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Post Grad

Post Grad is a 2009 romantic comedy-drama film directed by in her live-action directorial debut. The story follows Ryden Malby, a recent graduate whose meticulously planned post-graduation life unravels when her dream job at a prestigious publishing house is taken by a rival, forcing her to move back into her childhood home with her eccentric family while navigating job rejections and personal relationships. Written by , the film explores themes of post-college uncertainty, family dynamics, and self-discovery through Ryden's journey as she reconnects with her longtime best friend and reevaluates her ambitions. The film stars as Ryden Malby, with supporting roles played by as her best friend Adam, as her brief romantic interest David, as her father Walter, as her mother Carmella, and as her grandmother. Produced by and distributed by Fox, Post Grad was shot primarily in and features a runtime of 89 minutes. Jenson, known for her animation work on films like Shrek, transitioned to live-action with this project, emphasizing relatable millennial struggles in the late 2000s economic context. Released theatrically on August 21, 2009, Post Grad opened to $2.65 million in its first weekend but ultimately grossed $6.4 million worldwide against a $15 million budget, marking it as a disappointment. Critically, the film received negative reviews, earning a 9% approval rating on based on 100 reviews, with the consensus describing it as a "lightweight, unambitious comedy" hampered by an uninspiring script despite its capable cast. On , it scored 34 out of 100 from 25 critics, indicating "generally unfavorable" reception, though it found a modest audience among viewers interested in feel-good coming-of-age stories.

Synopsis

Plot

Ryden Malby, a driven English major and , graduates from with ambitious plans to secure a job at a prestigious house in and move into her dream apartment. During her , she envisions a filled with success and independence. However, her aspirations are shattered when she learns that her rival, Bard, has been hired for the position due to the ongoing economic , leaving Ryden without a job or place to live. Forced to return to her childhood home in Pasadena, Ryden reunites with her eccentric family: her optimistic but hapless father , who struggles to sell luggage as part of the ; her quirky Carmella, an aspiring inventor with unconventional ideas; her mischievous younger brother Hunter; and her grandmother Maureen. Amid mounting rejection letters from job applications, Ryden takes on temporary office work to make ends meet and reluctantly helps her father with his luggage sales. Her family's chaotic dynamics provide both frustration and unexpected support, highlighted by incidents like building a racer for Hunter. Romantically, Ryden navigates complications with her longtime best friend and neighbor , who harbors unrequited feelings for her and works as a driver while pursuing . Meanwhile, she becomes intrigued by the charming artist David, their new next-door neighbor, who attempts to seduce her during a vulnerable moment, leading to a brief flirtation that tests her priorities. As her job search intensifies, Ryden's opportunity at the original publishing firm reopens after Jessica's dismissal, but the pressure exacerbates tensions with Adam, who confesses his love only to be rebuffed as she prioritizes her career. In the climax, Ryden reflects on her family's unwavering support and Adam's selflessness, leading to an epiphany about what truly matters. Realizing her mistake, she rushes to the airport to stop from departing for at in , confessing her love and choosing personal happiness over professional ambition. The film resolves with Ryden embracing a balanced life, returning to Happerman and Browning in a fulfilling role in publishing while committing to her relationship with .

Themes

Post Grad explores the disillusionment experienced by recent graduates confronting the realities of the job market, particularly in the context of the 2008-2009 , where idealistic expectations of immediate career success clash with widespread and . The , Ryden Malby, embodies this tension as she faces rejection from her dream publishing job amid a saturated market, highlighting the structural barriers that delay entry into adulthood for many young people. This theme draws from the economic downturn's impact, with rates reaching 37% for ages 18-29 by 2010, forcing graduates into temporary or unrelated roles. The film portrays family as a crucial support system during this transitional period, depicting an unconventional household where parental guidance and sibling dynamics foster personal growth through humor amid dysfunction. Ryden's eccentric parents, competitive brother, and quirky grandmother provide comic relief while offering practical, if quirky, assistance, such as her father's encouragement to navigate "curve balls" in life, underscoring the renegotiated roles in multigenerational homes. This reflects the "boomerang kids" phenomenon, where economic pressures prompt young adults to return to their childhood residences, a trend amplified post-recession with 46% of 2010s films featuring such narratives. Central to the is the between professional ambition and fulfillment, as Ryden grapples with pursuing success versus nurturing personal relationships, ultimately prioritizing self-discovery over superficial opportunities. Her initial obsession with career advancement blinds her to the value of from her longtime friend , critiquing the allure of new, seemingly glamorous prospects like a job tied to an unreliable suitor. This resolution emphasizes emotional grounding from familiar sources as a pathway to maturity, contrasting hollow external validations with authentic connections.

Cast and Characters

Principal Cast

Alexis Bledel stars as Ryden Malby, an ambitious graduate whose meticulously planned post-college life unravels when she fails to secure her dream job at a publishing house, forcing her to return home and confront uncertainties in her career and romantic pursuits. Bledel, who rose to prominence playing the bookish and driven on the WB series from 2000 to 2007, infuses Ryden with a mix of determination and youthful idealism that anchors the film's central narrative of self-discovery. Zach Gilford plays Adam Davies, Ryden's loyal childhood best friend and unspoken romantic interest, who provides steadfast support amid her turmoil while grappling with his own aspirations. Gilford, recognized for his breakout role as the earnest quarterback Matt Saracen on the NBC drama Friday Night Lights from 2006 to 2011, lends Adam a grounded, heartfelt quality that highlights themes of enduring friendship turning to love. Rodrigo Santoro portrays David Santiago, the charismatic Brazilian neighbor who enters Ryden's life as a tempting new romantic diversion, embodying novelty and excitement in contrast to her familiar routines. Santoro, an established Brazilian actor known internationally for roles such as the suave executive Karl in Love Actually (2003) and the imposing Persian king Xerxes in 300 (2006), adds an exotic allure to David that complicates Ryden's emotional journey.

Supporting Roles

The supporting cast in Post Grad features a talented ensemble that brings depth to the Malby family's eccentric dynamics, emphasizing comedic relief through quirky interactions and domestic chaos. portrays Walter "Walt" Malby, Ryden's well-meaning but hapless father, who works as a district manager for a luggage retailer and dabbles in absurd inventions like a guacamole-making device, contributing to the film's humorous portrayal of post-college limbo at home. plays Carmella Malby, Ryden's pragmatic mother, whose no-nonsense advice and sharp wit add layers of maternal eccentricity, often clashing comically with the household's disarray. Carol Burnett appears as Maureen "Ma" Malby, Ryden's sassy grandmother, delivering deadpan one-liners and nostalgic anecdotes that inject classic comedic timing into family scenes, enhancing the film's lighthearted exploration of generational support during tough times. embodies Hunter Malby, Ryden's mischievous younger brother, whose pranks and immaturity amplify the home's chaotic energy, providing moments that underscore the challenges of returning to a childlike environment after . Minor roles further bolster the comedic subplots, such as as Roy Davies, Adam's father who manages a , and Craig Robinson as the , featured in a comedic involving a pet burial. These supporting performances collectively create a warm, humorous domestic atmosphere, highlighting bonds as a source of both frustration and solace amid Ryden's career struggles.

Production

Development

The screenplay for Post Grad, originally titled Ticket to Ride, was penned by Kelly Fremon as her debut and acquired by Ivan Reitman's in 2006 following negotiations with a major studio. Fremon, then 25, drew from personal experiences of post-college uncertainty to craft a story about a recent graduate navigating job market challenges and family dynamics, which resonated with the era's youth. Vicky Jenson was brought on as director in 2007, marking her shift from —where she co-directed (2001) and (2004), as well as (2004)—to live-action features. Jenson envisioned the film as a feel-good comedy-drama blending relatable coming-of-age struggles with humorous family interactions, aiming to capture the awkward transition to adulthood in a lighthearted tone. Her background influenced the emphasis on character-driven storytelling and visual whimsy within a realistic setting. The project was formally announced in 2007 under Fox Atomic's banner, with leading production alongside Cold Spring Pictures. With a of $15 million, emphasized themes of economic anxiety amid the late-2000s , positioning the film as a timely exploration of post-college realities for distribution by 20th Century Fox. Initial highlighted its appeal to recent graduates facing job scarcity, framing it as an empathetic comedy about unmet expectations.

Casting

Amanda Bynes was initially cast in the lead role of Ryden Malby for Post Grad, but she dropped out due to personal difficulties and was replaced by . 's casting was announced in late 2007, highlighting her as the central figure in the comedy about post-college life. was selected for the role of Adam Davies after a series of auditions that prioritized on-screen chemistry with Bledel, as the characters share a close friendship with romantic undertones. His attachment was confirmed alongside Bledel's in December 2007. Michael Keaton was cast as father Walter Malby, as grandmother Maureen Malby, and as mother Carmella Malby to infuse the family dynamics with established comedic timing and gravitas. Brazilian actor was cast as David Santiago to introduce an element of allure and cultural diversity to the romantic interests. Principal casting wrapped by late 2007, allowing principal photography to commence in December of that year. Announcements at the time emphasized Bledel's star power from to draw audiences to the project.

Filming

Principal photography for Post Grad took place from December 10, 2007, to February 14, 2008, primarily in , . The production utilized various suburban neighborhoods in the area to represent the Malby family , including a specific residence at 22239 Tiara Street in Woodland Hills. Key filming locations included the (UCLA) campus, where stood in for the college graduation scenes. Additional exteriors were shot in and Malibu to capture Ryden's post-graduation journey through the city. Interiors for the fictional publishing house were likely constructed on soundstages in Los Angeles, while the film's climax at the airport utilized local facilities to depict the emotional farewell sequence. Cinematography was handled by Charles Minsky, whose work supported the film's lighthearted tone through standard live-action techniques. The production involved minimal , limited to basic digital and by a small team, avoiding extensive for its grounded, character-driven narrative. On set, director emphasized improvisational elements to enhance the ensemble's comedic timing, drawing from her but adapting to live-action who expressed some anxiety about the approach; she relied on acting coach Judith Weston to facilitate these scenes. wrapped ahead of the film's summer 2008 phase.

Music

Soundtrack

The official for Post Grad, titled Post Grad (Music from the Motion Picture), was released on August 18, 2009, by as a promotional to the film. Featuring 15 tracks from contemporary and pop artists, the highlights licensed integrated into various scenes to the film's youthful, transitional tone. Notable inclusions are "Pony (It's OK)" by Erin McCarley, which plays during the ; "Take What You Take" by , featured in a ; "Don't Give Me a Hard Time" by The Locarnos; and "One Day" by . Other tracks encompass contributions from and , with "Wake the Sun" by The Matches accompanying driving sequences and "El Micrófono" by enhancing comedic moments. The , emphasizing upbeat and reflective sounds, received limited commercial attention.

Original Score

The original score for Post Grad was composed by , a Canadian-born renowned for his Emmy-winning contributions to the television series . Beck's work on the film integrates orchestral elements to support the romantic comedy's tone, blending light-hearted cues with emotional underscores for key narrative transitions. Notable score tracks include "Main Titles," which sets the film's upbeat introductory mood, and "Ryden & Adam," a tender piece highlighting the protagonists' developing romance. These cues were recorded in 2009 to align with the production timeline, employing a modest ensemble of strings, piano, and percussion to evoke the story's quirky family dynamics and post-college anxieties without overpowering the dialogue-driven scenes. No commercial standalone album for the score was released; instead, select pieces appear alongside licensed songs on the official Post Grad (Music from the Motion Picture) soundtrack, issued by on August 18, 2009, and integrated into the film's theatrical and home media audio mixes.

Release

Theatrical Release

Post Grad had its premiere on August 13, 2009, before opening widely across the country on August 21, 2009, distributed by 20th Century Fox in 1,959 theaters. The film did not feature a world premiere at any major and bypassed significant festival circuit exposure. Internationally, Post Grad received limited theatrical releases in select markets, including the on January 1, 2010, and later that year. The of America rated the film PG-13 for sexual situations and brief strong language, with a runtime of 88 minutes. Positioned as a summer comedy-drama, it explored post-graduation challenges amid the 2009 economic recession.

Marketing and Promotion

The marketing campaign for Post Grad emphasized the film's themes of post-college uncertainty and familial dynamics amid the 2009 economic recession, positioning it as a relatable for young adults navigating real-world challenges. Trailers, released online via platforms like starting in late April 2009, showcased protagonist struggles after , including job hunts and quirky family interactions, to build anticipation among viewers facing similar transitions. These were distributed digitally and through studio channels, with additional versions appearing on sites like in early May 2009. Theatrical posters prominently featured lead actress in a tilted , evoking the film's central of stepping into adulthood. Promotional efforts included cast interviews during press activities, where the movie's timeliness was highlighted in relation to the recession's impact on graduates, as noted in contemporary reviews. Tie-ins focused on the soundtrack, available for pre-order and purchase on , featuring tracks like Erin McCarley's "PONY (It's OK)" to appeal to the film's demographic. The campaign primarily targeted recent graduates and , underscoring the "real world" anxieties depicted to foster emotional connection during an of economic instability.

Home Media

The home video release of Post Grad occurred on January 12, 2010, distributed by 20th Century Fox Home Entertainment in both DVD and Blu-ray formats. The standard DVD edition featured a presentation, while the Blu-ray version included high-definition video encoded in AVC MPEG-4 and 5.1 audio for enhanced home viewing. Special features on the releases encompassed deleted and alternate scenes (approximately 14 minutes in standard definition), a music video for "One Day" by , a featurette titled "Real Life Advice" offering career advice from cast members including and , a behind-the-scenes "Making Of" segment on the filming process, an track with Bledel and Gilford, and the theatrical trailer. Digital distribution followed shortly after, with the film becoming available for purchase and rental on platforms such as and Amazon Video by 2010. Following The Company's acquisition of in March 2019, Post Grad later appeared on streaming services like Disney+. As of November 2025, the film remains available on Disney+. The home video market saw initial strong performance, with estimated domestic DVD sales reaching $1,815,012, providing a boost after the film's modest theatrical .

Reception

Critical Response

The film received predominantly negative reviews from critics upon its release. On , Post Grad garnered a 9% approval rating based on 100 reviews, with an average rating of 3.2/10. On , it scored 35 out of 100 based on 25 critics, reflecting "generally unfavorable" . A few reviewers highlighted positive elements in the cast's performances, particularly the familial chemistry and humor brought by and as the protagonist's parents. gave the film three out of four stars, praising it as a "feel-good " that made him smile, and noting how the family dynamic effectively shows "coping with hard times with good humor" amid economic pressures. The critic consensus similarly commended the "fine ," including Alexis Bledel's inherent in the lead role, though it faulted the weak supporting material. Most critiques, however, focused on the film's formulaic script, superficial treatment of recession-era post-graduation struggles, and inconsistent tone. called it a "feeble and innocuous" comedy centered on an uncompelling subject, lacking insight into real-world job market woes. dismissed it as a "weightless dramedy" with no fresh ideas or depth, rendering its exploration of economic uncertainty predictable and uninspired. Overall, reviewers agreed the material failed to elevate the talented ensemble beyond a middling, unambitious effort.

Box Office Performance

Post Grad opened in theaters on August 21, 2009, earning $2,651,996 during its opening weekend from 1,959 screens, placing it at number 11 at the domestic box office. This resulted in a per-theater average of $1,353. The film ultimately grossed $6,380,019 domestically, with international earnings adding just $34,710 for a worldwide total of $6,414,729. Produced on a budget of $15 million, Post Grad underperformed significantly relative to expectations, failing to recoup its costs through theatrical revenue alone. The release occurred amid the Great Recession, which strained the film industry and contributed to cautious audience spending on mid-budget comedies. Competition from high-profile blockbusters that weekend, including District 9 (which earned $18.9 million in its second weekend) and Inglourious Basterds (number 1 with $37.6 million), overshadowed Post Grad's more modest appeal. Limited marketing efforts and a preference for spectacle-driven films during economic uncertainty further hampered its box office trajectory.

Audience and Cultural Impact

Audiences polled at the film's 2009 theatrical release gave Post Grad a B grade on the scale, reflecting middling but generally positive word-of-mouth for its depiction of relatable post-graduation challenges amid a tough job market. In the years following its release, Post Grad gained availability on streaming platforms like Disney+ in select regions starting around 2021. The film has no major awards to its name but appears in analyses of Alexis Bledel's as an early lead role showcasing her transition from to feature comedies. Post Grad captures the cultural anxieties of entering adulthood during the 2009 recession, emphasizing themes of unfulfilled expectations and familial support in uncertain times. As of November 2025, it remains available on various video-on-demand platforms, including and at Home. User-generated ratings on average 5.3 out of 10, based on over 15,000 votes, indicating enduring but divided viewer sentiment.

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