Raising Hope
Raising Hope is an American sitcom television series created by Greg Garcia that premiered on Fox on September 21, 2010, and concluded after four seasons on April 4, 2014, consisting of 88 episodes produced by Twentieth Century Fox Television.[1][2] The show centers on Jimmy Chance (Lucas Neff), a 23-year-old directionless young man from the fictional town of Natesville who unexpectedly becomes a single father to an infant daughter named Hope following a one-night stand with a woman later sentenced to death row.[1][3] Jimmy raises Hope with the support of his quirky, working-class parents—Burt (Garret Dillahunt), a well-meaning but hapless father, and Virginia (Martha Plimpton), his overbearing yet loving mother—as well as his senile grandmother, Maw Maw (Cloris Leachman).[1][3] Recurring characters include Jimmy's coworker and eventual love interest Sabrina Collins (Shannon Woodward) and various oddball relatives and neighbors that highlight the family's chaotic but heartfelt dynamics.[1] Blending irreverent humor with themes of family, redemption, and small-town life—influenced by Garcia's earlier works like My Name Is Earl—the series draws comedic inspiration from absurd situations, such as improvised baby care and generational clashes, while occasionally incorporating heartfelt moments.[3] Critically, it received praise for its charming ensemble cast and balance of crude and sentimental elements, earning an 8.0/10 rating on IMDb from over 42,000 users and positive reviews comparing it to shows like Modern Family.[1][3] Over its run, Raising Hope garnered significant recognition, including three Primetime Emmy Award nominations: Martha Plimpton for Outstanding Lead Actress in a Comedy Series (2011), Cloris Leachman for Outstanding Guest Actress in a Comedy Series (2011), and for Outstanding Original Music and Lyrics (2012).[4] The series also won five awards, such as a Casting Society of America Artios Award (2011), a GLAAD Media Award for an outstanding individual episode (2013), and a Satellite Award for Best Actress in a Series, Comedy or Musical for Plimpton (2011), alongside 24 nominations across various ceremonies.[5][4] Despite its cult following and acclaim for performances, the show faced declining ratings in later seasons, leading to its cancellation after Garcia's departure from the production.[2]Overview
Premise
Raising Hope is an American sitcom that follows Jimmy Chance, a naive and good-natured 23-year-old living in the fictional lower-class town of Natesville, who unexpectedly becomes a single father to an infant daughter named Hope after a one-night stand with a woman named Lucy, who is revealed to be a fugitive serial killer.[6] Upon learning of the pregnancy while Lucy is imprisoned and awaiting execution, Jimmy decides to take responsibility for the child, renaming her Hope as a symbol of his commitment to turning his life around. The series begins with Jimmy bringing the baby home, setting the stage for his journey into parenthood amid challenging circumstances.[7] Jimmy raises Hope with the assistance of his quirky and dysfunctional family, a tight-knit but eccentric unit that includes his parents, Burt and Virginia Chance, who offer reluctant but ultimately supportive help despite their own unconventional lifestyles, and his elderly grandmother, Maw Maw, whose forgetfulness and antics add to the household chaos. The Chance family resides in a modest home, embodying a working-class American dynamic marked by love, humor, and improvisation in the face of everyday struggles.[7] This core setup highlights the challenges of raising a child in an imperfect environment, with the family banding together to provide stability for Hope.[6] The narrative tone combines broad comedy derived from the family's oddball behaviors and mishaps with genuine heartfelt moments that underscore the strengthening of family bonds through unconventional parenting. The unique premise of Hope's mother being a convicted serial killer executed shortly after the birth leaves Jimmy as the sole initial caregiver, forcing him to rely on his family's eccentric support system from the outset.[6]Format and style
Raising Hope employs a single-camera sitcom format shot on film without a laugh track, which contributes to a sense of realism in depicting the Chance family's everyday interactions and dynamics.[8] This approach allows scenes to unfold naturally, emphasizing authentic emotional beats amid the chaos of their lower-class life in the fictional town of Natesville. The series incorporates narrative devices such as occasional flashbacks that interrupt the present-day storyline to illustrate referenced past events, particularly those involving protagonist Jimmy Chance's youth.[9] Early episodes also feature mockumentary-style asides, including direct addresses to an implied camera and explanatory voiceovers, adding a layer of self-aware commentary to the proceedings.[10] Comedically, Raising Hope draws on absurdist humor rooted in the family's eccentric and often ill-advised choices, blending physical slapstick with tender moments of sentimental family drama to create a balance of levity and warmth. This style highlights the inherent ridiculousness of their circumstances while underscoring genuine affection among the characters. Thematically, the show delves into explorations of working-class struggles, the trials of unconventional parenting, and paths to personal redemption, all framed through optimistic resilience in the face of dysfunction and everyday absurdities.[8][11] The family's cluttered, hoarder-like home—filled with salvaged junk and makeshift repairs—serves as a recurring visual motif, symbolizing their resourceful yet precarious existence.[12]Cast and characters
Main cast
The main cast of Raising Hope centers on the eccentric Chance family, with additional key ensemble members contributing to the show's heartfelt and comedic dynamics. Lucas Neff stars as Jimmy Chance, the earnest yet dim-witted young protagonist who navigates single fatherhood with optimistic determination.[13] Martha Plimpton portrays Virginia Chance, Jimmy's sarcastic and resilient mother, embodying a tough-love matriarch who provides grounding wisdom amid family chaos.[13] Garret Dillahunt plays Burt Chance, the well-meaning but hapless father whose inventive schemes often lead to humorous mishaps.[13] Cloris Leachman brings unpredictable energy as Naomi "Maw Maw" Chance, the senile grandmother whose comedic antics and forgetful outbursts add layers of absurdity to the household.[13] Her performance earned a Primetime Emmy nomination for Outstanding Guest Actress in a Comedy Series in 2011, despite her status as a series regular.[5] Shannon Woodward rounds out the core ensemble as Sabrina Collins, Jimmy's intelligent and pragmatic love interest who becomes an integral part of the family unit.[13] Plimpton's portrayal of Virginia was recognized with a Primetime Emmy nomination for Outstanding Lead Actress in a Comedy Series in 2011.[4] The titular character, baby Hope Chance, is played by twin sisters Baylie and Rylie Cregut throughout the series, capturing the infant's innocence at the heart of the family's story.[14]Recurring and guest characters
Recurring characters in Raising Hope played crucial roles in expanding the show's depiction of Natesville's quirky community, often interacting with the Chance family to highlight themes of friendship, rivalry, and small-town dynamics. Shannon Woodward portrayed Sabrina Collins (later Chance), Jimmy's coworker at Howdy's Market, who begins as his platonic friend and love interest, gradually evolving into his wife and Hope's adoptive mother, appearing in all 88 episodes and providing emotional depth to Jimmy's personal growth.[13] Gregg Binkley played Barney Hughes, the uptight manager of Howdy's Market, whose strict but ultimately supportive demeanor creates workplace humor and occasional antagonism, transitioning from recurring in season 1 to a series regular in seasons 2–4 across 71 episodes.[15] Kate Micucci appeared as Shelley, Sabrina's optimistic and eccentric best friend, contributing to female ensemble dynamics and comic relief in 26 episodes.[13] Todd Giebenhain depicted Frank, another Howdy's employee and Jimmy's frenemy, whose scheming and petty conflicts added tension and humor to the supermarket setting as a recurring antagonist-turned-ally. Ethan Suplee portrayed Andrew, a dim-witted but kind-hearted neighbor and friend of Burt and Virginia, appearing in 14 episodes and contributing to storylines about local rivalries and support. Guest characters frequently introduced fresh plot twists, extended family ties, or local color, enriching the show's portrayal of Natesville without overshadowing the core narrative. Notable appearances included Katy Perry as Rikki Hargrove, a flamboyant prison attendant who torments Sabrina after her arrest during an Occupy Natesville protest in the season 2 episode "Single White Female Role-Model," providing comic relief through her over-the-top persona.[16] Ashley Tisdale guest-starred as Mary-Louise, Jimmy's improv-class pretend girlfriend, whose bubbly energy fueled a lighthearted jealousy subplot with Sabrina in the episode "Jimmy's Fake Girlfriend," underscoring romantic insecurities. Other guests, such as Jaime Pressly in a multi-episode arc as a colorful local, helped diversify the casting by portraying eccentric neighbors and authority figures, broadening the small-town world-building and injecting variety into interpersonal relationships.[17] These one-off roles often provided episodic comic relief or pivotal revelations, like surprise relatives, while maintaining focus on the Chance family's interactions.Production
Development and creation
Raising Hope was created by Greg Garcia, a television writer and producer known for his previous work on the NBC sitcom My Name Is Earl, which he developed after contributing to the CBS series Yes, Dear.[8] Garcia drew inspiration for the show from his own family dynamics, particularly the relationships within his working-class upbringing in Northern Virginia, aiming to portray authentic, quirky family interactions in a modern sitcom format that blended humor with emotional depth.[18] He pitched Raising Hope as a single-camera comedy focusing on a blue-collar family raising an unexpected child, evolving from an initial movie concept into a series that emphasized redemption and generational bonds, similar to themes in My Name Is Earl.[19] In June 2009, Fox announced a pilot commitment for the series, with Garcia writing the script that introduced the core premise of a young man dealing with an unplanned pregnancy from a one-night stand.[20] The network greenlit the pilot, directed by Michael Fresco, and approved production shortly thereafter. By October 2010, following the pilot's airing, Fox issued a full-season order, expanding the initial 13-episode commitment to 22 episodes for the first season, reflecting strong early network support.[21] Key pre-production decisions included forgoing a laugh track to enhance the show's authentic, cinematic feel, allowing the humor to emerge naturally from character-driven scenarios rather than prompted audience reactions.[19] Garcia emphasized balancing bold, crass elements with heartfelt moments in the pilot script, such as scenes of family support amid chaotic circumstances.[8] The concept evolved significantly during development, particularly around the hook of the baby's mother as a serial killer on death row. Initially a stark, dark comedic premise, it was refined to incorporate warmth through elements like the mother's posthumous life-lesson video tapes for the child, ensuring the tone supported the family's loving, if dysfunctional, dynamic without overwhelming the humor.[19] This adjustment allowed the series to maintain its edge while prioritizing emotional resonance, aligning with Garcia's vision of a show that was "funny and sweet" in equal measure.[19]Filming and production
Raising Hope was primarily filmed in Los Angeles, California, with exterior shots designed to evoke a small-town setting in the fictional Natesville, Missouri. The Chance family home exteriors were captured at 5511 Ethel Avenue in Van Nuys, while other locations included 22210 Tiara Street for Sabrina and Jimmy's residence and Lassen Avenue in Chatsworth for street scenes.[22][23] Production headquarters were established at 21050 Lassen Street in Chatsworth from 2010 to 2014.[24] The production was overseen by showrunner Gregory Thomas Garcia for the first three seasons, who also created the series and ensured consistency in its comedic tone. In season 4, Mike Mariano, a longtime collaborator, assumed showrunner duties after Garcia stepped down to focus on new projects. Directors included Michael Fresco, who helmed the pilot and several episodes, alongside Eyal Gordin (24 episodes), Rebecca Asher (13 episodes), and Mariano himself (9 episodes). The crew managed a single-camera setup typical of modern sitcoms, with cinematography by Walt Fraser and Sharone Meir.[25][26][27][3] Each of the four seasons consisted of 22 episodes, maintaining a steady production rhythm despite the logistical demands of a family-centric narrative. A key challenge involved the infant and toddler character Hope, portrayed by twins Baylie and Rylie Cregut throughout the series. Strict California child labor regulations limited the on-set time for infant actors, necessitating the use of twins to alternate and extend shooting time without violations.[28][20][29][30][31] Technically, the series employed practical effects for its physical comedy and stunts, such as slapstick sequences involving the Chance family, to enhance authenticity over digital alternatives. Filmed on Sony CineAlta F35 digital cameras with Panavision Primo Primes lenses, post-production focused on tight editing to support quick-cut humor and punchy timing, aligning with Garcia's vision for a grounded yet whimsical style.[32]Episodes
Season summaries
Season 1 (2010–2011)The first season introduces the Chance family in the small town of Natesville as they adjust to raising infant Hope, born from Jimmy Chance's one-night stand with serial killer Lucy, who is sentenced to death row.[33] Jimmy, a 23-year-old grocery store employee, relies on his eccentric parents Burt and Virginia, along with his forgetful grandmother Maw Maw, to navigate the challenges of parenthood amid their limited resources and quirky lifestyles.[33] The season emphasizes themes of unexpected family responsibility and heartfelt support, blending absurdist humor with moments of genuine warmth as the family bonds over Hope's care.[33] It consists of 22 episodes, focusing on Jimmy's growth into a dedicated father while highlighting the family's unorthodox but loving dynamics.[34] Season 2 (2011–2012)
Building on the established family unit, the second season explores Jimmy's deepening relationship with Sabrina, his longtime crush who becomes a more central figure in Hope's life as the child enters toddlerhood.[35] Key arcs include Jimmy rediscovering a past talent as a musical prodigy and the family confronting external influences like Sabrina's wealthy background, which contrasts with their blue-collar existence.[35] Themes center on personal aspirations within familial constraints and the expansion of town lore through eccentric community interactions, maintaining the show's balance of sweet comedy and exaggerated scenarios.[36] Comprising 22 episodes, it refines the humor by emphasizing character-driven growth and relational milestones.[37] Season 3 (2012–2013)
As Hope matures into a toddler, the third season shifts toward family maturation, with Jimmy and Sabrina's romance progressing through an engagement prompted by her grandmother's will, leading to wedding preparations fraught with mishaps.[38] Arcs involve Hope's unexpected casting on a children's TV show called Yo Zappa Do! and efforts to rescue Maw Maw from a nursing home, underscoring the family's protective instincts.[39] Themes highlight inept yet devoted parenting, relational commitment, and the clash between everyday dysfunction and aspirational changes, all delivered through the series' signature quirky lens.[38] The 22-episode run deepens emotional stakes while exploring diverse social elements, such as community acceptance.[40] Season 4 (2013–2014)
The final season provides closure to the Chance family's journey, featuring time jumps that show Hope as a young girl and the couples—Jimmy and Sabrina, Burt and Virginia—facing adult milestones like homeownership and marital routines.[41] Central arcs include economic experiments like a local barter system initiated by Burt and Virginia, alongside reflections on personal identity and legacy as the family confronts health scares and future uncertainties.[41] Themes evolve from initial survival comedy to resolutions emphasizing enduring love, growth, and acceptance of imperfections, culminating in heartfelt farewells.[42] Spanning 22 episodes for a series total of 88, it wraps up arcs with a focus on optimistic family unity.[43] Across its four seasons, Raising Hope progresses from the chaotic introduction of parenthood to themes of relational stability and legacy, showcasing the Chance family's transformation through humor rooted in their resilient, unconventional bonds.
Episode distribution
Raising Hope produced a total of 88 episodes across four seasons, each adhering to the standard 22-minute runtime typical of American sitcoms.[44][29] The series maintained a consistent episode structure without clip shows or standalone specials, instead incorporating holiday-themed content into regular installments, such as Christmas episodes that aligned with the show's family-centric narrative.[45][46] Episodes aired weekly on Fox, primarily in Tuesday slots during the first three seasons, though scheduling shifts occurred, including a move to Fridays for season four.[47] The pilot episode was directed by Michael Fresco, setting the tone for the series' blend of humor and heart.[48] A consistent writing team, led by creator Greg Garcia who wrote eight episodes and served as executive producer throughout, ensured thematic continuity focused on the Chance family's dynamics.[49] Post-cancellation in 2014, the full run of 88 episodes entered broadcast syndication as a complete package, debuting on stations in major markets including New York, Los Angeles, and Chicago to capitalize on the series' cult following.[50] This syndication deal allowed for bundled airing of multiple seasons, facilitating off-network reruns on local affiliates.[50]Release
Broadcast history
Raising Hope premiered on the Fox Broadcasting Company on September 21, 2010, airing in the Tuesday 9:00 p.m. ET time slot as part of the network's established comedy programming block.[51] The series debuted following the season premiere of Glee and was positioned to capitalize on Fox's lineup of family-oriented sitcoms. For its second season, the show shifted to the 9:30 p.m. slot on Tuesdays, beginning September 20, 2011, after Fox renewed it in January 2011.[52][53] Subsequent adjustments included a temporary move to 8:00 p.m. during parts of season 3 in 2012, reflecting ongoing efforts to optimize the Tuesday comedy lineup.[47] In May 2013, Fox announced that Raising Hope would relocate to Fridays at 9:00 p.m. ET for its fourth season, starting November 8, 2013, a decision influenced by the show's performance amid competitive scheduling.[54] The network renewed the series annually prior to this, with season 3 confirmed in April 2012 and season 4 in March 2013. Fox canceled Raising Hope on March 10, 2014, after four seasons comprising 88 episodes, with the two-part series finale airing on April 4, 2014, in an extended Friday slot from 9:00 to 10:00 p.m. ET.[2] Episodes are available for streaming on Hulu.[55]Home media and distribution
The home media releases for Raising Hope were handled by 20th Century Fox Home Entertainment, which issued individual season box sets on DVD. The complete first season was released on September 20, 2011, containing all 22 episodes across three discs with bonus features including audio commentaries and deleted scenes.[56] The second season followed on October 31, 2012, spanning three discs for its 22 episodes.[57] Season three arrived on October 8, 2013, with three discs covering 22 episodes and additional extras like gag reels.[58] The fourth and final season was released on October 14, 2014, as a manufactured-on-demand (MOD) DVD set with all 22 episodes.[59] Complete series collections became available later through digital platforms and bundled DVD sets, though no single physical box set encompassing all four seasons was issued by the studio in 2016.[60] As of 2025, Raising Hope is available for streaming on Hulu, where all four seasons can be watched with a subscription.[55] It is also available for purchase or rental on digital platforms including Amazon Prime Video and Apple TV.[61] The series was previously available on Netflix from 2010 until its removal in stages during 2017, starting with season one on September 20.[62] Internationally, Raising Hope has been distributed in syndication to numerous countries, including Australia, Brazil, Canada, Croatia, Czechia, Finland, France, Germany, Hungary, and others across Europe, Asia, and Latin America.[63] Localized versions feature dubbing in languages such as French, German, and Croatian, while subtitled editions are available in regions like Finland and the Czech Republic.[63] These adaptations have aired on various networks and streaming services outside the United States since the show's original 2010–2014 run. Merchandise for Raising Hope has been limited, with no official video games produced. Soundtracks were not released as standalone albums, though the series prominently featured licensed music from artists like The Rolling Stones and The Dead Milkmen in episodes.[64] Apparel tie-ins include fan-inspired t-shirts replicating character outfits, such as Jimmy Chance's "Pancakes" tee, sold through third-party retailers, but no widespread official lines were launched by the studio.[65]Reception
Critical reception
The first season of Raising Hope received positive critical reception, earning an 87% approval rating on Rotten Tomatoes based on 38 reviews, with the consensus praising its balance of "crude, absurdist humor with moments of charm" thanks to a talented cast.[66] On Metacritic, the season scored 75 out of 100 from 23 critics, indicating generally favorable reviews for its heartfelt take on family dynamics.[67] Across all seasons, the series holds a 96% approval rating on Rotten Tomatoes based on 63 reviews and a Metacritic score of 76/100 from 24 critics.[68][69] Overall, the series was lauded as a heartwarming comedy that effectively blended lowbrow antics with emotional depth, distinguishing it in a landscape of more polished sitcoms.[8] Critics frequently highlighted the strong ensemble chemistry, particularly the performances of Cloris Leachman as the eccentric grandmother Maw Maw and Martha Plimpton as the pragmatic mother Virginia, which anchored the show's quirky family unit.[3] Leachman's over-the-top senility and Plimpton's grounded wit were seen as key to the innovative mix of crude jokes and sweet sentiment, evoking comparisons to films like Raising Arizona for its diabolical yet affectionate humor.[70] The New York Times commended the show's authentic portrayal of a working-class family's resilience and reinvention, noting its "quirky to tender to downright dark" tone executed with precision.[8] Later seasons drew some criticism for inconsistent pacing and an over-reliance on stereotypical character traits, such as the family's perpetual "cluelessness" and immaturity, which risked feeling formulaic and redundant by the third and fourth installments.[71] Variety expressed disappointment over the 2014 cancellation after four seasons, arguing the series retained charm and irreverence that merited continuation despite evolving challenges in sustaining its initial freshness.[72]Viewership and ratings
Raising Hope premiered on September 21, 2010, drawing 7.5 million viewers and a 3.1 rating in the 18-49 demographic, marking one of Fox's strongest comedy launches that year.[73] The first season maintained solid performance, averaging 6.35 million viewers and a 2.6 rating among adults 18-49.[74] However, viewership began to soften in the second season, which averaged 4.99 million viewers and a 2.23 demo rating, reflecting increased competition from established network comedies and shifting audience preferences toward cable and streaming options.[75] The third season continued the downward trajectory, averaging 3.90 million viewers and a 1.70 rating in the 18-49 demo, though holiday-themed episodes occasionally provided boosts, such as the Christmas special drawing 4 million viewers.[76][77] By the fourth and final season, ratings had declined further to an average of 1.97 million viewers and a 0.7 demo rating, largely attributed to the show's relocation to the challenging Friday night time slot, which typically sees lower engagement compared to its prior Tuesday positioning.[78][79] Time slot changes and heightened network competition, including from hits like NCIS and The Voice, contributed to these drops.[80] Overall, Raising Hope exhibited a steady but declining viewership trend across its four seasons, culminating in its cancellation by Fox in March 2014 despite a loyal core audience. The series finale episodes aired on April 4, 2014, attracting approximately 1.8-2.0 million viewers each, underscoring the persistent challenges in sustaining broad appeal.[81]| Season | Air Dates | Average Viewers (millions) | 18-49 Demo Rating |
|---|---|---|---|
| 1 | 2010–2011 | 6.35 | 2.6 |
| 2 | 2011–2012 | 4.99 | 2.23 |
| 3 | 2012–2013 | 3.90 | 1.70 |
| 4 | 2013–2014 | 1.97 | 0.7 |
Accolades and legacy
Awards and nominations
Raising Hope received several nominations from prestigious television awards bodies, particularly recognizing the performances of its lead actors during its early seasons. The series earned three Primetime Emmy Award nominations but no wins. Martha Plimpton was nominated for Outstanding Lead Actress in a Comedy Series at the 63rd Primetime Emmy Awards in 2011 for her portrayal of Virginia Chance.[82] Cloris Leachman received a nomination in the same year for Outstanding Guest Actress in a Comedy Series for her role as Barbara "Maw Maw" Thompson.[4] Additionally, the show was nominated for Outstanding Original Music and Lyrics at the 64th Primetime Emmy Awards in 2012 for the song "Welcome Back to Hope" from the episode "Prodigy."[83] The series also garnered recognition from the Critics Choice Television Awards, with Martha Plimpton receiving two consecutive nominations for Best Actress in a Comedy Series in 2011 and 2012.[84] Garret Dillahunt was nominated for Best Actor in a Comedy Series in 2012 for his performance as Burt Chance.[85] At the 37th People's Choice Awards in 2011, Raising Hope was nominated for Favorite New TV Comedy, reflecting its early popularity among viewers.[86] While the show did not secure major Emmy or Critics Choice wins, it achieved notable success in other categories, including the Casting Society of America Artios Award in 2011 for Outstanding Achievement in Casting – Television Pilot – Comedy (Dava Waite).[5] Martha Plimpton won the Satellite Award for Best Actress in a Series, Comedy or Musical in 2011.[87] The series also won the Motion Picture Sound Editors Golden Reel Award in 2012 for Best Sound Editing – Music for Short Form Television (Sharyn M. Tylk and Susan Ham).[5] In 2013, the episode "Don't Ask, Don't Tell Me What to Do" won the GLAAD Media Award for Outstanding Individual Episode (in a series without a regular LGBT character), highlighting the show's inclusive storytelling.[88]| Year | Award | Category | Nominee | Result | Source |
|---|---|---|---|---|---|
| 2011 | Primetime Emmy Awards | Outstanding Lead Actress in a Comedy Series | Martha Plimpton | Nominated | Television Academy |
| 2011 | Primetime Emmy Awards | Outstanding Guest Actress in a Comedy Series | Cloris Leachman | Nominated | Television Academy |
| 2012 | Primetime Emmy Awards | Outstanding Original Music and Lyrics | Matthew W. Thompson (for "Welcome Back to Hope") | Nominated | Variety |
| 2011 | Critics Choice Television Awards | Best Actress in a Comedy Series | Martha Plimpton | Nominated | Collider |
| 2012 | Critics Choice Television Awards | Best Actress in a Comedy Series | Martha Plimpton | Nominated | Television Academy |
| 2012 | Critics Choice Television Awards | Best Actor in a Comedy Series | Garret Dillahunt | Nominated | Hollywood Reporter |
| 2011 | People's Choice Awards | Favorite New TV Comedy | Raising Hope | Nominated | SpoilerTV |
| 2011 | Casting Society of America Artios Awards | Outstanding Achievement in Casting – Television Pilot – Comedy | Dava Waite | Won | IMDb |
| 2011 | Satellite Awards | Best Actress in a Series, Comedy or Musical | Martha Plimpton | Won | IMDb |
| 2012 | Motion Picture Sound Editors Golden Reel Awards | Best Sound Editing – Music for Short Form Television | Sharyn M. Tylk, Susan Ham | Won | IMDb |
| 2013 | GLAAD Media Awards | Outstanding Individual Episode | "Don't Ask, Don't Tell Me What to Do" | Won | Deadline |