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Science & Faith

Science & Faith is the second studio album by Irish rock band The Script. It was released on 10 September 2010 in Ireland and 18 January 2011 in the United States, via RCA Records. The album was preceded by the lead single "For the First Time" on 3 September 2010. It debuted at number one on the charts in Ireland and the United Kingdom, selling 70,816 copies in its first week in the UK. In the United States, Science & Faith entered the Billboard 200 at number three, the band's highest peak there, with first-week sales of 49,000 copies. The album has sold 314,000 copies in the US as of 2011 and over 1.5 million copies worldwide. Science & Faith received mixed to positive reviews from critics.

Background and recording

Development

Following the success of their debut album The Script (2008), which sold over 2 million copies worldwide, the band conceived Science & Faith as a sophomore effort to expand their emotional pop-rock formula while delving deeper into personal and societal themes. Lead singer Danny O'Donoghue described the album's inspiration as stemming from "the journey from a feeling of devastation in the pit of my stomach," reflecting his own experiences amid Ireland's economic downturn during the Celtic Tiger collapse. This motivation for expansion built directly on the debut's intimate storytelling, allowing the band to explore broader emotional landscapes without straying from their core sound. The writing process centered on O'Donoghue, guitarist , and drummer Glen Power, who collaborated closely to craft songs drawn from O'Donoghue's personal encounters in relationships, blending with . These sessions emphasized simplifying complex emotions into accessible narratives, as O'Donoghue noted the band's approach of "dealing with complex emotions in the simplest of ways." Contributions from external songwriter Steve Kipner helped shape several tracks, focusing on themes of love's irrationality against logical doubt. The process was influenced by the band's admiration for acts like , whose anthemic scope informed the album's aspirational tone, and , whose introspective lyricism echoed in explorations of faith and rationality. The decision to name the album after its title track symbolized the band's central exploration of in despite , with guitarist explaining in an interview that it captures "the science and faith of ... something that you have to have in." This concept encapsulated the record's overarching motif of emotional conviction triumphing over rational analysis, drawing from O'Donoghue's reflections on relationships as a blend of and doubt.

Production

The production of Science & Faith was led by band members and , alongside collaborators Steve Kipner and Andrew Frampton, who handled production duties across multiple tracks. These producers worked to refine the band's sound, drawing from O'Donoghue and Sheehan's experience as the core creative force within . Recording sessions occurred at three key studios: Apogee's Berkeley Street Studio in , Sphere Studios in , and Windmill Lane Recording Studios in , taking place in early 2010 ahead of the album's September release. This multi-location approach allowed the band to capture a blend of influences while maintaining a cohesive recording environment. Post-recording, the album was mixed by Mark "Spike" Stent, with assistance from Matt Green, and mastered by at Sterling Sound. Engineering support came from personnel including Brandon Duncan at Apogee's Berkeley Street Studios and Frank Cameli at Studios, ensuring polished yet dynamic tracks.

Composition

Musical style

Science & Faith is characterized by a pop-rock sound that incorporates elements of , , and , often featuring mid-tempo ballads and anthemic choruses designed for emotional resonance and stadium sing-alongs. The album's genre blends chugging guitar rhythms with influences from and Keane-like piano-driven urgency, creating a polished, radio-friendly aesthetic that emphasizes heartfelt delivery over raw edge. This sonic palette draws from traditions akin to , while integrating R&B-infused rhythms for a contemporary feel. The core instrumentation revolves around acoustic and electric guitars handled by , piano and keyboards played by , and drums provided by Glen Power, forming the band's foundational trio setup. Subtle enhancements include strings and electronic programming on select tracks, such as the orchestral swells and synth touches in "For the First Time," adding depth to the arrangements. Production techniques highlight layered vocals, with O'Donoghue's raspy, soaring delivery building emotional intensity through stacked harmonies and occasional rap-inflected verses, contributing to the album's average song length of approximately 4:13 minutes. These elements were captured across multiple studios, yielding varied sonic textures that enhance the overall cohesion. Compared to the band's self-titled debut, Science & Faith represents a more refined evolution, shifting focus toward vocal prominence and streamlined instrumentation for broader appeal, while retaining the raw passion but with a glossier, more accessible polish. This maturation is evident in the heightened emphasis on anthemic builds and R&B-tinged grooves, making it a successful sophomore effort that builds on the debut's foundation without straying from the group's core identity.

Themes

The album Science & Faith centers on the tension between ""—embodying logic, doubt, and rational analysis—and ""—representing , , and emotional . This serves as a for the of human relationships, where often conflicts with heartfelt conviction. In the , the narrator personifies science as a skeptical man who dissects like an experiment, only to confront its unquantifiable nature, pleading, "You won't find or down a / You won't find heart and soul in the stars." Lead singer described the song as stemming from a realization that love cannot be reduced to formulas, drawing from personal observations of how logic fails to explain emotional bonds. Recurring motifs of heartbreak and redemption underscore the album's exploration of loss and healing, particularly in tracks like "Nothing," where the protagonist, consumed by grief and alcohol after a breakup, confronts profound emptiness: "Am I better off dead? / Am I better off a quitter?" O'Donoghue revealed the song was inspired by his own heartbreak, capturing the disorientation of mourning a relationship while questioning self-worth. Resilience in love emerges in "If You Ever Come Back," which portrays unwavering hope amid separation, with lyrics like "If you ever come back, there'll be a light in the hall and the key under the mat," emphasizing forgiveness and the endurance of emotional ties. Social commentary on inequality permeates "For the First Time," reflecting Ireland's 2008 economic downturn; O'Donoghue explained it as a call for empathy toward those in hardship, such as people facing job losses and home foreclosures during the recession, urging listeners to "see it from the other side" and prioritize human connection over material struggles. Song-specific analysis highlights sacrificial love in "You Won't Feel a Thing," the album opener, where the narrator vows to absorb all pain for their partner—"I'll stand in front, I'll take the blow for you"—evoking themes of protective and selflessness. Overall, the narrative arcs toward personal growth, evolving from the debut album's raw focus on breakups and immediate anguish to a more philosophical examination of , , and relational maturity, as O'Donoghue noted the sophomore effort reflected "the " from youthful heartbreak to deeper introspection. These undertones are shaped by O'Donoghue's Catholic upbringing in a musical family, infusing lyrics with motifs of grace and renewal amid doubt, though he has described himself as consistently "massively " even in earlier years.

Promotion

Singles

The from Science & Faith, "For the First Time", was released on August 20, 2010. It achieved significant success, peaking at number 4 on the and number 1 on the . The , directed by Charles Mehling, intercuts band performance footage with scenes of a young couple grappling with global economic challenges, such as and financial hardship, to underscore themes of and new beginnings. The second single, "", followed on November 19, 2010. It reached number 42 on the and number 15 on the . Featuring an emotional rock arrangement with prominent guitar riffs, the track was accompanied by a directed by Charles Mehling, depicting a black-and-white of heartbreak and through the lead singer's drunken night out in , culminating in a symbolic plunge into a canal. "If You Ever Come Back", the third single, was issued on April 4, 2011. It peaked at number 115 on the . Incorporating urban pop elements with a blend of electronic beats and heartfelt lyrics, the video, directed by Charles Mehling, portrays a dramatic between a estranged couple amid urban settings, emphasizing longing and second chances in relationships. The , "Science & Faith", served as the fourth and final single, released on May 27, 2011. It charted at number 115 on the . The video, directed by Ethan Lader and shot in , uses symbolic imagery of scientific experiments and religious icons to explore themes of doubt and , aligning with the album's central of reconciling and . Each single received promotion through extensive radio airplay on major stations including and Irish broadcasters, alongside live performances at events like the and album launch shows; no official remixes were issued as part of the singles' releases.

Tour

The was a concert tour by Irish rock band , launched to support their second studio album of the same name, spanning from September 2010 to 2012 and comprising over 115 shows across 20 countries. The tour commenced in with initial dates in the UK and , including performances at venues such as the in on September 15, 2010. It later expanded to in late 2010, wrapping a leg there by November 7, and continued into 2011 with extensions to and . Key legs included the band's first headline arena tour in the UK and , featuring dates at major venues like in . In , the 2011 shows were promoted by Frontier Touring, with performances at Festival Hall in on April 5, Brisbane Convention Centre on April 10, and Hordern Pavilion in on April 8. The North American portion in 2010 included support slots for artists like , enhancing the band's exposure in the region. Setlists typically blended tracks from Science & Faith with selections from the band's debut album, averaging around 90 minutes in length and concluding with encores. Highlights included core album songs such as "For the First Time" and "Nothing," alongside staples like "The Man Who Can't Be Moved," "Breakeven," and "Before the Worst." Notable events encompassed the sold-out headline show at in on July 2, 2011, which drew 50,000 fans and marked the band's largest concert to date; tickets for the show sold out quickly. The tour featured no major incidents but received praise for the band's strong fan engagement, with frontman often interacting closely with audiences during performances. The tour extended album promotion into 2012, bridging directly into the release and support for the band's third album, #3, which debuted in September 2012 and launched its own world tour shortly thereafter.

Reception

Critical reception

Upon its release, Science & Faith received mixed reviews from critics, who praised its emotional resonance and melodic hooks while critiquing its formulaic approach and lack of innovation. The album holds a Metacritic score of 60 out of 100, based on six reviews from 2011, indicating generally mixed or average reception. Critics highlighted the album's emotional depth and strong choruses as standout elements. The commended the band's use of "wonderful pop choruses" that provide a "joyous rush" and emotional uplift, particularly in tracks like "For the First Time" and "," where Danny O'Donoghue's "sandpaper croon carries a lot of emotional force." Similarly, noted O'Donoghue's "raspily soaring choruses" as a freeing and engaging feature amid the mid-tempo guitar rock. echoed this, describing the best songs as evoking soft rockers like gearing up for intensity, with a raw edge that adds appeal. However, several reviewers accused the production of being overly polished and repetitive, leading to a sense of stagnation. called it a "pedestrian epic affair," swamped by "safe, repetitive, and unadventurous production" that makes tracks blend together. rated it 2.5 out of 5, pointing to "good and bad points" including an over-reliance on relationship troubles and a lack of variety, resulting in safe, radio-friendly songs that feel tiresome. Additional reviews offered varied perspectives, with Plugged In taking a positive view of the themes, summarizing the album as a poignant exploration of love's pains and hopes, exemplified in the title track's emphasis on faith over scientific explanation. musicOMH observed a noted maturity in the songwriting, building on the debut with more nuanced emotional narratives. The album garnered no major , though it received fan-voted recognition in music polls tied to chart performance. In retrospective views from the , the album is often seen as a transitional work bridging The Script's early sound to their later commercial successes, with O'Donoghue's vocals consistently praised as a highlight for their raw intensity.

Commercial performance

Science & Faith achieved strong commercial success upon release, debuting at on the charts in Ireland and the , where it spent 68 weeks on the and two weeks at the top. It peaked at number 15 in , spending 17 weeks on chart. The album peaked at number two in Australia, spending 35 weeks on the ARIA Albums Chart, and number three on the US Billboard 200 upon its January 2011 debut, marking the band's highest US chart position to date. By 2011, Science & Faith had sold over 1.5 million copies worldwide, including 314,000 units in the United States according to Nielsen SoundScan data reported by the RIAA. Its performance was particularly robust in , bolstered by the UK's dominance, while regional editions enhanced sales in Asian markets such as and . In the years following, the album experienced steady growth through streaming platforms in the post-2010s era, contributing to sustained popularity, though no additional certifications were issued after 2014, by which point it had earned 5× Platinum status in Ireland and 2× Platinum in the . The supporting tour further aided long-term sales momentum.

Credits

Track listing

All tracks on the standard edition of Science & Faith are co-written by and , with additional writing contributions from Steve Kipner and Andrew Frampton on tracks 1, 3, 5, and 10.

Standard edition

No.TitleDuration
1"You Won't Feel a Thing"4:33
2"For the First Time"4:12
3"Nothing"4:31
4"Science & Faith"4:19
5"If You Ever Come Back"4:01
6"Long Gone and Moved On"4:17
7""3:54
8"This = Love"4:20
9"Walk Away"3:36
10""4:25
Total length: 42:07.

US edition

The US edition replaces track 9 with "Walk Away" (featuring ) and adds two bonus tracks: "Bullet from a Gun" (3:25) and the original "Walk Away" (3:36), for a total of 12 tracks and a runtime of 49:18.

Asian Tour Edition

The Asian Tour Edition contains the standard 10 tracks plus the bonus track "Bullet from a Gun" (3:21), and includes a bonus DVD with live performances recorded at The O₂ in , such as "Science & Faith" (live, 5:11).

Personnel

The band , consisting of (lead vocals, piano), (guitar, backing vocals), and Glen Power (drums, backing vocals), provided the core instrumentation and performances throughout Science & Faith. Additional musicians contributed to specific elements, including Ben Sargeant on bass across multiple tracks. String sections on select tracks, such as "You Won't Feel a Thing," "For the First Time," "Science & Faith," and "If You Ever Come Back," featured arrangements by Daniel O'Donoghue and , with performances by session players including violinists Everton Nelson and Steve Morris, cellists Ian Burdge, Paul Kegg, and Sophie Harris, and bassist Mary Scully. The production team was headed by Steve Kipner and Andrew Frampton, who served as producers on most tracks (1, 3, 5, 10, and 11), alongside contributions from O'Donoghue and . Mixing duties were handled by Mark Stent, with assistance from Matt Green, while managed mastering. Recording engineers included Dan Frampton, with assistants such as Brandon Duncan, Frank Cameli, Greg Marriot, and Ronan Phelan at studios including Sphere Studios in and Apogee's Berkeley Street Studio in . No major guest appearances were featured, emphasizing the band's core sound augmented by session players.

Charts and certifications

Weekly charts

The album Science & Faith achieved strong initial chart performance in several major territories during its 2010-2011 release period, debuting with 70,816 copies sold in the UK and 49,000 copies in the US. No significant re-entries to weekly charts were noted in the 2020s.
CountryPeakWeeks on chart
Australia (ARIA)242
620
401
186
Japan (Oricon)155
168
US (Billboard 200)325

Year-end charts

The album Science & Faith achieved notable positions in various year-end album charts following its release in , reflecting its strong performance in the latter part of that year and into 2011. In the UK, it ranked #19 on the year-end albums chart for 2010, based on sales data from that period. In Ireland, it placed #2 on the IRMA year-end albums chart for 2010, underscoring its domestic success. For 2011, the album continued to perform well, ranking #68 on the UK year-end albums chart. In the US, it reached #139 on the year-end chart, indicating sustained popularity despite a later release date there. In , it charted at #79 on the year-end albums chart for 2011. Over the decade, Science & Faith was ranked #75 on the decade-end albums chart (2010–2019), highlighting its long-term impact.
YearChartPosition
2010UK Albums (OCC)19
2010Irish Albums (IRMA)2
2011UK Albums (OCC)68
2011US 139
2011Australian Albums ()79
2010–2019UK Albums (OCC)75

Certifications

The album Science & Faith by The Script has received several certifications from music industry organizations based on sales and shipments of physical and digital units. These awards reflect the album's commercial success in various regions, with thresholds varying by market—for instance, Platinum in Ireland equates to 15,000 units, while in the UK it represents 300,000 units. No additional certifications have been awarded since 2014, as confirmed by searches up to 2025.
RegionCertifying bodyCertificationUnits sold/shipped
IRMA5× Platinum75,000
BPI2× Platinum600,000
RIAA500,000
70,000
RMNZ15,000
The certifications are based solely on sales of physical and digital copies, without retroactive inclusion of streaming equivalents in these markets. Additionally, the album achieved Gold status in (IFPI Denmark, 10,000 units), Italy (FIMI, 25,000 units), and (GLF, 20,000 units), further underscoring its international appeal. No updates to these awards have occurred between 2020 and 2025.

Release history

RegionDateFormat(s)Label(s)Catalog
September 10, 2010CD, digital downloadPhonogenic, 88697754492
September 13, 2010CD, digital downloadPhonogenic, 88697754492
Various (Europe, , etc.)September 13, 2010CD, digital downloadPhonogenic, RCA Label Group, Various
January 18, 2011CD, digital download88697806492
January 18, 2011CD, digital download88697806492

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