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Save the Tiger

Save the Tiger is a 1973 American drama film directed by and written by Steve Shagan. The story centers on Harry Stoner, a veteran and garment manufacturer in whose business is failing, leading him to consider through while grappling with personal disillusionment and moral decay. Starring in the lead role, the film portrays a 48-hour period in Stoner's life filled with encounters that force him to confront his lost ideals and the compromises of contemporary American life. The narrative unfolds over a day and a half, beginning with Stoner awakening from a about his wartime experiences and proceeding through meetings, a visit to a , and philosophical conversations with an old friend that highlight themes of , , and ethical erosion. Supporting performances include as Stoner's philosophical partner, as a young , and as a shady arsonist, all contributing to the film's exploration of and societal pressures in the early . With a runtime of 100 minutes and an , Save the Tiger blends character-driven drama with , drawing comparisons to earlier American films about moral ambiguity. Upon release, the film earned widespread critical praise for its acting and writing, particularly Lemmon's portrayal of a man torn between his conscience and his survival instinct. At the , won the Oscar for , while the film received nominations for Best Original Screenplay (Shagan) and Best Supporting Actor (Gilford). It also garnered Golden Globe nominations for Best Motion Picture – Drama and Best Actor – Drama for Lemmon. Save the Tiger holds an 88% approval rating on based on contemporary reviews, cementing its status as a notable entry in 1970s American cinema.

Film overview

Plot

The film chronicles a day and a half in the life of Harry Stoner, a Los Angeles-based garment manufacturer facing severe financial distress with his company, Capri Casuals, due to mounting debts and declining sales. Awakened by a nightmare revisiting his service as a pilot in , where he reluctantly participated in the destruction of a historic , Harry arrives at his office to confer with his partner, Phil Greene, who details the company's , including overdue loans and the need for drastic measures like insurance claims to avoid . Desperate to salvage his business, pitches his new line of midi-length dresses to skeptical out-of-town buyers during a tense , while simultaneously arranging to hire professional arsonist Robbins, whom he meets in a public park to finalize plans for torching one of the company's warehouses that evening to collect a substantial payout. Throughout the afternoon, Harry picks up his loyal , Myra, from her class, and they spend time driving through the city, sharing intimate conversations that reveal his growing from his and , as well as his longing for past simplicities. As the day unfolds, Harry encounters a young Vietnam War protester on the street who confronts him with horrific photographs of civilian casualties and atrocities, intensifying his sense of guilt and disillusionment with modern conflicts. Interspersed are hallucinatory flashbacks to his wartime experiences and earlier life, including memories of playing amateur in the 1940s. Later, after attending a movie theater, Harry is approached by a conservation activist soliciting signatures for a petition to protect endangered Bengal tigers from poaching and habitat loss, an encounter that poignantly underscores his personal turmoil. That night, as the unfolds successfully at the warehouse, Harry grapples with the consequences of his actions. The following morning brings Harry to a featuring his new designs, where the parade of models overwhelms him, culminating in a profound emotional collapse as he exits the venue and witnesses children playing in a nearby lot, evoking his lost ideals and prompting a tearful breakdown.

Cast

The principal cast of Save the Tiger (1973) is led by as Harry Stoner, a veteran and co-owner of a struggling garment manufacturing company facing financial ruin, whose internal moral conflicts drive the narrative. portrays Phil Greene, Harry's loyal business partner and accountant, who provides steadfast support amid the company's crisis. Laurie Heineman plays Myra, Harry's young secretary who becomes a brief romantic interest, offering a momentary escape from his troubles. Supporting roles include as Fred Mirrell, a tough buyer whose demands exacerbate the pressures on Stoner. Patricia Smith appears as Janet Stoner, Harry's distant wife, highlighting the strains in their long-standing . Thayer David is cast as Charlie Robbins, a shady contact who assists in desperate measures to save the firm.

Production

Development

Save the Tiger originated from a screenplay written by Steve Shagan, his debut as a screenwriter, completed in 1970. Shagan, who also served as co-producer, later adapted the script into a of the same name, published in late November 1972 shortly before the film's release. A second draft of the screenplay, dated February 22, 1971, bears credits to Shagan as writer. The project was initially acquired by Cinema Center Productions in November 1970. After the initial acquisition, it took two years of lobbying by Shagan, Lemmon, and Avildsen to convince to provide the $1 million budget. John G. Avildsen was chosen to direct after the critical success of his 1970 film , which impressed both lead actor and Shagan. The film was ultimately produced and distributed by , with principal photography greenlit for early 1972 on a modest budget of $1 million.

Filming

Principal photography for Save the Tiger took place in 1972 in , , capturing the film's narrative within the city's garment industry and urban landscape. The emphasized on-location shooting to achieve , with key sites including the downtown garment district for factory and business sequences, for street-level encounters, the at 1038 Hill Street in for the adult film theater scene, in Beverly Hills for driving sequences, and for additional exterior shots. Interiors, such as Harry's office and apartment, were constructed on studio sets to control the controlled environment needed for dialogue-heavy scenes. The low-budget production, estimated at $1 million, operated on a tight schedule influenced by star Jack Lemmon's limited availability; Lemmon, committed to the project, accepted pay of $165 per week to help secure funding and enable filming. This constraint required efficient planning, with wrapping efficiently to align with Lemmon's commitments to other projects. James Crabe's approach prioritized urban realism, employing natural lighting and dynamic camera work during location shoots to underscore the protagonist's moral descent amid the city's bustle.

Artistic elements

Themes

Save the Tiger explores the moral conflict faced by its , Stoner, a garment manufacturer contemplating to salvage his failing business, serving as a for the erosion of ethical standards in . This internal struggle highlights the tension between personal integrity and survival in a corrupt system, where compromises like and become normalized accommodations to economic pressures. Steve Shagan uses Harry's dilemmas to critique the broader societal shift toward cynicism, where individual moral decay mirrors national disillusionment. The film delves into the loss of innocence through Harry's nostalgic reflections on the and the , contrasting the of earlier eras with the harsh realities of 1973. These flashbacks underscore generational disillusionment with the , as Harry laments the simplification of life's complexities in the past, symbolizing a collective yearning for a time before social upheaval shattered optimism. This theme captures the psychological toll of historical events, portraying Harry's breakdown as emblematic of a nation's fading heroism and ethical clarity. Central to the is the of the , representing endangered ideals and the instinct to return to origins amid decline, much like efforts for the animal parallel Harry's desperate grasp on lost values. The garment industry serves as a for capitalist , depicted through cutthroat practices and reliance on exploitative deals, critiquing consumerism's role in fostering moral compromise. The movie offers a pointed social critique of guilt and anti-war sentiment, with war memories intruding on contemporary life and his for the younger generation's protests reflecting widespread 1970s remorse over the conflict's human cost. This is woven into a broader condemnation of , where material success demands ethical erosion, capturing America's mid-1970s of and cultural fragmentation.

Style and direction

John G. Avildsen's direction in Save the Tiger adopts an understated, observational approach that prioritizes character intimacy over spectacle, capturing the everyday struggles of urban life with a focus on texture and humanity. This style is described as shrewd and fluent, achieving a surface that grounds the in the ambiguities of 1970s . Cinematographer James Crabe employs natural lighting available on location to highlight the contrasts between Los Angeles's vibrant, colorful sidewalk scenes and more isolated, smog-tainted settings like the Malibu mountains. His work creates staggering imagery of the city's gorgeous yet vulnerable essence, using long takes in some sequences to emphasize spatial isolation amid bustling streets and empty warehouse districts. The editing by David Bretherton contributes to a free-form pacing that mirrors the protagonist's inner disorientation. Marvin Hamlisch's score, featuring haunting trumpet themes like "I Can't Get Started," underscores the emotional tension through subtle, melancholic motifs that enhance the film's reflective tone. Visual motifs, such as the juxtaposition of crowded urban avenues and desolate industrial spaces, visually reinforce the themes of disconnection and turmoil without overt symbolism.

Release and response

Distribution and box office

Save the Tiger was distributed by and premiered in the United States on February 14, 1973, following a limited initial rollout in major cities including and . The release strategy focused on art house and select urban theaters to target audiences interested in character-driven dramas, capitalizing on Jack Lemmon's established star power. Marketing for the film included theatrical trailers and television spots that prominently featured Lemmon's portrayal of a desperate garment manufacturer, highlighting his departure from comedic roles to underscore the story's exploration of moral compromise. These promotional materials positioned Save the Tiger alongside contemporary social-issue films of the early 1970s, such as Serpico and The Conversation, to appeal to viewers seeking introspective narratives amid the era's cultural shifts. Produced on a budget of $1 million, the film achieved modest domestic box office success, grossing approximately $3 million in U.S. and Canadian rentals and ranking among the early commercial performers of 1973. This performance was bolstered by positive initial and subsequent recognition, including Lemmon's Academy Award win. Internationally, was limited, with releases in and other markets occurring between 1973 and 1974, including the United Kingdom on an unspecified date in 1973 and on July 21, 1973.

Critical reception

Upon its release in 1973, Save the Tiger received generally positive reviews from critics, who praised Jack Lemmon's lead performance and the film's exploration of moral dilemmas in American business. described it as an "intellectual which ostensibly lays bare the crass materialism of the age," highlighting its bold confrontation with ethical compromises in corporate life. ' called it "a rather brave one, a serious-minded examination of some of the least interesting aspects of middle-class ," appreciating its timeliness in depicting a protagonist's disillusionment amid societal shifts. awarded it three out of four stars, lauding Lemmon's "virtuoso piece of movie acting" that convincingly portrayed a man's internal , though he critiqued the script for attempting to cover too many contemporary issues, resulting in uneven pacing. The film holds an 88% approval rating on , based on 32 reviews, with the critic consensus noting that "Jack Lemmon's outstanding performance helps Save the Tiger grab early '70s American anxiety firmly by the tail." Reviewers frequently commended the depth of its character study, particularly Lemmon's portrayal of Harry Stoner as a flawed grappling with integrity versus survival, and its tone that critiqued the erosion of ideals. The film's relevance to the Watergate era was also highlighted, as it captured a sense of national disillusionment with authority and ethics. Criticisms centered on occasional in emotional sequences and a structure that felt overwrought, with some scenes—like the protagonist's encounter with a hitchhiker—appearing contrived or sentimental. in dismissed it as a "moral hustle" that justified unethical too readily, appealing more to industry insiders than audiences. For modern viewers, the dialogue and certain cultural references have been noted as dated, contributing to a sense of the film as a product of its time. In recent reassessments during the , critics have reevaluated the film for its prescience on corporate , viewing Harry's fraudulent schemes as a harbinger of ongoing scandals. A review praised its "fascinating character study" of psychological breakdown under capitalist pressures, emphasizing the critique of 1970s cynicism. Similarly, a 2025 analysis described it as a "compelling " that underscores America's persistent disappointments, though the third act's remains a weak point.

Recognition

Awards and nominations

Save the Tiger earned three nominations at the , presented on April 2, 1974, at the in , . Jack Lemmon won the for his role as the beleaguered garment manufacturer Harry Stoner, marking his second Oscar after 1955's Mister Roberts. The film also received nominations for Best Supporting Actor (Jack as Stoner's friend Lewis) and Best Original Screenplay (Steve Shagan). During his acceptance speech, Lemmon humorously noted having prepared one back in 1959, before thanking director for taking a chance on him in a dramatic role, Shagan for creating the character, Gilford as a friend and colleague, producer Martin Poll, his wife , and daughter Courtney. He closed by invoking the film's title, "Save the tiger," underscoring its themes of moral compromise in American business. At the 31st in 1974, Save the Tiger was nominated for Best Motion Picture – Drama and in a Motion Picture – Drama for Lemmon, though it did not win in either category. Lemmon's Oscar victory, alongside the film's other recognitions, contributed to the prominence of introspective dramas in 1970s American cinema.

Legacy

Save the Tiger marked a pivotal moment in the career of director John G. Avildsen, serving as a critical success that propelled him toward directing the blockbuster Rocky in 1976, for which he won the Academy Award for Best Director. The film's acclaim, including Avildsen's guidance of Jack Lemmon to a Best Actor Oscar, established him as a director capable of handling complex character-driven dramas before transitioning to inspirational underdog stories. For Lemmon, the role of Harry Stoner represented a significant shift, earning him his first competitive Best Actor Academy Award and reinforcing his versatility beyond comedic roles, following his earlier Best Supporting Actor win for Mister Roberts (1955). His intense portrayal of moral erosion was widely praised as a career-defining dramatic performance, solidifying Lemmon's reputation as a leading actor in serious cinema. The film endures as a hallmark of , often cited in analyses of the era's pervasive cynicism and disillusionment amid political scandals like Watergate and the lingering effects of the . Contemporary reviews highlighted its reflection of a "new mood of political apathy and cynicism," portraying the as tarnished and unattainable. Scholarly examinations position Save the Tiger within discussions of Vietnam-era cinema, interpreting its protagonist's ethical compromises as an allegory for national moral fatigue, with flashbacks to underscoring lost innocence. Its exploration of corporate ethics resonates in academic works on business in films, depicting owner-managers grappling with and in a economic landscape. The narrative's focus on personal and professional dilemmas has drawn parallels to later works like The Insider (1999), which similarly dramatizes and institutional corruption. In terms of accessibility, Save the Tiger received a DVD release in 2005 through Paramount's Widescreen Collection, featuring a sharp anamorphic transfer that preserved its visual style. A Blu-ray edition was released on August 26, 2025, by , including a new restoration. As of November 2025, it is available for streaming on platforms including , , and , allowing new audiences to engage with its themes. The film's 50th anniversary in 2023 prompted retrospective attention, including audio commentaries and listings among notable releases from 1973, underscoring its lasting cultural footprint.

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