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Roz Ryan

Roz Ryan (born July 7, 1951) is an American actress, singer, comedian, and voice artist known for her versatile performances across theater, television sitcoms, animated series, and film over more than four decades. Born Rosalyn Bowen in , , Ryan graduated from Mackenzie High School in 1969 and began her career in the , initially gaining recognition in musical theater. She rose to prominence on with roles such as Effie White in (1981), Nell Carter's role in Ain't Misbehavin' (1978 revival), and Matron "Mama" Morton in (1995 revival and international tours), which she performed for over ten years. Her stage work also includes national and international tours in productions like , South Pacific, , One Mo' Time, , and . In recognition of her theatrical contributions, Ryan received the 2012 BroadwayWorld Theatre Award for Best Supporting Actress in a Musical for her portrayal of Emma Jo in Saving Aimee at Seattle's , along with a Carbonell Award for . On television, Ryan is best known for her recurring role as the cantankerous Amelia Hetebrink on the NBC sitcom Amen (1986–1991), opposite Sherman Hemsley. She also appeared as Mrs. Dixon on Good News (1997–1998), Flo Anderson on All About the Andersons (2003–2004), and Mae Palmer on Barbershop: The Series (2005). Her voice acting portfolio is equally extensive, featuring iconic characters such as Thalia, the Muse of Comedy, in Disney's Hercules (1997 film, TV series, and video games), Bubbie in The Marvelous Misadventures of Flapjack (2008–2010), Cake the Cat in Adventure Time (2010–2018) and its spin-off Fionna & Cake (2023–present), and roles in Scooby-Doo! Mystery Incorporated (2010–2013), The Looney Tunes Show (2011–2014), and Kick Buttowski: Suburban Daredevil (2010–2012). In film, Ryan has supporting roles including Thalia (voice) in Hercules (1997), Nurse #1 in The Invention of Lying (2009), and appearances in Cotton Club (1984), I Think I Love My Wife (2007), Waiting for Forever (2010), and Hello, My Name Is Doris (2015). Throughout her career, Ryan has been celebrated for her powerful vocal performances and comedic timing, establishing her as a enduring figure in American entertainment.

Early years

Childhood and family background

Roz Ryan was born Rosalyn Bowen on July 7, 1951, in , , to parents Thomas and Gertrude Bowen, both of whom worked as employees for the local . Raised in a working-class African-American family in during the 1950s and 1960s, Ryan experienced the vibrant cultural landscape of the city, which was transforming into a hub for and R&B music with the rise of Records in 1959. This era's musical innovations, driven by local artists and labels, permeated everyday life in 's communities, fostering an environment rich in performance and entertainment traditions. Ryan's early exposure to music came through the city's dynamic scene, where family gatherings and local events often featured singing and storytelling, sparking her innate talent for performance that would later propel her into professional nightclub work.

Education and initial interests

Roz Ryan graduated from Mackenzie High School in , , in 1969. During her high school years, Ryan developed a strong interest in music and performance, participating in local talent shows that showcased her singing abilities. At age 16, while still a student, she won the WCHB Talent Show at the Fox Theatre alongside her cousins Tony and Zeta Robinson, earning $500 and an offer for a recording contract with Motown Records. Although she ultimately declined the Motown deal on the advice of The Temptations' David Ruffin, who warned her of the label's intensifying competition, the experience highlighted her emerging talent and provided early exposure to the professional music world. Ryan's artistic passions were shaped by Detroit's dynamic cultural landscape in the late 1960s, particularly the influence of Motown and the city's thriving local theatre and music scenes. She drew inspiration from Motown legends, receiving mentorship from artists such as Sarah Vaughan, The Four Tops, and The Spinners, who offered guidance during her teenage performances around the city. This environment, combined with familial encouragement for her talents, fostered her skills in singing and laid the groundwork for interests in comedy and theatre.

Music and performance beginnings

Nightclub and recording career

Following her graduation from Mackenzie High School in 1969, Roz Ryan embarked on a 13-year career as a nightclub singer, primarily in venues but expanding to performances across the Midwest and beyond. Starting at age 16, she honed her vocal talents in intimate settings like local clubs, where she performed and R&B standards, drawing on the vibrant Detroit music scene influenced by and . This period solidified her professional foundation, as she navigated the demands of live entertainment in smoke-filled lounges, often performing multiple sets nightly to build a loyal following. In 1970, Ryan released her debut single, "You're My Only Temptation," on Volt Records, a subsidiary of Stax, marking her entry into the recording industry. The track, a soulful ballad co-written by Tony Hester and Richard Wylie, was produced by Don Davis, featuring lush orchestration with strings and horns typical of the era's soul sound. Backed by the B-side "I Can't See Nothing But the Good in You," the single received positive early reviews for its "sweet song" quality and emotional delivery, though it achieved modest commercial success, peaking outside major charts. Over time, it gained cult status in the Northern Soul scene for its upbeat groove and Ryan's passionate vocals, with rare promo copies fetching high collector prices today. Ryan's nightclub performances during this era also fostered the development of her distinctive comedic singing style, blending humor with heartfelt renditions to engage audiences in close-quarters venues. She frequently broke the through direct interaction—bantering with patrons, improvising lyrics based on crowd reactions, and incorporating playful gestures—which created an energetic, participatory atmosphere and enhanced her stage presence. This approach, rooted in Detroit's lively club culture, allowed her to stand out among soul performers, transforming standard sets into memorable, lighthearted experiences that foreshadowed her later comedic flair in entertainment.

Transition to professional acting

After over a decade performing as a nightclub singer in Detroit, where she honed her vocal and stage presence skills, Roz Ryan pivoted toward theatre in the late 1970s. A friend encouraged her to audition for the national touring company of the musical revue Ain't Misbehavin', marking her first formal theatre audition despite having no prior acting experience. She tried out in Detroit at the Fisher Theatre, impressing casting directors with her comedic timing and singing ability, and was cast as a replacement for original performer Nell Carter. This opportunity represented a significant breakthrough, as Ryan transitioned from solo nightclub sets to the ensemble demands of a Broadway revue, establishing her as a versatile comedic actress-singer. Within ten days of the audition, she relocated to and joined the production, debuting on Broadway in May 1978. The role challenged her to blend humor with musical performance in a fast-paced format, building on nightclub-honed but requiring adaptation to scripted and group dynamics. Earlier decisions also facilitated this shift; at age 16, Ryan had won a talent contest offering a contract but declined on advice from ' , who warned of the label's competitive environment potentially stifling her unique style. This choice allowed her to sustain nightclub work, providing financial stability and performance experience that proved invaluable during the audition process.

Theatrical career

Broadway roles

Roz Ryan made her Broadway debut as a performer in the revue Ain't Misbehavin', which opened on May 9, 1978, at the and ran for 1,604 performances. She portrayed multiple characters in the production, including taking over the role originally played by . Ryan later appeared as a replacement for Effie Melody White in , the Tony Award-winning musical that premiered on December 20, 1981, at the . She also understudied and performed as Edna Burke in the same production, which ran for 1,521 performances and explored the rise of a Motown-style . In the 2002 revival of One Mo' Time, a vaudeville revue set in 1920s New Orleans, Ryan originated the role of Bertha, the sassy lead singer of a struggling troupe, at the Longacre Theatre, where it played for 32 performances. Her performance highlighted her vocal prowess and comedic timing in the show's nostalgic celebration of Black vaudeville acts. Ryan portrayed the Ghost of Christmas Present in the 1998 Broadway production of A Christmas Carol at the Theatre at Madison Square Garden, becoming the first and only woman to play the role in a major staging of the musical adaptation. The limited engagement featured her in the exuberant ensemble number "Abundance and Charity," emphasizing themes of generosity and holiday spirit. She took on the role of Mabel, the wise and meddlesome union secretary, in the 2006 revival of The Pajama Game at the American Airlines Theatre, which opened on February 23 and ran for 129 performances. Directed by and starring Harry Connick Jr., the production showcased Ryan's supporting turn amid the labor-themed comedy's lively score. Ryan's most enduring Broadway association is with the long-running revival of , where she first performed as Matron "Mama" Morton starting in January 1999 at the Ambassador Theatre. She reprised the role in multiple engagements, including a return on November 16, 2001, contributing to the show's historic status as Broadway's longest-running musical revival. By October 21, 2013, Ryan set a record with her 224th contracted week in the role, surpassing previous performers and marking the most appearances by any actress as Mama Morton during the production's run, which continued through June 2019. Her tenure included a 13th return in 2016, solidifying her as a fixture in the Tony-winning revival's narrative of fame, corruption, and showbiz glamour.

Regional and off-Broadway productions

Roz Ryan built a strong foundation in regional theater and venues throughout her career, earning critical acclaim for her versatile performances in musicals and plays that showcased her vocal prowess and dramatic range. In the mid-1980s, she appeared in the revue Requests the Pleasure at the Playhouse in Miami, Florida, where her supporting role contributed to the production's success and earned her the Carbonell Award for Best Supporting Actress in a Musical for the 1985-86 season. This regional engagement highlighted her ability to blend sophisticated humor with Porter's iconic songs, solidifying her reputation in South Florida's theater scene. By the early 1990s, Ryan's work in at the Coconut Grove Playhouse further elevated her profile, with her lead performance as one of the "sinners" earning her both the Carbonell Award and the Zoni Award for Best Actress in a Musical. The production, a Tony-nominated musical featuring blues standards, toured nationally and internationally, allowing Ryan to bring her dynamic stage presence to audiences across the U.S. and abroad during the and 1990s. These touring efforts, including ensemble roles in shows like and South Pacific, helped bridge her nightclub origins to larger theatrical opportunities, demonstrating her adaptability in varied ensemble settings. Ryan also excelled in dramatic regional productions, starring as Louise in August Wilson's at the Plays and Players Theatre in in 1997, a production by the Philadelphia Theatre Company. Her portrayal captured the complexities of post-World War II Black life in , contributing to the play's exploration of ambition and loss. Similarly, as Quilly in John Henry Redwood's , Ryan took on a key role in a 1998 staging at the in , , where her performance added depth to the story of two sisters navigating change in 1940s . These off-Broadway-adjacent regional interpretations emphasized her skill in intimate venues, focusing on character-driven narratives. In 2011, Ryan originated the role of Emma Jo in the world premiere of at The in , a regional production that transferred briefly to the following year. Her portrayal of the colorful provided comic relief and emotional grounding in the musical's depiction of evangelical scandal. Later regional highlights included her role as Gloria Dump in the 2019 premiere of at in , where she brought warmth and wit to the adaptation of Kate DiCamillo's novel. Throughout the and , such touring and regional ensemble work in productions like the 1984 national tour, where she reprised Effie White, honed her craft and paved the way for her return to major stages.

Live-action screen work

Television appearances

Roz Ryan gained prominence in television through her recurring role as Amelia Hetebrink on the sitcom , where she portrayed the cantankerous church secretary and sister to Casietta Hetebrink from 1986 to 1991 across all 110 episodes. As part of the gossiping "Hetebrink sisters," Amelia often engaged in humorous banter and schemes alongside the show's lead, Deacon Ernest Frye, played by , highlighting her character's sharp wit and meddlesome nature in church settings. Her portrayal contributed to the series' comedic dynamic, frequently clashing with Frye's scheming personality while providing comic relief through her no-nonsense attitude and sibling rivalries. Ryan continued her television work with recurring and guest roles in family-oriented sitcoms and other series. She guest-starred as Loretta in an episode of Sparks in 1997, as Sister Louise Pittman in Beyond Belief: Fact or Fiction (1998), and as Merle in The Journey of Allen Strange (1998). She played Mrs. Hattie Dixon, the uptight church cook and nit-picky foil to the young pastor, on the NBC series Good News from 1997 to 1998. In 2001, she had a recurring role as Chickie on Danny across 9 episodes. In 2003–2004, she appeared as Flo Anderson, the supportive mother to the protagonist, on the WB's All About the Andersons, bringing warmth to the family comedy centered on a single father's return home. She guest-starred as Josephine Baylor on Half & Half (2004) and as Loretta McKee on JAG (2005). Later, Ryan recurred as Mae Palmer on Showtime's Barbershop: The Series (2005) and as Esther Love on General Hospital (2012). From 2012 to 2014, she portrayed Aunt Sylvia in 22 episodes of The Rickey Smiley Show. She also recurred as Grandma Gayle on Disney Channel's K.C. Undercover from 2015 to 2017, depicting the spirited grandmother who shared adventurous family stories with the undercover agent protagonist, and as Miss Bertha on Raven's Home (2019). She guest-starred as Velma in two episodes of Nickelodeon's That Girl Lay Lay in 2021–2022, adding her comedic flair to the teen sitcom's church-themed storylines. In more recent years, Ryan appeared as Olivia in the 2023 Hallmark Mahogany TV movie A Nashville Legacy, a romantic drama about uncovering musical family secrets in Nashville.

Film roles

Roz Ryan's live-action film career features a series of supporting roles, often leveraging her comedic background from television to deliver memorable character moments in ensemble casts. Her appearances are relatively sparse compared to her extensive work in theater and voice acting, but they highlight her versatility in dramatic and humorous contexts. Ryan's earliest credited film role was a minor part in Francis Ford Coppola's 1984 crime epic The Cotton Club, a lavish production set in the jazz scene of the 1920s and 1930s, where she contributed to the film's vibrant ensemble of performers and patrons. This small role marked her entry into cinema during a period when she was establishing herself on . Another early supporting appearance came in 1998's indie drama Went to Coney Island on a Mission from God... Be Back by Five, directed by , playing a nurse in a story about two friends searching for a lost companion amid personal crises. In 2001, Ryan portrayed Mildred, the mother of the protagonist, in the independent coming-of-age film Nikita Blues, directed by Marc Cayce, which follows a high school girl's struggles with love and responsibility in an urban setting. She continued with small but pivotal roles in 2007, including the postal worker in Nabil Ayouch's international romantic drama Whatever Lola Wants, a French-Canadian production about a woman's pursuit of belly-dancing dreams in . That same year, in the faith-based comedy directed by Van Elder, she played Mother Candice, a in a story centered on a young pastor navigating conservative traditions. A notable supporting turn came in Chris Rock's 2007 romantic comedy I Think I Love My Wife, where Ryan appeared as the landlady, providing sharp-witted interactions in the film's exploration of marital temptation and workplace flirtations starring Rock and . She followed this in 2009 with the role of Nurse #1 in and Matthew Robinson's satirical , a dystopian set in a world without , where her brief appearance added to the ensemble's quirky scene. That year, she also portrayed Roz in the stepping-culture Steppin': The Movie, directed by Paul Wynne, which celebrates African American traditions through rivalries. The next year, Ryan played Dorothy in James Keach's 2010 romantic drama Waiting for Forever, portraying a wise, maternal figure in the indie tale of and personal growth starring and . Later films include her appearance as Nurse Patty in Michael Showalter's 2015 dramedy , supporting Sally Field's lead in a story of late-blooming romance and self-discovery, contributing to the film's heartfelt dynamics. These roles underscore Ryan's ability to infuse warmth and humor into limited across genres from dramas to comedies.

Voice acting career

Animated television and films

Roz Ryan began her prominent career in with the role of , the sassy Muse of , in Disney's 1997 animated feature film , where she delivered gospel-infused vocals that complemented the film's musical sequences. She reprised the character in the subsequent television series Hercules: The Animated Series (1998–1999) and the direct-to-video film (1999), contributing to the of Muses who narrated the story through song and humor. Her background in musical theater enhanced these performances, bringing a lively, comedic energy to Thalia's . In 2008, Ryan voiced Bubbie, the affectionate yet overprotective blue whale adoptive mother to the young protagonist , in Cartoon Network's , appearing as a main character across all 46 episodes until the series concluded in 2010. Bubbie's character provided comic relief through her exaggerated maternal instincts and nautical adventures in the whimsical town of Stormalong Harbor, showcasing Ryan's ability to blend warmth with eccentricity in a family-oriented animated setting. Ryan's most enduring animated role came as Cake the Cat, the optimistic and shape-shifting feline companion to Fionna, whom she voiced throughout Cartoon Network's from 2012 to 2018, appearing in multiple episodes across the series' 10 seasons. Her vocal style for Cake featured a high-pitched, bubbly tone with precise comedic timing, capturing the character's playful loyalty and occasional sass, which resonated with audiences for its charm and consistency alongside John DiMaggio's . She reprised the role in the 2023 HBO Max spin-off (season 1, 10 episodes), where Cake takes center stage in a more mature narrative, and its second season (2025, 10 episodes); critics praised Ryan's return for maintaining the character's charismatic presence and seamless chemistry with Madeleine Martin's , contributing to the series' positive reception among fans of . Among her other notable animated contributions, Ryan provided the voice of Madam President, the authoritative leader of the Galactic Alliance, in a recurring capacity across seven episodes of Disney's (2000–2001), adding gravitas to the sci-fi ensemble. She also voiced Ms. Fitzpatrick, Kick's teacher, in a recurring role across six episodes of Disney XD's (2010–2012); Gorgeous G in the episode "The Night the Clown Cried II - Tears of Doom!" of Warner Bros.' (2012); and lent her voice to ensemble characters, including Witch Lezah, in Warner Bros.' (2011–2014), earning a 2014 Behind The Voice Actors Award nomination for Best Vocal Ensemble in a Television Series - Comedy/Musical for her work on the series.

Video games

Ryan's voice acting career in animation extended to interactive video games, where she reprised roles from her animated work to enhance experiences. In 1997, she voiced , the of , in : , an interactive title that allowed users to explore the story through narrated scenes, mini-games, and musical segments featuring the ' performances. A significant later contribution came in the 2022 fighting game , developed by Player First Games and published by , where Ryan provided the voice for , the Dog's feline counterpart from . As a variant for , integrates Ryan's distinctive, high-pitched performance into combat mechanics, including unique voice lines during matches, taunts, and victory animations that reflect the character's sassy personality and tie into the game's crossover multiverse battles.

Awards and honors

Theatre accolades

Roz Ryan has received several regional theatre awards for her stage performances, particularly in musicals during the and . In 1986, she won the Carbonell Award for Best Supporting Actress in a Musical for her role in Requests the Pleasure at the Playhouse in . She was nominated for the Carbonell Award for in a Musical in 1992 for her performance in at the same venue. In 1995, Ryan earned the ariZoni Award (previously known as the Zoni Award) for in a Musical for with the Company, recognizing her portrayal in the 1994-1995 season production. Additionally, in 2012, she received the BroadwayWorld Regional Award for Best Supporting Actress in a Musical for her role as Emma Jo in Saving Aimee at The in . Ryan's extensive tenure in Broadway's earned her historical recognition rather than formal awards; she holds the record for the most performances by any actress as Matron "Mama" Morton, surpassing 2,000 shows by without a personal Tony Award. This longevity underscores her impact on the production's long-running success since its 1996 revival.

Voice and screen recognitions

Roz Ryan's contributions have earned her recognition through nominations from the Behind The Voice Actors (BTVA) community. In , she received a BTVA Television Award nomination for Best Vocal in a Television Series - Comedy/Musical for her role as Witch Lezah in . She earned a similar nomination in 2014 for the same category and series, acknowledging her part in the ensemble cast that brought renewed energy to the classic characters. Her portrayal of Cake the Cat in Adventure Time and its 2023 spin-off Adventure Time: Fionna and Cake has contributed to the franchise's broader acclaim, including the series' 2024 Primetime Emmy win for Outstanding Individual Achievement in Animation, underscoring the high-quality production elements in episodes featuring her voice work. While no individual awards for these roles have been documented, the spin-off's success has amplified the impact of her sassy, memorable performance as Cake, a co-lead character central to the narrative.

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    1991-92 Season - The Carbonell Awards
    Nov 9, 1992 · Roz Ryan, Blues in the Night, Coconut Grove Playhouse; Vivian Reed, Blues in the Night, Coconut Grove Playhouse; Kim Lindsay, The Phantom ...
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    [PDF] Contracted Theater Awards
    Roz Ryan. Blues in the Night. Arizona Theatre Company. 94-95. Actress. Musical. Robyn Ferracane. A Little Night Music. Phoenix Theatre. 94-95. Actress. Musical.Missing: Zoni | Show results with:Zoni
  50. [50]
    Mama's Good to You! Roz Ryan Sets New Chicago Record
    Oct 3, 2013 · On October 21, Roz Ryan will break a longtime Chicago company record with the most performances of any leading actress in the show's historic 17-year run.
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    Awards - Adventure Time: Fionna & Cake (TV Series 2023 - IMDb
    GLAAD Media Awards. Tom Kenny, Roz Ryan, and Madeleine Martin in Adventure Time: Fionna & Cake. 2024 Nominee GLAAD Media Award. Outstanding Kids & Family ...Missing: recognitions | Show results with:recognitions