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ReVamp

ReVamp was a symphonic and band formed in late 2009 by vocalist following the disbandment of her previous group, . The band blended orchestral elements with heavy guitar riffs and intricate compositions, releasing two studio albums during its existence: the self-titled debut ReVamp in 2010 and Wild Card in 2013. ReVamp toured and performed at major metal festivals before entering a hiatus and ultimately disbanding in 2016 due to Jansen's scheduling conflicts with her role in . The project originated as Jansen's solo endeavor after After Forever's split, with her recruiting collaborators including keyboardist Joost van den Broek (also from ), bassist Jaap Melman, and guitarist Waldemar Sorychta for the debut album. Signed to Records, ReVamp featured tracks like "Sweet Curse" and "Here's My Hell," showcasing Jansen's versatile from clean melodies to growls, and received positive reviews for its emotional depth and production quality. The album marked a transition from After Forever's gothic influences toward a more progressive sound, emphasizing themes of personal struggle and resilience. In 2011, shortly after the debut release, ReVamp went on hiatus when Jansen suffered a severe , forcing her to and step back from for over a year to focus on . This period of exhaustion stemmed from the intense pressures following After Forever's end, but Jansen later channeled the experience into songwriting for the band's second album. Wild Card, released on August 23, 2013, adopted a more aggressive and experimental edge with contributions from band members including Jord Otto and new Matthias Landes, while retaining the symphonic core. Tracks such as "Wild Card" and "Infringe" explored darker lyrical territory, including reflections on , and the album solidified ReVamp's reputation in the European metal scene through festival appearances like . Starting in 2012 as a touring vocalist with and becoming the full-time member in 2015, ReVamp was placed on indefinite hold, leading to its official disbandment announcement in September 2016. The split allowed other members to pursue projects like and of Passion, while Jansen's prominence in elevated her profile further. Despite its short run, ReVamp remains notable for bridging symphonic metal's evolution and highlighting Jansen's songwriting prowess, influencing subsequent acts in the genre.

Background

Formation

ReVamp emerged in the late 2000s amid a vibrant scene, characterized by influential acts such as and Epica, which had established the as a hub for the genre's orchestral-heavy sound and female-fronted ensembles. This environment provided fertile ground for new projects following the dissolution of established bands, allowing vocalists like to explore fresh creative avenues within a supportive of producers, musicians, and labels. After Forever, Jansen's long-standing band, announced its disbandment on February 5, 2009, after a sabbatical year in 2008 that led to and a collective realization that the group could not continue. The decision stemmed from the extended break, during which members recognized their diverging paths and exhaustion from over a decade of intense activity, marking the end of the band's 15-year run. In response, Jansen initiated ReVamp later that year as a personal outlet for her songwriting and vocal talents, initially envisioning it as a solo project centered on her creative direction before expanding it into a collaborative band effort. The early recruitment process involved key partnerships to shape the project's sound, notably with producer and musician Waldemar Sorychta, who contributed guitars and bass for the debut album, alongside keyboardist Joost van den Broek from for arrangements and production. These collaborations helped transition ReVamp from Jansen's solo vision into a full band dynamic, focusing on progressive and symphonic elements. The project's formal launch came with the signing of an album deal with Records, announced on February 12, 2010, which secured resources for recording and distribution.

Musical Style

ReVamp's music is primarily classified as with strong influences, characterized by the fusion of heavy guitar riffs, intricate orchestral elements, and elaborate song structures that often feature shifting tempos and dynamic builds. This style draws from traditions through its atmospheric depth while incorporating rock's complexity, creating a sound that balances aggression with melodic sophistication. Central to the band's sonic identity is vocalist Floor Jansen's expansive range, which seamlessly integrates soaring clean lines with growled and screamed passages to provide stark contrasts and emotional intensity. These vocal dynamics, reminiscent of her approach in , enhance the music's theatricality and allow for layered expressions of vulnerability and power. Complementing this are electronic textures and keyboard-orchestrated symphonic arrangements that evoke gothic and influences, adding grandeur without overpowering the core metal drive. Lyrically, ReVamp explores themes of personal empowerment, , and emotional resilience, often drawing directly from Jansen's life experiences to convey narratives of inner conflict and triumph over adversity. Songs frequently delve into psychological turmoil and self-discovery, using metaphors of and numbness to highlight the struggle for emotional clarity. Over the course of their , ReVamp's sound evolved toward greater accessibility, with the second album emphasizing pop-metal hooks and modern production while retaining symphonic heaviness, resulting in a more diverse and riff-focused palette compared to the debut's denser arrangements. This shift is exemplified in multi-part compositions like "The Anatomy of a Nervous ," which weaves personal storytelling through complexity and melodic accessibility.

History

Debut Album and Early Activity (2009–2010)

ReVamp's self-titled debut album was recorded across multiple studios in the Netherlands during 2009 and 2010, with vocals and choir captured at Graveland Studio, keyboards, synths, and programming handled at The Juicy Studio, strings arranged and recorded at Excess Studios, and grand piano at Esound Studios; the album was mixed at Graveland Studio and mastered at Amsterdam Mastering. Produced by Joost van den Broek and Waldemar Sorychta, the recording featured van den Broek on keyboards, synths, programming, and grand piano, alongside Sorychta on guitars and bass, while Floor Jansen provided all lead vocals and co-wrote the music and lyrics with contributions from both producers. Drums were performed by Koen Herfst, with guest vocals from George Oosthoek on "Here's My Hell," Russell Allen on "Sweet Curse," and Speed (Björn Strid) on "In Sickness 'Till Death Do Us Part: Disdain," and choir arrangements by The Graveland Choir and The Excess Ensemble. The album was released on 26 May 2010 in Sweden and Finland, 28 May in Germany, Austria, Switzerland, the Netherlands, Belgium, Italy, and Spain, and 31 May in the rest of Europe via Nuclear Blast Records, marking the band's entry into the symphonic metal scene after signing with the label in late 2009. It achieved moderate commercial success, peaking at No. 58 on the Dutch Albums Chart and No. 26 in Greece, establishing an initial fanbase through its blend of progressive and symphonic elements. Quantitative metrics from the release highlighted its reception among metal audiences, with streaming and sales data reflecting strong interest in Jansen's vocal performance as a post-After Forever project. Promotional efforts centered on the lead single "Kill Me With Silence," released in advance with an official emphasizing themes of confronting personal and societal silence to assert individuality and voice. These releases helped build anticipation by highlighting Jansen's versatile clean and growled vocals in live contexts. Following the album's launch, ReVamp conducted a series of club shows to hone their live sound, incorporating elements like vocal growls into setlists for energetic performances. The band then joined Epica as support on a European tour in late 2010, including dates in the UK and alongside French act Kells, which expanded their visibility and solidified an emerging following despite ongoing lineup adjustments among live members like bassist Jaap Melman. Critical reception commended Jansen's powerful vocals and the polished production but pointed to occasional repetitiveness in song structures and the challenges of a fluid early lineup as areas for growth.

Hiatus and Nightwish Transition (2011–2013)

In 2011, announced she was suffering from severe , attributed to the exhaustion following the disbandment of her previous band , which led to the cancellation of ReVamp's planned tours and other activities, effectively placing the band on . The lasted approximately one and a half years, during which Jansen was unable to perform or engage in musical work, impacting ReVamp's momentum after the promotional success of their debut album. This period of inactivity stemmed from her overall fatigue, as she later described feeling "completely sick" and incapable of any professional commitments. Jansen's recovery coincided with an unexpected opportunity in 2012, when contacted her on September 29 to fill in as a guest vocalist for the remaining dates of their world tour after Annette Olzon's departure. She debuted with the band on October 1, 2012, in , learning the setlist en route and performing despite jetlag and illness, continuing through the U.S. leg and subsequent shows as a touring substitute. This guest role temporarily paused ReVamp's songwriting process but allowed Jansen to resume it afterward, with her managing both projects by aligning studio time around 's schedule. By October 9, 2013, Jansen transitioned to full-time vocalist for , a decision made earlier in the spring following her successful temporary stint, which created significant scheduling conflicts for ReVamp and delayed their second album's production. During this time, internal discussions within ReVamp focused on coordinating amid these commitments, with band members pursuing collaborations and side projects to maintain activity. Output remained limited, primarily through occasional interviews where Jansen expressed her initial commitment to both bands, stating that Nightwish's call had altered plans but she aimed to complete ReVamp's work.

Wild Card Release and Disbandment (2013–2016)

Following the hiatus, ReVamp reconvened with a more stable lineup to record their second album, , during 2012 and 2013 at Sandlane Recording Facilities in Rijen, . The production was led by Joost van den Broek, who handled vocals, choir, and additional instrumentation, while the core band included vocalists , guitarists Arjan Rijnen and Jord Otto, keyboardist Ruben Wijga, bassist Henk Vonk, and drummer Matthias Landes. This configuration provided greater continuity compared to the debut, allowing for a blend of progressive and elements with intricate guitar work and orchestral arrangements. Wild Card was released on August 23, , via Records, marking the band's return after their extended break. The album peaked at No. 21 on the Albums Chart and No. 30 in . It featured singles such as "The Anatomy of a Nervous Breakdown: On the Sideline," which highlighted Jansen's emotive vocals and the band's thematic exploration of and . To promote the release, ReVamp toured extensively across in late and early , performing at festivals like Metal Female Voices Fest, building on their growing international fanbase. By mid-2016, logistical strains became insurmountable, leading to the band's official disbandment announcement on September 29. Jansen explained that her deepening commitment to , following her permanent joining in 2013, left insufficient time and resources for ReVamp, while other members faced personal and professional challenges that prevented sustained activity. In later reflections, Jansen described ReVamp as a pivotal chapter in her artistic growth, enabling her to refine her songwriting and vocal style independently before fully integrating into 's symphonic framework.

Band Members

Final Lineup

The final lineup of ReVamp, which supported the band's activities from 2010 until its disbandment in 2016 (with a bass change in 2013), featured a stable core ensemble emphasizing symphonic and elements. This configuration provided consistency during promotional tours and performances. served as lead vocals and growls from 2009 to 2016, acting as the band's creative leader and founder who guided its overall musical vision. Arjan Rijnen handled guitars from 2010 to 2016, contributing to collaborative songwriting efforts and delivering live performances that enhanced the band's heavy riffs. Jord Otto played guitars from 2010 to 2016, incorporating progressive elements into the arrangements through his riffing and occasional backing vocals. Ruben Wijga managed keyboards from 2010 to 2016, overseeing the orchestral and electronic layers that defined ReVamp's symphonic texture. Matthias Landes provided from 2010 to 2016, establishing the rhythmic foundation essential for the band's dynamic tour sets. Henk Vonk played bass from 2013 to 2016, joining to reinforce the low-end stability in the final era's live renditions.

Former Members

ReVamp's early phase featured several musicians who contributed as core or session players before the lineup stabilized around 2013. Koen Herfst played drums from 2009 to 2010, performing on the debut album. Jaap Melman joined as bassist in 2010 and remained with the band through 2012, performing on early tours and providing stability during the initial live promotions of the debut album. He departed prior to the recording sessions for the second album, , allowing Henk Vonk to take over the role. Joost van den Broek, a former colleague of vocalist from , handled keyboards, synths, and programming for the self-titled debut album in 2009–2010. His contributions extended to songwriting and arrangements, shaping the symphonic elements of the record before Ruben Wijga assumed the position for live performances and subsequent releases. Waldemar Sorychta served as a key and on the 2009 debut , performing guitars and while co-writing material. Known for his production work with bands like , his involvement was limited to the studio phase without extending to touring commitments. Additional session contributors included Arno Krabman on extra guitars and for the debut recordings, as well as guest vocalists such as on "Sweet Curse," Björn "Speed" Strid on "Disdain," and George Oosthoek providing grunts on "Here's My Hell." Choir elements featured performers like Annette Vermeulen ( vocals) and Gijs Klunder ( vocals), adding orchestral depth without ongoing band affiliation. These collaborations highlighted the project's fluid early development, relying on established metal scene figures for its foundational sound.

Discography

Studio Albums

ReVamp released two studio albums over the course of its existence, both issued by the German label Records and showcasing the band's symphonic progressive metal sound led by vocalist . The debut album, titled ReVamp, was released on May 28, 2010. Produced by Waldemar Sorychta with co-production from Joost van den Broek and Arno Krabman, the recording took place across multiple studios in the between 2009 and 2010, including Graveland Studio for vocals and choir, The Juicy Studio for keyboards, synths, and programming, Excess Studios for strings, and Esound Studios for grand piano. The album comprises 11 tracks, blending heavy riffs with orchestral elements and featuring a three-part titled "In Sickness 'till Death Do Us Part." Standout tracks include "Sweet Curse," which incorporates guest vocals from singer , and the opener "Here's My Hell," also featuring guest vocals by George Oosthoek of . Additional guests include Björn "Speed" Strid of on "In Sickness 'till Death Do Us Part: Disdain." The album peaked at number 58 on the Dutch Albums Chart, reflecting modest commercial performance in . The band's sophomore effort, , followed on August 23, 2013. Produced by Joost van den Broek at Sandlane Recording Facilities in Rijen, , the album expanded the lineup's contributions with live musicians and notable guest vocalists. It consists of 12 tracks, highlighted by the three-part suite "The Anatomy of a Nervous Breakdown," which explores themes of mental strain through interconnected songs like "On the Sideline," "," and "." Key tracks include the energetic title song "" and the melodic "Distorted Lullabies." Guest appearances add variety, with providing vocals on "Neurasthenia," of Epica on "Precibus," and Johan van Stratum of Stream of Passion on "Amendatory," and Daniel de Jongh of Textures on "Misery's No Crime." The album achieved slightly stronger chart placement, reaching number 43 in the and number 21 in , while also entering the Rock Chart at number 31 and Belgian charts. Collectively, ReVamp's albums enjoyed modest success across without attaining major sales certifications, building a niche audience within the genre through targeted promotion and touring.

Singles

ReVamp released few official singles during their career, focusing primarily on promotional efforts tied to their albums. The band's debut single, "Head Up High," served as the lead promotional track from their self-titled 2010 album. Released digitally and made available for free download in April 2010, it introduced Jansen's new project to fans following the dissolution of . The track was also featured on the online music platform JamLegend, allowing interactive play to build early buzz. While it did not achieve significant commercial chart success, the single garnered attention through video streams and radio airplay in metal circles, contributing to the album's momentum. In support of their second album, Wild Card (2013), ReVamp issued "The Anatomy of a Nervous Breakdown: On the Sideline" as a digital single on July 19, 2013, via Nuclear Blast Records. This track opened the album's multi-part suite exploring psychological turmoil and recovery, emphasizing empowerment through confronting inner demons. Available on platforms like iTunes, it was promoted with a lyric video that highlighted the song's intense orchestration and Jansen's dynamic vocals. The release aimed to spotlight the album's conceptual depth, with visuals focusing on abstract representations of mental strain and breakthrough, reinforcing ReVamp's motif of self-empowerment. Like the earlier single, it received modest video play on metal channels but did not enter major charts, instead driving digital streams and fan engagement ahead of the full album launch. Additional promotional releases included "" from , which received a lyric video in February 2014 to extend the album's visibility post-release. Limited to formats and radio promotion, this track further exemplified the band's symphonic style without a full production. These efforts, while not yielding widespread commercial breakthroughs, helped maintain ReVamp's niche presence in the scene through targeted online and broadcast exposure.

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