Fact-checked by Grok 2 weeks ago

Rumbo Recorders

Rumbo Recorders was a prominent in the Canoga Park neighborhood of , , founded in 1979 by musicians and , known as . Spanning 10,000 square feet with three separate recording rooms, the facility was designed to foster a comfortable, low-pressure creative environment and featured state-of-the-art equipment, including high-end consoles that supported simultaneous sessions by multiple artists. Established as Daryl Dragon's personal vision for an ideal recording space, Rumbo quickly gained acclaim in the music industry for hosting a diverse array of high-profile projects, from pop and rock to heavy metal. Notable albums recorded there include Guns N' Roses' Appetite for Destruction (1987) and Use Your Illusion I and II (1990), Megadeth's Rust in Peace (1990), Tom Petty and the Heartbreakers' Full Moon Fever (1989), and Stone Temple Pilots' Core (1992), alongside work by artists such as Stevie Nicks, Kiss, Paula Abdul, Bob Seger, Barry Manilow, Kenny Rogers, John Mellencamp, Heart, Joe Cocker, Celine Dion, and Ringo Starr. The studio's remote location in the San Fernando Valley was marketed as an advantage for focused creativity, though it occasionally drew unwanted attention from fans, prompting staff to disguise it as a chemical plant during peak periods like the Guns N' Roses era. After the Tennilles relocated to in the early 1980s and became absentee owners, Rumbo continued operating successfully for over two decades, serving as a hub for producers and engineers working on blockbuster recordings. The facility eventually closed in the early 2000s following financial challenges in the recording industry, and its equipment, including legendary consoles, was later sold or relocated to other studios. Today, the original building at 20215 Saticoy Street has been repurposed as an adult day care center, marking the end of its era as a cornerstone of music production.

Origins

Founding

Rumbo Recorders was established by musician —better known as "the Captain" from the pop duo —and his wife, singer , as a private owned and operated by the couple. The venture represented a significant personal and financial commitment, with the pair funding the construction of a state-of-the-art facility featuring three separate recording rooms to support professional music production. This business structure allowed them to maintain full control while renting out the space to other artists, thereby offsetting operational costs. The motivation behind the studio stemmed from Dragon's long-held passion for engineering an ideal recording environment, driven by his extensive experience in the music industry, including years of touring and session work with groups like . As Tennille later reflected, "It was always Daryl's dream to own a state-of-the-art where he could have complete control over the equipment and the staff." This desire for autonomy and quality control came at a time when the couple's success with provided the resources to realize such an ambitious project, transforming their professional aspirations into a tangible legacy in the recording world. The studio's unique name originated from Dragon's childhood, specifically a toy elephant he owned and affectionately called "Rumbo" as a young boy. Dragon recalled the stuffed animal from his early years, noting, "That was the (toy) I had when I was three years old. I had three of them, one was Rumbo, one was and one was Chumbo." This personal anecdote infused the professional enterprise with a sentimental touch, reflecting Dragon's whimsical yet dedicated approach to his craft. Planning and investment for Rumbo Recorders involved detailed design and construction efforts led by himself, culminating in the studio's grand opening in 1979 in the . The two-year development phase underscored the couple's commitment, turning an expensive endeavor into a premier facility that would host renowned artists and productions for decades.

Location

Rumbo Recorders was located at 20215 Saticoy Street in the Canoga Park neighborhood of , . The studio's coordinates were approximately 34°12′30″N 118°34′25″W. Situated in the , the site was selected for its convenient access to Los Angeles-based musicians and industry professionals while providing a quieter, suburban setting away from the bustling distractions of central recording hubs. The facility spanned 10,000 square feet on a converted site, transformed into a specialized recording complex that supported multiple studios and production spaces. From its opening in 1979 through the 1990s, Rumbo Recorders played a significant role in the music as a go-to venue for rock, pop, and productions, complementing nearby studios like those in Hills and contributing to the region's reputation as a powerhouse for album-oriented recordings.

Facilities

Studio Design and Equipment

Rumbo Recorders, designed by co-founder , comprised a total facility of 10,000 square feet tailored for production, with and features enabling extended recording sessions without external interference. The complex included dedicated control rooms, lounge areas for artist comfort during long hours, and progressive expansion to meet growing demand, ultimately featuring three studios built sequentially from 1979 onward. Studio A, established in 1979, occupied a 500-square-foot optimized for large ensemble recordings, equipped with a 52-input Neve 8088 MkII console featuring NECAM for precise mixing control. It included two A-800 24-track multitrack recorders, allowing synchronized 48-track capability for complex orchestral or band sessions, later updated to A827 models, alongside three booths and a sunken percussion area within its 2,500-square-foot live room to manage acoustic separation and drum resonance. Supporting gear encompassed 813 time-aligned monitors for accurate playback and a range of outboard processors, including 224 digital reverb units and 140 plate reverbs, to enhance spatial effects. Studio B, added in the early 1980s, featured a 500-square-foot control room with a 40-input Trident 80C console, renowned for its warm analog tone and transformer-based circuitry that contributed to its preference for rock drum tracking due to the room's balanced acoustics and lively low-end response. The 400-square-foot space included dedicated monitoring with JBL 4311 speakers and integrated noise reduction tools like DBX 160 compressors, supporting efficient rhythm section captures in a compact yet versatile environment. In 1991, during a period of peak activity, was constructed as an approximately 400-square-foot with two isolation booths, primarily for overdubs and additional capacity, outfitted with a 24-input 80 Series console to handle increased workflow without compromising audio fidelity. This expansion incorporated similar soundproofing standards and lounge adjacency as the earlier studios, ensuring seamless integration into the overall operation while accommodating and 24-track analog demands of the era.

Technical Innovations

Rumbo Recorders implemented a custom acoustic design emphasizing spacious, live-sounding environments tailored for and pop recording, with Studio A featuring a 2,500-square-foot tracking space and 16-foot ceiling to accommodate large ensembles such as 60-piece orchestras, supervised by owner for optimal clarity and balance. The studio's layout incorporated nautical-themed elements supervised by owner , including isolation booths and a moderately live main room to enhance natural reverb without excessive diffusion, distinguishing it from more deadened urban facilities of the era. This approach, aligned with emerging LEDE (Live-End Dead-End) principles and TEF analyzer measurements, prioritized controlled sound propagation for genres requiring and instrument separation. In the early 1980s, Rumbo transitioned from analog using synchronized A-800 24-track machines—capable of 48 tracks when linked—to formats, installing a X-850 32-track recorder by the late 1980s, which offered a 96 dB and reduced tape hiss compared to analog predecessors. Additional tools included the PCM-3324 24-track /analog/time-code recorder and PCM-3402 2-track unit, enabling precise synchronization with via CompuSonics DSP1500 disk recorders and facilitating early direct-to-disk workflows with the system. This adoption positioned Rumbo as an early adopter among independent studios, bridging analog warmth with precision for high-fidelity rock productions. The facility integrated video monitoring capabilities across all rooms, a rarity for non-major studios in the , supporting synchronized film scoring and through wired video lines, Sony BVU-950 3/4-inch VCRs with time-code options. This setup allowed composers and engineers to align audio tracks visually in , enhancing efficiency for projects in an era when such integration was typically confined to soundstages. Suited to its suburban Canoga Park location, Rumbo employed techniques including the M24H system with CAT 22 cards, which compressed high frequencies during recording to minimize tape noise while preserving , complemented by structural isolation like floating floors and sound locks to mitigate external suburban ambient sounds. These measures, combined with reduced air-conditioning noise through upgraded HVAC, ensured a quiet recording environment advantageous for sensitive acoustic captures in a non-urban setting. Rumbo's layout, particularly Studio B, influenced subsequent studio designs, serving as the model for John Mellencamp's Belmont Mall Studio in , where engineers replicated its configuration for the 1985 album to achieve similar sonic results.

Operations

Early Years

Rumbo Recorders opened its doors in 1979 in Canoga Park, California, providing a new high-quality recording facility in the that quickly attracted local artists looking for accessible space amid the era's booming music scene. The studio, privately owned by musicians and , was designed with advanced features including a large Neve Model 8088 console and dual A80 24-track machines, enabling efficient multitrack recordings from the outset. Initial operations focused on supporting rehearsals and sessions, such as preparations for Dragon and Tennille's Las Vegas performances at the MGM Grand, while the emphasized renting out the space to independent producers and artists to offset construction costs. By the early 1980s, Rumbo gained further traction with sessions for established acts, including Bob Seger's The Distance (1982), mixed there with the Silver Bullet Band, marking a key milestone in the studio's rising profile among major-label projects. also utilized the facility for early recordings, contributing to its reputation as a versatile venue for pop and rock work. These bookings reflected the studio's appeal as a competitive in a market dominated by high-end venues like , though establishing a foothold required navigating intense industry rivalry. Bookings steadily increased through the early 1980s, driven by word-of-mouth among musicians and the studio's technical reliability, culminating in the construction of Studio B around 1982 to accommodate growing demand. This expansion, inspired by facilities like , featured a 40-input 80C console and allowed Rumbo to handle multiple simultaneous projects, solidifying its role in the region's recording ecosystem during a period of rapid industry growth.

Peak Activity

During the , Rumbo Recorders experienced a surge in bookings driven by the rising popularity of and genres, which aligned with the studio's reputation for capturing raw, high-energy recordings. The addition of Studio C in July 1990, a dedicated space for overdubs and work measuring 25 by 20 feet, was a direct response to increasing demand, allowing the facility to accommodate more projects without interrupting ongoing sessions in Studios A and B. Notable examples include recording their debut album in May 1992, blending and elements under producer Brendan O'Brien, and tracking portions of their blockbuster starting in late August 1986 at Rumbo, though the album's release and impact extended into the late 1980s and rock boom. This period marked Rumbo's operational zenith, benefiting from the migration of ' rock scene to the , where studios offered more affordable rates and expansive spaces compared to central facilities. Valley locations like Rumbo, with its 10,000-square-foot layout including three independent rooms, lounges, patios, and kitchens, provided the isolation and acoustic quality sought by major acts avoiding urban distractions. The studio maintained round-the-clock availability, exemplified by ' five-month booking of Studio C in 1990 for , supported by a team of engineers including chief Jim Mancuso, Shawn Berman, and others to handle intensive sessions. Attracting projects from major labels such as for and for underscored its commercial appeal, with the facility's Neve and consoles enabling efficient production of platinum-selling albums. Economically, the years from 1991 to 1997 represented Rumbo's peak revenue period, as described by co-owner , with the studio's success offsetting operational costs through high-profile rentals to diverse artists ranging from to . By the late 1990s, however, early signals of decline emerged with the industry's shift toward technologies like and the proliferation of affordable home studios, which reduced demand for traditional analog facilities like Rumbo and pressured their viability into the early .

Closure

In 2003, Rumbo Recorders was sold by its founders, Daryl Dragon and Toni Tennille, to new owners for $1.2 million, amid a broader decline in demand for analog recording facilities. The new proprietors rebranded the studio as Metronome Studio, continuing operations on a limited basis. This transition reflected the recording industry's rapid shift toward digital audio workstations like Pro Tools, which enabled affordable home studios and reduced the need for large commercial analog setups, contributing to widespread closures of traditional facilities in the early 2000s. Additionally, Dragon and Tennille had relocated to Lake Tahoe, becoming absentee owners and opting to step back from management amid the logistical challenges of remote oversight. Metronome Studio operated briefly post-sale but ceased recording activities around 2006, as key equipment was divested. The site was subsequently repurposed for non-musical uses, with the building converted into an day by 2023. No official historic designation was pursued for Rumbo Recorders, leaving its legacy without formal preservation status. However, notable equipment, including the Neve V Series console from Studio A, was relocated to other recording facilities, such as Lydhagen Studio in , ensuring some artifacts of its analog era endured. Similarly, the 80C console underwent restoration and remains in use elsewhere. As of 2025, the original building at 20215 Saticoy Street in Canoga Park stands intact but functions solely as the Genesis II Adult Day Health Care center, exemplifying the broader loss of ' premier venues to technological and economic evolution.

Recordings

Notable Artists

Rumbo Recorders attracted a diverse array of prominent artists across genres, from pop and rock in the early to and in the , owing to its reputation for high-quality facilities and word-of-mouth among industry professionals. The studio's multiple rooms, equipped with advanced consoles like the in Studio A, allowed for tailored recordings that captured the nuances of various styles, spanning its operation from 1979 to 2003. Guns N' Roses recorded key sessions for their breakthrough debut album Appetite for Destruction at Rumbo Recorders in 1987, leveraging the studio's isolated Canoga Park location to channel their raw energy during an intense creative period. Similarly, tracked their seminal album Rust in Peace there in 1989–1990, benefiting from the facility's robust setup for complex guitar and drum layers that defined the genre's technical precision. In the pop-rock realm, laid down basic tracks for at Rumbo in 1985–1987, where the studio's acoustics supported the band's layered harmonies and Lindsey Buckingham's intricate production. followed suit in the early 1990s, recording in , capturing the essence with a focus on live-band dynamics and Jeff Lynne's polished oversight. Other notable figures included , who used Studio 1 for portions of in the early 1990s, aligning with the studio's versatility for high-profile pop productions. Toto incorporated Rumbo sessions into in 1991–1992, highlighting its appeal for ensembles. Earlier pop acts like recorded tracks for compilations such as Greatest Hits Vol. II there in the 1980s, underscoring Rumbo's early draw for mainstream vocal-driven work.

Selected Discography

The selected discography highlights landmark albums recorded (in full or substantially) at , chosen for their cultural and commercial significance in showcasing the studio's role in shaping and rock, metal, and pop. These entries, spanning from early operations to the facility's peak, illustrate Rumbo's appeal to major artists through its advanced equipment and acoustic design, with a focus on releases that achieved chart success or genre-defining status. The list is chronological and limited to 11 representative examples; comprehensive documentation of all sessions is unavailable, as for minor or non-album work were not fully preserved following the studio's closure in 2003.

Personnel

Producers

Mike Clink was one of the most prominent producers associated with Rumbo Recorders during the and 1990s, frequently utilizing the facility for its conducive environment to rock recordings. He produced ' landmark debut album in 1987 primarily at Rumbo's Studio B, which he preferred for its acoustics, especially in capturing drum tracks. Clink's production techniques emphasized raw energy and precise drum sounds, enabling the band to record basic tracks—including drums—in just six days, a efficiency that helped define the album's gritty, immediate aesthetic. Richard Dashut also contributed significantly to Rumbo's legacy as a co-producer on Fleetwood Mac's 1987 album , recorded at the studio. Collaborating with Lindsey Buckingham, Dashut oversaw the creative direction that blended the band's pop-rock sensibilities with layered production, resulting in a multi-platinum release that peaked at number 7 on the 200. His work at Rumbo during this period exemplified the studio's role in facilitating high-profile rock productions. These producers' choices in leveraging Rumbo's facilities during the studio's peak years helped solidify its reputation for delivering impactful and pop recordings, attracting major acts and contributing to numerous commercial successes.

Engineers

Rumbo Recorders employed a core group of recording s who handled tracking, mixing, and technical maintenance, contributing to the studio's reputation for capturing dynamic performances on its Neve V Series and 80C consoles. Andy Udoff served as a primary assistant from 1985 to 1994, overseeing sessions for artists including and , where he managed overdubs and console operations on the -equipped rooms. His nearly decade-long tenure exemplified the stability of Rumbo's engineering staff, many of whom remained for extended periods to maintain the studio's signature warm, punchy sound favored by acts. Shawn Berman began as an assistant engineer at Rumbo in the late , quickly advancing to handle full tracking duties on high-profile rock albums such as Toto's (1992), utilizing the Neve console in Studio A for precise drum and guitar isolation during sessions featuring drummer . His expertise in live room setups emphasized natural ambience for rock ensembles, often routing signals through the Trident 80C's EQ sections for enhanced midrange clarity. Dick Kaneshiro worked as a at Rumbo throughout the 1990s, assisting on and projects like ' Core (1992), where he supported tracking in the studio's expansive rooms equipped with isolation booths for overdubs. Kaneshiro's role extended to maintenance of the Neve and consoles, ensuring consistent signal flow during extended sessions for bands like . Paul Reynolds complemented the team as an assistant engineer, contributing to diverse recordings such as Renaud's Morgane de Toi (1988) and Flash Kahan's self-titled album (1985), focusing on efficient tape handling and room miking for both acoustic and amplified sources. These engineers' hands-on approach to console operation and room acoustics helped define Rumbo's output, with staff longevity fostering a reliable workflow that supported over two decades of influential rock recordings.

References

  1. [1]
    Daryl's Music Dream Come True: Rumbo Recorders Studio
    Jan 16, 2016 · Rumbo opened for business in 1979 in the San Fernando Valley, and over the years artists as diverse as Megadeth, Bob Seger and Barry Manilow recorded there.
  2. [2]
    studios - Recorded in Los Angeles
    A 10,000 square foot, three room recording studio located in Canoga Park, California. Rumbo was designed & built in 1979 by Daryl Dragon, also known as the " ...
  3. [3]
    Off the Beaten Tracks - Los Angeles Times
    Aug 28, 1997 · “People know what they're going to get.” RUMBO RECORDERS. Canoga Park. Accustomed to blissful anonymity, Rumbo staff members were alarmed by ...
  4. [4]
    List of Famous Recording Studios that have shut down - Gearspace
    Jan 7, 2020 · Off the top of my head: The Enterprise, Rumbo, Music Grinder, O'Henry, Cherokee, Soundcastle, Rusk, Wally Heider, Amigo, Grandmaster, RCA, Record One, Andora.
  5. [5]
    The once historic studio "Rumbo Recorders" (Guns N' Roses, etc.) is ...
    May 28, 2023 · Opened in 1979 by owners Daryl Dragon and Toni Tennille (YES, THE CAPTAIN & TENNILLE!) at 20215 Saticoy Street in Canoga Park, California.
  6. [6]
    Toni Tennille: No Hits but 'Always Sold Out' - Los Angeles Times
    Apr 10, 1988 · In the meantime, the Dragons keep their hand in the production end of the record business with Rumbo Recorders, a professional recording ...<|separator|>
  7. [7]
    Fabulous Flip Sides In Memoriam – Daryl Dragon
    Jan 5, 2019 · Their final two U.S. albums were recorded at Rumbo Recorders, a studio that Daryl designed, and he and Toni owned through 2003. Some of the ...
  8. [8]
    1970 - Beach Boys Gigs
    Aug 30, 2024 · Daryl Dragon recalled, “That was the (toy) elephant I had when I was three years old. I had three of them, one was Rumbo, one was Dumbo and one ...<|separator|>
  9. [9]
    Rumbo Recorders - MusicBrainz
    Jun 17, 2017 · Rumbo Recorders was a recording studio in the Canoga Park neighborhood of Los Angeles, California. Continue reading at Wikipedia.<|control11|><|separator|>
  10. [10]
    Interview: Baker Bigsby | Red Bull Music Academy Daily
    Oct 24, 2017 · A fixture on the LA studio scene throughout the '70s and '80s ... Westlake Audio, Rumbo, Kendun Recorders. We recorded at Red Wing ...
  11. [11]
    [PDF] Recording-1980-08.pdf - World Radio History
    Aug 6, 1980 · EXCELLENCE! N Neve is proud to be a part of Rumbo Recorders (Los Angeles) new outstanding studio facility, featuring a Neve custom ... Tom Hidley ...
  12. [12]
    Classic Tracks: Motley Crue's "Girls, Girls, Girls" - Mixonline
    May 23, 2025 · Drums amply recorded, the band moved to Rumbo Recorders, a three-room studio in Canoga Park, Calif., designed and built by Daryl Dragon (aka the ...Missing: equipment | Show results with:equipment
  13. [13]
    reel to reel | HomeRecording.com
    May 30, 2006 · 2 Studer A827 ... Rumbo Recorders - Canoga Park, CA http://captainandtennille.net/rumbo_pgs/clients.html 3 Studer A-827 Analog 24 track Recorders
  14. [14]
    Madison Media Institute Acquires Vintage Trident Console - Mixonline
    Dec 4, 2007 · The Madison Media Institute's College of Media Arts (MMI) in Madison, Wisc., has installed a Trident 80c 40-input recording console ...Missing: design | Show results with:design<|control11|><|separator|>
  15. [15]
    Classic Tracks: Tom Petty 'Learning To Fly' - Sound On Sound
    modified so all 24 monitors could be dumped into the mix — and an Otari MTR90 MkII two-inch ...
  16. [16]
    [PDF] A SPECIAL SUPPLEMENT Los Angeles Recording
    Sep 4, 1988 · ... Studio B is automated 24-track and Studio C is a. 24-track MIDI and ... Rumbo Recorders. 206. Carlsbad. 16 Flight 19 Studio. 215. Carpinteria.
  17. [17]
    Ross Hogarth: Grammy-Winning Engineer on Mixing Magic - Tape Op
    R.E.M. was produced with Don Gehman, who introduced me to Rumbo Recorders ... In fact, Rumbo's Studio B turned out to be the design for John Mellencamp's ...Missing: acoustics | Show results with:acoustics
  18. [18]
    [PDF] The Captain & Tennille S - World Radio History
    Oct 31, 1979 · The 8108 Range. Just introduced to the world at the AES Exhibition in Los Angeles in May 1979 ... Rumbo Recorders while the couple were away ...
  19. [19]
    1982 Bob Seger & The Silver Bullet Band – The Distance
    The Distance is the twelfth studio album by US-American rock singer Bob Seger. ... Rumbo Recorders Mastered At Capitol Mastering Pressed By Capitol Records ...
  20. [20]
    [PDF] VIDEO AND FILM - World Radio History
    Oct 1, 1990 · Rumbo Recorders /Canoga Park. NORTHERN CALIFORNIA. Installation: 60 -input Neve V series console with Flying Faders in Studio A. Studio C ...<|control11|><|separator|>
  21. [21]
    Stone Temple Pilots' “Core”: A Significant Contribution to the Grunge ...
    Apr 10, 2024 · "Core" was a defining grunge album, with a unique guitar tone, varied musical styles, and a significant commercial success, despite initial ...
  22. [22]
    [PDF] THE RECORDING INDUSTRY MAGAZINE - World Radio History
    Sep 18, 1990 · ... Peak. The name Klark-Tèknik has always been synony- mous with audio ... Rumbo Recorders. Canoga Park, Calif. Daryl Dragon, owner. The ...
  23. [23]
    How Guns N' Roses made Appetite For Destruction - Louder Sound
    Jun 20, 2022 · It was in late August that the band began work with Clink at Rumbo Recorders, a studio in Canoga Park on the outskirts of Los Angeles. The first ...
  24. [24]
    Inside the Underground World of LA's Home Recording Studios
    Mar 4, 2014 · "The big studios I worked in during the '90s were $1,500 a day minimum, and they'd have to pay me my $600 a day rate, so they were looking at $ ...
  25. [25]
    12 Major Changes To Recording In The 2000s - ProSoundWeb
    Major changes include Pro Tools standardization, the decline of commercial studios, and the shift from hardware to software plugins.<|separator|>
  26. [26]
    Actress hands it to Madonna - Los Angeles Times
    Jun 15, 2003 · The Captain & Tennille, also known as Daryl Dragon and Toni Tennille, have sold their Canoga Park recording studio, Rumbo Recorders, for $1.2 ...
  27. [27]
    API reference album/recording...? - Page 6 - Gearspace
    Jun 1, 2006 · Not my favorite for everything, but for tracking rock drums ... The console was purchased from Rumbo Recorders/Metronome Studio B in ...
  28. [28]
    Recording Studios Face Uncertain Future - NPR
    Dec 10, 2009 · Recording studios face challenges due to digital technology, loss of work, high real estate costs, and the credit crunch of 2008.
  29. [29]
    Genesis II Adult Day Health Care | Kaiser Permanente
    May 19, 2025 · 20215 Saticoy St ... Winnetka, CA 91306 ... Directions ... Hours ... Monday through Friday, 8 a.m. to 4 p.m. ... Saturday and Sunday, Closed ... Phone ...Missing: Canoga | Show results with:Canoga
  30. [30]
    Triad Studios' Neve 5106/5116 console history - Facebook
    Oct 18, 2024 · I love recording my drums in the open room at Lydhagen studio in Verdal, Norway. The Neve V3 console never fails! It used to reside at Rumbo ...What happened to the Neve VR72 at the original Chung King?Photos from classic recording studios needed - FacebookMore results from www.facebook.com
  31. [31]
    https://www.instagram.com/p/DEc_GNsSBss/
  32. [32]
    https://www.discogs.com/release/5761217-Megadeth-Rust-In-Peace
  33. [33]
    Rust In Peace: Megadeth's Defining Thrash Legacy - Riffology
    Aug 11, 2024 · Recording for Rust In Peace began in 1989 at Rumbo Recorders in Canoga Park, California. ... Megadeth album, resulting in a record that is both ...
  34. [34]
    https://www.discogs.com/release/357746-Fleetwood-Mac-Tango-In-The-Night
  35. [35]
    https://www.discogs.com/release/2819602-Tom-Petty-And-The-Heartbreakers-Into-The-Great-Wide-Open
  36. [36]
    Into the Great Wide Open by Tom Petty & the Heartbreakers
    Jun 28, 2021 · Released: July 2, 1991 (MCA) ; Produced by: Tom Petty, Mike Campbell & Jeff Lynne ; Recorded: Rumbo Recorders, Studio C, Canoga Park, CA, 1990 – ...
  37. [37]
    https://www.discogs.com/release/12294740-Toto-Kingdom-Of-Desire
  38. [38]
    https://www.discogs.com/release/4165916-Barry-Manilow-Greatest-Hits-VolII
  39. [39]
    https://www.discogs.com/release/6921760-Captain-Tennille-Keeping-Our-Love-Warm
  40. [40]
    21 At 33 - Elton John
    Vocal Arrangements by BRUCE JOHNSTON Recorded at Superbear Studios, Paris, FR; Sunset Sound, Los Angeles, CA, US; Rumbo Recorders, Canoga Park, CA, US.
  41. [41]
    21 at 33 - Elton John | Album - AllMusic
    Rating 6/10 (282) Recording Date. September, 1979 - March, 1980. Recording Location. Rumbo Recorders, LA. Sunset Sound Studios, LA. Superbear Studios, Nice, France. Listen on ...
  42. [42]
    https://www.discogs.com/release/3790470-Stevie-Nicks-Bella-Donna
  43. [43]
    Guns N' Roses: Appetite For Destruction - Louder Sound
    Rating 5.0 · Review by LouderMay 4, 2018 · With Clink working 18-hour shifts, Appetite For Destruction was recorded in one month over January and February 1987 at Rumbo Recorders studio ...
  44. [44]
    Tango in the Night - Wikipedia
    Released, 13 April 1987 ; Recorded, November 1985 – March 1987 ; Studio, Rumbo Recorders and the Slope (Los Angeles, California) ; Genre · Pop rock · soft rock.
  45. [45]
    Into the Great Wide Open - Tom Petty & the Hea... - AllMusic
    Rating 8.1/10 (816) Recording Location. M.C. Studios. MC Studios. Rumbo Recorders, Canoga Park, CA. Into The Great Wide Open · Tom Petty and the Heartbreakers. Save on Spotify.
  46. [46]
    Lean Into It - Mr. Big | Album - AllMusic
    Rating 7.5/10 (322) Lean Into It by Mr. Big released in 1991. Find album reviews, track ... Recording Location. Cherokee studios. Fantasy Studios, Berkeley, CA. Rumbo Records.
  47. [47]
    https://www.discogs.com/release/6834170-Mr-Big-Lean-Into-It
  48. [48]
    https://www.discogs.com/release/18623119-Stone-Temple-Pilots-Core
  49. [49]
    Revenge - Kiss | Album - AllMusic
    Rating 7.4/10 (503) Revenge by Kiss released in 1992 ... Recording Location. Acme. Cornerstone Recorders, Chatsworth, CA. Ocean Way Recording Studios, Hollywood, CA. See More. Rumbo ...
  50. [50]
    https://www.discogs.com/release/12483114-Kiss-Revenge
  51. [51]
    https://www.discogs.com/release/378400-Dio-Strange-Highways
  52. [52]
    Appetite For Destruction: Guns N' Roses' Timeless Debut - Riffology
    Jul 21, 2024 · The band worked at several Los Angeles studios: Rumbo Recorders, Take One, Record Plant, and Can Am. Each studio offered different equipment ...<|control11|><|separator|>
  53. [53]
    The real story behind Fleetwood Mac's "Tango in the Night" - Salon ...
    Apr 2, 2017 · Buckingham then tapped the engineer once again as he started work on a solo record at Rumbo. At the same time, Fleetwood Mac was rumbling ...
  54. [54]
    Rumbo Recorders - Wikipedia
    Rumbo Recorders was a recording studio in the Canoga Park neighborhood of Los Angeles, California. Rumbo Recorders. Industry, Recording studio. Founded, 1977 ( ...History · Notable artists · Selected list of albums...
  55. [55]
    https://www.discogs.com/artist/93291-Shawn-Berman
  56. [56]
    https://www.linkedin.com/in/shawn-berman-3210a21b0
  57. [57]
    Shawn Berman - Video Editor, Audio Engineer, Multimedia Content ...
    Berman began his career as an assistant engineer at LA's famed Rumbo Recorders. “My third day there,” he says, “Mike Clink walks up to me and says, 'I hear you ...
  58. [58]
    Trident 80b Records - Gearspace
    Jan 20, 2019 · Our studio just picked up an 80b in amazing condition for a great deal. It's on the way here so I want to get pumped and listen to some albums ...
  59. [59]
    http://albumlinernotes.com/Core.html
  60. [60]
    Core - Album Liner Notes
    2nd Engineer: Dick Kaneshiro Recorded at Rumbo Recorders in Los Angeles, CA Mixed at Can Am Studios in Los Angeles, CA Mastered at Future Disc Systems by ...
  61. [61]
    https://www.discogs.com/release/8537788-Renaud-Morgane-De-Toi