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Realm of Kings

Realm of Kings is a crossover event published from November 2009 to April 2010, written primarily by and Andy Lanning, that explores the cosmic aftermath of the storyline. Following the cataclysmic explosion triggered by Black Bolt's deployment of the T-Bomb against during the , the event centers on the creation of the Fault—a massive rift in space-time that unleashes threats from alternate dimensions, including the undead horrors of the Cancerverse. This unstable tear destabilizes the universe, forcing fractured alliances among surviving cosmic factions to confront emerging dangers and vie for power in the resulting power vacuum. The storyline unfolds across multiple interconnected limited series and tie-in issues, including Realm of Kings: Inhumans, Realm of Kings: Imperial Guard, and Realm of Kings: Son of Hulk, alongside arcs in ongoing titles such as Guardians of the Galaxy and Nova. Key characters include Medusa leading the Inhuman Royal Family, Gladiator and the Shi'ar Imperial Guard, Nova (Richard Rider), Quasar, and Hiro-Kala, the son of the Hulk, as they navigate courtly intrigue, external invasions, and prophetic visions of universal destruction. As a pivotal chapter in Marvel's cosmic saga, Realm of Kings bridges the to , highlighting themes of instability and interdimensional peril while concluding several key runs by Abnett and Lanning.

Publication Information

Publication History

"Realm of Kings" was announced by at Comic-Con Chicago in August 2009 as a direct sequel to the "" crossover event, focusing on the cosmic aftermath and introducing new threats across the . The storyline was planned to explore the fractured state of the cosmos following the war between the and empires, setting the stage for further developments in Marvel's cosmic titles. The event kicked off with the one-shot issue Realm of Kings #1, released on November 18, 2009, which established the central concept of the Fault—a massive rift in space-time—and its implications for various cosmic factions. This was followed by limited miniseries that expanded on specific storylines within Marvel's cosmic lineup, marking a shift from ongoing series like Guardians of the Galaxy and Nova to self-contained crossover events. The Realm of Kings: Inhumans five-issue miniseries began with issue #1 on November 18, 2009, and concluded with #5 in March 2010, while Realm of Kings: Imperial Guard started on November 11, 2009, and wrapped up in March 2010 with its fifth issue. Additionally, the four-issue Realm of Kings: Son of Hulk miniseries launched on February 3, 2010, tying into the broader narrative. As part of Marvel's 2009-2010 strategy to revitalize its cosmic properties, "Realm of Kings" served as a bridge between the destruction wrought by "War of Kings" and the subsequent event "The Thanos Imperative," maintaining momentum in titles like Nova and Guardians of the Galaxy through tie-ins while emphasizing limited-series formats to contain the crossover's scope. This approach allowed for focused explorations of key cosmic elements without disrupting ongoing narratives, contributing to the era's emphasis on interconnected space opera storytelling.

Creative Team

The creative team behind Realm of Kings, a 2009-2010 Marvel Comics crossover event, was led by writers Dan Abnett and Andy Lanning, collectively known as DnA, who penned the core one-shot Realm of Kings #1 as well as tie-in storylines in Guardians of the Galaxy (issues #20-25), Nova (issues #23-28), and Realm of Kings: Imperial Guard (miniseries #1-5). DnA, British collaborators with a long history in Marvel's cosmic titles, extended their narrative from the preceding War of Kings event, emphasizing interstellar politics and multiversal threats across the event's interconnected miniseries. Artist Mahmud Asrar provided pencils for the opening issue of the main Realm of Kings series, capturing the event's epic scope with detailed depictions of cosmic anomalies like the Fault, while Leonardo Manco handled art duties for the remainder of the miniseries and contributed to Nova's tie-ins, known for his gritty, atmospheric style in high-stakes action sequences. For the Inhumans miniseries (#1-5), Pablo Raimondi served as the primary artist, delivering intricate royal intrigue visuals centered on the Kree Empire's power struggles. In Realm of Kings: Imperial Guard, Kev Walker illustrated the five-issue arc, focusing on the Shi'ar protectors' internal conflicts with his dynamic, shadowy linework. Paul Pelletier continued as the regular artist on Guardians of the Galaxy, providing consistent character-driven artwork for the team's adventures amid the Fault's chaos. Andrea Di Vito contributed to Nova's storyline, emphasizing high-energy space battles. The Son of Hulk miniseries (#1-4) was written by Scott Reed, exploring Hiro-Kala's journey, with art by Miguel Munera, who brought a raw, otherworldly intensity to the Microverse settings. Various one-shots and additional tie-ins featured rotating artists including Wellinton Alves for select segments. Editing oversight came from as Editor-in-Chief, ensuring cohesion across the event's sprawling narrative, with associate editors including Lauren Sankovitch, who handled production for several cosmic titles during this period. DnA's involvement marked a continuation of their influential run on Marvel's and sagas, solidifying their reputation for architecting large-scale cosmic epics.

Collected Editions

The "Realm of Kings" storyline has been collected in several trade paperback (TPB) and hardcover editions by , providing readers with accessible compilations of the core one-shot and tie-in , as well as integrations into . These editions vary in scope, from focused volumes to comprehensive omnibuses that include lead-in material from "." Many are also available in digital formats via and , with some featuring variant covers or later reprints.
TitleRelease DateISBNPage CountCover PriceCollectsNotes
Realm of KingsAugust 2010978-0785148098368$34.99Realm of Kings #1, Realm of Kings: Inhumans #1-5, Realm of Kings: Son of Hulk #1-4, Realm of Kings: Imperial Guard #1-5Hardcover edition; a 2014 second printing TPB was released with the same content and price.
Realm of Kings: Imperial GuardJune 2010978-0785145974120$19.99Realm of Kings: Imperial Guard #1-5TPB focused solely on the Imperial Guard miniseries; digital edition available.
Guardians of the Galaxy Vol. 4: Realm of KingsJune 2010978-0785145431147$19.99Guardians of the Galaxy (2008) #20-25TPB integrating the storyline into the ongoing series; digital edition available.
Nova Volume 6: Realm of KingsJune 2010978-0785140672192$19.99Nova (2007) #23-28TPB integrating the storyline into the ongoing series; digital edition available.
War of Kings Aftermath: Realm of Kings OmnibusFebruary 2017978-13029044701248$125.00Realm of Kings #1; Realm of Kings: Inhumans #1-5; Realm of Kings: Imperial Guard #1-5; Realm of Kings: Son of Hulk #1-4; Nova (2007) #29-36; Guardians of the Galaxy (2008) #20-25; The Thanos Imperative #1-6, Ignition #1, Devastation #1-2; Annihilators #1-4; Annihilators: Earthfall #1-4; Thanos Sourcebook; material from I Am an Avenger #3Hardcover omnibus including comprehensive tie-ins and aftermath stories; digital edition available.

Narrative Structure

Background and Setting

The War of Kings (2008–2009) was an interstellar conflict between the Inhuman-led Empire, ruled by King , and the Empire under Emperor , a who had seized power following his escape from the Shi'ar throneworld. The war escalated from Vulcan's unprovoked attack on the Kree homeworld during the wedding of Black Bolt's sister Crystal to , drawing in allies like the and the in efforts to broker peace or rescue key figures such as . The conflict reached its climax when Black Bolt detonated the T-Bomb, a devastating weapon engineered from Terrigen Mists to uplift the population en masse but repurposed as an explosive device powered by Black Bolt's quasi-sonic voice. Vulcan teleported into the bomb's core to confront Black Bolt directly, resulting in a fatal duel that triggered the detonation and killed both leaders. This cataclysmic event tore open the Fault, a colossal rift in space-time that fractured and exposed fragments of alternate universes, including necrotic dimensions teeming with otherworldly threats. In the immediate aftermath, leadership transitions reshaped the affected empires: Gladiator (Kallark), praetor of the , ascended as the new Majestor of the , vowing to restore order amid internal dissent. For the and their subjects, assumed the role of regent, partnering with her husband Ronan to stabilize the unified empire while Queen Medusa guided the core Inhuman royal family from Attilan. The Fault's emergence amplified broader cosmic instability, splintering imperial structures, stranding millions of refugees across shattered worlds, and unleashing anomalies like reality-warping energies and incursions from corrupted realms—most notably the Cancerverse, described by as "pulsing with corrupt life! One giant, twisted organic mass!" These developments left the Marvel Universe's galactic sectors in precarious limbo, vulnerable to opportunistic predators and existential perils spilling through the rift.

Main Plot

Following the cataclysmic events of the , a massive rift known as the Fault begins to expand across the cosmos, destabilizing realities and pulling in various cosmic entities and heroes. This dimensional tear, originating from the detonation of the Terrigen Bomb by , threatens to consume the , prompting immediate action from groups such as the , , the , and the Empire. As investigations intensify, ventures into the Fault to gather data, only to discover the Cancerverse—a parallel reality where death has been eradicated, resulting in an undead, ever-spreading cancer-like existence. This realm is dominated by the Many-Angled Ones, ancient Lovecraftian entities, and their enforcer, the corrupted Lord Mar-Vell, who leads twisted versions of Earth's heroes in a bid to invade and infect other universes. The Cancerverse's forces, including undead Avengers and , begin breaching the Fault, escalating the inter-reality conflict. Key confrontations arise as heroes respond to the incursions. battles the Cancerverse invaders in a desperate fight, escaping at great personal risk to alert his allies to the full extent of the threat. Meanwhile, assumes leadership of the to probe the anomalies emanating from the Fault, coordinating with and others to contain emerging dangers. The storyline reaches its climax as the , under Queen Medusa's rule, grapple with ancient prophecies foretelling doom for their throne while attempting to stabilize their position in the fractured cosmos. Concurrently, the Empire faces internal strife under Emperor Gladiator, with the suppressing dissent amid the broader crisis. Ultimately, representatives from the , , and other factions convene at the Galactic Council, forging an alliance to repel the Cancerverse invasion, highlighted by Nova's critical intervention at Project P.E.G.A.S.U.S. to thwart a direct assault on .

Tie-in Storylines

The Realm of Kings crossover event featured several miniseries and ongoing titles that explored parallel narratives in the fractured , focusing on individual factions and characters navigating the aftermath of the and the emerging threats from the Fault. These stories expanded on the main plot by delving into political intrigue, personal journeys, and initial skirmishes with alternate-reality dangers, without directly intersecting the central one-shot's revelations. The event's core is the Realm of Kings #1 one-shot, where investigates the Fault, discovers the Cancerverse dominated by the Many-Angled Ones and Lord Mar-Vell leading undead heroes, and escapes after battling invaders to warn the universe of the impending multiversal threat.
IssueTitleRelease DateKey Unique Events
#1Realm of KingsNovember 18, 2009Quasar's Fault expedition reveals Cancerverse horrors and impending invasion.
In Realm of Kings: Inhumans #1-5, written by and Andy Lanning with art by various artists including Pablo Raimondi and Carlos Magno, the narrative centers on Queen Medusa's regency over the Empire following Black Bolt's presumed death. assumes a temporary leadership role amid rising unrest, but Medusa's return from the Fault disrupts the balance, leading to efforts to quell uprisings with aid from Earth heroes like against rebels such as Devos. The series highlights internal power struggles and the ' efforts to maintain control. is dispatched to investigate the Fault, discovering a temporal loop of Black Bolt's final battle and early signs of transformation into corrupted Cancerverse entities, though the prove resistant due to Terrigen exposure. It culminates in stabilizing the empire while foreshadowing broader Fault-spawned perils.
IssueTitleRelease DateKey Unique Events
#1Duty CallsNovember 18, 2009Medusa's return sparks regency tensions; initial uprisings and Earth hero alliances draw scrutiny.
#2High and MightyDecember 16, 2009Crystal's rule faces terrorism; crossover with exposes Inhuman vulnerabilities.
#3Weapons of Mass DestructionJanuary 20, 2010Uprising quelled; Fault exploration reveals anomalies, hinting at broader cosmic instability.
#4February 24, 2010Political machinations intensify amid ongoing threats to the throne.
#5Back to the BeginningMarch 24, 2010Efforts secure Medusa's rule but foreshadow Fault-spawned perils.
The Realm of Kings: Imperial Guard #1-5 miniseries, also by Abnett and Lanning with art by Kev Walker and others, examines Gladiator's precarious rule as the reluctant emperor of a shattered Empire. Internal betrayals from disloyal members and Shi'ar nobles test his leadership, while the team defends against monstrous incursions spawned by the Fault, including grotesque creatures emerging from reality rifts. The ventures into the Fault, encountering twisted versions of the from the Cancerverse, and barely escapes with aid from and reinforcements, presenting evidence of the growing threat to the Galactic Council. This storyline underscores themes of loyalty and the burdens of imperial governance in a destabilized universe.
IssueTitleRelease DateKey Unique Events
#1Imperial Guard, Part 1November 11, 2009Gladiator suppresses a secessionist planet; early signs of Guard dissent surface.
#2, Part 2December 9, 2009Betrayals within the Guard escalate; first Fault monster attacks on outposts.
#3Imperial Guard, Part 3January 13, 2010Incursion into the Fault reveals Cancerverse horrors; alliances form with unlikely allies.
#4Imperial Guard, Part 4February 10, 2010Battles against Fault-spawned abominations; Gladiator's rule is further undermined.
#5Imperial Guard, Part 5March 10, 2010Rescue from the Cancerverse; evidence presented to avert galactic war.
Realm of Kings: Son of Hulk #1-4, written by Scott Reed with art by Miguel Munera, follows , the destructive son of the , on a perilous journey through the Fault. Abducted into Jarella's sub-atomic Microverse—where his father once found peace—Hiro-Kala encounters eldritch horrors and ancient entities, seeking the Old Power to fuel his conquests. His path intertwines Hulk family lore, revealing visions of Skaar and the Hulk's past, while his rage-fueled actions risk unleashing Fault-born abominations across dimensions, blending personal vendettas with cosmic peril.
IssueTitleRelease DateKey Unique Events
#1Conquest of Jarella's World, Part 1February 3, 2010 arrives in the Microverse; initial clashes with Jarella's defenders and Fault rifts.
#2Conquest of Jarella's World, Part 2March 3, 2010Discovery of Old Power secrets; encounters with entities tied to 's history.
#3Conquest of Jarella's World, Part 3April 7, 2010Battles against Microverse horrors; ties to Skaar and family legacy deepen.
#4Conquest of Jarella's World, Part 4May 5, 2010Climactic showdown in the Microverse; 's actions risk cosmic Armageddon.
In Guardians of the Galaxy #20-25, by Abnett and Lanning with art by Paul Pelletier, the team, led by , delves into the Fault's mysteries, uncovering fates of fallen members like (revealed as Adam Magus) and battling Cancerverse invaders, including corrupted heroes from alternate realities. Their exploration reveals the Fault's invasive nature, with skirmishes against many-angled entities that threaten to corrupt the universe, setting up larger confrontations while highlighting team fractures and resurrections.
IssueTitleRelease DateKey Unique Events
#20FaultlinesNovember 25, 2009Team investigates Fault anomalies; first encounters with Cancerverse scouts.
#21The Hollows of SpaceDecember 23, 2009Battles against invading forces; revelations about Adam Magus begin.
#22War of the UniverseJanuary 20, 2010Deep Fault expedition; clashes with alternate-reality threats escalate.
#23Realm of the DeadFebruary 24, 2010Resurrections and team losses; Cancerverse incursions intensify.
#24Twist of FateMarch 24, 2010Major confrontation with invaders; ties to broader cosmic decay.
#25No GuardiansApril 28, 2010Climax against Fault horrors; setup for .
Nova #29-35, written by Abnett and Lanning with art by Andrea Di Vito, depicts Richard Rider's command of a depleted aboard Ego, engaging in defensive skirmishes against alternate-reality threats spilling from the Fault. Rider leads efforts to contain breaches, including abductions by the Sphinx involving the Ka Stones and confrontations with a deceptive impersonator at P.E.G.A.S.U.S., emphasizing the Corps' strained resources and Rider's growing isolation amid escalating multiversal incursions.
IssueTitleRelease DateKey Unique Events
#29Destroyer of WorldsNovember 25, 2009 coordinates Corps defenses; initial Fault skirmishes begin.
#30Operation: Galactic StormDecember 23, 2009Battles with reality-warped foes; Corps losses mount.
#31The VerdictJanuary 20, 2010Alternate threats probe defenses; Fault breaches escalate.
#32Realm of KingsFebruary 3, 2010 faces impersonator threats.
#33Ka-Krush!March 3, 2010Ka Stones conflict emerges with Sphinx.
#34Thanos Imperative PreludeApril 7, 2010Dark confrontation at P.E.G.A.S.U.S.
#35HomecomingMay 5, 2010Climactic containment efforts against incursions.

Legacy and Impact

In-Universe Aftermath

Following the cataclysmic end of the War of Kings, a massive rift called the Fault emerged in space-time, unleashing horrors from alternate realities into the Marvel Universe. Cosmic heroes from across the galaxy, including the Imperial Guard, Inhumans, Nova Corps, and Guardians of the Galaxy, collaborated to confront and contain the emerging threats from the Fault, though it remained unstable and permitted ongoing incursions from the Cancerverse—a warped dimension where death was eradicated and unchecked life proliferated under eldritch rule. These breaches introduced the Many-Angled Ones, ancient entities that devoured devotion and chaos, establishing them as ongoing existential threats to cosmic stability. With presumed lost in the Fault's creation, fully assumed the role of queen, guiding the royal family through turbulent governance of the Kree Empire while confronting internal dissent. A key challenge arose from the Unspoken, a deposed former king who rallied Alpha Primitives in a bid to seize power; ultimately defeated and banished him, reinforcing her authority and the society's hierarchical order. In the Empire, solidified his position as Majestor, leveraging his leadership to rebuild amid widespread devastation from the war. Under his command, the underwent reformation, integrating new members and protocols to serve as the empire's elite enforcers while probing the Fault for dangers, including alliances with former adversaries like the to avert further incursions. The emerged severely weakened, with its ranks scattered across fractured sectors of the galaxy following heavy losses in the conflict. Prime Richard Rider focused on reconstruction efforts from a mobile headquarters on Ego, prioritizing containment of Fault-related anomalies amid the organization's diminished capacity. The , reeling from casualties and the universe's reconfiguration, relocated their operations to the periphery of the Fault for closer surveillance and rapid response to emerging threats. This shift emphasized proactive defense against Cancerverse entities, including corrupted counterparts like the Revengers, while grappling with internal upheavals such as the resurrection of the Magus.

Critical Reception

Realm of Kings received mixed reviews from critics, who praised its expansive cosmic storytelling and the writing of Dan Abnett and Andy Lanning (DnA) while critiquing its fragmented structure as a follow-up to the more unified War of Kings. IGN awarded individual issues scores ranging from 7.3 to 8.6 out of 10, with Realm of Kings: Inhumans #1 earning an 8.4 for its effective exploration of post-War of Kings political dynamics and character arcs among the Inhumans. Similarly, ComicBookRoundup gave the core one-shot a 7.1 average, highlighting DnA's "brilliant work" in setting up intriguing premises for Marvel's cosmic corner. User-generated ratings on Goodreads averaged 3.4 out of 5 across 575 reviews for the collected edition, reflecting a divide between enthusiasts of the series' lore and those finding it less impactful. Strengths of the event included its bold expansion of the Cancerverse lore, introducing a nightmarish, deathless dimension infused with elements that added depth to Marvel's cosmic mythology. Reviewers commended the development of lesser-known cosmic heroes, such as the , where DnA used action sequences to flesh out team members and their roles in the fractured . The overarching narrative's scope, depicting a destabilized by the rift, was lauded for maintaining momentum in Marvel's cosmic line, with one noting it as part of a "highly regarded" output that sustained interest in interstellar threats. Criticisms centered on the event's overreliance on disparate tie-ins, which led to a perceived lack of cohesion and rushed plotting across the miniseries. IGN's review of Realm of Kings: #3 described the books' "disappointing" absence of a unified direction, making the crossover feel more like loosely connected one-shots than a singular epic. CBR echoed this, calling the storyline's predictable turns "a tiny bit disappointing" amid the event's broader fragmentation. Many felt it failed to match ' grand scale, serving instead as a transitional "bridge" with padded elements rather than a climactic payoff. Sales figures for initial issues ranged from approximately 19,000 to 28,000 copies shipped to North American direct market retailers, according to Comichron data, providing solid but not blockbuster support for the cosmic titles amid a post-Annihilation momentum that later waned. Fan discussions often highlighted the Lovecraftian Cancerverse as a standout positive, though the storyline's disjointed nature without reading all tie-ins drew complaints of inaccessibility.

Subsequent Developments

The Thanos Imperative miniseries of 2010 served as a direct sequel to Realm of Kings, delving deeper into the Cancerverse—a reality introduced through explorations of the Fault—where life had triumphed over death in a corrupted form, leading to the emergence of undead horrors and the eldritch Many-Angled Ones as primary antagonists. In this storyline, the ventured into the Cancerverse to confront these threats, with Wendell Vaughn () playing a pivotal role as his "dark" counterpart from the alternate reality attempted to breach the prime universe via the Horrorscope device, expanding on his scouting missions from Realm of Kings. The event concluded the DnA cosmic saga by resolving immediate Fault-related incursions while establishing the Many-Angled Ones as recurring multiversal dangers. Elements from Realm of Kings persisted in the reformation of the in the 2013 series by , where the team addressed ongoing instability from Fault scars, including dimensional rifts and cosmic anomalies that echoed the post-War of Kings fallout. Similarly, the 2013 series featuring Sam Alexander highlighted lingering issues within the depleted , which had been ravaged by the events surrounding Realm of Kings and left the organization struggling with recruitment and operational capacity across the galaxy. Broader narrative ties appeared in later cosmic events, such as (2013), where Thanos's invasion incorporated multiversal threats reminiscent of the Fault's disruptions, and in Hulk-related arcs like (2014), which revisited Hiro-Kala—Hulk's son introduced amid the DnA era—as a figure wielding Old Power influenced by Sakaar's chaotic legacy tied to broader cosmic upheavals. The 2019 Annihilation: Scourge event further echoed Realm of Kings by featuring and other cosmic heroes combating interdimensional scourges from unstable rifts, underscoring the enduring vulnerability of space-time barriers. More recent references to the Cancerverse surfaced in Al Ewing's (2015–2017), where the team's multiversal explorations nodded to the corrupted reality as a cautionary example of life run amok, emphasizing persistent space-time rifts as a foundational threat in Marvel's cosmic architecture. Potential connections emerged in (2020–2021), with symbiote incursions exploiting similar interdimensional weaknesses, reinforcing the Realm of Kings motif of vulnerable barriers between realities. In 2025's Imperial War: Nova – Centurion #1, the Cancerverse is reintroduced through the corrupted Worldmind, a tentacled that attempts to possess and launch a new , risking multiversal devastation tied to the Fault's legacy. Overall, Realm of Kings solidified the cosmic era crafted by writers Dan Abnett and Andy Lanning (DnA), revitalizing characters like the Guardians and Nova for sustained relevance, and indirectly influencing the 2014 Guardians of the Galaxy film by popularizing their team dynamic and cosmic threats, as acknowledged by director James Gunn's consultations with the creators. This legacy ensured ongoing narrative echoes in Marvel's space opera storytelling through 2025.

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