Rhett Miller
Rhett Miller (born Stewart Ransom Miller II; September 6, 1970) is an American singer-songwriter and musician best known as the lead vocalist and primary songwriter for the alternative country rock band Old 97's.[1][2] Born in Austin, Texas, and raised in Dallas, Miller began his solo career early, releasing his debut album Mythologies in 1989 as a collection of acoustic folk songs.[3][4] He co-founded the Old 97's in 1992 in Dallas, where the band quickly gained recognition for their energetic blend of country, rock, and punk influences, releasing their debut album Wreck Your Life in 1995.[5][6] Over the decades, the Old 97's have released 13 studio albums, including the critically acclaimed Too Far to Care (1997) and their most recent, American Primitive (2024), while Miller has balanced this with a prolific solo career, issuing ten albums by 2025—such as The Instigator (2002), The Misfit (2022), and A Lifetime of Riding by Night (2025).[7][6][8] His songwriting often explores themes of love, heartbreak, and introspection, earning praise for its wit and melodic hooks across both band and solo work.[9][10] Miller resides in the Hudson Valley with his wife, Erica, and their two children, and has been open about his sobriety journey, which he credits with enhancing his personal and professional life.[11][12]Early life and education
Family and upbringing
Rhett Miller was born Stewart Ransom Miller II on September 6, 1970, in Austin, Texas, where his father was attending law school. His parents named him after his father, Stewart "Randy" Miller, a lawyer, but his mother, Ann Miller, who worked for a psychiatrist and was a fan of the film Gone with the Wind, insisted he be called Rhett after the character Rhett Butler.[13][14] The family relocated to Dallas shortly after his birth due to his father's career, settling in a two-story home in the affluent Highland Park neighborhood where his father had been raised.[13] Miller has a younger brother, Ross, and a younger sister, Christi, with whom he shared a close but challenging dynamic as the eldest child in a busy household.[13][15] As a latchkey kid, he often took on caregiving responsibilities for his siblings while his parents worked full-time, fostering a sense of independence amid the family's upper-middle-class environment. His parents divorced during his late teens, further contributing to the household challenges.[14] The family spent summers at a cabin in Brainerd, Minnesota, providing a contrast to their urban Texas life.[13] Miller's early exposure to music came through the cultural milieu of his surroundings, including artists like Joan Jett and David Bowie, with later influences from Bob Dylan and The Beatles shaping his artistic sensibilities, along with punk and alternative rock such as The Replacements.[13][16] Despite this, his pre-teen years were marked more by voracious reading—devouring four to five books a week, including Stephen King horror novels and The Catcher in the Rye during a three-month hospitalization in fourth grade for an inner ear condition—than by music.[17] He described himself as introverted and socially isolated in grade school, with few friends and a preference for solitary pursuits, traits that highlighted his sensitive and imaginative nature.[17] These childhood experiences in a supportive yet demanding family environment laid the groundwork for his creative inclinations, though he later transitioned to formal education at St. Mark's School of Texas.[13]Schooling and musical beginnings
Rhett Miller attended St. Mark's School of Texas, an elite private boys' school in Dallas, beginning around age 10 after gaining admission based on an essay about The Catcher in the Rye, and graduated in 1989 despite struggling academically due to his growing focus on music.[18] The family's move to Dallas earlier in his childhood enabled access to this prestigious institution.[14] During high school, Miller immersed himself in early musical experiments, starting to write songs at age 13—his first inspired by The Beatles' "Helter Skelter" and centered on Charles Manson—and forming amateur bands while playing covers in local Dallas venues.[13] His debut performance came at age 16 in April 1987, opening for local acts at the 500 Cafe near Fair Park.[13] These pursuits were shaped by influences from punk and alternative rock.[16] Following graduation, Miller enrolled at Sarah Lawrence College in New York on a full creative writing scholarship but departed after one semester, opting instead to pursue music full-time by moving into an apartment and continuing local performances.[14][13]Musical career
With Old 97's
Rhett Miller co-founded the alt-country band Old 97's in 1992 in Dallas, Texas, alongside Murry Hammond on bass and vocals, Ken Bethea on lead guitar, and Philip Peeples on drums, with Miller serving as lead vocalist and rhythm guitarist.[19] As the band's primary songwriter, Miller infused their music with witty, narrative-driven lyrics blending rock swagger, punk energy, and traditional country twang, establishing the group as a key player in the second wave of alt-country.[20][16] The band's breakthrough arrived with their second album, Wreck Your Life, released in 1995 on the independent label Bloodshot Records, which earned critical praise for its raw, honky-tonk-infused rock and helped secure a major-label deal with Elektra. Their Elektra debut, Too Far to Care (June 17, 1997), amplified their profile with polished production and standout tracks like the urgent breakup anthem "Timebomb," co-written by Miller, receiving widespread acclaim for capturing the band's high-energy live sound.[21] Fight Songs followed in 1999, leaning further into power-pop elements while retaining country roots, with Miller's "Jagged" highlighting his knack for emotionally jagged storytelling and earning positive reviews for its accessibility.[22] Through the 2000s and 2010s, Old 97's evolved while maintaining their core sound, releasing Satellite Rides in 2001 on Elektra, which explored broader rock influences and solidified their touring reputation.[23] Subsequent releases included Blame It on Gravity (2008), The Grand Theatre, Volume One (2010), and The Grand Theatre, Volume Two (2011) on New West Records, blending alt-country grit with introspective songcraft. After parting with Elektra, Drag It Up (July 27, 2004, New West Records) marked a return to alt-country grit, praised by critics for its stripped-back intensity and Miller's introspective songcraft.[24] The band continued this trajectory with Most Messed Up (April 29, 2014, ATO Records), their tenth studio album, which debuted at No. 30 on the Billboard 200—their highest chart position to date—and was lauded for its boisterous, unapologetic rock energy.[25] Later albums such as Graveyard Whistling (2017), Twelfth (2020), and American Primitive (2024), all on ATO Records, sustained their momentum with further explorations of rock and country influences, earning continued critical acclaim.[19] In recent years, Old 97's have sustained their momentum with extensive touring, though Miller's vocal recovery from cyst and polyp removal surgery in late 2024 briefly impacted performances, leading to a cautious resumption of shows starting in April 2025.[11] By mid-2025, Miller reported full vocal restoration, enabling the band to deliver their signature high-octane sets without compromise.[11]Solo work
Rhett Miller launched his solo career with the 2002 album The Instigator, released on Elektra Records, which marked a departure from the high-energy alt-country sound of his band Old 97's by emphasizing polished pop-rock arrangements and personal narratives of love and loss.[26] The album featured the single "Come Around," a wistful track about longing that received radio play and showcased collaborations with musicians including Jon Dee Graham on guitar and piano.[27] Critically, it earned praise for its melodic hooks and Miller's vulnerable songwriting, with Pitchfork noting its "refreshingly down-to-Earth" appeal, though some reviewers observed it leaned more toward mainstream accessibility than raw introspection.[26] Following a four-year hiatus focused on Old 97's commitments, Miller returned with The Believer in 2006 on Verve Forecast, an album that deepened his exploration of romantic disillusionment and self-doubt through lush, Beatles-inspired production. Tracks like "Help Me, Suzanne" and "Meteor Shower" highlighted a shift toward more ornate orchestration, contrasting the band's straightforward rock drive, and the record received mixed-to-positive reviews for its emotional depth, aggregating a Metacritic score of 64.[28] Miller's subsequent self-titled album in 2009 on Shout! Factory continued this introspective vein, blending folk elements with pop sensibilities, while The Dreamer (2012, Fantasy Records) adopted a self-produced, acoustic-leaning approach that emphasized raw vulnerability in themes of aging and relationships. By the mid-2010s, Miller's solo output evolved toward collaborative experimentation, as seen in The Traveler (2015, ATO Records), which incorporated contributions from Peter Buck of R.E.M. and members of the Decemberists, focusing on themes of wanderlust and fleeting connections.[29] This progression culminated in more genre-blending works like The Messenger (2018, ATO), produced by Sam Cohen and featuring psychedelic edges in songs about redemption, and The Misfit (2022, ATO), also helmed by Cohen, which fused dream-pop and indie-rock to examine isolation and resilience amid personal turmoil.[30] These albums complemented Miller's band work by allowing greater artistic autonomy, often touring solo to deliver intimate performances that highlighted his narrative-driven lyrics.[31] In 2025, Miller released A Lifetime of Riding by Night on ATO Records, his tenth solo album and a stark, introspective collection recorded just before undergoing high-risk vocal cord surgery to remove a cyst and polyp in late 2024, resulting in a stripped-down sound emphasizing piano, minimal instrumentation, and themes of surrender, mortality, and renewal.[32] Produced by Old 97's bandmate Murry Hammond, the album's raw aesthetic reflected Miller's recovery process, with post-surgery vocal therapy influencing its fragile, confessional tone and earning acclaim for its emotional authenticity.[33] This latest effort underscores the evolution of Miller's solo career from pop-infused debut to a mature, reflective body of work that prioritizes personal catharsis over commercial polish.[11]Collaborations and side projects
Throughout his career, Rhett Miller has engaged in numerous musical partnerships that extend beyond his work with the Old 97's, often blending his alt-country roots with broader influences from collaborators in the indie and Americana scenes. In the early 1990s, while immersed in the burgeoning Dallas music scene, Miller formed the acoustic duo Ranchero Brothers with future Old 97's bassist Murry Hammond, performing country covers and originals in local venues, which honed his songwriting in intimate settings.[1] A notable side project came in 2015 with the album The Traveler, where Miller collaborated with Black Prairie—a side band featuring members of The Decemberists including Chris Funk and Jenny Conlee—providing string arrangements and instrumentation that infused the record with a lush, orchestral Americana sound. The album also featured a guest appearance by R.E.M. guitarist Peter Buck, who contributed guitar on several tracks, including the lead single "Most in the Summertime," allowing Miller to incorporate jangly, alternative rock textures into his solo style.[34][35][36] Miller has frequently lent his songwriting talents to other artists, such as co-authoring "Fallen Again" and "Cigarettes in the Rain" with Vandoliers frontman Joshua Fleming for the band's 2019 album Forever, tracks that explored themes of resilience and heartbreak in a roots-rock vein. In the 2010s, he undertook several acoustic tours, often performing stripped-down sets that emphasized storytelling and melody, occasionally featuring impromptu collaborations with opening acts like Salim Nourallah, a longtime Dallas associate.[37][38] Following vocal cord surgery in late 2024, Miller returned to performing with renewed vigor, including acoustic duo shows alongside Murry Hammond and festival appearances where he joined peers for collaborative sets, such as song swaps at Americana events. His latest solo effort, A Lifetime of Riding by Night (2025), showcases ongoing partnerships through co-writes with artists including Caitlin Rose, Nicole Atkins, Gin Blossoms' Jesse Valenzuela, and Turnpike Troubadours' Evan Felker on three tracks, enriching his evolving style with diverse lyrical perspectives while maintaining a focus on personal introspection. These ventures have broadened Miller's sonic palette, integrating folk introspection with collaborative energy to deepen his melodic pop leanings without straying from core Americana foundations.[39][11][32]Writing and other creative pursuits
Literary works
Rhett Miller has pursued a multifaceted literary career alongside his musical endeavors, contributing short stories, essays, and articles to notable publications such as Rolling Stone, The Atlantic, McSweeney's, Bookforum, Sports Illustrated, The Baffler, and Salon.[40][41] These pieces often explore personal reflections, cultural observations, and narrative storytelling, reflecting Miller's skill in concise, evocative prose. His nonfiction essays, in particular, draw on experiences from his life on the road and in the music industry, blending humor with introspection.[42] In addition to periodical contributions, Miller has authored two children's books that showcase his transition from song lyrics to narrative fiction. His debut, No More Poems!: A Book in Verse That Just Gets Worse (2019, Little, Brown Books for Young Readers), illustrated by Dan Santat, is a collection of irreverent, humorous poems that satirize poetry while engaging young readers with themes of silliness and rebellion against convention. Critics praised its dark humor and relatable antics, noting how Miller's rhythmic style—honed through years of songwriting—lends a musicality to the verse, making it accessible and entertaining for children.[43][44] The book highlights his ability to adapt lyrical precision to prose, creating playful narratives that echo the wit of his songcraft without relying on melody.[45] Miller followed this with The Baby-Changing Station (2023, Little, Brown Books for Young Readers), again illustrated by Santat, a rhyming picture book about an older sibling's fantastical adventure involving a magical changing station and sibling rivalry. The story emphasizes imagination and family dynamics, receiving acclaim for its triumphant creativity and laugh-out-loud humor that bridges everyday frustrations with whimsical escapism.[46][47] Reviews commended Miller's seamless shift to children's literature, observing how his background in crafting concise, emotionally resonant lyrics informs the books' tight structure and vivid character arcs.[48] More recently, Miller has continued his essay writing through his Substack newsletter, Time & Temperature, where he shares short-form pieces and personal stories tied to his creative process and life experiences.[49] This ongoing outlet allows him to experiment with memoir-like prose, further demonstrating the interplay between his musical and literary influences.Film and television appearances
Rhett Miller has made several cameo appearances and small acting roles in film and television, often leveraging his background as a performer to portray musicians or band members. These roles typically highlight his charismatic stage presence, drawing from his real-life experience as the frontman of the Old 97's.[50] In 2004, Miller appeared in the concert film Old 97's: Live, a documentary-style recording of the band's performance at The Troubadour in Los Angeles, capturing their energetic live show with a 20-song setlist including tracks like "King of All the World" and "Rollerskate Skinny." Produced by Mad Dog Films and directed by Doug Biro, the film showcases Miller's role as lead singer and guitarist in a raw, unfiltered setting that emphasizes the band's alt-country rock dynamic.[51][52] Miller's first scripted film cameo came in 2006 with The Break-Up, where he appeared as himself alongside his Old 97's bandmates, performing during a key scene in the romantic comedy starring Jennifer Aniston and Vince Vaughn. The role involved the band playing live at a house party, integrating their music into the narrative of relationship tensions.[53][54] The following year, in 2007, Miller featured in the documentary Golden Days, which chronicles the rise and challenges of indie rock band The Mendoza Line after signing a major label deal. Miller contributed as an interviewee, offering insights into the music industry's pitfalls from his perspective as an established alt-country artist. Directed by Chris Suchorsky, the film uses Miller's appearance to underscore themes of artistic integrity versus commercial pressures.[55] On television, Miller guest-starred in the 2009 30 Rock season 3 finale episode "Kidney Now!", portraying a version of himself as part of a chaotic musical ensemble vying for stage time during a benefit performance. In the scene, he interacts with cast members like Jane Krakowski, squabbling over the microphone while performing a comedic song about needing a kidney transplant, blending his performer persona with the show's satirical take on show business.[56][57] Miller expanded into science fiction with his role as Bzermikitokolok, the lead singer of an alien band called the Knowheremen, in the 2022 Disney+ special The Guardians of the Galaxy Holiday Special. Donning prosthetics for the extraterrestrial character, he performed a cover of "No Sleep Till Brooklyn" in a Knowhere bar setting, with his Old 97's bandmates filling out the group. This role recurred in 2023's Guardians of the Galaxy Vol. 3, where the band appears briefly during a pivotal sequence, allowing Miller to channel his musical energy into a fantastical, high-profile Marvel production.[58][59][60] In 2025, Miller reprised a band cameo in season 2 of the Netflix series FUBAR, appearing as himself with the Old 97's in the episode "Tango and Smash." The group plays as an unnamed house band at a upscale restaurant in Tallinn, providing background music amid spy intrigue involving Arnold Schwarzenegger's character, marking a return to ensemble performance roles in action-comedy television.)[61]Philanthropy and public engagement
Charitable initiatives
Rhett Miller has been actively involved in philanthropy through music-related fundraising events, focusing on health causes and disaster relief. In 2007, he co-founded the Breathe Easy Concert Series with his brother Ross Miller, an annual benefit in Dallas supporting the Cystic Fibrosis Foundation.[62] By 2016, the series had raised over $100,000 for research and awareness efforts.[62] The events feature Miller performing alongside guest artists in intimate songwriter circles, with proceeds directed toward patient support and medical advancements; the series continued into the 2020s, including a November 16, 2025, concert at the Granada Theater with Ben Kweller, Cody Canada, and The O's.[63] Miller has also supported mental health initiatives in the arts, participating in awareness campaigns that encourage open dialogue. In 2016, he contributed to the Okay to Say campaign by sharing his personal experiences with mental illness in a public video, aiming to reduce stigma and promote therapy as a viable option for those in creative fields.[64] This effort extended to youth-focused causes, as seen in his 2024 headline performance at the Eric Nadel Birthday Benefit, which raised over $140,000 for the Grant Halliburton Foundation's programs providing mental health education and support to young people in the Dallas-Fort Worth area.[65] In addition to health-related work, Miller has participated in disaster relief fundraisers. In August 2025, he performed a solo set at the Hill Country Bands Together benefit concert in New York City, with all proceeds supporting recovery efforts for communities affected by floods in Kerr County, Texas.[66] Earlier, in 2016, he joined Old 97's bandmates and other artists for the All Aboard event, directing funds to charity:water to provide clean water access in underserved global regions.[67]Teaching and mentorship
Rhett Miller has served as an adjunct instructor in songwriting at The New School's College of Performing Arts in Manhattan since 2024, where he teaches undergraduate courses focused on developing artistic discipline, song forms, and elements of composition.[68][69] In his second year of teaching there in 2025, Miller emphasized constructive feedback techniques, such as identifying "what's great and what if?" to guide students in refining their work, fostering strong connections with emerging songwriters.[63] Beyond formal academia, Miller leads the annual Songwriting Is Magic retreat in Upstate New York, an intensive program he co-created with Music Masters Collective, featuring hands-on workshops, seminars, one-on-one mentorship sessions, group meals, and guest appearances to inspire creativity and deepen craft skills for both aspiring and professional songwriters.[70][71] He has also conducted targeted workshops, including a lyrics-focused session at the Old Town School of Folk Music, where participants explore songwriting theories, lessons from iconic tunes, and practical exercises.[72] Following vocal cord surgery in December 2024, Miller resumed performing by April 2025 and expanded his educational efforts, including sharing accessible online masterclasses that break down techniques like crafting bridges and drawing from influences such as Bob Dylan and Carole King.[63][73] In interviews reflecting on his recovery, he described teaching as a rewarding outlet that reinforced his commitment to mentoring the next generation, with participants crediting the retreats for breakthroughs in their creative processes and strengthened discipline.[74][63]Personal life
Family and relationships
Rhett Miller met his future wife, Erica Iahn, a former model, in New York through her roommate, whom Miller had briefly dated in the local music scene.[14] The couple married in 2002, just a week after Miller finished recording his solo album The Instigator.[75] Miller and Iahn have two children: son Max, born in 2004, and daughter Soleil, born in 2006.[76] The family initially resided in New York City after Miller relocated there from Los Angeles around 2000, following earlier moves from his native Dallas.[77] By the early 2010s, they had settled in New York's Hudson Valley, where Miller has described the area's natural beauty and community as a grounding influence amid his touring schedule.[78] Throughout his career, Miller has navigated the demands of extensive touring with Old 97's and solo projects by prioritizing family time, often citing his children as key inspirations for maintaining authenticity in his work.[78] With Max and Soleil now in their early twenties and late teens as of 2025, the family continues to base itself in the Hudson Valley, allowing Miller to balance creative pursuits with parenting responsibilities.[79]Health challenges
In the early 2010s, Rhett Miller experienced vocal strain from intensive touring, culminating in a 2013 incident where he hemorrhaged his vocal cords during an Old 97's performance in Dallas, forcing him to rest his voice for several weeks and communicate via Twitter during recovery.[80] A similar vocal hemorrhage occurred in 2018, further compounding damage from years of high-demand performances and contributing to long-term vocal instability.[11] Miller has also been open about earlier mental health struggles, including a suicide attempt at age 14 in 1984, which he publicly discussed in 2017 as part of the Okay to Say campaign to destigmatize mental health issues and raise awareness.[76] Additionally, Miller achieved sobriety around 2015 after attending AA meetings and working with a therapist; as of 2025, he has been sober for 10 years. He has credited sobriety with providing clarity, strengthening his marriage and family life, reducing regrets, and enhancing his performance as a writer and musician, though it presents challenges like isolation during social events in the music industry.[12][11] These vocal issues escalated in late 2024 when Miller developed a cyst on one vocal cord and a polyp on the other during a European tour, leading to significant voice loss that threatened his career as a singer-songwriter.[32] He underwent surgery in December 2024 to remove the growths, a procedure he described as necessary but frightening, given his voice had defined his professional identity since age 15.[11][81] Post-surgery rehabilitation proved challenging, involving months of vocal therapy where Miller abstained from singing entirely and learned techniques for proper vocal production, preparation before shows, and ongoing care to prevent future damage.[11] The process was emotionally taxing, marked by a "dark time" of fear that he might never perform again, yet it fostered deep gratitude for his recovery and a renewed appreciation for his craft as a "second act" in his career.[11][81] By November 2025, Miller reported his voice was stronger than ever, enabling a return to touring, including performances supporting his solo album A Lifetime of Riding by Night, which he recorded amid the vocal difficulties.[81][32]Discography
Old 97's albums
Rhett Miller has been the lead vocalist and primary songwriter for all Old 97's albums, contributing lyrics and often music to the majority of tracks on each release.[6] The band's discography includes thirteen studio albums and two notable live albums, spanning from their independent debut to major-label and indie releases on labels like Elektra, New West, and ATO Records.[82] Key highlights include breakthrough commercial performance on later albums and occasional reissues with bonus material.| Album Title | Release Year | Label | Producer | Chart Position | Notes |
|---|---|---|---|---|---|
| Hitchhike to Rhome | 1994 | Big Iron Records | Old 97's | N/A | Debut studio album; Miller wrote most tracks.[82] |
| Wreck Your Life | 1995 | Bloodshot Records | Chuck Uchida | N/A | Early alt-country effort; reissued in 2009 with bonus tracks and outtakes.[6] |
| Too Far to Care | 1997 | Elektra Records | Wally Gagel | N/A | Major-label debut; Miller received songwriting credits on 12 of 14 tracks.[83] |
| Fight Songs | 1999 | Elektra Records | Doni Schroader | N/A | Follow-up emphasizing pop-rock elements; Miller penned the bulk of lyrics.[6] |
| Satellite Rides | 2001 | Elektra Records | Wally Gagel | #121 (Billboard 200) | Recorded at Willie Nelson's Pedernales Studio; highest Elektra-era chart entry.[6][84] |
| Drag It Up | 2004 | New West Records | Mark Nevers | N/A | Transition to indie label; Miller's songwriting drives the raw energy.[6] |
| Blame It on Gravity | 2008 | New West Records | Old 97's & Salim Nourallah | N/A | Collaborative production; focuses on mature themes with Miller's introspective lyrics.[6] |
| The Grand Theatre Volume One | 2010 | New West Records | Old 97's & Salim Nourallah | N/A | First of two volumes; Miller contributed lyrics to all tracks.[6] |
| The Grand Theatre Volume Two | 2011 | New West Records | Old 97's & Salim Nourallah | N/A | Companion release; continues Miller's narrative songcraft.[6] |
| Most Messed Up | 2014 | ATO Records | Old 97's & Mark Nevers | #30 (Billboard 200) | Band's highest-charting album; Miller wrote or co-wrote every song.[6][25] |
| Graveyard Whistling | 2017 | ATO Records | Old 97's & Mark Nevers | N/A | Features guest vocalists; Miller's songwriting highlights themes of mortality.[6] |
| Twelfth | 2020 | ATO Records | Old 97's & Tucker Martine | N/A | Pandemic-era release; Miller leads on all compositions.[6] |
| American Primitive | 2024 | ATO Records | Tucker Martine | N/A | Thirteenth studio album marking 30th anniversary; Miller's de-evolution-inspired lyrics dominate.[85][86] |
- Live at the Troubadour (2004, Dualtone Records): Recorded in Santa Monica; draws from six prior albums, showcasing Miller's stage presence.[87]
- Alive & Wired (2005, New West Records): Captures a Dallas show; deluxe editions include bonus tracks, emphasizing Miller's live song delivery.[88]
Solo studio albums
Rhett Miller has released several solo studio albums throughout his career, distinct from his work with the Old 97's. These recordings showcase his songwriting in a more intimate, often acoustic-driven style, with collaborations featuring notable producers.| Album | Release Date | Label | Producer | Track Count | Notable Singles | Chart Performance |
|---|---|---|---|---|---|---|
| Mythologies | January 1, 1989 | Carpe Diem Records | N/A | 10 | None | Did not chart on Billboard 200[89] |
| The Instigator | September 24, 2002 | Elektra | Jon Brion | 12 | "Come Around" | Did not chart on Billboard 200 |
| The Believer | February 28, 2006 | Verve Forecast | George Drakoulias | 12 | "Question" | Did not chart on Billboard 200 |
| Rhett Miller | June 9, 2009 | Shout! Factory | Mark Nevers | 12 | "Deadly Kiss" | Did not chart on Billboard 200 |
| The Dreamer | June 5, 2012 | MaximumSunshine | Luther Russell | 11 | "Lucky" | Did not chart on Billboard 200 |
| The Traveler | April 14, 2015 | ATO Records | Peter Buck, Scott McCaughey | 11 | "Voyager" | #18 on Billboard Folk Albums |
| The Messenger | November 9, 2018 | ATO Records | Sam Cohen | 12 | "Total Disaster" | Did not chart on Billboard 200 |
| The Misfit | September 16, 2022 | ATO Records | Sam Cohen | 11 | "Six Strings" | Did not chart on Billboard 200 |
| A Lifetime of Riding by Night | October 10, 2025 | ATO Records | Murry Hammond | 13 | "Our Love" | Did not chart on Billboard 200 (as of November 2025) |
Live albums and singles
Rhett Miller's live recordings capture his intimate solo performances, emphasizing acoustic interpretations of his catalog. His primary live release is the album The Interpreter: Live at Largo, recorded in 2010 at the renowned Los Angeles venue Largo and self-released in 2011 through his Maximum Sunshine label.[90] This 15-track set features stripped-down renditions of songs like "Homeward Bound" and "American Girl," alongside originals, showcasing Miller's vocal delivery and guitar work in a cabaret-style setting. The album highlights his ability to blend covers with personal material during tours, though no additional solo live EPs or full-length recordings have been commercially issued. Miller's standalone singles, both solo and select Old 97's contributions where he serves as primary vocalist, often emerged as promotional vehicles or digital releases, focusing on radio play and holiday themes. His breakthrough solo single, "Come Around," was issued in 2002 by Elektra Records as a promotional CD in alternative rock format, featuring a radio edit without B-sides.[91] It peaked at number 7 on the Billboard Adult Alternative Airplay chart, marking his first significant solo chart success.[92] Earlier, with Old 97's, the promo single "Timebomb" (1997, Elektra, limited CD edition) stood out as a non-album track emphasizing Miller's urgent lead vocals on themes of inner turmoil. Later solo efforts include "Our Love" (2002, Elektra) and "Help Me, Suzanne" (2006, Verve Forecast), both digital and promo formats tied to album promotion but released independently for airplay.[93] In the holiday vein, Miller collaborated with Sydney Wayser on the digital single "Christmas Is Coming" (2013, self-released MP3), a cozy pop-rock track evoking seasonal warmth without traditional B-sides.[94] For Old 97's crossovers, "Question" (2001, Elektra) functions as a de facto single through its promo push and widespread use in media, with Miller's earnest delivery driving its narrative of romantic uncertainty.[95]| Release | Year | Format | Label | Notes/Charts |
|---|---|---|---|---|
| Timebomb (Old 97's) | 1997 | CD, Promo, Limited | Elektra | Non-album single; Miller lead vocal |
| Come Around | 2002 | CD, Promo | Elektra | Radio edit; #7 Billboard Adult Alternative Airplay |
| Our Love | 2002 | Digital/Promo | Elektra | Tied to The Instigator promotion |
| Help Me, Suzanne | 2006 | Digital/Promo | Verve Forecast | Tied to The Believer promotion |
| Christmas Is Coming (with Sydney Wayser) | 2013 | Digital MP3 | Self-released | Holiday single |
| Question (Old 97's) | 2001 | Promo/Digital | Elektra | Media-featured track; Miller primary |