPG, miles away from others of its kind in tone, but not up to their standards in execution.Missing: inspirations lifestyle
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Oct 25, 2007 · Opoona 8887 (just incase you missed it last night) PLAYTIME: 15-20 hours to clear, 75 to do everything. - Cute characters
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On the planet, Opoona must find a job, search for his siblings, and defend himself and the people of Landroll against creatures known as the Dark Rogues.
[44]
10 Amazing JRPGs That Unfairly Sold Poorly - CBR
Jul 8, 2025 · So poor sales of the inventive JRPG Opoona were to be expected. However, the game's dismal launch was exacerbated by its release coinciding ...<|control11|><|separator|>
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Best Nintendo Wii Exclusive RPGs - Hardcore Gamer
Apr 20, 2025 · Koei Tecmo has always been a publisher of the niche and macabre; ArtePiazza's Opoona is no exception to this. This funky-looking JRPG with a ...Missing: market | Show results with:market
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Opoona (Nintendo Wii, 2008) for sale online - eBay
In stock Rating 5.0 (2) The first Wii release to exclusively use the Nunchuk for controls, Opoona is a role-playing game featuring whimsical, bulbous characters and a cartoon-like art ...
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Opoona - Nintendo Wii (Renewed) : Video Games - Amazon.com
B07VF27FTP. Amazon.com Sales Rank. #24,613 in Video Games (See Top 100 in Video Games). #469 in Wii Games. #2,492 in Renewed Video Game Consoles & Accessories.
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Opoona director teases “wonderful announcement” in 10th ...
Nov 2, 2017 · ArtePiazza scenario and game designer, and Opoona director Sachiko Sugimura is teasing a possibly Opoona-related announcement.Missing: interview | Show results with:interview
[49]
Hacks - Opoona Re-localization Patch - Romhacking.net
Jun 12, 2020 · The patch fixes the rough localization of Opoona, addressing grammar, syntax, and continuity errors in the dialogue box, aiming for clearer ...
[50]
View Stack - 10 Hidden Gems for the Nintendo Wii - Completionator
Apr 27, 2016 · 1. The Munchables ; 2 · Lost in Shadow ; 3 · Fragile Dreams: Farewell Ruins of the Moon ; 4 · Opoona ; 5 · Endless Ocean.