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Pump It

"Pump It" is a hip hop song by the American group Black Eyed Peas, serving as the fourth and final single from their 2005 studio album Monkey Business. Released on January 17, 2006, by A&M Records and Interscope Records, the track was written by group members will.i.am, apl.de.ap, and Fergie, alongside collaborator Thomas van Musser, and produced by will.i.am. The song prominently samples the guitar riff from Dick Dale and His Del-Tones' 1962 surf rock instrumental "Misirlou," which gained renewed fame through its use in the Pulp Fiction soundtrack, infusing "Pump It" with an energetic, high-octane vibe that blends hip hop beats with surf instrumentation. This fusion contributed to its party anthem status, with lyrics encouraging listeners to "pump it louder" and turn up the volume on their stereos. Commercially, "Pump It" achieved significant success, peaking at number 18 on the Billboard Hot 100 chart in 2006. In the , it reached number 3 on the Official Singles Chart, logging 29 weeks in total and topping the Official Hip Hop and R&B Singles Chart. The track has been certified four times by the RIAA in the , reflecting over 4 million units sold or streamed. The official music video, directed by , features the group performing high-energy stunts and choreography inspired by classic action films like , Kill Bill, and , emphasizing the song's adrenaline-fueled theme. Released in February 2006, the video amplified the single's visual appeal and cultural impact, contributing to its enduring popularity in media and live performances.

Background and development

Origins

"Pump It" was conceived during the recording sessions for The Black Eyed Peas' fifth studio album, Monkey Business, which was released in May 2005. The track emerged as part of the group's efforts to craft high-energy anthems suited for live performances and party atmospheres, reflecting their evolving sound in the mid-2000s hip-hop landscape. The song's creation was sparked by will.i.am's discovery of the surf rock instrumental "Misirlou" by Dick Dale and His Del-Tones, originally from 1962 but popularized through its inclusion on the Pulp Fiction soundtrack in 1994. While shopping for CDs in Brazil, will.i.am purchased a compilation expecting different content, only to find "Misirlou" instead; initially frustrated, he quickly recognized its potential and declared, "This song is hot. We should do a song like this." This moment led him to begin producing beats on a train ride, refining them further during a flight to Tokyo, where the group ultimately recorded the vocals in a public park. The decision to sample "" was driven by its distinctive surf rock energy, which will.i.am sought to fuse with contemporary elements to evoke the vibrant, nostalgic vibe of while maintaining the group's party-oriented style. This blend aligned with the album's overall production approach, emphasizing infectious rhythms and crossover appeal following the chart success of earlier Monkey Business singles like "."

Recording and production

"Pump It" was recorded across multiple studios during 2005 as part of the ' album Monkey Business, with sessions taking place at facilities such as The Record Plant in , and Metropolis Studios in . Additional recording occurred at locations including Glenwood Studios in , and even on a in using will.i.am's portable setup. These diverse environments allowed the group to capture a dynamic range of sounds while building on the album's overall production timeline. The track was primarily produced by , who also performed drum programming, bass, and parts to create its energetic foundation. Engineering duties were shared by Tal Herzberg, "Ill-Aroma" Villaroman, and himself, ensuring precise layering of elements. Mixing was handled by Mark "Spike" , who polished the final sound for its high-energy release. Guitar contributions came from George Pajon Jr., adding surf-rock flair to complement the core beat. Central to the production was the integration of the sample from and His Del-Tones' 1962 instrumental "," where the iconic guitar riff was looped throughout the track and layered with hip-hop beats, deep basslines, and scattered vocal ad-libs from the group members. The group members provided backing vocals and scratches to enhance the chorus hooks and infuse a DJ element into the mix. This process emphasized rhythmic drive and party-ready accessibility, aligning with the song's role as the album opener.

Composition and lyrics

Musical structure

"Pump It" blends hip-hop with rock and surf influences, characterized by its energetic fusion of genres that drives the track's party anthem vibe. The song operates at a tempo of 154 beats per minute (BPM) in the key of C♯ minor, contributing to its fast-paced, upbeat feel suitable for dancing and high-energy settings. The musical structure follows a conventional verse-chorus form, opening with an intro that prominently features the sampled guitar riff from Dick Dale's "Misirlou." This iconic surf rock riff, looped throughout the track, forms the backbone of the composition, interspersed with verses delivered by the group members and a highly repetitive chorus centered on the hook "Pump it louder." A bridge introduces breakdowns that strip back elements to highlight the riff's twangy guitar tones, building tension before returning to the full arrangement; the overall runtime is 3:33. Key production elements include the heavy looping of the "Misirlou" guitar riff, which is layered over beats and synthesizers to create a modern foundation, while turntable scratches add a classic flavor and enhance the track's dynamic texture. Produced primarily by , these techniques emphasize rhythmic drive and interplay. The song also incorporates call-and-response vocals in the , where lead lines prompt group shouts of "Pump it," fostering an interactive, crowd-engaging quality.

Lyrics and themes

"Pump It" features lyrics that revolve around high-energy partying, , and audience engagement, with repetitive choruses like 'Pump it, louder / Come on, / And keep it goin' / Do it, ' designed to incite listeners to increase the volume and join in the fun. The verses, primarily delivered by , include playful exclamations such as 'Ooh, my goodness' and 'Right now' to build excitement, while ad-libs from and add to the communal, call-and-response vibe that encourages dancing and letting loose. The song's themes emphasize through music and , portraying it as a means to release inhibitions and celebrate the moment in a carefree environment, which aligns with the ' signature party anthem style. Unlike some of the group's earlier tracks that incorporate , "Pump It" contains no explicit political or societal messages, instead prioritizing pure enjoyment and infectious energy to motivate listeners. This focus on fun is reinforced by references to blasting the stereo and moving to the beat, creating an uplifting atmosphere without deeper introspection. The lyrics were written collaboratively by the Black Eyed Peas members (William Adams), (Allan Pineda), (Stacy Ferguson), and co-writer Thomas Van Musser, with an additional writing credit to Nicholas Roubanis for the sampled elements from "," and contributing the primary verses. This group effort results in a straightforward, motivational script that playfully urges 'pumping up the volume,' mirroring the track's dynamic musical drive.

Critical reception

Initial reviews

Upon its release as the fourth and final single from the ' 2005 album Monkey Business in January 2006, "Pump It" garnered mixed initial critical reception, with praise centered on its energetic production and effective use of the sample by , while some reviewers critiqued its lack of originality. Entertainment Weekly highlighted the track's vibrant fusion of and surf-rock elements, calling it a "giddy, high-energy track" that captures the 's playful spirit through its bold sampling. Similarly, commended the song's role in opening the with confident, party-oriented vibes, noting how the group's tighter sound elevates the sample into an engaging opener. echoed this positivity in its review, describing Monkey Business as filled with "party-starters" like the high-octane opener, which contributes to the record's bright, fun energy despite not matching the innovation of prior work. However, not all feedback was unanimous, as some outlets pointed to the track's derivative nature amid the album's formulaic approach. praised the overall "magic formula" of good-guy rap and pop hooks but found Monkey Business "competent, if uninspired," suggesting songs like "Pump It" repeat successful tropes without fresh insight. Slant Magazine offered a more pointed critique, labeling "Pump It" a "high-energy surf-rock retread" whose self-empowerment message feels muddled by promotional excess, though its vigor remains undeniable. , focusing on its commercial potential, emphasized the song's strong club appeal and infectious energy, positioning it as a dancefloor staple that builds on the group's hitmaking streak. The track's early acclaim was further underscored by the success of Monkey Business, which earned five Grammy Award nominations at the 48th Annual Grammy Awards in 2006, signaling broad industry recognition for the album's contributions like "Pump It."

Retrospective assessments

In the 2010s, retrospective assessments praised "Pump It" for revitalizing surf rock influences within pop music through its bold use of the "Misirlou" sample from Dick Dale and His Del-Tones. The track introduced the genre's twangy guitar riffs to a mainstream hip-hop audience, extending the revival sparked by the 1994 Pulp Fiction soundtrack and helping sustain interest in 1960s surf sounds into the digital era. Criticisms of the in have evolved to recognize its pivotal role in marking the Black Eyed Peas' commercial zenith during their pop-rap transition, while highlighting the formulaic party-anthem structure that became a hallmark of their mid-2000s output. This blend of high-energy sampling and repetitive hooks, though effective for chart success, was seen as contributing to perceptions of predictability in the group's sound post-Elephunk. The song's prominent sample has notably influenced later productions by demonstrating how classic surf elements could energize modern hip-hop tracks, inspiring genre fusions in subsequent pop and electronic music. In June 2025, to mark the 20th anniversary of Monkey Business, the Black Eyed Peas released an expanded edition and collaborated with Vevo on a "Footnotes" episode revisiting "Pump It," discussing its creation and lasting impact on music and culture. As of November 2025, "Pump It" remains a staple in media playlists evoking nostalgic 2000s hip-hop vibes, frequently appearing in throwback compilations and live sets. Its enduring popularity is evidenced by over 973 million streams on Spotify, underscoring its lasting appeal as a high-octane party staple.

Music video

Production

The music video for "Pump It" was directed by and filmed in , , in 2006. It features appearances by the full group and incorporates practical effects through action-oriented stunts, with band member performing his own sequences, such as learning to run sideways in midair. The production drew inspiration from ' Filipino car culture, emphasizing the cultural significance of Honda Civics, as well as cinematic influences including John Woo's and a -style brawl scene to capture the energy of live performances. Taboo's involvement was limited due to a broken tailbone sustained prior to filming.

Synopsis and themes

The music video for "Pump It" is set in an underground parking garage, where the engage in high-energy action sequences. It opens with dynamic car drifting scenes featuring modified Honda Civics, reflecting Filipino car culture in . The group performs amid intense fights, routines, and surreal stunts including and midair maneuvers, capturing the song's explosive, adrenaline-fueled party atmosphere. These elements highlight themes of youthful , , and communal , mirroring the track's call to "pump it louder" and amplify the vibe. The video also features martial arts performer Steve Terada in sequences. Clocking in at a runtime of 3:46, the video premiered in February 2006, amplifying the single's high-octane appeal.

Commercial performance

Chart performance

"Pump It" achieved moderate success on the US , peaking at number 18 and spending 22 weeks on the chart, including 17 weeks within the top 40. In the , the single debuted and peaked at number 3 on the Official Singles Chart in March 2006, charting for a total of 28 weeks. The song performed strongly across , topping the Belgian Singles Chart at number 1 for several weeks and reaching the top 10 in countries such as (number 7) and (number 3). In the , it peaked at number 15 on the Dutch Top 40. Internationally, "Pump It" reached number 6 on the ARIA Singles Chart, where it charted for 19 weeks. As of 2025, the track has not seen significant re-entries on major charts but maintains ongoing radio , contributing to its enduring popularity.
CountryChartPeak PositionWeeks on Chart
Billboard Hot 1001822
Official Singles Chart328
ARIA Singles Chart619
Singles Chart122
1510
FIMI Singles Chart720
SNEP Singles Chart1320
318

Certifications and sales

"Pump It" has achieved notable certifications across several countries, reflecting its enduring commercial appeal in both physical and digital formats. Updated certifications in the digital era incorporate streaming equivalents, highlighting the song's sustained popularity nearly two decades after its release.
CountryCertifying BodyCertificationUnits Sold/Streamed
RIAA4× Platinum4,000,000
BPI2× Platinum1,200,000
ARIA2× Platinum70,000
FIMIPlatinum30,000
As of November 2025, the track has amassed over 973 million streams on Spotify, contributing to its updated certifications. This marks it as one of the Black Eyed Peas' early singles to reach multi-platinum status in multiple markets, a milestone updated through streaming metrics in the 2020s.

Release and formats

CD Singles

The standard CD single release of "Pump It" in various regions, including Europe, Australia, and Belgium, featured the following tracks:
No.TitleDurationNotes
1Pump It3:35Album version
2Pump It ( Remix)3:36Remix by
This format was issued by with catalog numbers such as 0602498505632 for the Belgian edition and 9852003 for the Australian edition. Some promo singles included a version:
No.TitleDuration
13:34
This promo was released in 2006 on . An extended CD single also incorporated a bonus track:
No.TitleDurationNotes
1Pump It3:36Album version
23:37Remix by
3Dum Diddly (Noizetrip Remix)4:05Remix by Noize Trip*
*Note: Credited as Noizetrip on the release.

Digital Download

The digital , available on platforms such as and , primarily included the album version of "Pump It" at 3:32. Some bundles also featured the music video as a bonus.

Vinyl Releases

A 12-inch was released in the and US in 2006, limited in production but without a confirmed exact number of copies in available . The tracklist for the pressing (catalog 9851973) included:
SideTitleNotes
APump ItAlbum version
B1Pump It (Instrumental)Instrumental version
B2Dum Diddly (Noizetrip Remix)Remix by Noize Trip*
*Note: Credited as Noizetrip on the release. This format was produced by A&M Records. No official acoustic version of "Pump It" was released. All variants from 2006 releases sample "Misirlou" by Nicholas Roubanis, as noted in production credits.

Release history

"Pump It" was released as the fourth and final single from the Black Eyed Peas' 2005 album Monkey Business by and . The track was initially promoted to radio stations on December 13, 2005, with the physical single released to stores on February 14, 2006. Formats for the single included , digital download, and vinyl records. The international rollout followed, with the released in the on March 13, 2006, and the physical single in in March 2006. The song's release faced delays in some markets due to sample clearance issues for the prominent guitar riff from Dick Dale's version of "," which required negotiation with the original artist. Track variants across releases featured the radio edit, album version, and remixes such as the .

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