Street Hawk
Street Hawk is an American action television series that aired for 13 episodes on ABC from January to May 1985. The program centers on Jesse Mach, a former motorcycle police officer who, after being injured in the line of duty and relegated to desk work, is secretly recruited by the government to test and operate Street Hawk, a prototype all-terrain attack motorcycle capable of speeds up to 300 miles per hour and equipped with advanced weaponry to combat urban crime.[1] Created by Paul M. Belous and Robert Wolterstorff, with Bruce Lansbury as an executive producer, the series was produced by Limekiln and Templar Productions in association with Universal Television.[2] The protagonist, Jesse Mach, is portrayed by Rex Smith, who rides the experimental Street Hawk motorcycle under the supervision of engineer Norman Tuttle, played by Joe Regalbuto.[3] Supporting roles include Richard Venture as Lieutenant Commander Leo Altobelli, Jesse's superior officer, and Jeannie Wilson as Rachel Adams, a fellow officer and romantic interest.[4] The series features a distinctive electronic soundtrack composed by the German group Tangerine Dream, which contributed to its futuristic tone.[2] Despite its short run, Street Hawk is noted for its innovative special effects and the custom-built motorcycle prop, which became an iconic element of 1980s action television, drawing comparisons to contemporary shows like Knight Rider. The program has since gained a cult following, with all episodes released on DVD and available for streaming on various platforms.[5]Premise and Production
Premise
Street Hawk is an American action-adventure television series that follows Jesse Mach, a former motorcycle police officer who was injured in the line of duty during a sting operation and sidelined from active police work.[6] Recruited into a clandestine government program, Mach is selected to pilot the experimental Street Hawk, an advanced all-terrain attack motorcycle designed for covert operations against urban crime.[7] The series centers on Mach's dual existence: by day, he works as a police public relations officer to preserve his cover, while at night, he transforms into a vigilante rider using the bike's superior speed and weaponry to combat threats that traditional law enforcement cannot address.[8] Supporting Mach in his secret mission is Norman Tuttle, a brilliant but quirky mechanic who handles the Street Hawk's maintenance and upgrades from a hidden garage.[2] This partnership underscores the theme of reliance on technology and personal loyalty amid isolation from official channels, as Mach navigates tensions with his former colleagues in the police force who view his vigilante actions with suspicion.[6] The narrative explores moral dilemmas of operating outside the law, balancing justice with the risks of unauthorized force.[7] The show's tone blends high-octane action sequences with science fiction elements, emphasizing the thrill of high-speed chases and the futuristic capabilities of the Street Hawk, which can achieve speeds up to 300 mph and features an array of tactical armaments.[9] Through its portrayal of Mach's high-stakes battles against criminals, drug lords, and corrupt officials, Street Hawk highlights themes of redemption, technological empowerment, and the blurred lines between heroism and vigilantism in a crime-ridden urban landscape.[2]Development
Street Hawk was created by Paul M. Belous and Robert Wolterstorff, who developed the central characters of the series, with Bruce Lansbury serving as the developer at Universal Television.[3] Lansbury, known for his work on action-oriented programs like Mission: Impossible and Knight Rider, oversaw the initial conceptualization of the show's format.[10] The series drew inspiration from the 1980s trend of high-tech action television, particularly shows featuring advanced vehicles combating urban crime, such as Knight Rider. Belous and Wolterstorff pitched Street Hawk as a vigilante story centered on a prototype motorcycle, aiming to adapt the successful formula of vehicular heroism to a two-wheeled platform amid rising interest in street-level crime narratives.[10] This concept was greenlit by ABC as a mid-season replacement after being initially slated for the fall 1984 schedule, reflecting network adjustments to programming demands.[11] Pre-production in 1984 involved addressing budget constraints for the extensive special effects and stunt sequences required to depict the motorcycle's high-speed capabilities and weaponry. Universal ordered 13 episodes, with the first serving as a pilot to launch the series, with production commencing late that year to meet the January 1985 premiere.[11]Production Details
Street Hawk was produced by Limekiln and Templar Productions in association with Universal Television. The series was filmed primarily in Los Angeles, California, with principal photography occurring at Universal Studios while a second stunt unit captured location shots across the city, including sites like the Los Angeles River and various urban streets.[12][13] Practical stunts formed the core of the action sequences, utilizing 15 modified motorcycles, including stunt versions with fiberglass body parts designed to detach during jumps and high-speed chases; these were repaired on-site by the Universal special effects department.[13] The Street Hawk motorcycle's bodywork for the pilot episode was designed by Andrew Probert, while Ron Cobb redesigned it for the series to balance futuristic aesthetics with practical engineering for filming.[13][14] Episodes followed a standard one-hour television format, running approximately 45-50 minutes of content, and were written by a team led by creators Paul M. Belous and Robert Wolterstorff, with contributions from writers such as Nicholas Corea and Karen Harris; direction was handled by television veterans including Richard Compton, Harvey S. Laidman, and Paul Stanley, emphasizing dynamic action choreography.[15][16][17] Produced on a modest budget typical of mid-1980s network action series, the high costs associated with motorcycle stunts and custom props necessitated efficiencies in later episodes, with all 13 episodes completed in a compressed timeline ahead of the January 1985 premiere.[18][10] Post-production included visual effects supervision by Helen Davis and sound design focused on amplifying the intensity of high-speed pursuits and mechanical sounds, though no major reshoots were required.[19]Cast and Characters
Main Cast
The principal role of Jesse Mach, a former motorcycle police officer turned vigilante rider of the experimental Street Hawk motorcycle, was portrayed by Rex Smith. Born on September 19, 1955, Smith was an established actor and singer by the mid-1980s, having gained early fame as a teen idol through Broadway performances and recordings like his 1979 hit "You Take My Breath Away." His television credits prior to Street Hawk included leading roles in the soap opera As the World Turns and the 1980 TV movie Sooner or Later, where he showcased a charismatic, youthful appeal suited to action-oriented characters. Smith performed most of his own motorcycle stunts in the series, demonstrating his athletic prowess as a skilled rider, though a stunt double handled the most perilous sequences.[20] Norman Tuttle, the eccentric engineer and mechanic who maintains the Street Hawk and provides comic relief as Jesse's ally, was played by Joe Regalbuto. Born August 24, 1949, in Brooklyn, New York, Regalbuto had built a steady career in film and television by the time of Street Hawk, with notable early appearances in movies like Missing (1982) and the miniseries The Last Ninja (1983). His portrayal of the quirky, inventive Tuttle highlighted Regalbuto's talent for blending humor with technical expertise, drawing on his theater background from off-Broadway productions. Regalbuto later achieved greater prominence as the fast-talking news producer Frank Fontana on Murphy Brown (1988–1998), earning multiple Emmy nominations for Outstanding Supporting Actor in a Comedy Series.[21] Lieutenant Commander Leo Altobelli, Jesse's stern yet supportive police commander who reluctantly covers for his subordinate's vigilante activities, was embodied by Richard Venture. Born November 12, 1923, in New Jersey, Venture was a veteran character actor with over six decades in the industry, amassing more than 150 credits in film and television by the 1980s. His extensive TV work included recurring roles on series like Kojak and Hill Street Blues, as well as guest spots on Fame and Murder, She Wrote, where he excelled in authoritative, no-nonsense figures. In Street Hawk, Venture's Altobelli added gravitas to the ensemble, reflecting his reputation for portraying complex authority roles in action dramas such as The A-Team and MacGyver. He continued working until the early 2000s, passing away on December 19, 2017.[22] Rachel Adams, Jesse's romantic interest and occasional confidante who appears in several episodes to deepen the personal stakes of his double life, was played by Jeannie Wilson. Born February 4, 1947, in Memphis, Tennessee, Wilson maintained a modest acting career focused on television, with key roles in shows like Simon & Simon (1981–1988) and guest appearances on The Love Boat and The A-Team. Her limited but pivotal scenes as Rachel emphasized emotional support amid the high-stakes action, aligning with Wilson's background in dramatic supporting parts. Beyond acting, Wilson worked as a producer and has been married to Jack Lucarelli since 1980, with her post-Street Hawk credits including the 1986 film Jackals.[23][24] Casting for Street Hawk prioritized performers who could convey dynamic interpersonal chemistry essential to the action-adventure format, with Smith's selection underscoring the need for an athletic lead capable of embodying the vigilante's intensity.Supporting Characters
The supporting characters in Street Hawk primarily serve to bolster Jesse Mach's vigilante operations through investigative aid, journalistic insights, or episodic conflicts, without developing extensive personal arcs. Recurring police colleagues include Sgt. Mike, portrayed by R.J. Adams, who appears across multiple episodes as a dependable officer offering tactical support and coordination with the force during high-stakes pursuits.[25][26] Another key recurring figure is Bernie Goldberg, played by Raymond Singer, a journalist featured in four episodes who frequently interacts with Jesse and Norman Tuttle to uncover leads or report on criminal activities, adding layers of public scrutiny to the protagonists' covert missions.[3][27] Antagonists and rivals often manifest as one-off criminals or corrupt officials in individual episodes, embodying archetypes like opportunistic mobsters or betraying insiders that challenge Jesse's moral code; for instance, George Clooney guest-stars as Kevin Hurst, a former racing associate turned antagonist in "Vegas Run," exemplifying rival dynamics rooted in personal history.[28] Notable guest allies and mentors include Christopher Lloyd as Anthony Corrido in the pilot episode, the antagonist drug lord, while Robert Beltran appears as Marty Walsh in the same installment, Jesse's partner who is killed, establishing the backstory. Love interests occasionally emerge as vulnerable victims or temporary romantic foils, such as in episodes involving protected witnesses, but these roles remain peripheral to the action-driven narrative.Series Elements
The Street Hawk Motorcycle
The Street Hawk motorcycle served as the central vehicle in the 1985 television series, depicted as a top-secret government prototype designed for urban crime-fighting with advanced technological capabilities.[6] In the series, protagonist Jesse Mach, a former motorcycle cop injured in the line of duty, is recruited by a covert agency to serve as its test pilot, allowing him to repurpose the bike for vigilante justice while evading official oversight.[6][1] The motorcycle's maintenance falls to Norman Tuttle, Jesse's engineer ally, who handles repairs and upgrades in a hidden garage, underscoring its role as an extension of Jesse's rebellious fight against corruption.[29][30] Physically, the Street Hawk was constructed from modified Honda motorcycles, with the pilot episode using a 1983 Honda XL500 and the series relying on three 1984 Honda XR500 dirt bikes customized with fiberglass bodywork to achieve its futuristic appearance.[31][14] This bodywork, fabricated from molds for durability during filming, blended sleek, aerodynamic lines with rugged motocross features, enabling all-terrain performance across urban streets, dirt tracks, and obstacles.[18][32] The design originated from conceptual artist Andrew Probert, known for his work on Star Trek: The Next Generation, who crafted the pilot version; it was later refined by Ron Cobb, the designer behind vehicles in Alien and Star Wars, to better suit the series' action sequences.[13][33] Key specifications highlighted the bike's fictional prowess, including a cruising speed of 200 mph and a maximum of 300 mph achieved via "Hyperthrust" activation, far exceeding real-world motorcycle limits for dramatic effect.[34][18] It featured immense firepower, such as a forward-mounted laser cannon, side machine guns, and a rear rocket launcher, alongside implied advanced targeting systems for precision in combat scenarios.[14][35] The all-terrain design incorporated long-travel suspension and knobby tires from the base XR500, allowing it to navigate rough terrain while maintaining stability at high speeds.[18] In production, multiple replica bikes facilitated stunts, with eleven 1984 Honda CR250s employed for jumps and chases to protect the primary XR500 props from damage.[33][18] Fiberglass components were engineered to shatter on impact rather than harm riders, incorporating safety reinforcements like roll bars and quick-release panels; stunt performers underwent specialized training to execute sequences safely, often using cable assists for high-speed illusions.[13][18] These modifications ensured the bike's iconic jumps and pursuits could be filmed without compromising crew safety, contributing to the series' emphasis on high-octane visuals.[36]Music
The theme song for Street Hawk was composed by the electronic music group Tangerine Dream, specifically the track "L.A. - Streethawk" from their 1985 album Le Parc.[37] This instrumental piece, created by Edgar Froese, Christopher Franke, and Johannes Schmoelling, features a pulsating electronic synth style that evokes the high-speed chases and mysterious undertones central to the series' action-adventure narrative.[37] Produced by Franke, the theme includes a modified version for the pilot episode, enhancing its dynamic rhythm to match the motorcycle's acceleration sequences.[38] Tangerine Dream provided the bulk of the incidental music for the series, supplying several hours of original electronic tracks for episodes, including recurring motifs that built tension during pursuit scenes and dramatic confrontations.[38] While additional licensed tracks from other electronic artists were incorporated for select action sequences, the core score drew from Tangerine Dream's innovative sequencer-driven sound, a hallmark of 1980s electronic music that influenced later synthwave aesthetics.[39] No full original score album was released due to studio restrictions, though the theme's enduring appeal has led to numerous remixes and covers in subsequent years.[38] The sound design emphasized amplified auditory elements to heighten the futuristic intensity of the motorcycle action, featuring synthesized engine roars, whooshes, and electronic effects synced meticulously in post-production with stunt footage.[40] This integration of music and effects created an immersive atmosphere, aligning the score's electronic pulses with visual cues like vehicle launches to underscore the series' high-tech premise.[38]Broadcast History
Airing and Cancellation
Street Hawk premiered on ABC on January 4, 1985, as a mid-season replacement series, with a 90-minute pilot episode airing at 7:30 p.m. CT before moving to its regular Friday night slot at 8 p.m. ET.[41] The show aired its first ten episodes weekly on Fridays from January 4 to March 8, 1985, followed by a hiatus due to declining ratings, with the final three episodes airing on Thursdays from May 2 to May 16, 1985.[11][10] The series achieved modest viewership, capturing around a 30 share in its time slot despite facing stiff competition from the powerhouse Dallas on CBS.[10] It frequently placed second in ratings but failed to dominate, with occasional wins in the slot attributed to strong stunt sequences that drew temporary interest.[34] ABC cancelled Street Hawk after one season due to insufficient ratings against established competitors, compounded by the genre's market saturation from similar vehicle-themed action series like Knight Rider and Airwolf.[10] High production costs for elaborate motorcycle stunts and effects further strained the budget, making renewal unviable despite some fan enthusiasm.[42] The network viewed it as an underperformer in a crowded mid-season lineup and opted not to continue.[11] Following its U.S. run, Street Hawk entered international syndication in the late 1980s, airing in over 40 countries including the UK and India, where it gained a cult following through local broadcasts.[10] This overseas exposure helped sustain its popularity abroad long after cancellation.[10]Episodes
Street Hawk consists of 13 episodes that aired on ABC from January 4 to May 16, 1985, including a 90-minute pilot.[43][15] The series employs a self-contained, crime-of-the-week format with no overarching narrative arcs, focusing on Jesse Mach's vigilante missions against various threats using the Street Hawk motorcycle. Notable episodes include the pilot, which establishes the core premise and technology, and the finale "Follow the Yellow Gold Road," involving gold hijackers and a vigilante element. Production featured varying stunt emphasis, such as high-speed chases in "Vegas Run," and guest appearances like a young George Clooney in "A Second Self," without delving into biographical details. The viewing and broadcast order aligns with production order.[15][44]| No. | Title | Air Date | Director | Writer(s) | Plot Summary |
|---|---|---|---|---|---|
| 1 | Pilot | Jan 4, 1985 | Virgil W. Vogel | Paul M. Belous & Robert Wolterstorff | Jesse Mach, a former motorcycle cop injured in the line of duty, is recruited for Operation Street Hawk, testing an advanced combat motorcycle. Assigned to stop a cocaine-smuggling ring led by a corrupt official, Jesse uncovers a conspiracy within the police force while learning the bike's capabilities. The episode introduces supporting characters Norman and Captain Locke, setting up the series' undercover vigilante theme.[9][45] |
| 2 | A Second Self | Jan 11, 1985 | Virgil W. Vogel | Bruce Cervi & Nicholas Corea | An auto-theft ring leader discovers Street Hawk's existence and plots its destruction using a duplicate bike. Jesse confronts the thieves while dealing with a personal connection to one of the criminals. The episode highlights the motorcycle's vulnerability to replication and features intense pursuit scenes.[46][47] |
| 3 | The Adjuster | Jan 18, 1985 | Virgil W. Vogel | Nicholas Corea | Jesse teams up with a brutal police officer suspected of murder to extradite an embezzler captured by Street Hawk. As they travel, Jesse uncovers the cop's corruption and violent methods. The story explores themes of police brutality and justice.[48] |
| 4 | Vegas Run | Jan 25, 1985 | Virgil W. Vogel | Deborah Dean Davis | Jesse and Norman escort a Las Vegas showgirl testifying against the mob, facing harassment and assassination attempts en route to court. Using Street Hawk's speed, Jesse thwarts the killers in high-stakes desert chases. The episode emphasizes protection details and glamour contrasted with danger.[49] |
| 5 | Dog Eat Dog | Feb 1, 1985 | Daniel Haller | Bruce Cervi & Nicholas Corea | Jesse aids a rock star entangled in a murder plot, navigating the music industry's underbelly. The investigation reveals betrayal among the star's entourage. Street Hawk's agility proves crucial in urban pursuits.[50] |
| 6 | Fire on the Wing | Feb 8, 1985 | Virgil W. Vogel | John Huff & L. Ford Neale | An arson scam targets resistant businessmen, prompting Jesse to investigate warehouse fires. He uncovers a racketeer's scheme using the blazes for extortion. The episode features explosive stunt sequences and fire-based action.[51] |
| 7 | Chinatown Memories | Feb 15, 1985 | Harvey S. Laidman | Karen Harris | Jesse protects a woman amid gang warfare over a valuable ivory statue in Chinatown. The conflict involves espionage and personal loyalties from Jesse's past. Street Hawk aids in navigating crowded streets during confrontations. |
| 8 | The Unsinkable 453 | Feb 22, 1985 | Daniel Haller | B.W. Parker | Jesse probes a widow's involvement in a mercenary's jailbreak to retrieve $20 million from a sunken ship. The plot involves international intrigue and underwater elements. The episode showcases Street Hawk in maritime support roles. |
| 9 | Hot Target | Mar 1, 1985 | Harvey S. Laidman | Paul M. Belous & Robert Wolterstorff | Norman's girlfriend's charity foundation is tied to illegal arms trafficking. Jesse infiltrates the operation to expose the corruption. The story highlights personal stakes for the supporting cast. |
| 10 | Murder is a Novel Idea | Mar 8, 1985 | Richard Compton | Nicholas Corea | An author claims her book identifies killers in an old unsolved case, drawing threats. Jesse protects her while verifying the claims. The episode blends mystery with literary elements. |
| 11 | The Arabian | May 2, 1985 | Paul Stanley | L. Ford Neale | Jesse collaborates with a private investigator on a stolen racehorse case involving espionage. The theft ties to broader criminal networks. Street Hawk's speed is key in rural tracking sequences. |
| 12 | Female of the Species | May 9, 1985 | Kim Manners | Karen Harris | Terrorists target a senator's son, prompting heightened security and Jesse's intervention. The plot involves political assassination attempts. The episode focuses on espionage and family protection. |
| 13 | Follow the Yellow Gold Road | May 16, 1985 | Harvey S. Laidman | John Huff | A plumber turned vigilante hunts gold hijackers, crossing paths with Jesse. The duo tackles the thieves in a high-value heist. The finale emphasizes civilian heroism alongside Street Hawk's role.[52] |
Media Releases
Home Media
During the 1980s and early 1990s, home video releases of Street Hawk were limited primarily to VHS tapes distributed by MCA/Universal, focusing on the feature-length pilot episode rather than full season sets.[53] These editions, such as the 1986 MCA Canada release containing the full 90-minute pilot, were often partial collections unavailable in complete form, reflecting the era's typical syndication-driven video market for short-lived series.[54] The complete series received its first comprehensive home media release on DVD in North America via Shout! Factory's 4-disc set on July 13, 2010, encompassing all 13 episodes in their original broadcast order with standard-definition video and stereo audio.[55] This edition includes bonus materials such as an alternate version of the pilot episode with different special effects for the motorcycle's weaponry, a 41-minute documentary titled "Street Hawk: The Making of a Legend" featuring interviews with stars Rex Smith, Joe Regalbuto, and Jeannie Wilson, a commentary track on the pilot by creators Paul M. Belous and Robert Wolterstorff, and photo galleries of production stills.[55] No official Blu-ray release has been produced as of 2025, leaving the DVD as the highest-resolution physical option.[56] Internationally, Fabulous Films issued a localized Region 2 DVD release of the complete series in the UK on March 22, 2010.[57] The Shout! Factory DVD set has also been imported to regions like the UK through retailers such as HMV, often in Region 2 format compatible with European players.[58] A separate UK release of the pilot as a standalone "Street Hawk: The Movie" DVD was issued by Fabulous Films in 2011.[59] As of November 2025, digital availability includes purchase and rental options on Amazon Prime Video, where the full season streams in standard definition without noted remastering.[60] The series is not currently offered for free ad-supported streaming on platforms like Tubi.[61] Due to its out-of-print status since the mid-2010s, the Shout! Factory DVD set has become collectible, with secondary market prices on sites like eBay often exceeding $50 for new or sealed copies, driven by nostalgia for 1980s action television.[62]Novelizations
In the United Kingdom, Target Books published four paperback novelizations based on the Street Hawk television series in 1985, targeting young adult readers with action-oriented adaptations of select episodes.[63] These original works expanded on the source material by incorporating deleted scenes from scripts, additional plot challenges for the protagonists, and deeper explorations of character motivations, such as Jesse Mach's internal conflicts during high-stakes pursuits.[64][65] Unlike the fast-paced, visual focus of the TV episodes, the books emphasized narrative tension through internal monologues and minor additions, like enhanced technical malfunctions in the Street Hawk motorcycle during missions.[65] The novelizations were as follows:| Title | Author | Publication Date | Adapted Episodes |
|---|---|---|---|
| Street Hawk | Jack Roberts | March 1985 | Pilot |
| Cons at Large | Jack Roberts | May 1985 | "The Adjuster" and "The Unsinkable 453" |
| Golden Eyes | Charles Gale | 1985 | "Follow the Yellow Gold Road" and "Dog Eat Dog" |
| Danger on Target | David Deutsch | 1985 | "Murder Is a Novel Idea" and "Hot Target" |