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Pretty Face

Pretty Face (Japanese: プリティ・フェイス, Hepburn: Puriti Feisu) is a manga series written and illustrated by Yasuhiro Kano. It was serialized in Shueisha's magazine from May 2002 to June 2003, with its chapters compiled into six volumes. The series blends elements of , , and gender-bender themes, centering on a teenage boy's comedic and emotional struggles after a facial reconstruction surgery alters his appearance to resemble his . The story follows Rando Masashi, a brash high school karate prodigy and delinquent who harbors a secret crush on the elegant and popular Rina Kurimi. After a catastrophic school bus accident leaves him comatose and his face severely disfigured, Rando awakens a year later to discover that pioneering plastic surgeon Dr. Manabe has reconstructed his features using a photograph of Rina as a model, resulting in an uncanny resemblance to her. Mistaken for Rina's long-lost identical twin sister, Rando is adopted into her wealthy family and enrolls in her prestigious all-girls school under the feminine name "Ran," forcing him to navigate daily life while concealing his true gender and identity amid budding romances, rivalries, and his own karate aspirations. Originally published in Japan by Shueisha under the Jump Comics imprint, Pretty Face was licensed for English release by Viz Media, with the first volume appearing in August 2007 and the complete series concluding in 2008. The manga explores themes of identity, unrequited love, and self-acceptance through humor and heartfelt moments. Yasuhiro Kano, who debuted in 1992, followed Pretty Face with other notable works like M×0.

Synopsis

Plot

Masashi Rando is a high school prodigy known for his brash personality and exceptional skills, harboring an unspoken crush on his classmate, the beautiful and reserved Rina Kurimi. One day, Rando is involved in a severe bus accident that leaves him comatose for a year, with his face badly disfigured by burns. Upon awakening, he undergoes performed by the eccentric plastic surgeon Dr. Manabe, who uses a photo of Rina found at the accident site as a model, resulting in Rando's new face strikingly resembling hers. Determined to stay close to Rina despite his altered appearance, Rando learns that she has a long-lost twin named Yuna who ran away from home years earlier, presumed missing by the family. Mistaken for this upon encountering Rina, Rando decides to impersonate "Yuna" and is welcomed into the Kurimi household, enrolling in school as a girl to maintain the deception. This sets the stage for a series of comedic and romantic challenges as Rando navigates high school life in disguise, balancing his male identity with feminine expectations. The story unfolds across several major arcs, including everyday school antics filled with humorous misunderstandings arising from Rando's dual life, budding romantic tensions with Rina and other characters, intense karate competitions where Rando's skills are put to the test, and escalating complications from the ongoing impersonation. These elements build toward a climax centered on the eventual revelation of Rando's true identity, culminating in the resolution of the central romance between him and Rina. Spanning 52 chapters over 6 volumes, the narrative emphasizes romantic comedy tropes intertwined with gender-bending humor and themes of self-acceptance.

Setting

The story of Pretty Face unfolds in contemporary during the early 2000s, capturing the everyday rhythms of adolescent life amid tropes without tying into specific historical events. The central setting is a typical high , encompassing classrooms where students navigate academic and social routines, as well as facilities supporting extracurricular activities like training in a dedicated . School events, such as cultural festivals, provide backdrops for communal interactions and highlight the institution's role in fostering youth dynamics. A key secondary location is the hospital, where advanced yet fictional techniques are employed for facial reconstruction, emphasizing experimental medical procedures in a modern facility. This medical environment ties directly to the inciting bus accident, grounding the series' premise in realistic institutional spaces. These settings integrate elements of routine teen experiences, including standardized school uniforms, club participation in sports like , and the prevalent social hierarchies that define peer relationships, thereby anchoring the narrative's more extraordinary developments in familiar cultural contexts.

Characters

Main characters

Masashi Rando, also known by the alias Yuna Kurimi, is the central of Pretty Face, portrayed as a brash, self-centered high school expert and national champion who instills fear in his peers due to his arrogant demeanor and exceptional prowess. Following a severe bus that leaves his face disfigured, he undergoes that transforms his appearance to mirror Yuna Kurimi, compelling him to impersonate her as a means to remain near his . This role ignites an as he navigates the tension between his inherent masculine identity and the feminine persona he adopts, initially driven by opportunistic motives but gradually shifting toward authentic emotional investment in those around him. Rina Kurimi serves as Masashi's idealized love interest, characterized as a sweet, kind-hearted, and highly popular high school girl who remains oblivious to his true identity throughout his impersonation. As a member of the affluent Kurimi family, she embodies an aspirational figure of gentle femininity and social grace, with her family dynamics revolving around the lingering absence of her twin sister Yuna, whom they presume has returned in the form of Masashi's disguised persona, thereby restoring a sense of familial completeness. Dr. Jun Manabe is the eccentric and highly skilled plastic surgeon responsible for Masashi's facial reconstruction, employing advanced experimental techniques to rebuild the disfigured features based solely on a found in Masashi's possession. Operating from his private clinic, Manabe functions as a manipulative yet ultimately supportive mentor figure to Masashi, guiding him through the implications of his altered identity while drawing from his own history of innovative, boundary-pushing surgical methods. The real Yuna Kurimi, Rina's missing twin sister, ran away from home prior to the story's events to become a beautician. She later reappears in the narrative, having moved to for work, and eventually forgives Masashi for impersonating her, with Masashi continuing the role until she finishes her studies.

Supporting characters

Rina's close friends and classmates, including Yukie Sano, Keiko Tsukamoto, and Midori Akai, form a core group that interacts frequently with the protagonist in her guise as Yuna, often leading to comedic misunderstandings and support within school dynamics. Yukie Sano stands out as the most mature among them, while Keiko Tsukamoto frequently questions aspects of Yuna's sudden appearance, adding tension to the impersonation plot. Midori Akai contributes outgoing energy to the group's activities. Masashi's karate rivals and teammates, such as Takahiro Kinoshita and Juuji Tamura, introduce antagonistic challenges and action sequences by testing his martial arts prowess even after his transformation. Kinoshita, recognizable by his pompadour hairstyle, represents a direct competitor in karate events. Rina's family members, including her parents, play a key role by welcoming Yuna into their household as Rina's long-lost twin sister, fostering domestic comedy through everyday family interactions and acceptance of the disguise. School faculty, notably teacher Miwa Masuko, enforce disciplinary rules that heighten the risks of the protagonist's disguise, complicating school life with authority-driven subplots.

Production

Development

Yasuhiro Kano, born on December 16, 1970, in , , made his professional debut in 1992 with the one-shot Black City, published in a of , where it won the magazine's Hop Step Award for promising new artists. Prior to achieving serialization, Kano contributed numerous one-shot stories to and related publications. After Black City, he published Keita Futari (1993), Proto One (1995), and Jewel of Love (1996), which showcased his early experimentation with action, drama, and comedic elements. These initial works established Kano's style within the landscape, drawing from genres like and gender-bender narratives that would later define his serialized projects. Pretty Face ultimately transitioned to serialization in Weekly Shōnen Jump in 2002.

Serialization

Pretty Face began serialization in Shueisha's Weekly Shōnen Jump on May 13, 2002, debuting in issue #24 with lead color pages to celebrate the new series. The manga, created by Yasuhiro Kano, followed the magazine's standard weekly release schedule, appearing every week alongside other shōnen titles such as One Piece, Naruto, and debut contemporaries like Ichigo 100%. Each chapter typically spanned around 19 pages, aligning with the anthology's format for serialized installments. The series maintained a consistent run without notable hiatuses, though it featured occasional special elements like color pages for its first anniversary in 2003. Serialization concluded on June 9, 2003, in issue #28, after 52 chapters, attributed to moderate popularity that led to its cancellation.

Publication

Volumes

The Pretty Face was collected into six volumes published by under its Jump Comics imprint, spanning from October 4, 2002, to November 4, 2003. These volumes compile the 52 chapters originally serialized in , with each including an afterword by author ; the final volume also features a bonus side story. The chapter groupings per volume are as follows:
VolumeRelease DateChapters IncludedNotes and Extras
1October 4, 20021–8978-4088733616Afterword on page 208
2December 4, 20029–17978-4088733500Afterword on page 192
3February 4, 200318–27978-4088733845Afterword on page 192
4May 1, 200328–36978-4088734231Afterword on page 184
5August 4, 200337–45978-4088734972Afterword on page 183
6November 4, 200346–52 + bonus side story978-4088735269Afterword; bonus chapter "The Class Trip from Hell" on pages 157–207
Each volume's cover artwork illustrates key characters from the respective story arcs, rendered in Kanō's distinctive style emphasizing expressive faces and dynamic poses.

International releases

licensed Pretty Face for publication in , releasing the English translation in a right-to-left format across six volumes from August 7, 2007, for Volume 1 to June 3, 2008, for Volume 6. The series received a T+ rating for older teens due to its themes of gender-bending humor and mild suggestive content. In , Tonkam published the edition, beginning with Volume 1 on July 11, 2006, and concluding with Volume 6 on May 9, 2007, making it one of the earlier international adaptations following the original Japanese serialization. Localization efforts preserved the manga's comedic elements centered on cultural nuances of identity and romance, with no reported significant delays or alterations beyond standard translation adjustments. The series has seen limited releases in other regions, with no major adaptations or widespread licensing beyond English and French markets. Digital availability expanded in the 2010s through Viz Media's Shonen Jump platform and e-book formats, allowing global access to the English version starting around 2013.

Reception

Critical response

Pretty Face received mixed to positive , praised primarily for its humorous take on gender-bending scenarios and fast-paced comedy that appeals to teen audiences. Jason Thompson of lauded it as his favorite Weekly Shonen Jump school comedy, highlighting its sarcastic energy and willingness to delve into kinky, outrageous premises like and sister-fetishism, which elevate it beyond typical fanservice fare. Reviewers noted the series' entertaining blend of humor and light-hearted gags, such as the Rando's exaggerated reactions to feminine situations, making it a breezy, casual read suitable for younger readers seeking escapist fun. Critics, however, pointed to several weaknesses, including a shallow that over-relies on elements and repetitive jokes like gags, often at the expense of deeper storytelling or character development. In a for Every Day Is Like , the series was described as strong in comedic gags but weak in exploring romance depth, with a male perspective dominating portrayals of womanhood and leading to stereotypical depictions of female characters. The Manga Test Drive called it "entertainingly raunchy" yet criticized its generic art and missed opportunities for satire on gender roles, resulting in underdeveloped themes of identity and disguise compared to more nuanced series like . User aggregate ratings reflect this divide, for example, with Volume 1 averaging 3.8 out of 5 from 554 ratings, indicating solid but not exceptional appeal. Thematically, Pretty Face explores through tropes, such as Rando's as his crush's twin sister, touching on and the challenges of , though these elements are often played for laughs rather than profound analysis. Thompson appreciated how the story grounds its premise in realistic scenarios rather than fantasy, allowing for occasional dark undertones like threats of treated comically, which some found jarring. Overall, while the series excels in providing entertaining and humor for its target demographic, its lack of emotional depth and reliance on superficial tropes prevent it from achieving greater critical acclaim.

Commercial performance

Pretty Face achieved moderate commercial success during its serialization in , running for 53 chapters from 2002 to 2003 and collected into six volumes by , which reflects a stable but not blockbuster performance typical of mid-tier titles in the magazine during that era. While specific chart placements for individual volumes are not prominently documented, the series' completion without early cancellation suggests consistent reader interest sufficient to sustain its run amid competition from higher-selling contemporaries. In the international market, released the English-language edition under its Shonen Advanced imprint from 2007 to 2008, targeting older teen audiences with its gender-bender comedy elements, though it maintained niche appeal rather than achieving widespread bestseller status within the category. The series has garnered a dedicated following, evidenced by its average user score of 7.56 out of 10 on , based on ratings from over 10,000 users, positioning it as a solid mid-ranked entry (#2652) in the overall database and highlighting its enduring popularity among fans of comedic transformations. Its legacy includes subtle influence on subsequent gender-bender comedies in , contributing to the genre's exploration of identity and humor, as noted in discussions of Jump's diverse title outputs from the early .

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