Rex Smith
Rex Smith (born September 19, 1955) is an American actor and singer best known as a teen idol of the late 1970s and early 1980s, with a career spanning Broadway, television, and music recordings.[1][2] Smith began his professional career in theater, making his Broadway debut as Danny Zuko in the musical Grease in 1978, which launched him into the spotlight as a heartthrob for young audiences.[3] Transitioning to music, he signed with Columbia Records and released his debut album Sooner or Later in 1979, which featured the Top 10 hit single "You Take My Breath Away," certified gold by the RIAA, solidifying his status as a pop sensation.[2][4] His subsequent albums, including Rex (1980) and Camouflage (1983), continued to showcase his vocal talents in the soft rock and pop genres, often accompanied by appearances on shows like Solid Gold.[2][5] On television, Smith starred as Jesse Mach, a motorcycle-riding undercover cop, in the action series Street Hawk (1985), which highlighted his athleticism through daring stunts and contributed to his diverse on-screen persona.[2] He also appeared in guest roles on popular programs such as The Love Boat and The Trial of the Incredible Hulk (1989), and later took on the recurring role of Darryl Crawford on the soap opera As the World Turns from 1990 to 1992.[6][7] In recent years, Smith has focused on live performances, producing and starring in his one-man show Confessions of a Teen Idol, which reflects on his rise to fame and industry challenges, with engagements at venues like 54 Below in New York City.[8] As of 2025, he remains active in entertainment, sharing updates on his music and acting endeavors through official social channels while occasionally performing classic hits from his catalog.[2]Early life
Childhood and family
Rex Smith was born Gregory Siniard Smith on September 19, 1955, in Jacksonville, Florida.[9] He was the youngest of four brothers in a family immersed in the music industry; his father, Paul Smith, worked as an advertising executive, while his mother was Joyce Smith.[10][11] His siblings included Michael Lee Smith, lead singer of the 1970s rock band Starz; Paul Evan Smith, a road manager; and Webster Smith, a pianist.[12] Smith's early childhood involved frequent moves within the southeastern United States, primarily between Jacksonville, Florida, and Atlanta, Georgia, due to his father's career.[13] These relocations exposed him to diverse environments in the region during his formative years.[14] His initial interest in music and performance stemmed from strong family influences, particularly his brothers' professional pursuits in the industry, which surrounded him with live music and touring experiences from a young age.[15][12]Education and early interests
Rex Smith attended high school in Atlanta, Georgia, where he graduated in 1973 from a school in the Buckhead neighborhood.[16] Growing up between Jacksonville, Florida, and Atlanta, he developed a strong interest in music during his teenage years, joining his first band at age 14 and performing with various groups throughout high school.[13][14] By his junior year, Smith was the lead singer in one of Atlanta's most prominent local bands, securing gigs in nightclubs using a fake ID despite being underage.[15] These experiences immersed him in the vibrant 1970s rock scene, fueling his aspirations to become a professional musician amid the era's teen idol culture.[14] His early musical pursuits laid the foundation for his later interests in performing arts, including acting, though his teenage focus remained primarily on live band performances and songwriting.[14]Career
Music career
Smith's emergence as a teen idol began in the mid-1970s when, at age 20, he signed with Columbia Records under the management of Steve Leber and David Krebs, the team behind Aerosmith.[15] This deal capitalized on his youthful appeal and rock background, positioning him as a heartthrob in teen magazines like 16 Magazine and Tiger Beat.[14] His debut album, Rex (1976), leaned into hard rock and AOR styles, produced by Leber and Krebs, with tracks including "Trouble," "Ten Seconds of Love," "Feeling Better," "Stay with Me," and "Call Her Easy." The album highlighted Smith's raw energy and guitar-driven sound, reflecting his early club performances in Atlanta.[17] The follow-up, Where Do We Go from Here? (1977), maintained this rock edge under the same production team, featuring songs such as "Where Do We Go from Here?," "Do Me," "Burn Your Bridges," "7 Come 11," "You're Never Too Old to Rock & Roll," and "Chains on My Heart."[18] Throughout the late 1970s, Smith toured as an opening act for prominent rock acts, including five nights at Detroit's Cobo Hall for Bob Seger, dates with Tom Petty, and early shows where AC/DC supported him during their initial U.S. push with Bon Scott.[15] These gigs solidified his live presence and exposure to larger audiences. Smith's music gained wider traction in 1979 with Sooner or Later, his third album, which blended pop-rock with ballads and included the hit single "You Take My Breath Away," peaking at No. 10 on the Billboard Hot 100 after 16 weeks on the chart. Another key track, "Simply Jessie," showcased his vocal range in a romantic duet with Rachel Sweet. The album's tie-in with a television project amplified its promotional reach, marking a pivot toward more accessible pop arrangements. That same year, Forever followed as his fourth release, produced by Leber and Krebs, emphasizing melodic pop with tracks like "Forever," "Tonight," "Everytime I See You," "Without You," "To You, to You! (Say Goodbye to You)," "Saturday Night," "Let's Make a Memory," "I Don't Want to Lose You," and "One More Night."[19] Into the 1980s, Smith's style evolved further toward ballads and soft rock across his remaining Columbia albums: Everlasting Love (1981), featuring a cover of the title track as a duet with Rachel Sweet alongside originals like "Rock Me Slowly" and "What Becomes of the Broken Hearted," and Camouflage (1983), with songs such as "Camouflage," "I Can't Stop Loving You," and "What Would It Take." These five studio albums traced his transition from gritty rock to heartfelt, radio-friendly pop, totaling over 50 original tracks centered on themes of romance and youth.[20]Television career
Smith's breakthrough in television came with the lead role of Michael in the 1979 NBC made-for-TV movie Sooner or Later, where he portrayed a 17-year-old guitar instructor navigating a romance with a younger student, which propelled him to teen idol status and inspired a hit single from the soundtrack.[21] The film, directed by Bruce Hart, highlighted Smith's charisma in youth-oriented programming and marked his transition from stage to screen.[22] Following this success, Smith appeared in guest roles on series such as California Fever in 1979, playing a rock star on the CBS teen drama about Los Angeles youth culture.[23] He continued with episodic work, including an appearance on The Love Boat in 1980 as Mark Redding. His first starring series role arrived in 1985 as Jesse Mach, an undercover police officer who rides a high-tech experimental motorcycle in the action-adventure Street Hawk, a short-lived ABC program that emphasized thrilling chases and gadgetry.[24] In the late 1980s and early 1990s, Smith took on a recurring role as Darryl Crawford on the CBS daytime soap opera As the World Turns from 1990 to 1992, portraying a complex character involved in romantic entanglements and dramatic storylines. He followed this with guest spots on crime dramas, including Bob Johnson in the 1993 episode "Night Games" of Silk Stalkings.[25] Throughout the 1990s and 2000s, Smith made recurring and guest appearances on shows like Murder, She Wrote, Cagney & Lacey, Baywatch, JAG, and The Sentinel, often in supporting roles that showcased his versatility in procedural and action formats.[7] By the 2020s, his television presence shifted toward interviews and specials, with no major scripted roles reported as of 2025.[26]Film career
Rex Smith's entry into feature films came with his prominent role as Frederic in the 1983 musical adaptation The Pirates of Penzance, directed by Wilford Leach, where he portrayed the young pirate apprentice who discovers his true birthday and must serve the Pirates of Penzance longer than expected. This screen version of the hit Broadway production, co-starring Kevin Kline, Angela Lansbury, and Linda Ronstadt, showcased Smith's vocal talents and stage-honed charisma, earning positive reviews for its faithful yet vibrant translation to cinema, with the film holding a 7.1 rating on IMDb from over 4,000 user votes. The production grossed approximately $694,000 in limited release, reflecting its cult appeal among musical theater enthusiasts. Smith took on more mature dramatic roles in the 1990s, appearing as Ted, the abusive husband of Diana (Chelsea Field), in the 1994 erotic thriller A Passion to Kill, directed by Rick King. In the film, Diana stabs Ted, leading to entanglements involving psychiatrist David (Scott Bakula) and themes of obsession and betrayal in a Los Angeles setting.[27] Despite the ensemble cast's efforts, the movie received scathing critical reception, earning a 0% score on Rotten Tomatoes based on limited reviews that criticized its clichéd plot and uneven pacing. Smith's film output remained sparse in the late 1990s and beyond, with supporting roles in independent projects that highlighted his versatility across genres like drama and science fiction. Post-2000, his work shifted to low-budget indies such as the 2006 family drama Pope Dreams, where he played a supportive father figure, and the 2011 sci-fi ensemble Cats Dancing on Jupiter, involving interstellar family dynamics amid cosmic threats. These later films, including voice work in animated shorts, totaled around eight feature credits overall, emphasizing thrillers, musicals, and intimate dramas rather than blockbusters, marking his evolution into character-driven indie cinema.Stage career
Smith made his Broadway debut in 1978, taking over the role of Danny Zuko in the hit musical Grease at the Royale Theatre, a production that showcased his vocal talents and stage presence amid its rock 'n' roll energy. His background in music, including fronting the band Rex, helped him embody the leather-jacketed lead with authenticity.[28][29] Building on this start, Smith earned acclaim in 1980 as Frederic in the New York Shakespeare Festival's production of The Pirates of Penzance, directed by Wilford Leach, which transferred to Broadway's Gershwin Theatre in January 1981 for a run of over 800 performances; for this role, he received a Theatre World Award recognizing his breakthrough performance. He followed with the role of Spangler in the short-lived The Human Comedy (1984) at the Ethel Barrymore Theatre, adapting William Saroyan's novel into a musical narrative. Later, in 1989, he replaced as Baron Felix von Gaigern in Grand Hotel at the Martin Beck Theatre, portraying the charming but desperate aristocrat in a show that ran nearly three years and highlighted his dramatic range alongside stars like Liliane Montevecchi.[30][31] In the late 1990s, Smith joined the revised Broadway production of The Scarlet Pimpernel (1997-2000) at the Minskoff Theatre, assuming the antagonistic role of Chauvelin from October 1998 to May 1999, contributing to its extended run after a turbulent start. He extended his stage work to national tours, starring as Frank Butler opposite Marilu Henner in Annie Get Your Gun (2000-2001) and as Fred Graham/Petruchio in a revival of Kiss Me, Kate (2001-2002), both emphasizing his baritone voice and comedic timing in classic musicals. These tours allowed him to reach broader audiences beyond New York.[32][33][34] Shifting toward more personal projects in the 2000s and 2010s, Smith ventured into regional theater and non-musical formats, including a concert staging of Aida at Studio Tenn in Nashville. He created and produced his one-man show Confessions of a Teen Idol, debuting it in 2014 at the Welk Resort Theatre in San Diego, where he recounted his career from teen pop star to Broadway veteran through songs and anecdotes; the show has since toured regionally and appeared at New York venues like 54 Below as recently as 2025. This evolution reflects his versatility, amassing key credits in over ten major productions while prioritizing live, intimate performances.[35][36][16]Personal life
Marriages and relationships
Rex Smith has been married four times, with each union reflecting different phases of his personal and professional life as an entertainer. His first marriage occurred in 1978 to Lois Smith, a former Playboy Bunny, when Smith was 22 and rising as a teen idol; the couple divorced in 1983 amid the pressures of his burgeoning music and acting career.[37] In the early 1980s, following his divorce, Smith was involved in a short-lived but media-noted relationship with supermodel Carol Alt, which lasted approximately from late 1981 to 1982 and was characterized as tumultuous due to their high-profile statuses.[38] Prior to his first marriage, Smith's romantic life as a young performer drew teen idol dating rumors, though few were publicly documented in detail. These early relationships contributed to his image as a heartthrob but also heightened scrutiny on his privacy during his breakthrough years. Smith's second marriage was to Jamie Buell on February 28, 1987, lasting eight years until their 1995 divorce; Buell, a manager, met Smith while he was performing in Toronto.[10] His third marriage to Courtney Schrage, a former probation officer and corrections worker, began in 1998 and ended in 2006.[37] Both unions occurred during periods of career transition for Smith, from television roles to stage work, and reportedly influenced his choices to seek more stable personal environments away from constant public exposure. Since September 2009, Smith has been married to Tracy Lin, a physician of Taiwanese descent born and raised in Los Angeles; the couple connected through shared connections in the entertainment world. Their enduring partnership, now over 15 years, has been credited to mutual support and aligned priorities, allowing Smith greater balance between his performing career and private life while maintaining a lower media profile compared to his earlier romances.[37]Family and residences
Rex Smith has five grown children from previous relationships, with whom he maintains close ties in his post-career family life. His eldest son, Brandon MacDonald, was born in 1980 to Karen Lakey following a one-night stand, and the two first met in 1997 when Brandon, then 16, attended one of Smith's performances in Sunset Boulevard on Broadway; Smith has since described the reunion as a profound family milestone.[39] From his marriage to Jamie Buell (1987–1995), he has two daughters, Meagan Elizabeth (born 1987) and Madison Marie (born 1990), who have pursued private lives away from the entertainment spotlight.[10] With Courtney Schrage (married 1998, later divorced but remaining his manager), Smith has a son, Gatsby Richard (born 1999), and a daughter, Savannah Alexis (born circa 2001), contributing to his blended family dynamic.[10] Smith's family residences have reflected a balance between his professional commitments and family priorities, including time in New York City during his Broadway and stage career phases, followed by moves to Los Angeles for television and film opportunities in the 1980s and 1990s.[10] Family involvement has been a cornerstone of Smith's later years, with his children providing support during his stage productions, such as joint family outings to theater events and occasional appearances together at holiday shows like the Radio City Christmas Spectacular in the early 2000s. As of 2025, Smith cherishes time with his five children and two grandchildren, often highlighting their role in his personal fulfillment beyond performing arts.[2]Discography
Albums
Rex Smith's discography includes six studio albums released between 1976 and 1983, primarily under Columbia Records, followed by a compilation album in 2000. His early work emphasized hard rock and pop influences, transitioning to softer pop and romantic ballads in the late 1970s, often tied to his acting roles in teen-oriented media. Later releases were more sporadic and independent. His debut album, Rex, was released in 1976 by Columbia Records and produced by Eddie Leonetti. Featuring hard rock tracks with teen-targeted energy, it showcased Smith's vocals alongside bandmates from the group Rex, but did not achieve significant commercial success or chart on the Billboard 200.[17][40] The follow-up, Where Do We Go from Here?, arrived in 1977, also on Columbia and produced by Eddie Leonetti. This sophomore effort leaned into power pop with melodic hooks, exploring themes of youth and relationships, though it similarly failed to chart prominently.[41][42] Sooner or Later, released in 1979 by Columbia and co-produced by Charlie Calello and Stephen Lawrence, served as the soundtrack to Smith's NBC TV movie of the same name, blending pop rock with soft rock ballads centered on teenage romance. It marked his commercial breakthrough, peaking at number 19 on the Billboard 200 chart.[43][44][45] That same year, Forever came out on Columbia, produced by Charlie Calello, with pop rock arrangements focusing on love and introspection. It reached number 167 on the Billboard 200, reflecting a more mature sound but limited sales.[46] In 1981, Everlasting Love was issued by Columbia, produced by Rick Chertoff, featuring upbeat pop tracks and a notable duet version of the title song with Rachel Sweet, emphasizing enduring romance themes. The album peaked at number 167 on the Billboard 200.[47][48][49] Camouflage, Smith's final major-label release in 1983 on Columbia, explored rock-infused pop with themes of hidden emotions and relationships, produced with a focus on synth elements, but it did not chart on the Billboard 200.[50][51][5] After a long hiatus from new material, Smith released the compilation album Simply...Rex in 2000 on MCA Records, compiling re-recorded hits and new tracks in a contemporary pop/rock style, later reissued in 2006 as You Take My Breath Away. It did not chart but highlighted his enduring appeal in the Philippines market.[52][53]Singles
Rex Smith's recording career in the late 1970s and early 1980s produced several singles that capitalized on his teen idol status and television exposure, with releases primarily in 7-inch vinyl format through Columbia Records. These tracks often served as promotional tie-ins to his acting roles, emphasizing romantic pop ballads and soft rock styles. His debut major hit, "You Take My Breath Away," was released in 1979 as the lead single from the album Sooner or Later. The song, written by Stephen J. Lawrence and Bruce Hart, peaked at number 10 on the US Billboard Hot 100 for two weeks and number 7 on the Cash Box Top 100, spending 16 weeks on the Hot 100. It was backed by "Sooner or Later" on the 7-inch single and promoted alongside the CBS TV movie Sooner or Later, in which Smith starred as a musician mentoring a young student. "Simply Jessie," also from Sooner or Later and released later in 1979, reached number 31 on the US Billboard Adult Contemporary chart, accumulating 9 weeks there. The track, another Lawrence-Hart composition, featured "Better Than It's Ever Been Before" as its B-side in some pressings and highlighted Smith's vocal range in a lighter, melodic style. In 1980, Smith released "Forever" and "Let's Make a Memory" from his album of the same name. "Forever" served as the title track single in 7-inch format, with "Saturday Night" as the B-side, though it did not chart on the Billboard Hot 100. "Let's Make a Memory" followed as a follow-up single, backed by "I Don't Want Your Love (Out of My Life)," and received radio play but similarly lacked major chart success. The 1981 duet "Everlasting Love" with Rachel Sweet, a cover of the 1967 Robert Knight original with revised lyrics by Buzz Cason and Mac Gayden, marked Smith's last Billboard Hot 100 entry. Released from Smith's album Everlasting Love (also appearing on Sweet's ...And Then He Kissed Me), it peaked at number 32 on the US Hot 100 and number 35 on the UK Singles Chart. The 7-inch single featured "Don't Go Believin'" as the B-side and was promoted through television performances, including on Solid Gold. From the 1983 album Camouflage, singles such as "Camouflage" were issued in 7-inch format with B-sides like "New Romeo," but they achieved limited commercial impact without charting on major US lists. No significant standalone singles emerged from Smith's post-1990 stage-related recordings, such as the 1995 Sunset Boulevard Canadian cast album or the 1997 The Human Comedy soundtrack, which focused on ensemble tracks rather than solo promotions.| Year | Single | Album | Peak Chart Position | B-Side | Format & Notes |
|---|---|---|---|---|---|
| 1979 | You Take My Breath Away | Sooner or Later | US Hot 100: #10 | Sooner or Later | 7-inch vinyl; TV movie tie-in |
| 1979 | Simply Jessie | Sooner or Later | US AC: #31 | Better Than It's Ever Been Before | 7-inch vinyl; ballad single |
| 1980 | Forever | Forever | - | Saturday Night | 7-inch vinyl; title track promotion |
| 1980 | Let's Make a Memory | Forever | - | I Don't Want Your Love (Out of My Life) | 7-inch vinyl; radio-focused release |
| 1981 | Everlasting Love (with Rachel Sweet) | Everlasting Love | US Hot 100: #32; UK: #35 | Don't Go Believin' | 7-inch vinyl; duet cover, TV performances |
Filmography
Films
Rex Smith's film career includes a mix of musicals, thrillers, and independent productions, spanning from early 1980s features to later indie efforts. In 1980, he starred as Fast Eddie in Headin' for Broadway, a musical drama directed by Joseph Brooks that follows four aspiring performers navigating the competitive New York theater scene.[54] His most prominent cinematic role came in 1983 as Frederic in The Pirates of Penzance, a Universal Pictures adaptation of the Gilbert and Sullivan operetta directed by Wilford Leach, co-starring Kevin Kline and Linda Ronstadt, which grossed $694,497 domestically.[55] In 1994, Smith appeared as Ted, the abusive husband of the protagonist, in the thriller A Passion to Kill, directed by Rick King and starring Scott Bakula and Chelsea Field, released by Republic Pictures.[27] Shifting to independent cinema, he played Don Merchant in the 2006 drama Pope Dreams, directed by Patrick Hogan, a coming-of-age story exploring family dynamics and personal crossroads, featuring Julie Hagerty and Stephen Tobolowsky. Smith portrayed Rex Katz in the 2015 indie drama Cats Dancing on Jupiter, directed by Jordan Alan, a character-driven film about relationships and self-discovery that premiered at film festivals before limited release.[56] In 2016, he took on the role of Cube in Surge of Power: Revenge of the Sequel, an independent superhero ensemble film directed by Masam Holden, featuring a large cast of genre veterans in a low-budget action narrative.Television roles
Rex Smith's early television work included the lead role of Michael Skye, a rock musician pursued by a young admirer, in the 1979 NBC made-for-television romantic drama Sooner or Later.[21] One of his most notable series roles came in 1985 as Jesse Mach, a former police officer who tests an experimental high-speed motorcycle to fight crime, in the short-lived ABC action series Street Hawk; Smith appeared in all 13 episodes of the single season.[24] In the mid-1980s, he made guest appearances on popular shows, including portraying Stew Bennett, a suspect in a funeral home mystery, in the 1986 episode "If a Body Meet a Body" of CBS's Murder, She Wrote.[57] He also appeared as Matt Murdock/Daredevil in the 1989 NBC TV movie The Trial of the Incredible Hulk.[58] During the 1990s, Smith transitioned to daytime television with a contract role as Darryl Crawford, a complex character involved in romantic entanglements and family drama, on the CBS soap opera As the World Turns, where he appeared from October 1990 to December 1992.Stage roles
Rex Smith's stage career spans Broadway, Off-Broadway, national tours, and regional productions, with notable roles in musical theater.[32]| Year | Production | Role | Venue/Details |
|---|---|---|---|
| 1978–1979 | Grease | Danny Zuko | Broadway (Royale Theatre); replacement in original production.[29][28] |
| 1980 | The Pirates of Penzance | Frederic | Broadway revival (Minskoff Theatre); originated in New York Shakespeare Festival production at Delacorte Theatre.[10] |
| 1989–1990 | Grand Hotel | Baron Felix von Gaigern | Broadway (Martin Beck Theatre); replacement from January 9, 1990, to April 1, 1990.[59] |
| 1995 | Sunset Boulevard | Joe Gillis | Original Toronto production (Royal Alexandra Theatre).[60][61] |
| 1998–1999 | The Scarlet Pimpernel | Chauvelin | Broadway revival (Minskoff Theatre); replacement from October 10, 1998, to May 30, 1999.[59] |
| 2000–2001 | Annie Get Your Gun | Frank Butler | Broadway revival (Gibson Theatre); starring from July 11, 2000, to June 10, 2001.[28] |
| 2001–2002 | Kiss Me, Kate | Fred Graham / Petruchio | National tour; starring opposite Rachel York.[62][63] |