Private Function
Private Function is an Australian punk rock and garage band formed in Melbourne in 2016.[1] The group, led by vocalist and bassist Chris Penney, is known for its chaotic, high-energy live performances that emphasize audience engagement and unbridled enthusiasm, often blending raw punk aggression with humorous, escapist artistry as a counter to everyday anxieties.[2] Their music features tongue-in-cheek lyrics and innovative concepts, such as concept albums and experimental releases including a scratch-and-sniff vinyl record, reflecting influences from Australia's 2000s punk revival alongside bands like Eddy Current Suppression Ring.[2] Private Function has built a dedicated following through extensive touring in Australia and Europe, with notable disruptions like losing management after particularly rowdy shows underscoring their feral, uncompromising style.[2] Key releases include their 2025 album ¯_(ツ)_/¯, praised for its relentless, animalistic barrage of sound that drags listeners into its primal chaos.[3]History
Formation and early years (2016–2019)
Private Function was formed in Melbourne, Australia, in 2016, emerging from the local hardcore punk scene.[4] The band's inception involved frontman Chris Penney, who had previously played in groups like Mesa Costa, beginning with home-recorded demos that laid the groundwork for their raw, garage-punk sound.[5] Initial lineup included Penney on lead vocals and bass, alongside early collaborators such as guitarist Joe Hansen, reflecting a DIY ethos typical of Melbourne's underground music community.[1] The group released their debut EP, Six Smokin' Songs, on December 14, 2016, distributed initially as a limited cassette before any live performances had taken place.[6][7] This self-produced release featured seven tracks, including "Heavy Resistance" and "Dial Before You Dig," characterized by fast-paced riffs, satirical lyrics, and humorous cover art depicting Bryan Curtis—the public face of Australia's anti-smoking campaign—in a ironic, smoke-filled scenario.[8] The EP's lo-fi production and irreverent tone quickly garnered attention in niche punk circles, establishing Private Function's reputation for blending party-punk energy with tongue-in-cheek absurdity.[9] Throughout 2017 and 2018, Private Function transitioned to live shows, honing their high-energy performances in Melbourne venues and building a grassroots following through additional EPs like Rock in Roll, which further tested their market appeal with similar punk anthems.[4] By 2019, the band culminated their early phase with the release of their debut full-length album, St. Anger, on August 30, marking a step toward broader recognition while maintaining their unpolished, larrikin style rooted in local influences.[10] This period solidified their core lineup and DIY approach, prioritizing escapist, humorous content over polished production.[2]Rise to prominence (2020–2022)
In August 2020, Private Function released their debut full-length album, Whose Line Is It Anyway?, via Damaged Record Co., marking a significant escalation in their visibility within the Australian punk scene.[11] The album, recorded after years of local performances, featured raw garage-punk tracks like "Give War a Chance," which garnered positive reviews for its irreverent energy and satirical edge, positioning the band as a staple act beyond Melbourne stages.[12] It achieved commercial success by charting in the ARIA top ten, reflecting growing audience and industry recognition amid the constraints of pandemic-era lockdowns.[13] By early 2021, the band capitalized on the album's momentum with the announcement of a national tour titled "Whose Tour Is It Anyway?," scheduled across multiple Australian cities to promote the release and expand their live reputation.[14] This period also saw their track "I Wish Australia Had Its Guns Again" featured on the soundtrack of the AMC+ vampire series Firebite, directed by Warwick Thornton, which premiered on December 16, 2021, exposing their music to a broader television audience.[15] In December 2022, Private Function performed at the Meredith Music Festival, delivering a high-energy set at the Supernatural Amphitheatre that included a guest appearance by Joanne Accom for a cover of "Jackie," further solidifying their status as an unpredictable and essential live act in Australia's festival circuit.[16] These developments, combining recorded output with strategic media placements and performances, elevated the band from regional punk outfit to nationally noted performers during a challenging period for live music.[17]Recent developments (2023–present)
In 2023, Private Function embarked on their first European tour, spanning from June 22 to July 30 and including performances in Spain, France, Italy, and other countries.[18] The tour featured a set at Punk Rock Raduno 6 in Bergamo, Italy, on July 16.[19] The band released their fourth studio album, ¯_(ツ)_/¯, on May 23, 2025, via Still On Top Records.[20] Accompanying the release was a new single, promoted alongside announcements of a national Australian headline tour starting in June 2025, which covered major cities such as Melbourne and Sydney as well as regional venues before transitioning to international dates.[21][22] A limited-edition "scratch and sniff" vinyl variant of the album was produced, scented to parody a Gwyneth Paltrow-branded candle.[23][24] Private Function headlined the CHOPPED festival in Carisbrook, Victoria, from October 3 to 5, 2025.[25] Later that month, they continued touring Europe with shows in France, the United Kingdom, and Spain, including performances at venues like Petit Bain in Paris on October 26 and The Green Door Store in Brighton on October 27.[26]Band members
Current members
The current lineup of Private Function, as of October 2025, consists of five members who have driven the band's evolution from a garage punk trio to a dual-guitar outfit emphasizing chaotic energy and satirical themes.[27][28] Chris Penney serves as lead vocalist, occasionally handling bass duties, and has been a founding member since the band's inception in 2016.[1][28] Milla Holland plays bass and provides vocals, including occasional lead parts, also joining at formation in 2016 and contributing to the band's raw, irreverent songwriting.[1][29] Aidan McDonald handles drums and vocals, another original member from 2016 whose frenetic style underscores the group's high-tempo performances.[1][30] The band expanded its guitar section in June 2022 by adding Anthony Biancofiore on lead guitar and backing vocals, enhancing their live intensity following the departure of founding guitarist Joe Hansen in 2021.[31][32] Lauren Hester joined simultaneously on rhythm guitar, bringing visual artistry from her prior work directing the band's "Give War a Chance" video, which facilitated her integration into the core lineup.[31][33] This configuration has supported recent releases and tours, including European dates in 2025.[29][34]Former members
Joe Hansen served as lead guitarist and backing vocalist from the band's formation in 2016 until October 2021, when Private Function announced his removal following allegations of sexual misconduct leveled against him.[32][35] The band stated that Hansen was no longer a member, emphasizing their commitment to addressing the claims through internal processes.[36] Prior to this, Hansen contributed to Private Function's early albums and live performances, drawing from his experience in prior acts like Clowns.[9] PJ Russo handled rhythm guitar and backing vocals from 2016 to 2021, participating in the band's initial releases and tours during its formative years.[1] His tenure overlapped with the group's rise in the Melbourne punk scene, though specific details on his departure remain unpublicized beyond the timing aligning with broader 2021 lineup shifts.[1] Allan Stacey briefly played rhythm guitar in 2021, filling a transitional role amid the band's restructuring before subsequent members joined.[1] A Melbourne-based guitarist with credits in other local punk projects such as Gutless and Street Sweeper, Stacey's involvement was short-lived and not tied to any documented controversies.Artistry
Musical style
Private Function's music is primarily characterized as punk rock, drawing from garage and retro 1970s influences with a high-energy, chaotic delivery.[37][38] The band's sound features short, impulsive tracks that prioritize raw aggression and immediacy, often described as a "punchy niche of short-attention-span punk" emphasizing relentless tempo and minimalistic structures.[39] This approach manifests in frenetic riffs, distorted guitars, and pounding rhythms that evoke a "feral barrage of sound" and animalistic intensity, avoiding polished production in favor of visceral, unrefined execution.[3] Elements of hardcore punk blend with rock 'n' roll swagger and occasional heavy metal heaviness, creating a hybrid style that balances ferocity with party-oriented fun.[40] Tracks frequently incorporate humorous, irreverent lyrics delivered through shouted vocals, contributing to an overall unpredictable and anarchic vibe that resists strict genre boundaries.[2] While rooted in Australian pub-rock traditions, the band's refusal to adhere to conventional song lengths or thematic seriousness—evident in albums like 370HSSV 0773H (2023)—distinguishes their output as gleefully chaotic and performance-driven punk.[9][41]Influences and themes
Private Function's musical influences draw heavily from pre-2000 punk, garage rock, and retro 1970s styles, reflecting the Melbourne punk scene's revival of raw, high-energy sounds. The band incorporates elements of hardcore punk's aggression, rock 'n' roll's swagger, and heavy metal's intensity, as evident in tracks that blend freestyle improvisation with structured riffs reminiscent of 1970s and 1980s acts.[28][40][38] Frontman Chris Penney has noted that songs often originate as soft rock demos before evolving into punk anthems, cherry-picking from formative influences like classic Australian rock and global punk traditions to subvert expectations.[42][41] Lyrically, Private Function explores themes of satirical Australiana, embracing lowbrow humor and cultural absurdity rooted in working-class Australian life. Songs frequently satirize mundane routines, consumerism, and social norms through crude, irreverent language, as in explicit depictions of hedonism and degradation that parody excess and escapism.[43][3] Provocative tracks like "Give War A Chance" critique peacetime complacency with calls for conflict as an antidote to boredom, while "I Wish Australia Had Its Guns Again" employs dark humor to challenge gun control narratives, blending larrikin irreverence with commentary on national identity.[44] Recent works incorporate metal-inspired aggression to amplify themes of animalistic chaos and anti-conformism, blurring art with everyday rebellion.[21][2]Production techniques and innovations
Private Function's production approach emphasizes raw authenticity and efficiency, aligning with garage punk conventions by capturing the band's chaotic live energy in minimalistic sessions. Albums are typically recorded in short bursts, such as a couple of days, to maintain spontaneity and avoid over-polishing tracks.[40] This method was evident in their 2020 album Whose Line Is It Anyway?, where vocals were tracked in single takes shortly before Melbourne's COVID-19 lockdown, preserving imperfections for character rather than pursuing studio perfection.[45] Recordings often occur in professional facilities like York Street Studios in Melbourne, where early efforts such as their debut tape Six Smokin’ Songs (2016) were laid down prior to the band's first live performance, establishing a foundation of direct, unadorned sound.[46] Later works, including the 2025 album ¯_(ツ)_/¯, were produced at York Street Recorders with engineer Stefan Blair, incorporating subtle evolutions like four-part harmonies for added melodic layers while retaining explosive, compact song structures averaging under two minutes per track.[47][39] Songwriting prioritizes lyrics and vocals first, with blunt, direct phrasing driving the arrangement, often figured out on the spot during sessions to adapt to studio realities distinct from live dynamics.[40][2] Innovations in Private Function's output center less on digital or sonic experimentation and more on provocative physical media gimmicks, reflecting a punk ethos of irreverence and collectibility. The band has pressed vinyl with embedded novelty elements, such as baggies of stimulants in early releases, though impractical for distribution.[40] Their 2023 album 370HSSV 0773H (upside-down "HELLO ASSHOLE") featured urine-filled records as a "world first," sold in limited quantities to underscore absurdity over accessibility.[48][49] Additional stunts include scratch-off album covers and scented pressings mimicking unconventional odors, prioritizing conceptual escapism and fan engagement through rarity and shock value.[2] These tactics, self-produced under the band's independent label, differentiate their discography in a genre dominated by standard formats, though they risk legal and logistical hurdles like bans or shipping issues.Live performances
Performance style and reputation
Private Function's live performances are characterized by high-energy chaos, blending punk aggression with absurdist humor and audience immersion. The band frequently incorporates props such as inflatable doughnuts and paint-throwing antics, creating unpredictable spectacles that blur the boundaries between stage and crowd.[43] Frontman Chris Penney and the ensemble push performative limits, often resulting in self-aware, drunken revelry that emphasizes raw physicality over technical precision.[50] This style draws from DIY punk traditions, featuring hand-selected support acts that amplify the overall mayhem, akin to a cabaret-style event where audience participation is integral.[30] The band's reputation as one of Australia's premier punk live acts stems from their consistent delivery of explosive, memorable shows that prioritize entertainment and escapism over conventional musicianship. Critics and fans alike praise Private Function for fostering anarchic, surreal environments that stand out in the pub-rock scene, earning them support slots for major acts like Green Day on their 2025 Australian tour.[51] Their gigs are described as visceral and boundary-testing, with a track record of chaotic tours that highlight endurance and adaptability across venues from Sydney pubs to international festivals.[52] This has solidified their status as unpredictable yet essential performers, often hailed for reviving punk's live vitality since the early 1990s.[29]Notable tours and incidents
Private Function's first European tour in 2023 marked a significant expansion beyond Australia, spanning multiple countries including Italy, where the band performed a full set at Punk Rock Raduno 6 in Bergamo on July 16.[19] The trek, organized in collaboration with promoters like Otis Tours and Wild Wax Shows, included dates across the Netherlands, Germany, and France, showcasing their high-energy style to international audiences and building on domestic momentum.[18] In 2025, the band undertook a national Australian headline tour to support their album release, visiting cities such as Canberra, Beechworth, and regional venues, followed by overseas commitments.[22] They also served as local support for Green Day's Saviors Tour Australian leg, commencing at Melbourne's Marvel Stadium in February.[53] The band's live reputation for chaotic, interactive performances has led to several notable incidents. At the Yours & Owls Festival in 2021, their set was halted midway by a police order, reflecting the intensity of their crowd engagement and stage antics.[54] During various shows, including a 2024 performance, members have pulled audience members onto the stage en masse, culminating in overcrowded climaxes that blur the line between band and crowd.[43] Accounts from tour diaries highlight improvised elements like audience-selected setlists drawn from a vacuum cleaner on the Gold Coast and rapid beer consumption challenges at Geelong's Barwon Club, contributing to the unpredictable nature of their gigs.[52] Band members have recounted extreme on-stage stunts, such as ladder climbs, underscoring a style that prioritizes raw energy over conventional safety protocols.[55]Discography
Studio albums
St. Anger, the band's debut studio album, was released on August 15, 2019, featuring 12 tracks of raw punk rock characterized by short, aggressive songs averaging around 2-3 minutes each.[56] [57] The album parodies Metallica's 2003 release of the same name in its artwork and title, reflecting the band's irreverent humor, and includes tracks like "White Lady Funerals" and "Process Of Elimination."[58] It was initially self-released and later reissued on vinyl, establishing Private Function's high-energy garage punk sound.[59] The sophomore album, Whose Line Is It Anyway?, followed on August 28, 2020, comprising 13 tracks over 32 minutes.[60] [61] Self-released through the band's Damaged Records imprint, it expanded on their debut with added elements like guest contributions from PJ Russo of Night Birds on saxophone for select tracks, maintaining a focus on fast-paced, humorous punk anthems such as "I Don't Wanna Make Out With You."[62] The record received reissues, including a Spanish pressing by Folc Records in 2021.[63] 370HSSV 0773H, their third studio album, arrived on March 31, 2023, via Still On Top Records.[64] Known for promotional stunts like scratch-and-sniff sleeves and a limited "piss-filled" vinyl variant, the album delivers concise punk tracks emphasizing chaotic energy and larrikin themes.[65] Critics noted its impulsive, short-attention-span style as a refinement of the band's sound.[39] The fourth album, ¯_(ツ)_/¯, was released on May 23, 2025, as a 19-track collection blending traditional punk with experimental elements including sea shanties, folk songs, and electronic passages.[66] [67] Self-released on Still On Top Records, it featured novelty variants like a "scratch and sniff" edition scented to mimic a controversial celebrity product, underscoring the band's penchant for provocative marketing.[24] The release maintained their feral, high-octane aesthetic while incorporating genre diversions.[3]Other releases
Private Function's initial release was the EP Six Smokin' Songs, comprising six tracks including "Heavy Resistance" and "Spontaneous Combustion," issued on cassette on December 14, 2016.[6] This debut featured raw punk recordings that established the band's high-energy style, with production emphasizing distorted guitars and fast tempos typical of their early output.[8] In June 2020, the band released Live on PBS 106.7FM, a cassette documenting a radio session with performances of songs such as "Duct Tape," "White Lady Funerals," and "I Wish Australia Had Its Guns Back."[68] The recording captured their chaotic live dynamic, including audience interaction and unpolished execution, limited to a small pressing on Disdain Records.[69] The band has issued several standalone singles, often as precursors to albums. "Jusavinageez," a two-minute track critiquing consumer distraction, was released February 22, 2023, as the third single from 370HSSV 0773H.[70][71] In 2025, promotional singles including "Sucked In Fuckhead," "Animal," and "Koala" supported ¯_(ツ)_/¯, maintaining the group's irreverent lyrical approach.[72] These releases, typically digital with limited physical variants, highlight Private Function's strategy of rapid, low-fi distribution aligned with punk traditions.[73]Chart performance and bans
Private Function's albums have achieved moderate commercial success primarily within independent and physical format charts in Australia, reflecting their niche appeal in the punk genre. Their 2020 release Whose Line Is It Anyway? debuted at number 2 on the ARIA Australian Albums Chart and number 1 on the ARIA Vinyl Albums Chart, marking a breakthrough following their 2019 debut St Anger, which did not enter major national charts.[40][74] The 2023 album 370HSSV 0773H peaked at number 11 on the ARIA Australian Albums Chart, while their 2025 effort ¯_(ツ)_/¯ appeared on the Australian Independent Record Labels Association (AIR) Albums Chart.[75][76] These positions underscore strong sales in vinyl and independent sectors, driven by fan-driven physical media enthusiasm rather than mainstream streaming dominance.| Album | Release Year | ARIA Australian Albums Peak | ARIA Vinyl Albums Peak | Other Notable Charts |
|---|---|---|---|---|
| St Anger | 2019 | Did not chart | Not applicable | N/A[74] |
| Whose Line Is It Anyway? | 2020 | #2 | #1 | #9 ARIA Albums (overall implied context)[40][77] |
| 370HSSV 0773H | 2023 | #11 | Not specified | N/A[75] |
| ¯_(ツ)_/¯ | 2025 | Not specified | Not specified | AIR Independent Albums[76] |