Priscelia Chan
Priscelia Chan Shih Mei (born 6 November 1978) is a Singaporean actress, television host, and acting trainer known for her extensive work with Mediacorp since 1999.[1][2] Chan entered the entertainment industry after participating in the Star Search '99 finals, where she signed with Mediacorp despite not winning the competition, marking the start of a career spanning over 60 television series.[2][3] Her breakthrough role came in the 2001 drama In Pursuit of Peace, followed by notable performances such as an army general in Legend & Hero (2006) and a lead in the Singapore-Japan collaboration Mooncake (2011).[2][3] She earned critical acclaim for her supporting role in The Journey: A Voyage (2013), which garnered her a nomination for Best Supporting Actress at both the Star Awards and the 19th Asian Television Awards, along with the Rocket Award in 2014.[2][3] Versatile in acting, hosting, and dancing, Chan has hosted programs like Super TV Champion (2002) and ranked among Mediacorp's Top 20 Most Popular Female Artistes in multiple years from 2003 to 2015.[2] In her personal life, Chan, who stands at 160 cm and is fluent in Mandarin and English, married actor Alan Tern in 2007 and has no children, a circumstance she describes as unintended but one she embraces with peace, drawing family insights from her nine nieces and nephews.[2][3][4] She took a hiatus from 2017 to 2019 to overcome a severe eczema flare-up triggered by topical steroid withdrawal, which caused symptoms including inflamed rashes, breathlessness, and weakness, exacerbated by stress and diet; she recovered through a gluten-free organic diet, stress management via floral arrangements, and support from her husband.[5][3] During this period, she directed the short film Soul Connection (2019) and began conducting acting classes.[3][5] Chan's recent projects include starring roles in Shero (2023), Till the End (2023), and Born to Shine (2024), where she portrayed a mother navigating PSLE-related anxieties, as well as Emerald Hill (2025), and was nominated for Top 10 Most Popular Female Artiste at the Star Awards 2025.[3][4][2] She also ventured into scriptless filmmaking with Don’t Go Home Tonight (2023), showcasing her adaptability after 24 years in the industry.[3]Early life and education
Family and childhood
Priscelia Chan, born Zeng Shimei (曾诗梅) on 6 November 1978 in Singapore, was raised in the city-state during her early years.[6] Her family life was marked by the significant loss of her mother in 2005, an event that profoundly shaped her worldview and led her to cultivate a deliberate positive outlook as a response to grief.[3] Prior to this, Chan has described her younger self as highly meticulous and goal-driven, reflecting a disciplined upbringing typical of many Singaporean families focused on achievement.[3] This personal milestone influenced her resilience, though details on her parents and any siblings remain private.Formal education
Priscelia Chan completed her primary education at Bedok View Primary School in Singapore. She then attended St. Hilda’s Secondary School for her secondary education. Following secondary school, she enrolled at Temasek Polytechnic, where she earned a Diploma in Accountancy and Finance around 1999.[7][8] Upon graduating from Temasek Polytechnic, Chan worked briefly as a tax auditor before entering the entertainment industry.[3] In 2009, while taking several months off from acting to complete her studies, she obtained a Bachelor of Business (Management) with Distinction from RMIT University via SIM Global Education. This program equipped her with skills in management relevant to her professional development in media and acting.[9]Career
Beginnings in entertainment
After graduating from polytechnic, Priscelia Chan initially pursued a stable career in finance, working as a tax auditor in Singapore.[3] Seeking a change, Chan entered the entertainment industry through the talent competition Star Search Singapore 1999, where she advanced to the finals and impressed judges with her charismatic performance.[2] Although not declared the winner, her participation marked a pivotal moment, leading to an immediate contract offer from Television Corporation of Singapore (TCS), the predecessor to Mediacorp.[2] Chan's on-screen debut came in 2000 with minor supporting roles in Chinese-language dramas produced by Channel 8. In Four Walls and a Ceiling (Wo Ai Huangjin Wu), she portrayed Chen Aitian, a secondary character in the family-oriented series.[2] That same year, she appeared as the nun Yilin in the wuxia production The Legendary Swordsman, sharing scenes with veteran actors from Taiwan and marking her first exposure to large-scale regional collaborations.[2] To supplement her acting opportunities, Chan took on early hosting duties, co-presenting the variety program Super TV Champion in 2002, which helped build her on-air presence.[2] She also secured supplementary modeling work, including television commercials that aligned with her emerging public profile in the industry.[3]Major roles and achievements
Priscelia Chan achieved her breakthrough as a leading actress with her debut lead role in the Mediacorp Channel 8 drama In Pursuit of Peace in 2001, where she portrayed the character Ah Gui in a story exploring family dynamics and personal struggles.[3][10] This marked her transition from supporting roles to prominent positions within Mediacorp productions. She followed this with another lead in the English-language series Heartlanders III in 2003, playing Lisa Gan, a role that highlighted her bilingual capabilities in depicting everyday Singaporean life and community interactions.[3][2] Throughout the mid-2000s, Chan solidified her reputation with versatile performances across genres. In Springs of Life (2002), she took on a key role in the family-oriented drama, which also marked the set where she first collaborated with her future husband, actor Alan Tern.[3] Her involvement in the mainland Chinese co-production The Legend and the Hero (2007), where she played Zixian, showcased her ability to handle supernatural-fantasy elements alongside international stars like Fan Bingbing.[3][11] Chan's mid-career highlights continued with lead roles in contemporary dramas, demonstrating her range in portraying complex emotional narratives. She starred as Jenny Lin in Priceless Wonder (2010), a series focusing on ambition and relationships in the gaming industry.[3] Later, in The Journey: A Voyage (2013), she embodied Han Xiuxiang, a multifaceted character in an epic tale of Chinese immigrants in early 20th-century Singapore, earning praise for her depth in historical settings.[3][12] In 2023, Chan made her film debut in Don't Go Home Tonight, a Singaporean drama directed by Kelvin Sng, where she participated in a scriptless improvisation format that tested her adaptability in portraying interpersonal tensions on a cruise ship.[13][14] As a longstanding Mediacorp artist, Chan has been recognized for her consistency and versatility, excelling in both Chinese- and English-language dramas ranging from lighthearted comedies to intense period pieces.[2]Hiatus and return
In 2017, Priscelia Chan took an extended hiatus from acting due to a severe skin condition that made it impossible for her to wear makeup, a necessity for her profession. This two-year break, which lasted until 2019, stemmed from personal health challenges that left her unable to recognize herself in the mirror and prompted a period of introspection and recovery. During this time, she channeled her energies into creative pursuits beyond performing, including writing and directing the short film Soul Connection (2019), a story about a woman rediscovering her potential amid life's demands. The film, released on Toggle SG, marked her debut behind the camera and provided a therapeutic outlet during her recovery.[5][3][15] Parallel to her directorial work, Chan began teaching acting classes at two schools, sharing her expertise with aspiring performers and finding fulfillment in mentorship. This role allowed her to stay connected to the industry without the physical demands of on-screen work, and she has continued to expand her involvement in acting training post-recovery, conducting sessions that emphasize practical skills and emotional depth. By late 2019, with her health stabilized, Chan expressed optimism about resuming television roles, though she approached her return cautiously to avoid relapse. Her brief overlap with health recovery influenced a more selective approach to projects, prioritizing those that aligned with her well-being.[15][16][17] Chan made her post-hiatus return to acting in 2022 with the role of Chen Linlin in the Mediacorp drama Your World in Mine, portraying a complex family member in a story exploring relationships and disabilities. Building momentum, she took on supporting roles in 2023's Shero as Jiang Meizhen, a key figure in an all-female vigilante narrative, and Till the End as Fan Youqing, contributing to the series' romantic comedy elements. In 2024, she appeared as Su Xin Ying in Born to Shine[18], a drama addressing parenting pressures during the PSLE exams, drawing from her observational experiences with family to inform her maternal character. Her resurgence culminated in 2025 with Emerald Hill: The Little Nyonya Story, where she plays Ping Jie in a multi-generational Peranakan saga, reflecting her preference for meaningful, character-driven stories.[19][2][4][20] Since her return, Chan has focused on selective project choices, balancing acting with her growing role in education and avoiding overcommitment to maintain long-term sustainability in her career. This strategic shift has allowed her to diversify her contributions to Singapore's entertainment scene while prioritizing personal growth.[21][22]Personal life
Marriage
Priscelia Chan met Alan Tern, a former actor who now runs an eyewear business, on the set of the MediaCorp comedy series Springs of Life in 2002, where they were both budding performers.[23][24] Their initial connection blossomed into a close friendship that lasted several years before evolving into a romantic relationship.[23] The couple dated for a period and married on 6 October 2007 in a private ceremony, marking the beginning of a partnership built on mutual respect and companionship.[25][26] Throughout their marriage, Chan and Tern have demonstrated strong relational dynamics characterized by professional encouragement and personal boundaries. Tern has consistently supported Chan's career decisions, including her return to acting after a hiatus, viewing it as an opportunity for her to pursue her passions.[19] In turn, Chan has expressed appreciation for Tern's ventures outside acting, such as his business endeavors, fostering a balanced partnership where each cheers the other's successes.[27] However, they have deliberately avoided collaborating on-screen romantically, stemming from Chan's discomfort during their joint appearance in the 2011 drama A Song to Remember, where Tern portrayed an antagonistic husband; she found the role reversal "weird" and distracting, preferring to keep their professional lives separate to preserve relational harmony.[19] As of 2025, reflecting on nearly 18 years of marriage, Chan and Tern emphasize sustaining their connection through shared experiences and lighthearted communication. They prioritize quality time, such as attending concerts together—like a Jay Chou performance in 2024—to inject fun and novelty into their routine.[21] Humor plays a key role in navigating everyday challenges, with Chan noting their ability to address minor annoyances playfully, while unwavering support during tough times reinforces their bond.[21] This approach, they share, underscores the importance of trust, respect, and ongoing effort in a lasting union.[27]Family and children
Priscelia Chan and her husband Alan Tern have chosen not to pursue biological children, a decision Chan described in a 2024 interview as something that "just didn’t happen," emphasizing their peaceful acceptance of the situation without it being a deliberate choice.[4] Despite frequently portraying mothers in her acting roles, Chan has expressed contentment with this aspect of their life, noting that Tern's supportive stance has helped them remain "really very chill" about it.[21] Chan's experiences with parenthood are shaped indirectly through her large extended family, particularly Tern's nine nieces and nephews, with whom they maintain close weekly gatherings and act as a "fun auntie and uncle."[21] This involvement has exposed her to child-rearing challenges, such as the anxiety surrounding the Primary School Leaving Examination (PSLE), which she observed affecting her relatives, including her sister's concerns over the rigorous curriculum.[4] The death of Chan's mother in 2005 profoundly influenced her family perspectives, prompting a shift toward resilience by embracing life's unpredictability and prioritizing gratitude for everyday joys.[3] This loss fostered a mindset of positivity within her family dynamics, helping her build emotional strength through focusing on small blessings rather than dwelling on hardships. Chan also nurtures social connections that extend her sense of family, such as attending the 2025 wedding of her co-star Michelle Chia in Bintan, Indonesia, where she joined close friends and industry peers in celebrating the intimate ceremony.[28]Health challenges
In 2017, Priscelia Chan was diagnosed with severe eczema, which escalated into a two-year ordeal marked by topical steroid withdrawal symptoms. The condition was triggered primarily by stress from demanding acting roles and personal family challenges, leading to widespread inflamed rashes across her face and body, bluish lips, breathlessness, persistent weakness, an inability to sweat, and constant feelings of coldness.[5] These physical manifestations were compounded by intense burning and raw skin sensations, forcing her to avoid makeup entirely and isolating her from social and professional interactions.[29] The hiatus profoundly affected Chan's mental and physical well-being, plunging her into depression and a deep fear of losing her sense of identity beyond her appearance, career, and relationships. She consulted multiple dermatologists, general practitioners, and traditional Chinese medicine practitioners, trying remedies such as probiotics, cactus juice, soursop leaf infusions, steroid creams, and immunosuppressants, but none provided lasting relief until she addressed underlying factors. The ordeal left her unrecognizable to herself in the mirror, amplifying anxieties about permanent disfigurement and her future as an actress.[5][15] Recovery began with significant lifestyle adjustments, including a strict gluten-free and organic diet that eliminated processed sugars, MSG, dairy, nuts, and outside foods, alongside ample rest and targeted traditional Chinese medicine treatments. To manage stress, Chan turned to creative outlets like floral arrangements and filmmaking, which helped redirect her energy and foster emotional resilience. By 2019, her physician confirmed substantial improvement, allowing gradual reintroduction of activities.[3][29][15] In 2023, Chan reflected on her journey as a transformative milestone that rebuilt her confidence, enabling her to resume acting in projects like the film Don’t Go Home Tonight after successful patch tests for skin-friendly makeup. She emphasized the importance of holistic self-care in preventing relapses, viewing the experience as a catalyst for personal growth rather than a setback.[3]Works
Television
Priscelia Chan has built a prolific career in Singaporean television, primarily through Mediacorp's Channel 8 and Channel 5, portraying a range of supporting, lead, and antagonistic roles in Chinese- and English-language dramas. Her work spans family-oriented stories, period pieces, and modern thrillers, often highlighting complex maternal figures, resilient women, and dramatic leads. She has also hosted variety and travel programs early in her career. Chan's television debut came in 2000 with the supporting role of Chen Aitian in the family drama Four Walls and a Ceiling (我爱黄金屋).[2] That same year, she appeared as the innocent nun Yilin in the wuxia series The Legendary Swordsman (笑傲江湖), marking her entry into high-profile productions alongside regional stars.[1] In 2001, she achieved a breakthrough with her first lead role in In Pursuit of Peace (追寻), portraying a devoted, brave, and emotionally dependent woman navigating personal and familial conflicts.[2] Her early 2000s roles included a part in the ensemble family saga Springs of Life (春到人间) in 2002, where she acted alongside future husband Alan Tern.[3] She took on lead roles in the English-language series Heartlanders III in 2003 and Heartlanders IV in 2005, playing relatable community figures in these long-running police dramas.[30] In 2006, Chan depicted a formidable army general in the period fantasy Legend & Hero (少年杨家将), a regional co-production that showcased her versatility in action-oriented narratives.[2] During this period, Chan also ventured into hosting, co-presenting the Chinese variety show Super TV Champion in 2002, a travel segment in Lodge with Me (Malaysia episode) in 2006, and the variety program Chong Qing Discovery in 2007, all for Mediacorp.[2] In 2010, she starred as Jenny Lin in the lighthearted family comedy Priceless Wonder (游戏人生), reuniting with Tern.[3] That year, she also led as Li Meiyue in the crime thriller Unriddle (解谜).[1] In 2011, she played the lead role of Li Jia Mei in the Singapore-Japan collaboration Mooncake.[31] Chan returned to prominence in 2013 with The Journey: A Voyage (红颜), earning a Best Supporting Actress nomination for her villainous portrayal of a jealous and spiteful woman entangled in revenge and family intrigue.[2] She played the cunning Zhang Xiaofeng in the 2016 revenge thriller The Queen (复仇女王), a role that highlighted her ability to embody manipulative maternal figures in ensemble casts.[32] After a hiatus, Chan resumed acting with the 2022 family drama Your World in Mine (你的世界我们懂), where she portrayed the antagonistic daughter-in-law Chen Lin Lin, a character driven by past trauma.[19] In 2023, she appeared as Jiang Meizhen in the action drama Shero and as Fan Youqing in the romantic comedy Till the End (陪你到最后).[2])) In recent years, Chan has focused on maternal roles, including Su Xin Ying, a mother of two grappling with parenting challenges, in the 2024 ensemble Born to Shine (孺子可教也).[33] She also starred as Joyce He Yujiao in the 2024 dance competition drama The Blockbusters (巨舞霸).[34] As of 2025, she appears as Ping Jie in the Peranakan-themed sequel Emerald Hill (小娘惹之翡翠山), continuing her tradition of dramatic family portrayals.[35]Film
Priscelia Chan's foray into film represents a selective expansion from her established television work, highlighting her versatility through direction and improvisation-heavy acting in limited projects. In 2019, amid recovery from health challenges that sidelined her acting career, Chan stepped into directing with the short film Soul Connection (also titled Ai Zai 100 Mi), a 30-minute exploration of a woman's untapped potential sparked by an unexpected encounter. As writer, director, and producer, she created the piece as part of Mediacorp's "Fresh Takes!" anthology initiative, which premiered on Channel U and Toggle, allowing her to channel personal experiences into storytelling without the pressures of on-screen performance.[5][36][3] Her feature film debut arrived in 2023 with Don't Go Home Tonight, a Singaporean drama directed by Kelvin Sng that follows characters navigating emotional turmoil during a single night. Transitioning from scripted television roles, Chan embraced the film's unconventional scriptless format, where performers improvised dialogue based on detailed character backstories and a core premise, a method she initially found terrifying but ultimately liberating and immersive.[13][14][3]| Year | Title | Role/Contribution | Notes |
|---|---|---|---|
| 2019 | Soul Connection (Ai Zai 100 Mi) | Director, writer, producer | 30-minute short film; part of "Fresh Takes!" anthology; aired on Channel U and Toggle.[5][36] |
| 2023 | Don't Go Home Tonight | Supporting actress | Feature debut; improvised performance; drama about interpersonal conflicts.[13][14][3] |