Scott & Bailey
Scott & Bailey is a British police procedural drama television series that aired on ITV from 2011 to 2016, centering on the professional and personal lives of two female detectives in Manchester's Major Incident Team.[1] Created and primarily written by Sally Wainwright, the show stars Suranne Jones as the impulsive Detective Constable Rachel Bailey and Lesley Sharp as the more experienced Detective Constable Janet Scott.[2] The series follows the duo as they investigate murders and other serious crimes, while dealing with office politics, romantic entanglements, and family challenges.[3] Spanning five series with a total of 33 episodes, Scott & Bailey premiered on 29 May 2011 and concluded on 27 April 2016.[4] The first series consisted of six episodes, while series two through four each had eight, and the fifth series featured three episodes.[4] Produced by Red Production Company, the programme was filmed on location in Greater Manchester, emphasizing realistic depictions of police work without sensationalism.[5] The series garnered strong viewership, with its debut episode attracting 9.4 million viewers and becoming ITV's highest-rated new drama of 2011.[5] Critics praised its intelligent writing, sharp dialogue, and the compelling chemistry between Jones and Sharp, often highlighting its blend of gritty investigations and witty personal drama.[6] Scott & Bailey received multiple accolades, including nominations for the BAFTA Television Award for Best Drama Series in 2012 and 2013.[7] Its success led to international distribution, including broadcasts on PBS in the United States.[8]Premise and format
Premise
Scott & Bailey is a British police procedural drama series centered on the professional and personal lives of Detective Constable Rachel Bailey and Detective Constable Janet Scott, two close friends and colleagues serving in the Major Incident Team (MIT) of the fictional Manchester Metropolitan Police's Criminal Investigation Department (CID).[1] The narrative revolves around their investigations into serious crimes, including murders, assaults, and other violent offenses, while navigating the complexities of their individual circumstances.[9] Set primarily in Manchester, England, the series highlights the gritty urban environment and the demands of law enforcement in a bustling northern city.[10] Rachel Bailey is portrayed as impulsive and talented, often driven by instinct in her detective work, but her personal life is marked by instability, including challenging relationships and emotional turmoil that impact her career.[1] In contrast, Janet Scott embodies a more measured and reliable approach, balancing her role as a seasoned investigator with her responsibilities as a wife and mother to two teenage daughters, emphasizing her commitment to family amid professional pressures.[9] Their contrasting personalities create a dynamic partnership that underscores themes of female solidarity and mutual support in a male-dominated field.[10] The series explores key themes such as the realities of detective work, including bureaucratic hurdles and ethical dilemmas, alongside the struggles of maintaining work-life balance for women in policing.[1] It emphasizes authentic portrayals of interpersonal relationships, both within the team and in personal spheres, highlighting how professional demands intersect with private challenges like family obligations and romantic entanglements.[9] Over its run, the characters' arcs evolve to reflect growth in their partnership and individual resilience, though the core focus remains on their collaborative efforts to solve cases.[10]Format and style
Scott & Bailey employs a police procedural format, with each episode typically running for 45 to 50 minutes and centering on a self-contained investigation into a major crime, such as a murder or suspicious death, while weaving in ongoing personal narratives for the protagonists.[4][11] This case-of-the-week structure allows for episodic resolution of professional challenges, complemented by serialized arcs that explore the detectives' relationships, family issues, and emotional growth across the series.[12] The show's stylistic approach emphasizes gritty realism in its depiction of police work, portraying routine procedures, bureaucratic hurdles, and the emotional toll of investigations without resorting to sensationalized action or high-drama tropes.[12] Naturalistic dialogue drives the narrative, capturing authentic Mancunian speech patterns and interpersonal banter among the team, which underscores ensemble dynamics rather than individual heroics.[12] This focus on mundane yet compelling aspects of detection—such as paperwork, team collaborations, and quiet moments of reflection—blends procedural elements with character-driven drama, highlighting the interplay between professional duties and private lives.[13] Over its five series comprising 32 episodes, the format builds cumulative depth in character development, with each season advancing overarching storylines tied to the central female detectives while maintaining the core investigative rhythm.[14] This progression fosters a sense of continuity, where personal evolutions influence future cases, reinforcing the series' emphasis on relational and emotional realism within the procedural framework.[12]Cast and characters
Main cast
Suranne Jones stars as Detective Sergeant (DS) / Detective Constable (DC) Rachel Bailey, an impulsive and ambitious detective whose personal life is marked by turbulent relationships and struggles with alcohol, appearing across all five series of the show.[15][16] Rachel's character drives much of the series' emotional core through her bold investigative style and ongoing efforts to balance professional drive with personal chaos. Lesley Sharp portrays Detective Inspector (DI) Janet Scott, the experienced and empathetic lead detective who navigates the demands of her career alongside family responsibilities, forming the central mentorship dynamic with her younger colleague Rachel.[15][16] Janet's steady presence provides contrast to Rachel's volatility, highlighting themes of work-life balance and loyalty within the team.[17] Amelia Bullmore plays Detective Chief Inspector (DCI) Gill Murray, the authoritative boss who oversees the Major Incident Team while grappling with departmental politics and internal challenges, featuring in every series.[18][16] Gill's no-nonsense leadership and sharp insight often steer the narrative, emphasizing hierarchical tensions and strategic decision-making in high-stakes cases.[15] Nicholas Gleaves depicts DS Andy Roper in series 1–2, serving as Rachel's colleague and romantic interest whose involvement shapes key interpersonal plotlines within the squad.[16] Andy's role adds layers to team dynamics, blending professional collaboration with personal entanglements that influence investigations and relationships.[19] Danny Miller appears as DS Rob Waddington in series 3–4, introducing a younger team member whose energy brings fresh perspectives and revitalizes group interactions.[16] Rob's presence injects new vigor into the established ensemble, contributing to evolving team chemistry amid ongoing cases.[18]Recurring and guest cast
The recurring cast of Scott & Bailey features supporting police officers and family members who appear across multiple episodes and seasons, enriching the ensemble by depicting team interactions, workplace tensions, and personal lives that intersect with the central investigations.[16] These characters often handle procedural elements like forensics or administrative duties while navigating their own subplots, providing depth to the Manchester police syndicate without overshadowing the leads.[20] Key recurring roles include Tony Mooney as DC Pete Readyough, a long-serving detective constable who offers practical support and occasional comic relief amid the team's high-stakes cases, appearing in 32 episodes across all five series.[16] Delroy Brown portrays DC Lee Broadhurst, a dedicated team member bringing diverse perspectives to Syndicate 9's operations from series 1 across all series.[21] Tony Pitts plays Adrian Scott, the husband of DC Janet Scott, whose appearances in 22 episodes explore marital strains and family conflicts that influence Janet's professional focus in series 1–3.[16] Other notables include David Prosho as DC Ian "Mitch" Mitchell, a reliable colleague aiding in casework in series 1–4, and Sally Lindsay as Alison Bailey, Rachel Bailey's sister, who recurs in 12 episodes to highlight sibling dynamics and personal support networks.[16] Ben Batt as DC Kevin Lumb and Pippa Haywood as DSI Julie Dodson also contribute to the procedural backbone, with Lumb appearing in 22 episodes in series 2–4 and Dodson overseeing higher-level decisions in series 4–5 (11 episodes).[21] Jing Lusi joins as DC Anna Ram in series five, adding youthful energy to the detective team.[20] Notable guest stars enhance specific story arcs, often portraying suspects, victims, or temporary allies in major cases. For instance, Nicola Walker guests as a detective in series three, assisting with a complex investigation and bringing external expertise to the team.[22] Adrian Dunbar appears in series two as DSU Rick Wallis.[16] Kevin Doyle recurs briefly as Geoff Hastings in series one, embodying moral dilemmas tied to personal and professional ethics.[23] Rupert Graves features prominently in series one as Nick Savage, a character whose arc introduces significant tension and contrast to the main protagonists' resolve.[24] These guests, under the guidance of main cast leaders like DCI Gill Murray, amplify subplots involving ethical challenges and interpersonal contrasts, such as loyalty versus self-interest, without delving into case resolutions.[16]| Actor | Character | Role Description and Appearances |
|---|---|---|
| Tony Mooney | DC Pete Readyough | Supportive detective providing comic relief and team stability; 32 episodes across all series.[16] |
| Delroy Brown | DC Lee Broadhurst | Dedicated team member offering diverse insights in policing; 33 episodes from series 1 onward.[21] |
| Tony Pitts | Adrian Scott | Janet Scott's husband, exploring family conflicts; 22 episodes in series 1–3.[16] |
| David Prosho | DC Ian "Mitch" Mitchell | Dependable colleague handling case logistics; 27 episodes in series 1–4.[25] |
| Sally Lindsay | Alison Bailey | Rachel's sister, aiding personal subplots; 12 episodes throughout.[16] |
Production
Development
Scott & Bailey was developed by writer Sally Wainwright in collaboration with Nicola Shindler's Red Production Company. The series drew inspiration from real-life female detectives, particularly through the contributions of former Greater Manchester Police Detective Inspector Diane Taylor, who served as a consultancy producer to ensure authenticity, though all characters and storylines were fictionalized.[8][26][27] The concept was pitched to ITV and commissioned in 2010 for an initial six-episode first series, with the official announcement made on 28 August 2010. Scripting for the pilot was completed by late 2010, paving the way for production to commence shortly thereafter.[28] Following the strong ratings and critical acclaim of the debut series, which averaged over 7 million viewers per episode, ITV renewed Scott & Bailey for four additional series, extending the run through 2016.[29][30] Creatively, the series began with a primary emphasis on the close friendship and professional partnership between the two lead detectives but evolved across seasons to delve more deeply into their individual personal traumas, family dynamics, and the emotional toll of police work.[6][31]Casting
Suranne Jones was cast as DC Rachel Bailey, the impulsive and ambitious lead detective, after auditioning against several high-profile actresses for the role in the series based on an idea she originated with Sally Lindsay.[32] Lesley Sharp was selected for the role of DC Janet Scott, Rachel's more experienced and steady partner, to provide a contrasting energy to Jones' intense performance, creating a balanced dynamic central to the show's appeal.[32] The casting directors prioritized this contrast to highlight the personal and professional tensions between the two women, ensuring their on-screen relationship felt authentic and compelling.[33] For supporting roles, Amelia Bullmore was chosen as DCI Gill Murray, the no-nonsense boss of the Manchester Metropolitan Police's Syndicate 9, owing to her proven track record in ensemble dramas like Cranford and At Home with the Braithwaites, where she demonstrated strong leadership in group settings.[34] Cast changes affected later series, such as Nicholas Gleaves' departure from his role as DS Andy Roper after the second series to pursue other opportunities including theatre work and television roles such as in Public Enemies (2012). A key challenge in the casting process was establishing chemistry between the leads, with Jones and Sharp participating in read-throughs and screen tests to confirm their natural rapport translated to the screen's focus on female friendship and collaboration.[32] The production team included diverse casting from the first series, incorporating actors from ethnic minority backgrounds for roles like DC Lee Broadhurst (played by Delroy Brown) to better reflect Manchester's multicultural police force. The full principal cast, including Jones, Sharp, Bullmore, Gleaves, and others, was publicly announced by ITV in late 2010, building early buzz for the 2011 premiere.[35]Filming
The series was produced by the Manchester-based Red Production Company and filmed predominantly in Greater Manchester and surrounding areas to evoke an authentic Northern English setting, utilizing real streets, buildings, and police facilities for exterior and interior shots.[10] Specific locations included the Northern Quarter in Manchester, where scenes were shot in December 2015; Oldham and central Manchester for the fourth series, beginning in April 2014; Bury, including a former 18th-century bank at 26 Silver Street; and Chadderton, with additional use of the disused Grey Mare Lane Police Station as a key set.[36][37][38][39] Studio work took place at Granada Studios on Quay Street in Manchester.[40] Principal photography for the first series commenced on 22 November 2010 and spanned twelve weeks, aligning with the show's development timeline from earlier that year.[41] Subsequent series followed similar schedules, typically lasting four to six months to accommodate the production of six to eight episodes, with filming for later installments like the 2015 three-part special starting in November.[42] Outdoor sequences often required night shoots to maintain realism in depicting police investigations, leading to extended workdays for the cast and crew, sometimes from early morning until late evening.[43] Direction was handled by multiple filmmakers across the five series, including Sarah Pia Anderson for the premiere episode, Noreen Kershaw for select installments, and Simon Delaney for three episodes, ensuring a consistent procedural tone.[44][21] Cinematographers such as Toby Moore, who worked on 13 episodes between 2012 and 2013, and Len Gowing, contributing to eight episodes, employed practical lighting and location-based shooting to achieve the show's gritty, realistic visual style.[16][16]Episodes
Overview
Scott & Bailey is a British police procedural drama series created by Sally Wainwright and Diane Taylor that aired on ITV. The show premiered on 29 May 2011 and concluded after five series on 27 April 2016.[45][46] The series comprises 33 episodes across its run, with each episode averaging 45 minutes in length. Season 1 consists of 6 episodes, Seasons 2 and 3 each have 8 episodes, Season 4 has 8 episodes, and the final Season 5 is a three-part story with 3 episodes.[47][48] At its core, the narrative centers on the professional partnership and personal lives of Detectives Janet Scott and Rachel Bailey within Manchester Metropolitan Police's Major Incident Team, delving into cases involving murder, betrayal, and complex human motivations. Overarching story arcs trace Rachel's career advancement from Detective Constable to Acting Detective Inspector alongside her personal struggles, Janet's navigation of family responsibilities and emotional challenges, and shifts in team composition that test their friendship and resilience.[10][1][49] Produced by Red Production Company for ITV, the series maintained an annual release schedule for its first four seasons from 2011 to 2014, followed by a two-year hiatus before the concluding season in 2016.[47][46]List of episodes
Series 1 (2011) The first series consists of six episodes, broadcast from 29 May to 3 July 2011 on ITV.| Episode | Title | Air date | Summary |
|---|---|---|---|
| 1 | Congratulations | 29 May 2011 | Detectives Rachel Bailey and Janet Scott investigate the suspicious death of a young woman found in her home, initially appearing as a suicide.[50] |
| 2 | Surprise | 5 June 2011 | The team examines the brutal murder of a woman discovered in a Manchester park, uncovering potential motives linked to her personal life.[50] |
| 3 | Personal | 12 June 2011 | Janet faces a conflict of interest when a murder investigation involves someone from her past, while Rachel leads the inquiry into a stabbing.[50] |
| 4 | Execution | 19 June 2011 | Rachel and Janet probe a gangland-style shooting that suggests organized crime involvement.[50] |
| 5 | Faultlines | 26 June 2011 | The detectives investigate the death of a woman in what appears to be a domestic incident, revealing deeper family tensions.[50] |
| 6 | Vendetta | 3 July 2011 | A targeted killing leads the team to explore themes of revenge and past grudges in Manchester's underworld.[50] |
| Episode | Title | Air date | Summary |
|---|---|---|---|
| 1 | Loyalty | 12 March 2012 | Janet and Rachel investigate the murder of a man whose death is tied to issues of infidelity and trust.[51] |
| 2 | Secrets | 19 March 2012 | The pair delve into a case involving hidden family secrets following the discovery of a body in a canal.[51] |
| 3 | Pipe Dreams | 26 March 2012 | A drug-related homicide prompts the team to tackle addiction and supplier networks in the city.[51] |
| 4 | Sacred Trust | 2 April 2012 | Corruption within a trusted institution is suspected in the investigation of a professional's murder.[51] |
| 5 | Guns and Roses | 9 April 2012 | The detectives handle a firearms incident linked to a romantic entanglement gone wrong.[51] |
| 6 | Asteroids | 16 April 2012 | An unusual case involving a hit-and-run evolves into a broader criminal probe.[51] |
| 7 | Snow Angels | 23 April 2012 | During a harsh winter, the team investigates a disappearance that turns into a murder inquiry.[51] |
| 8 | Masks | 30 April 2012 | The season concludes with a case exposing deception and multiple identities in a homicide.[51] |
| Episode | Title | Air date | Summary |
|---|---|---|---|
| 1 | Vulnerable | 3 April 2013 | Rachel and Janet protect a vulnerable witness while investigating a series of related assaults.[52] |
| 2 | The Things We Do for Love | 10 April 2013 | A love triangle is at the heart of a violent death the team must unravel.[52] |
| 3 | Thin Ice | 17 April 2013 | The detectives navigate a slippery case of embezzlement leading to murder.[52] |
| 4 | Cradle | 24 April 2013 | An infant-related incident draws the team into a complex child welfare and crime crossover.[52] |
| 5 | Witness | 1 May 2013 | Key witness protection becomes crucial in a high-stakes robbery-murder investigation.[52] |
| 6 | Undermined | 8 May 2013 | Internal team dynamics are tested during a probe into construction site foul play.[52] |
| 7 | Wrong Crowd | 15 May 2013 | Associating with the wrong people leads to tragedy in this social circle murder case.[52] |
| 8 | Desperados | 22 May 2013 | A desperate act results in a manhunt following a bank-related crime.[52] |
| Episode | Title | Air date | Summary |
|---|---|---|---|
| 1 | Superficial | 10 September 2014 | A seemingly superficial wounding case deepens into a murder investigation.[53] |
| 2 | Tough Love | 17 September 2014 | Domestic abuse themes emerge in the inquiry into a young man's death.[53] |
| 3 | Damaged | 24 September 2014 | The team deals with a damaged crime scene and psychological elements in a killing.[53] |
| 4 | Betrayal | 1 October 2014 | Betrayal within relationships fuels the motive in a double life murder.[53] |
| 5 | Ghosts | 8 October 2014 | Past ghosts haunt the investigation of a cold case turned hot.[53] |
| 6 | Friction | 15 October 2014 | Team friction arises during a multi-agency operation on human trafficking.[53] |
| 7 | Suspicion | 22 October 2014 | Suspicion falls on insiders in a corruption-tinged homicide.[53] |
| 8 | Chasing Rainbows | 29 October 2014 | The series ends with a pursuit of elusive leads in a final case.[53] |
| Episode | Title | Air date | Summary |
|---|---|---|---|
| 1 | Home Fires | 13 April 2016 | Rachel takes charge as Acting DI in a case involving arson and family secrets that escalates into murder.[54] |
| 2 | Nobody's Fool | 20 April 2016 | The investigation intensifies with twists involving deception and underground activities.[54] |
| 3 | Change | 27 April 2016 | Concluding the arc, the team confronts major changes amid a climactic criminal confrontation.[54] |
Broadcast and distribution
United Kingdom
Scott & Bailey originally aired on ITV, debuting on 29 May 2011 with its first episode, "Congratulations," broadcast on a Sunday evening at 9:00 pm. The series ran for five seasons, comprising a total of 33 episodes, and concluded with its final episode on 27 April 2016. Episodes were typically released weekly, initially occupying prime-time Sunday slots during the first series to capitalize on weekend viewership patterns.[14][50][46] Subsequent series transitioned to Wednesday evenings at 9:00 pm, a slot often reserved for ITV's key drama offerings, reflecting the network's scheduling strategy to maintain momentum from the show's early success. This shift occurred alongside minor adjustments in timing for later seasons, influenced by ongoing audience engagement and competition within the broadcaster's lineup. The program delivered consistent prime-time exposure, aligning with ITV's emphasis on high-quality procedural dramas. The series was a hit in Britain.[55][56][8] Reruns have frequently aired on sister channel ITV3, providing additional opportunities for audiences to revisit the storylines. As of 2025, all episodes have been available for on-demand streaming via ITVX, ITV's digital platform, enhancing accessibility for new and returning viewers.[57]International
In the United States, Scott & Bailey received a limited broadcast release on public television stations through PBS, with the first season airing starting in early 2013.[58][59] The series was not picked up by major cable networks such as BBC America. As of 2025, all five seasons are available for streaming on BritBox in the US.[60] It can also be rented or purchased on platforms like Amazon Prime Video.[61] The series has been broadcast in other Commonwealth countries, including Australia, where it premiered on ABC in 2012 and became available on ABC iview for on-demand viewing.[62][63] In Canada, Scott & Bailey aired on Knowledge Network, with seasons broadcast from at least 2017 onward.[64][65] In Europe, the show was distributed by BBC Worldwide and aired on various channels, including RTV in Slovenia, LTV in Latvia, ETV in Estonia, and STV in Slovakia, starting in 2012; these versions were subtitled for non-English audiences.[66][67] No major international remakes of the series exist, though a Canadian adaptation titled The Detail aired briefly in 2018 before cancellation.[66] Internationally, Scott & Bailey was available on Netflix in select regions, including seasons 1 through 4, from approximately 2015 to 2020.[1] It is now accessible on streaming services such as Amazon Prime Video in multiple countries.[68]Reception
Critical reception
Scott & Bailey received generally positive critical reception, particularly for its portrayal of strong female characters and realistic depiction of police work. Critics praised the series for its avoidance of typical crime drama clichés, with The Guardian describing it as a "refreshing" take that made Sunday night ITV detective shows "fresh and exhilarating" through the performances of Suranne Jones and Lesley Sharp.[69] The Telegraph highlighted its supremacy among cop shows, crediting Jones's "meaty performance," believable relationships between female characters, and soapy yet effective storytelling.[70] On Rotten Tomatoes, the first season holds a 94% approval rating based on six reviews, reflecting early acclaim for character development and lead performances.[48] The show's scripting by Sally Wainwright was frequently lauded for its authenticity, drawing on consultations with real detectives to create grounded dialogue and procedural details. The New York Times noted that British reviewers applauded the series for allowing female leads to "behave as Actual Women" amid crimes, emphasizing emotional depth over stereotypes.[8] The Independent's Tom Sutcliffe acknowledged the premise as a "less-than-courageous decision" for ITV but commended its success in delivering nuanced female roles without resorting to clichés.[71] Wainwright's ear for Northern English cadences and interpersonal dynamics was seen as a key strength, contributing to the series' emotional involvement.[72] Criticisms emerged in later seasons, with some reviewers pointing to repetitive case structures and uneven pacing. The Telegraph found the fourth series lacking "dramatic interest," suggesting a dip in narrative tension.[73] For the fifth season, mixed feedback focused on pacing issues, though it still garnered an 89% on Rotten Tomatoes from two reviews, praised for production values but critiqued for overly darkened visuals that sometimes hindered clarity.[74] The Guardian observed that while the show remained "top-notch British telly" in its fourth run, it occasionally veered toward silliness with clunky dialogue.[15] Overall, the series enjoyed initial strong acclaim for revitalizing the genre, with sustained praise for its themes and performances, though critiques of repetition in later installments indicated a slight decline in critical enthusiasm.[6]Viewership
Scott & Bailey achieved strong initial viewership in the United Kingdom upon its debut on ITV. The series premiere on 29 May 2011 drew 7.9 million overnight viewers, according to BARB data, benefiting from its slot following Britain's Got Talent.[75] The first series averaged 9.4 million consolidated viewers across its six episodes, marking it as the highest-rated new British drama of 2011 and boosted by positive word-of-mouth that sustained audience interest.[5] Subsequent series maintained solid but gradually declining figures, reflecting increased competition from BBC programs such as Silent Witness. The second series premiered on 12 March 2012 to 6.8 million overnight viewers, with the finale attracting 6.44 million.[76][77] The third series opener on 3 April 2013 garnered 5.81 million, while later installments, including the fourth series debut in September 2014, fell to 5.7 million (consolidated).[78] By the fifth and final series in 2016, viewership had stabilized at lower levels, averaging 6.1 million consolidated viewers, with episodes drawing between 5.5 and 6.7 million. This slight decline over the run underscored the series' enduring appeal in a competitive landscape but highlighted the challenges of retaining peak audiences against established BBC counterparts.[79] Internationally, data on viewership remains limited, but the series found a dedicated audience on Acorn TV in the United States following its debut there in 2013, contributing to its global distribution success without detailed metrics available.[3]Accolades
Scott & Bailey earned recognition for its writing, performances, and production across several prestigious awards ceremonies during its original run from 2011 to 2016. Suranne Jones received the Royal Television Society (RTS) North West Award for Best Performance in a Single Drama or Drama Series in 2011 for her portrayal of Detective Constable Rachel Bailey.[80] The series itself was nominated for the RTS Programme Award for Drama Series in 2012.[7] At the 2012 RTS North West Awards, creator and writer Sally Wainwright won the Best Writer award, while the series secured the Best Drama accolade.[10] The programme was nominated for the British Academy Television Award (BAFTA) for Best Drama Series in both 2012 and 2013.[81][82] In total, Scott & Bailey accumulated over 10 nominations across major UK television awards, highlighting its impact on contemporary drama.[7] In the 2020s, the series has been retrospectively praised in discussions of female-led police procedurals, influencing later works by emphasizing authentic portrayals of women in law enforcement.[83]Adaptations and media
Tie-in novels
Cath Staincliffe was commissioned by ITV to write a series of tie-in novels based on the characters from the television series Scott & Bailey, focusing on the professional and personal lives of Detectives Rachel Bailey and Janet Scott. The novels serve as prequels and extensions of the show's universe, featuring original cases not depicted on screen and exploring the detectives' early partnership in Manchester's police force. Published by Transworld under its Corgi imprint, the series consists of three books released between 2012 and 2015.[84] The first novel, Dead to Me (2012), introduces Rachel Bailey as a new recruit paired with the more experienced Janet Scott on Rachel's first murder investigation, the brutal killing of a teenage girl.[85] Subsequent entries, Bleed Like Me (2013) and Ruthless (2015), continue this dynamic, with the former centering on a triple homicide at a guesthouse where the suspect has fled with his children, and the latter involving an arson case uncovering a shooting amid community tensions on a deprived estate.[84] Each book alternates perspectives among the key characters, including first-person narratives from Rachel and Janet, to delve into their backstories, interpersonal conflicts, and growth as a team, while maintaining the series' emphasis on procedural realism and emotional depth.[86] No additional books in the series have been announced following the conclusion of the television run in 2016.[87] Critically, the tie-in novels received positive reception for their authentic portrayal of police work and strong female leads, with reviewers praising Staincliffe's pacing, tension-building, and attention to procedural details.[88] Dead to Me earned a 3.8 out of 5 rating on Goodreads from over 900 readers, while Ruthless scored 4.1 from 363 ratings, indicating solid appreciation among crime fiction enthusiasts.[89] Publications such as Publishers Weekly highlighted their appeal to fans of female-driven detective partnerships, noting the books' success in capturing the "unlikely but effective" duo's chemistry.[90]Home media releases
In the United Kingdom, Scott & Bailey was released on DVD by ITV Studios Home Entertainment, with individual series sets issued in Region 2 format shortly following their initial broadcast on ITV. The first series became available on 4 July 2011, containing all six episodes along with bonus features such as deleted scenes and interviews with the cast and crew. Subsequent releases included Series 2 on 4 June 2012, Series 3 on 1 July 2013, Series 4 on 5 May 2015, and Series 5 on 2 May 2016, each featuring similar extras like behind-the-scenes documentaries. A complete box set compiling all five series across nine discs was released on 2 May 2016, encompassing 33 episodes and select bonus materials.[91][92]| Series | Episodes | Release Date | Discs | Notable Extras |
|---|---|---|---|---|
| 1 | 6 | 4 July 2011 | 2 | Deleted scenes, cast interviews |
| 2 | 8 | 4 June 2012 | 2 | Behind-the-scenes featurette |
| 3 | 8 | 1 July 2013 | 2 | Interviews, photo gallery |
| 4 | 8 | 5 May 2015 | 2 | Making-of documentary |
| 5 | 3 | 2 May 2016 | 1 | Cast commentary |
| 1-5 Complete | 33 | 2 May 2016 | 9 | Selected extras from individual sets |
| Series/Collection | Release Date | Discs |
|---|---|---|
| Series 1 | 17 June 2014 | 2 |
| Series 2 | 16 September 2014 | 2 |
| Series 3 | 6 October 2015 | 2 |
| Series 4 | 7 June 2016 | 2 |
| Series 5 | 11 October 2016 | 1 |
| Complete Series 1-4 | 14 October 2014 | 8 |