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Sarpedon

Sarpedon was a Lycian prince and warrior in Greek mythology, celebrated as the son of Zeus and Laodameia—the daughter of Bellerophon—and a valiant leader of the Lycian forces allied with the Trojans during the Trojan War.^[1] In Homer's Iliad, he emerges as a formidable hero, second only to Hector among the Trojan allies, renowned for his bravery and strategic role in assaults on the Greek defenses.^[2] One of Sarpedon's most notable moments occurs in Book 12 of the Iliad, where he delivers a stirring speech to his comrade Glaucus, son of Hippolochus, urging them to charge into battle despite the inevitability of death, as their noble status demands they lead by example to earn honor and praise from their people.^[3] In this address, Sarpedon reflects on their privileges—such as honored seats at feasts, the finest wines, and vast estates along the Xanthos River—contrasting them with the imperative of courage, declaring that they must fight in the vanguard so that the Lycians can acclaim their kings as the embodiment of valor.^[3] Throughout the war, Sarpedon engages in key combats, including slaying the Greek hero Tlepolemus in single combat and sustaining wounds, such as a thigh injury from Tlepolemus, while criticizing Hector for over-reliance on foreign allies like the Lycians.^[1] His death in Book 16 marks a pivotal turning point: wearing Achilles' armor, Patroclus spears Sarpedon through the heart during a fierce duel, felling him like an oak tree and prompting his final cry for Glaucus's aid.^[2] Zeus, grieving his son, debates immortality for him but ultimately yields to fate, honoring Sarpedon by shedding drops of blood from the heavens and ordering Apollo to cleanse his body before Sleep and Death carry it back to Lycia for a heroic burial by his kinsmen.^[2] Alternative traditions portray Sarpedon as the son of Zeus and Europa, brother to Minos and Rhadamanthys, who was exiled from Crete to rule Lycia and granted a long life by the gods, though the Iliad version emphasizes his mortal heroism and tragic end.^[1]

Etymology and Identity

Name Origins

The name Sarpedon (Greek: Σαρπηδών, Sarpedōn) is widely regarded by scholars as deriving from a Bronze Age Anatolian compound, specifically Luwian *sar-pēdan-, composed of sar- ("up, on") and pēdan- ("place"), yielding meanings such as "(one having) top position" or "chief."^[4] This etymology positions the name as either a personal name or a title indicative of high status, particularly among Luwian-speaking populations in the Lukka Lands (ancient Lycia).^[4] Cognates of the name's components appear in Hittite and Luwian records from the Late Bronze Age, underscoring its non-Greek origins and association with Anatolian elite or military roles.^[4] These early references suggest the name entered Greek tradition through cultural contacts in the Aegean-Anatolian sphere, possibly as a designation for expedition leaders or rulers.^[4] In Greek literary tradition, the name Sarpedon emerges prominently in Homer's Iliad (ca. 8th century BCE), where it denotes the Lycian king and ally of Troy, marking its adaptation into epic narrative as a symbol of foreign nobility. Subsequent Hellenistic and Roman texts, such as those by Apollodorus and Strabo, retain the Homeric form while applying it to multiple mythological figures, reflecting the name's enduring prestige and possible folk associations with leadership in non-Greek contexts.

Distinction from Other Figures

In Greek mythology, the Sarpedon most prominently featured in the Trojan War narrative is distinguished as the son of Zeus and Laodameia, daughter of Bellerophon, who ruled as king of Lycia and served as a key ally to the Trojans. This figure appears in Homer's Iliad, where he leads Lycian forces alongside Glaucus, his kinsman through the Bellerophon line.^[5] A separate Sarpedon, earlier in the mythological timeline, is the son of Zeus and Europa, brother to Minos and Rhadamanthus, born in Crete. After quarrelling with Minos over the youth Miletus and being exiled, he allied with Cilix and established rule in Lycia, where Zeus granted him an extended lifespan spanning three generations as a boon. This longevity positions him as the potential grandfather of the Trojan War Sarpedon in some interpretive traditions, reflecting generational continuity in Lycian kingship.^[5] Ancient sources occasionally conflate these identities, as seen in Apollodorus, who attributes the Lycian kingship to Europa's son while separately noting Homer's specification of Laodameia as the Trojan hero's mother, highlighting inconsistencies in genealogical accounts across texts.^[5] Yet another distinct figure is the Thracian Sarpedon, son of Poseidon and brother to Poltys, ruler of Aenus near the Hebrus River. This Sarpedon met his end when Heracles shot him with an arrow as he fled by sea from Aenus, after attempting to assault one of the hero's companions during his stay there en route to fetch the mares of Diomedes. He is eponymous for Cape Sarpedon in the region, underscoring his localized Thracian associations unrelated to the Lycian or Cretan lineages.^[6]^[7]

Family and Background

Parentage

In Greek mythology, the Sarpedon who fought as a Lycian leader in the Trojan War is primarily identified as the son of Zeus, the king of the gods, and Laodameia, a mortal princess.^[8] This parentage is explicitly described in Homer's Iliad, where Zeus is said to have lain with Laodameia, who bore the "godlike Sarpedon, the warrior harnessed in bronze." Laodameia herself was the daughter of Bellerophon, the Corinthian hero famed for slaying the Chimera, and his wife Philonoe, daughter of King Iobates of Lycia.^[9] Through her father, Laodameia's lineage traces back to Bellerophon's own parentage as the son of Glaucus and grandson of Sisyphus, the cunning king of Corinth, thereby connecting Sarpedon to the ancient heroic traditions of Corinth and Argos, including ties to the broader Aeolian and Argonautic lineages of Greek myth.^[9] An alternative tradition, recorded in later sources, attributes Sarpedon's motherhood to Europa, the Phoenician princess abducted by Zeus, making him the brother of Minos and Rhadamanthys; however, this genealogy pertains to an earlier Cretan figure often regarded as the Trojan hero's grandfather, distinct from the Iliadic Sarpedon.^[5] As the offspring of Zeus and a mortal, Sarpedon held the status of a demigod, endowed with exceptional valor and longevity, yet bound by divine prophecy to meet his end at Troy, a fate that even his father could not avert despite profound paternal grief.^[10] This heritage underscored his elevated role among Trojan allies, blending divine favor with the inexorable decrees of the gods.

Early Life and Connections to Crete

Sarpedon, the Lycian leader in the Trojan War, was born in Lycia as the son of Zeus and Laodameia, daughter of the hero Bellerophon, placing him within the established royal lineage of the region. His upbringing occurred in this prosperous Lycian environment, where he was groomed for kingship amid the influences of his paternal grandfather Bellerophon—a Corinthian exile who had earned the favor of King Iobates through heroic deeds—and the broader familial ties to Lycia's founding dynasty.^[11] This early life emphasized the warrior traditions of Lycia, fostering Sarpedon's renowned prowess and sense of noblesse oblige, as later reflected in his exhortations to Glaucus about the duties of leaders to their people. Mythological traditions link Sarpedon's lineage to Crete through his grandfather, the elder Sarpedon, son of Zeus and Europa, who was exiled from the island after quarreling with his brother Minos over succession and the youth Miletus. The elder Sarpedon, accompanied by followers known as Termilae, migrated to southwestern Anatolia, allied with Cilix in conflicts against local tribes, and established kingship in Lycia, where Zeus granted him an exceptionally long life spanning three generations.^[5] In a variant tradition recounted by Diodorus Siculus, the elder Sarpedon's son Euandrus succeeded him as king of Lycia, marrying Laodameia (also called Deidameia), daughter of Bellerophon; their son was then the younger Sarpedon who fought at Troy, presenting him as a mortal descendant rather than a direct son of Zeus.^[12] Herodotus affirms the Cretan origins of the Lycians, stating that the Termilae, under Sarpedon son of Europa, settled the land previously held by the Milyans (or Solymi), introducing customs such as matrilineal descent—unique among Greeks—where children take their mothers' names and status. These Cretan ties shaped Lycian societal norms, including a strong emphasis on hospitality (xenia), which echoed Minoan-influenced practices of communal feasting and guest rights preserved in regional lore, and a warrior ethos prioritizing honor and alliance, as seen in the Lycians' steadfast support for Troy. Sarpedon's early years under such blended traditions would have immersed him in governance ideals bridging Crete and Lycia, fostering his martial culture. Prophetic elements marked Sarpedon's destiny from an early mythological perspective, with Zeus possessing foreknowledge of his grandson's fated death in the Trojan War. In the Iliad, as Sarpedon prepares for battle, Zeus contemplates intervening to save him from Patroclus but ultimately yields to the inevitability of fate, shedding tears over the loss—a rare display of divine pathos underscoring the inexorable path ordained for the hero.^[11] This foreknowledge, tied to Sarpedon's divine parentage, loomed over his life, prefiguring the heroic sacrifice that defined his legacy.

Rule in Lycia

Ascension to Kingship

Sarpedon, born to Zeus and Laodamia—the daughter of the hero Bellerophon—emerged as the rightful heir to the Lycian throne within his illustrious family line. According to mythological traditions preserved in later accounts, his uncles, Isander and Hippolochus, along with other relatives, withdrew their competing claims, paving the way for Sarpedon to ascend without contest.^[1] This succession underscored the divine favor bestowed upon him as a son of Zeus, distinguishing him from potential rivals and solidifying his position as leader of the Lycians. Details of his early rule are sparse in primary sources like Homer's Iliad, which focuses on the Trojan War, with later traditions providing inferences about his leadership. Upon taking the throne, Sarpedon organized his royal court and assembled a formidable military force, capitalizing on Lycia's pivotal location in southwestern Anatolia as a natural buffer between the Greek mainland and eastern powers.^[13] These initiatives reflected a strategic vision that positioned Lycia as a resilient kingdom amid shifting alliances in the Aegean world. As a monarch, Sarpedon embodied wisdom, bravery, and a commitment to justice, qualities that resonated with the heroic legacy of his forebears through familial ties to Bellerophon.

Alliances and Preparations for War

As king of Lycia, Sarpedon entered into an alliance with Priam of Troy, leading his forces to support the Trojans against the Greek invasion during the Trojan War. This commitment positioned the Lycians as one of the most reliable Trojan allies, providing military aid in defense of the city.^[14] The alliance reflected longstanding regional ties, with Lycia serving as a cultural and economic partner to Troy through shared Anatolian networks in the Late Bronze Age.^[15] Sarpedon organized the Lycian contingent by recruiting prominent warriors, foremost among them his close companion Glaucus, son of Hippolochus, whom he appointed as a co-leader. Together, they commanded the Lycians from their homeland near the Xanthus River, assembling a force renowned for its valor and readiness to engage the Danaans.^[16] This recruitment drew on familial and noble ties within Lycia, ensuring a unified command structure for the expedition. In preparations for the campaign, Sarpedon armed his warriors with bronze panoply typical of Anatolian fighters, including corslets, greaves, and shields reinforced with oxhide, suited to both offensive assaults and defensive maneuvers. Training emphasized the hardy tactics honed in Lycia's mountainous terrain, fostering endurance and agility for the rigors of siege warfare at Troy. Sarpedon's motivations for intervening stemmed from a sense of obligation to the Trojan alliance, coupled with his ambition to secure lasting glory for himself and his people through heroic deeds.^[3]

Role in the Trojan War

Arrival at Troy

Sarpedon, leading the Lycian contingent alongside Glaucus, embarked on a voyage from distant Lycia to Troy, sailing along the eddying Xanthus River and across the sea to reinforce the Trojan defenses amid the ongoing Greek siege in the war's tenth year.^[17] This arrival bolstered Priam's forces, as the Lycians formed one of the most reliable allied units, providing critical support against mounting Achaean pressure on the city's walls and the Greek encampment.^[14] Upon reaching Troy, Sarpedon and his warriors were integrated into the Trojan ranks under the command of Hector, with Sarpedon assuming a prominent role among the allies; he later rebuked Hector for perceived inaction, underscoring his loyalty while urging unified defense of the city.^[18] No formal oaths are recorded, but their commitment was evident in immediate deployment to the western flank of the Trojan line, where Sarpedon led the allied divisions in coordinated assaults.^[19] In the ensuing initial skirmishes, Sarpedon's forces conducted probing attacks on the Greek camp, notably in early engagements where Tlepolemus, leader of the Rhodians, challenged him to single combat after taunting his lineage; Sarpedon slew Tlepolemus with a spear to the neck, though Tlepolemus wounded him in the left thigh with his spear in return.^[18] These actions allowed assessment of enemy strength, with Lycian spearmen and auxiliary archers—drawn from the contingent's ranks—positioning to support Trojan chariots by harassing Greek flanks and protecting advances toward the ships.^[19]

Key Battles and Speech to Glaucus

Sarpedon played a prominent role in the Trojan assaults on the Achaean defensive wall during the later stages of the war, leading his Lycian contingent in fierce charges aimed at breaching the fortifications and reaching the Greek ships.^[20] In these engagements, detailed in Book 12 of the Iliad, Sarpedon personally scaled and tore at the ramparts, demonstrating superhuman strength by ripping down sections of the wall with his bare hands while under divine influence from his father Zeus.^[3] His efforts contributed to temporary breakthroughs, allowing Trojan forces to press the Greeks hard and force them into defensive positions around the ships.^[21] During these assaults, Sarpedon clashed directly with key Greek heroes, including the brothers Ajax and Teucer, who were summoned to reinforce the beleaguered wall.^[20] Great Ajax hurled a massive rock that felled Sarpedon's companion Epicles, disrupting the Lycian advance, while Teucer loosed arrows that wounded Glaucus and struck Sarpedon's shield, though Zeus intervened to deflect a fatal blow.^[3] These encounters highlighted the intensity of the fighting at the wall, where Sarpedon's leadership kept the Lycians committed despite heavy casualties among their ranks.^[22] Prior to one critical charge, Sarpedon delivered a renowned speech to his comrade and fellow Lycian leader Glaucus in Iliad Book 12 (lines 310–328), exhorting him to join the front lines for the sake of honor and glory.^[23] In the address, Sarpedon contrasts the privileges of their noble status—such as honored seats at feasts, prime lands, and respect from the people—with the imperative of courage, arguing that their elevated position demands greater bravery in battle to justify those rewards and achieve immortal fame, even in the face of inevitable death.^[20] This oration underscores themes of aristocratic duty (noblesse oblige) and the warrior code, motivating Glaucus and their troops to fight with renewed vigor.^[21] Sarpedon and Glaucus shared numerous joint exploits as co-commanders of the Lycians, including coordinated charges that temporarily repelled Greek defenders and advanced the Trojan lines toward the ships.^[3] Together, they rallied their men after setbacks, such as Glaucus's wounding, pushing forward to exploit breaches in the wall and maintain pressure on the Achaeans.^[20] Their partnership exemplified the Lycian contingent's effectiveness as Troy's staunchest allies, leveraging disciplined infantry assaults to support broader Trojan offensives.^[22] In these battles, Sarpedon employed the mobility and ferocity of his Lycian forces to outmaneuver and pressure the rigid Achaean phalanxes, dismounting from chariots to form compact units that targeted weak points in the Greek defenses.^[21] This approach allowed the Lycians to flank exposed sections of the wall during the divided Trojan battalion assaults, creating opportunities for penetration that the more static Greek formations struggled to counter.^[3]

Death and Aftermath

Confrontation with Patroclus

In Book 16 of Homer's Iliad, Patroclus, armored in the likeness of Achilles, leads the Myrmidon charge to repel the Trojans from the Greek ships, driving them back in disarray and slaying many, including Lycian warriors under Sarpedon's command.^[24] Observing the havoc from afar, Sarpedon rallies his remaining Lycians and directly challenges the imposing figure he mistakes for Achilles, vowing to test his mettle in single combat.^[25] The duel unfolds swiftly and brutally. Sarpedon hurls his spear first, narrowly missing Patroclus but striking and killing the hero's horse Pedasus, causing the chariot to falter as the other horses tangle in the fallen traces.^[26] Patroclus, undeterred, counters by casting his own spear, which pierces Sarpedon through the midriff, driving deep into his body and felling the Lycian king to the ground amid the dust.^[27] Even as mortal agony overtakes him, Sarpedon displays unyielding valor, addressing his companion Glaucus—fresh from their shared battles earlier in the fray—and imploring the Lycians to defend his body fiercely, lest it be despoiled by the enemy.^[28] His words, delivered while blood foams from his mouth, underscore his resolve to inspire his troops to the last, refusing to yield passively to death.^[29] This confrontation marks a pivotal turning point in the Trojan War narrative, fulfilling the fated prophecy foretold by Zeus that Sarpedon would perish at Patroclus's hand, thereby shifting the momentum and sealing the Lycian leader's heroic arc.^[30]

Divine Intervention and Burial

In the immediate aftermath of Sarpedon's death at the hands of Patroclus, Zeus confronts a profound dilemma regarding the fate of his mortal son, as depicted in Homer's Iliad Book 16. Gazing upon the battlefield from Mount Ida, Zeus weeps tears of blood in sorrow, contemplating whether to intervene and grant Sarpedon immortality by rescuing him from death or to allow the inexorable decree of fate to prevail.^[31] Ultimately, persuaded by Hera's counsel that such favoritism would disrupt the cosmic order and provoke unrest among the other gods, Zeus yields to destiny, permitting Sarpedon's death while resolving to honor his body afterward.^[31] This moment underscores Zeus's subordination to the Moirai, even as a father, highlighting the tension between divine paternal affection and the unalterable laws governing mortals.^[32] To ensure Sarpedon's corpse receives dignified treatment amid the chaos of battle, Zeus dispatches Apollo to cleanse the body of blood and dust, anoint it with ambrosia, and enshroud it in divine garments, thereby preserving its sanctity.^[31] Apollo then entrusts the prepared body to the twin brothers Hypnos (Sleep) and Thanatos (Death), whom Zeus commands to swiftly carry it away from the Trojan plain back to Lycia.^[31] In some artistic traditions, such as the Attic red-figure krater attributed to Euphronios (c. 515 BCE), Hermes appears as a psychopomp overseeing or guiding the transport, though the Iliad itself omits this detail.^[33] Upon arrival in Lycia, Sarpedon's body is delivered to his brothers and kin, who perform the necessary funeral rites, including interment in a tomb marked by a stele and barrow—a privilege reserved for fallen heroes.^[31] This honorable burial establishes the foundation for Sarpedon's hero cult in Lycia, evidenced by ancient shrines in Xanthos and widespread veneration among the Lycians, reflecting his enduring status as a deified ancestor whose worship persisted into historical times.^[34] The cult's rituals, centered on offerings and commemorations, served to invoke Sarpedon's protective influence over his descendants, aligning with broader Anatolian heroic traditions that emphasized posthumous communal honor.^[32] The removal of Sarpedon's body leaves the Trojan allies in disarray, particularly affecting Glaucus, his Lycian comrade and co-leader, who is overcome with savage grief upon hearing Sarpedon's dying plea for vengeance.^[31] Crippled by a prior wound, Glaucus prays to Apollo for strength, which the god grants, enabling him to rally the demoralized Lycians and urge Hector and the Trojans to defend the corpse fiercely against desecration by the Greeks.^[31] His impassioned call for reinforcements and rebuke of Hector's inaction underscore the Lycian contingent's vulnerability, as Sarpedon's loss erodes their resolve and exposes the fragility of the Trojan alliance without its key warrior.^[35]

Cultural Depictions

In Ancient Literature

Sarpedon appears prominently in Homer's Iliad as a Lycian leader and son of Zeus, first introduced in the catalog of ships in Book 2 as co-commander of the Lycian forces alongside Glaucus, hailing from the region around the Xanthus River.^[36] In Book 5, he engages in fierce combat, slaying the Achaean Tlepolemus, son of Heracles, after a verbal exchange questioning each other's divine heritage, though Sarpedon himself sustains a thigh wound that forces his temporary withdrawal.^[37] His most renowned moment occurs in Book 12, where he delivers a stirring speech to Glaucus before assaulting the Greek wall, emphasizing the obligations of nobility—seats of honor, prime cuts of meat, and allocated lands in Lycia—and urging them to fight valiantly at the forefront despite the inevitability of death, thereby exemplifying heroic duty and the pursuit of glory.^[38] The culmination of Sarpedon's arc in the Iliad unfolds in Book 16, where he confronts Patroclus during the Myrmidons' assault and is slain by a spear to the heart, prompting Zeus to lament his son's fated end while ultimately yielding to destiny, with divine figures Hypnos and Thanatos transporting the body back to Lycia for honorable burial.^[39] This death scene underscores central Homeric themes of fate's inescapability—even for Zeus's offspring—and the heroic ideal of facing mortality with courage, as Sarpedon's valor galvanizes the Trojans but marks a pivotal loss in their defenses.^[40] Prose mythographers offer variant genealogies for Sarpedon; in Apollodorus's Bibliotheca, he is primarily the son of Zeus and Europa, brother to Minos and Rhadamanthys, who quarrels with Minos over a youth and flees to Lycia to rule, receiving from Zeus the boon of a three-generation lifespan, though Homer's account of Zeus and Laodamia as parents is noted as an alternative.^[5] Sarpedon received enduring veneration in Lycian hero cults, evidenced by the Sarpedoneia temple complex in Xanthos, where he was honored as a deified warrior, reflecting his integration into local Anatolian religious practices post-Trojan War.^[1] Philosophically, Plato invokes Sarpedon's fate in the Republic (Book 3) by quoting Homer's depiction of Zeus's grief over the prophecy of his son's death at Patroclus's hands, using it to critique poetic representations of divine vulnerability and their potential to undermine ideals of justice and noble restraint among the young.^[41]

In Ancient Art

One of the most iconic representations of Sarpedon in ancient Greek art is found on the Euphronios Krater, an Attic red-figure calyx-krater dated to circa 515 BC, signed by both the potter Euxitheos and the painter Euphronios. The obverse depicts the immediate aftermath of Sarpedon's death in the Trojan War, with the winged gods Hypnos (Sleep) and Thanatos (Death), portrayed as armored warriors, lifting his nude, wounded body from the battlefield while Hermes, the psychopomp, guides them with his caduceus. This composition captures the pathos of the hero's mortality and divine favor, drawing directly from Homer's Iliad where Zeus laments his son's fate, emphasizing Sarpedon's tragic nobility through detailed anatomical rendering and emotional gestures.^[33]^[42]^[43] Additional red-figure vases from the 6th to 4th centuries BC, including Attic and South Italian examples, illustrate key moments in Sarpedon's narrative, such as his fatal duel with Patroclus and his exhortatory speech to Glaucus before battle. For instance, a bell-krater attributed to the Sarpedon Painter, dated to ca. 400–380 BC, reiterates the body-carrying motif with Hypnos and Thanatos transporting Sarpedon to Lycia, underscoring themes of heroic repatriation and the gods' involvement. These vessels often show Sarpedon in vigorous combat poses, armored and spear-wielding, to highlight his prowess as a Lycian leader allied with the Trojans, with inscriptions occasionally naming figures for clarity.^[44]^[43] The iconography of Sarpedon evolved from the Archaic period's emphasis on intense battle dynamics—evident in early red-figure scenes of his confrontations—to Classical art's focus on mournful removal and burial, reflecting a shift toward emotional depth in depicting the Iliad's death scene.^[42]

References

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Ocean and Tethys had a son Inachus, after whom a river in Argos is called Inachus. He and Melia, daughter of Ocean, had sons, Phoroneus, and Aegialeus.
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[5.68.3] And some men say that it was she also who introduced laws, by obedience to which men have become accustomed to deal justly one with another, ...
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He it was who had guided the Achaeans with their fleet to Ilion, through the prophecies with which Phoebus Apollo had inspired him.
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The dream came swiftly to the Achaean long-ships, to Agamemnon, son of Atreus, resting in his hut, lost in ambrosial slumber.
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Then glad at his coming was Sarpedon, son of Zeus, and spake to him a piteous word: "Son of Priam, suffer me not to lie here a prey to the Danaans, but bear me ...
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Zeus, gazing down on them, felt pity, and spoke to Hera his sister-wife: 'Alas that Sarpedon, so dear to me, is fated to die at the hands of Patroclus!
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Boreas, Hypnos, Thanatos, and the deaths of Sarpedon in the Iliad
Sarpedon was escorted on his final journey by a noteworthy pair of “pallbearers”: the divine twins Hypnos and Thanatos, sent on the orders of the king of the ...
[32]
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Gods carry away the dead on a pot looted from a tomb, trafficked out of Italy, bought by the Met, and finally returned.Missing: tradition | Show results with:tradition
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[34]
The Iliad Book 16 Summary & Analysis - LitCharts
Sarpedon's death illustrates Zeus' inability to master fate, as he is compelled to let his son die despite seeming to have the power to save him. However, his ...
[35]
https://www.litcharts.com/lit/the-iliad/book-16
[36]
https://www.perseus.tufts.edu/hopper/text?doc=Perseus%3Atext%3A1999.01.0134%3Abook%3D2%3Acard%3D876
[37]
https://www.perseus.tufts.edu/hopper/text?doc=Perseus%3Atext%3A1999.01.0134%3Abook%3D5%3Acard%3D627
[38]
https://www.perseus.tufts.edu/hopper/text?doc=Perseus%3Atext%3A1999.01.0134%3Abook%3D12%3Acard%3D310
[39]
Chapter 5. The Death of Sarpedon and the Question of Homeric ...
In an important article, Emile Benveniste establishes the formal relationship of this Indic noun, along with its Greek cognate aiṓn, also meaning 'lifetime', ...
[40]
EPIC CYCLE FRAGMENTS - Theoi Classical Texts Library
Only fragments of the ten poems survive, one of which describes the Titan war, three the Theban saga, and six the Trojan War.
[41]
https://classics.mit.edu/Plato/republic.3.ii.html
[42]
The many meanings of the Sarpedon Krater (article) - Khan Academy
A 6th century BCE ancient Greek pot, commonly referred to as the Sarpedon Krater or Euphronios vase. This pot was looted from an Etruscan tomb not far from ...
[43]
Thanatos, Hypnos & Sarpedon - Ancient Greek Vase Painting
The winged gods Thanatos (Death) and Hypnos (Sleep) carry the body of Sarpedon from the battlefield of Troy. The pair are depicted as armoured warriors with ...Missing: Patroclus duel<|control11|><|separator|>
[44]
Attributed to the Sarpedon Painter - Terracotta bell-krater (mixing bowl)
The depiction of Sarpedon being transported by Sleep and Death to his native Lycia for burial originated in Athens, possibly with the painter Euphronios.