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Scratchboard

Scratchboard, also known as scraperboard, is a subtractive engraving technique in which artists use sharp tools to remove a thin layer of dark ink—typically black India ink—from a rigid surface coated with white clay or gesso, revealing underlying white or colored areas to create high-contrast, detailed images that mimic the appearance of traditional wood engravings.^[1]^[2] This medium produces precise lines, textures, and tonal values through varying degrees of scratching pressure, making it particularly suited for rendering fine details in subjects like animal fur, feathers, and botanical elements.^[3]^[2] The technique originated in the 19th century in Britain and France, where it emerged as a practical alternative to wood, metal, or linoleum engravings for creating reproducible black-and-white illustrations in books, newspapers, and scientific publications before the widespread adoption of photography.^[1]^[3] By the early 20th century, particularly from the 1930s to 1950s, scratchboard gained prominence in the United States for medical, scientific, and editorial illustrations due to its ability to produce sharp, photomechanical reproductions.^[4] Today, it has evolved beyond commercial applications into a respected fine art form, featured in galleries, museums, and international exhibitions, with artists often incorporating color through transparent washes like watercolors or inks applied over the scratched surface before additional engraving.^[2]^[1] Common materials include hardboard or Masonite panels coated with kaolin clay and inked with India ink, paired with tools such as X-Acto knives (with #11 or #16 blades), scalpels, etching needles, fiberglass brushes, or even steel wool for broader textures.^[2]^[4] Artists typically begin by transferring a preliminary drawing onto the board, then subtract ink to build highlights, mid-tones, and shadows, employing methods like hatching, stippling, or controlled pressure to achieve depth and realism.^[3]^[2] Finished works are often sealed with a varnish spray for protection and archival quality.^[2] Notable practitioners include scientific illustrator Trudy Nicholson, whose works have been exhibited at the Smithsonian Institution, and award-winning artist Rhonda Nass, recognized with a Gold Award at the 2023 Arizona-Sonora Desert Museum conference in Tucson.^[2] Historical figures like Virgil Finlay popularized intricate scratchboard styles in mid-20th-century fantasy and science fiction illustrations.^[4] Professional organizations such as the Guild of Natural Science Illustrators and the International Society of Scratchboard Artists promote the medium through workshops, annual exhibitions, and resources, underscoring its enduring appeal for both precision and expressive potential.^[2]^[5]

Overview

Definition and Characteristics

Scratchboard is a subtractive drawing medium consisting of a rigid board or card coated with a layer of white clay or gesso, overlaid with a thin, opaque black ink or India ink surface.^[6]^[7] Artists create images by scraping away the ink layer with sharp tools to expose the contrasting white underlayer, resulting in a direct engraving process that emphasizes line and form.^[8] This technique can be monochromatic, producing stark black-and-white contrasts, or adapted for multi-colored effects by using colored inks or underlayers.^[6] Key characteristics of scratchboard include its tactile, subtractive nature, where the artist removes material rather than adds it, allowing for precise control over fine details and textures such as fur, feathers, or intricate patterns.^[6] The medium's smooth, ink-coated surface facilitates high-contrast visuals that mimic the bold, graphic quality of wood engravings, with the ability to build tones through techniques like cross-hatching, stippling, or broad scraping for highlights.^[7] Its versatility supports a range of applications, from detailed illustrations to expressive portraits, while the rigid support prevents distortion during the scratching process.^[8] Visually, scratchboard excels in creating illusions of depth, light, and shadow through varying line densities and widths, where denser scratches produce darker areas and sparser ones evoke luminosity.^[6] This results in dramatic, high-contrast images often used in wildlife art, portraiture, and commercial illustration, where the revealed white lines stand out sharply against the black ground.^[7] Unlike etching or engraving, which involve incising metal plates for printing via chemical or press processes, scratchboard is a non-printing, direct drawing method performed on a prepared surface without acids or presses, making it more accessible for standalone artworks.^[6]^[8]

Materials and Tools

Scratchboard art relies on a layered substrate designed for subtractive drawing, where artists scratch through a dark surface to reveal lighter material beneath. The core material is typically a rigid panel coated with a smooth layer of kaolin clay, which is then covered by a thin, opaque layer of black India ink. This clay-ink combination provides a durable, fine-grained surface ideal for detailed line work and tonal effects. Ampersand's Scratchbord, a widely used professional-grade option, features an archival hardboard base—often tempered Masonite—for added stability and longevity compared to flexible alternatives.^[9]^[10] Underlying substrates vary by product quality and intended use. Professional panels employ hardboard like Masonite, which resists warping and supports intricate scratching without buckling, while more affordable options use illustration board for lighter, portable work. These bases ensure the clay layer adheres evenly, providing a thin, consistent clay layer (approximately 7-10 mils thick) for optimal contrast.^[11]^[12]^[13]^[14] Preparation involves no additional steps beyond ensuring the surface is clean and dust-free, as the factory-applied ink provides a uniform black ground ready for immediate use.^[11]^[12]^[13] Specialized tools enable precise control over line width, texture, and finish in scratchboard work. Steel-tipped scratch knives, such as Speedball's #112 fine-point or #113 broad-edge nibs, fit standard pen holders and allow for everything from delicate hairlines to bold sweeps by varying pressure and angle. X-Acto #11 blades offer surgical precision for hyper-detailed areas like fur or feathers. For highlights and smoothing, burnishing tools—often agate-tipped or steel implements—polish scratched areas to a glossy sheen, enhancing reflectivity without further material removal. Additional implements include fiberglass brushes for erasing errors by lifting ink, wire brushes for coarse textures, and steel wool for subtle blending. In multi-layer techniques involving re-inking, protective dust masks are essential to guard against fine clay particles generated during scratching.^[15]^[16] Material variations cater to different skill levels and artistic goals. Beginner kits typically include flexible, paper-based scratchboards coated with wax or gesso over colored underlayers, bundled with wooden styluses for simple projects at a lower cost. Professional variants, like Ampersand's rigid panels, offer superior durability and archival quality, with options for colored scratchboards featuring metallic (e.g., silver or gold) or pastel underlayers beneath the black ink to produce iridescent or tinted reveals when scratched. These enhancements expand creative possibilities, such as simulating glowing effects in wildlife illustrations.^[8]^[17]^[8] Sourcing scratchboard materials is straightforward through reputable art suppliers. Ampersand panels and tools are available directly from the manufacturer or retailers like Dick Blick Art Materials, where typical sizes range from 5x7 inches for sketches to 24x36 inches for large murals. Durability factors include the panel's thickness (usually 1/8 inch for rigidity) and acid-free composition, which prevent yellowing over time; costs scale with size, starting around $5 for small beginner sheets and reaching $100+ for oversized professional boards.^[11]^[9]^[8]

History

Origins in Printmaking

The technique of scratchboard, also known as scraperboard, emerged in 19th-century Europe as a printmaking method designed for efficient reproduction of illustrations. In Britain and France, artists developed the process to create high-contrast images on coated boards, scratching away a dark ink layer to expose a white underlayer, which produced line work resembling traditional wood engravings. This approach was particularly valued for book illustrations, where it allowed detailed, bold designs that translated effectively to printed media without the time-consuming carving required for wood blocks. As printing technologies evolved during the late 19th century, scratchboard gained prominence as a cost-effective alternative to wood engraving, metal engraving, and linocut techniques, enabling faster production of reproducible artwork for periodicals and books. The medium's ability to mimic the fine lines and textures of engravings while being more accessible to illustrators contributed to its adoption in commercial print contexts across Europe. In the United States during the 1930s, the technique gained adoption for commercial reproductive illustrations, particularly in medical, scientific, advertising, and editorial fields amid the Great Depression, where its capacity for striking, high-contrast visuals proved economical for magazines and promotional materials.^[18] A key milestone occurred in the 1940s with the commercialization of standardized clay-based boards, which enhanced scratchability and durability over earlier formulations. Companies like Essdee pioneered these boards in the United Kingdom, formulating them locally after supply disruptions from Austria during World War II, thereby making the medium more accessible for professional illustrators in fields such as advertising, medicine, and science.^[7]

Evolution as an Art Medium

During the mid-20th century, scratchboard experienced significant expansion in the United States, particularly from the 1930s through the 1950s, as commercial illustrators adopted it for book covers, magazine illustrations, and advertising due to its ability to produce high-contrast images that reproduced effectively in print.^[19] Artists such as Virgil Finlay frequently utilized scratchboard for interior illustrations in pulp magazines like Weird Tales and Fantastic Adventures, as well as for publications including Reader's Digest, contributing to its prominence in the illustration industry during this era.^[20] By the 1970s, the medium's versatility in creating detailed, tonal effects had solidified its role in commercial art, even as photographic techniques began to compete.^[21] Technological advancements in the late 20th century enhanced scratchboard's accessibility and durability. In the 1990s, Ampersand Art Supply introduced pre-coated Scratchbord panels, consisting of a rigid hardboard base layered with kaolin clay and India ink, which provided an acid-free, archival surface resistant to bending, tearing, or cracking—making it easier for artists to achieve clean, precise engravings without preparing their own boards.^[22] Concurrently, the advent of digital scanning technologies allowed for high-fidelity reproduction of scratchboard artwork, facilitating its transition from analog illustration to digital publishing and broadening its applications in print media.^[2] The medium's global spread accelerated in the late 20th and early 21st centuries, with strong adoption in Australia and Europe for wildlife art, where its subtractive technique excelled at rendering intricate textures like fur, feathers, and scales.^[23] This popularity aligned with environmental movements, which promoted detailed nature depictions to raise awareness about biodiversity and conservation, as seen in works by international artists contributing to exhibitions focused on ecological themes. In 2011, the founding of the International Society of Scratchboard Artists (ISSA) further promoted the medium as a fine art form through global exhibitions, workshops, and resources.^[24] As of 2025, scratchboard maintains contemporary relevance through integration with mixed media approaches, such as applying colored inks or paints over scratched surfaces to expand beyond monochrome effects, and a resurgence driven by social media platforms like Instagram, where artists share tutorials, process videos, and portfolios to engage global audiences and inspire emerging practitioners.^[2]^[25]

Technique

Surface Preparation

Surface preparation for scratchboard artwork requires careful selection of a rigid substrate to provide a stable base that resists warping or bending under repeated scratching. Common choices include hardboard panels, such as Masonite or FSC-certified aspen wood fiber boards, which are sealed and sized to accept the subsequent coatings without absorption issues.^[14]^[2] The priming process involves applying a smooth, absorbent layer of white material, traditionally kaolin clay for its fine particle structure that allows clean scratching, or an alternative like traditional gesso made from rabbit skin glue and an inert white substance such as marble dust or chalk. For gesso preparation, the glue is soaked in water overnight, melted in a double boiler, and gradually mixed with the dry components to form a thick paste, which is then strained for smoothness. This mixture is applied in thin layers using a flat bristle brush, typically 5 to 9 coats, with each coat allowed to dry for approximately 10 minutes; the full priming should cure for at least 24 hours to ensure hardness and prevent flaking during use. Kaolin clay coatings, as used in commercial products, are applied to a thickness of 7 to 10 dry mils for optimal absorbency and scratchability.^[14]^[26] Once primed, the surface is coated with black India ink to create the opaque dark layer essential for the subtractive technique. The ink is shaken, slightly diluted with water for better flow, and applied evenly using a large soft bristle brush, sponge brush, or airbrush to avoid bubbles and streaks, ensuring full coverage without pooling. Multiple thin coats may be necessary for complete opacity, with each allowed to dry for a few minutes as the ink absorbs into the clay or gesso; alternatives such as black acrylic paint can substitute for ink when a colored base is desired, though it may require testing for scratch resistance. Edges can be masked with painter's tape prior to coating to achieve clean borders and prevent seepage.^[27] Common pitfalls include over-thinning the clay or gesso mixture, which can cause cracking as it dries due to uneven contraction, and working in high-humidity conditions that hinder proper bonding between layers and lead to poor surface integrity.^[27]^[26]

Scratching and Rendering Process

The scratching and rendering process in scratchboard art begins with initial sketching to outline the composition on the prepared surface. Artists typically create a preliminary drawing on separate paper and transfer it to the scratchboard using graphite or chalk transfer paper, tracing with a stylus or ballpoint pen to avoid direct marking that could damage the ink layer.^[28]^[29] Alternatively, for complex images, a photocopy can be transferred using xylene solvent in a well-ventilated area, ensuring clean, removable guidelines.^[29] Scratching techniques involve selectively removing the ink layer with sharp or abrasive tools to reveal the white clay underlayer, creating lines, textures, and forms through subtractive methods. Varying pressure controls line width and depth: light strokes produce subtle grays, while heavier pressure exposes bright whites, often using an X-Acto knife with a gentle "touch-and-go" motion aligned with the subject's contours.^[2] Common approaches include hatching for even tones with parallel lines, cross-hatching for denser shading via intersecting strokes, and stippling for textured effects through clustered dots, with stroke density building gradual value transitions.^[30] Mistakes are corrected by reapplying ink with a fine brush or pen, allowing the surface to dry before resuming.^[29] Building contrast relies on progressive revelation of the white underlayer to emphasize highlights and depth, starting with broad dark areas and refining toward focal points. Artists scratch in layers, overlapping strokes to sculpt forms and integrate textures like fur through directional, curved lines, ensuring highlights remain preserved until the final stages for maximum impact.^[2] For colored works, contrast is enhanced via multi-layer application of transparent inks or paints over the base, followed by additional scratching to refine hues and reveal underlying tones, often using specialized products like waterproof claybord inks diluted in washes.^[28] Finishing steps protect and refine the artwork, beginning with cleaning debris from scratches using a soft cloth to maintain clarity. The surface is sealed with multiple coats of archival spray fixative or varnish, such as acrylic-based formulas applied in a ventilated space, to guard against dust, moisture, and handling while preserving the matte finish.^[28]^[2] For reproduction, the piece may be scanned at high resolution to allow digital adjustments, though the original remains analog.^[31]

Notable Artists and Works

Pioneers and Historical Figures

One of the early innovators in scratchboard technique was American illustrator Franklin Booth (1884–1948), who adapted the medium in his later career to achieve bold, realistic lines reminiscent of wood engravings. Booth, trained at the Art Institute of Chicago, began incorporating scratchboard by covering white boards with India ink and scratching back highlights, allowing for intricate architectural renderings and landscape illustrations that emphasized depth and texture.^[32] His works, such as detailed depictions of Gothic structures and natural scenes, showcased a signature style of heavy, interlocking lines that built form through subtraction rather than addition, influencing commercial illustration in magazines and books during the early 20th century.^[33] Another pivotal historical figure was Virgil Finlay (1914–1971), a mid-20th-century fantasy illustrator renowned for elevating scratchboard in pulp magazine covers and science fiction publications. Finlay refined the technique using fine-tipped tools like the 290 lithographic pen on black-coated boards, producing ethereal, stippled shading and cross-hatching that captured mythological and otherworldly scenes with meticulous detail.^[20] Notable examples include his illustrations for Weird Tales, such as haunting depictions of cosmic horrors and classical figures, which demonstrated scratchboard's capacity for dramatic contrast and fine gradations, impacting the visual style of genre art in the 1930s through 1950s.^[34] These pioneers' contributions helped standardize scratchboard as a versatile tool for commercial art before the 1960s, bridging traditional engraving methods with modern reproduction needs in publishing and advertising. Booth's emphasis on bold realism trained subsequent artists in academies and studios, while Finlay's innovative shading expanded its use in illustrative storytelling, establishing protocols for surface preparation and tool handling that persisted in pre-digital era workflows.^[19] Their methods not only enhanced the medium's reproducibility for halftone printing but also solidified its role in creating high-contrast imagery for mass media.^[35]

Contemporary Practitioners

Contemporary scratchboard artists active since the 1980s have expanded the medium's scope through intricate wildlife renderings, innovative color applications, and large-scale works that emphasize texture and detail. Sally Maxwell, a Texas-based master scratchboard artist, is renowned for her hyperrealistic wildlife portraits, such as her depictions of big cats and birds, which she has exhibited in venues like the Society of Animal Artists' annual shows.^[36]^[37] Maxwell pioneered the integration of colored inks on scratchboard, allowing for vibrant, multi-hued pieces that transcend traditional black-and-white contrasts while maintaining the medium's subtractive essence.^[38] Cathy Sheeter, another prominent figure and a Signature Member of the Society of Animal Artists, specializes in wildlife and western themes, with works like her detailed equine studies earning awards such as the Award of Excellence at the International Society of Scratchboard Artists' (ISSA) exhibitions.^[39]^[40] Sheeter's pieces often highlight conservation efforts, portraying endangered species in naturalistic settings to raise awareness about habitat preservation.^[41] Similarly, Steve Hammond, a Signature Scratchboard Artist from the Pacific Northwest, creates some of the largest scratchboard works globally, including monumental portraits of primates and predators that measure up to several feet, showcased in galleries like the Barlow Gallery and with works accepted into and exhibited at ISSA's 14th Annual Exhibition (September 17–November 15, 2025).^[42]^[43]^[44]^[45] Internationally, artists like Solly Gutman from South Africa have sustained the medium's global presence since the late 1980s, focusing on architectural scenes and cultural motifs from Cape Town, with commissions and exhibitions through the South African Society of Artists.^[46] Gutman's monochromatic urban landscapes blend historical preservation themes with precise line work. In the UK, Conor Smith produces realistic animal studies, such as his avian and mammalian portraits, which incorporate subtle tonal gradients for depth and have been featured in wildlife art collections.^[47] Many contemporary practitioners innovate by blending scratchboard with digital tools for preliminary designs and image transfer, enabling complex compositions before physical scratching, as seen in hybrid workflows adopted by illustrators in the 2020s. Themes of conservation dominate, with artists like Sheeter and Maxwell contributing to exhibitions that support environmental causes, while others explore fantasy elements through imaginative creature hybrids in limited series. Recognition includes master accreditation from ISSA, with only about 19 living masters as of 2025, and sales via platforms like Etsy, where pieces range from limited-edition prints to originals priced for accessibility.^[39]^[48]

Applications and Variations

Educational and Therapeutic Uses

Scratchboard has become a valuable tool in K-12 art education, where it is integrated into curricula to teach fundamental concepts of contrast, value, and texture through subtractive drawing techniques. Students often start with small practice pieces, such as 3-inch squares, to experiment with methods like hatching, cross-hatching, and stippling, which require precise control to create illusions of form and depth. This process not only builds technical skills but also enhances fine motor coordination and hand-eye precision, as the scratching action demands steady pressure and dexterity. Lessons typically span several days, fostering patience and sustained focus, with high student engagement reported due to the medium's ability to produce detailed, engraving-like results using simple materials.^[49]^[30] At the university and higher education levels, scratchboard features in specialized courses on illustrative media, emphasizing its utility for creating high-contrast, detailed renderings in fields like scientific and nature illustration. Workshops, such as those offered by the Winslow Art Center, guide students in applying scratchboard to depict natural subjects with accuracy, incorporating principles like notan (light-dark design) to develop advanced rendering skills. These programs highlight the medium's role in exploring subtractive processes beyond traditional additive drawing, preparing students for professional applications in illustration.^[50] The International Society of Scratchboard Artists further supports educational efforts through workshops and resources, enabling instructors to introduce the technique in both academic and community settings for skill-building and creative exploration.^[5] Scratchboard's affordability, with basic kits costing under $10 per student, enhances its accessibility in resource-limited school environments, allowing broad participation in educational programs. Its inherently tactile surface also lends itself to adaptations for diverse learners, though specific modifications like raised textures for enhanced feedback remain underexplored in formal research.^[49]

Commercial and Illustrative Applications

Scratchboard has found significant application in commercial illustration, particularly where a high-contrast, vintage aesthetic is desired, such as in book covers and editorial cartoons. Artists have employed the medium to create striking black-and-white imagery that mimics traditional engravings, making it suitable for publishing projects that require a timeless or retro feel. For instance, detailed scratchboard illustrations have been used for book covers to convey narrative depth through intricate line work and tonal variations achieved by scratching away ink layers.^[51] In editorial cartoons, the technique's ability to produce bold outlines and subtle shading has historically supported commentary in print media, offering a handcrafted quality that stands out against digital alternatives.^[52] In advertising and media, scratchboard enjoyed prominence from the 1940s through the 1970s as a reliable method for creating reproducible illustrations, often serving as an economical substitute for wood engraving in magazine ads and promotional materials. Its subtractive process allowed for precise, high-resolution images that scanned well for halftone printing, contributing to its widespread use in mid-20th-century commercial design. In recent years, there has been a revival in branding contexts seeking a retro aesthetic, exemplified by scratchboard artwork on craft beer labels in the 2020s. For example, in 2025, INKART Studio created pen and ink illustrations on scratchboard for Steamworks Brewing Company's "Flagship Hazy IPA" label, leveraging the medium's dramatic contrasts to enhance the artisanal appeal of the products.^[52]^[53]^[2] The production process for commercial scratchboard work typically involves scanning the finished artwork at high resolution for digital integration, followed by vectorization to ensure scalability in print formats like posters or packaging. This step facilitates seamless collaboration with graphic designers, who can incorporate the illustrations into layouts using software such as Adobe Illustrator, preserving the original's fine details while adapting to modern printing needs. Artists often seal pieces with fixatives like Lascaux varnish before scanning to protect the surface during reproduction.^[2] Market trends as of 2025 highlight growing demand in niche areas like custom pet portraits, where scratchboard's lifelike rendering of fur textures and expressive features appeals to pet owners seeking personalized, heirloom-quality commissions. Platforms and shops specializing in pet memorabilia offer these portraits starting at around $20, capitalizing on the emotional value of tributes to beloved animals. Economically, scratchboard remains cost-efficient for small-batch or boutique projects compared to digital tools, as it requires minimal materials—primarily boards, inks, and blades—while delivering a unique, non-replicable handmade authenticity that commands premium pricing in specialized markets.^[54]^[2]

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Scratchboard Art Lesson: A Student Favorite - Art With Trista
In this lesson, students will learn about and utilize stippling, hatching, and cross-hatching techniques as well as create a value scale and the illusion of a ...Missing: burnishing | Show results with:burnishing<|control11|><|separator|>
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Cynthia Armstrong - Nature Illustration in Scratchboard (Online)
In this course, we will learn how to depict nature with precision using ink on scratchboard techniques. Employing the fundamentals of Notan and understanding ...
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Drive to Thrive": Generating Calm- Scratch Art | Wellness Center
Oct 29, 2021 · Improves Happiness: Partaking in scratch art allows the release of the dopamine hormone, known as the happy hormone. · Reduces Stress Levels: ...
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https://winslowartcenter.com/product/cynthia-armstrong-nature-illustration-in-scratchboard-online-wednesdays-february-21-march-6-2024/
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Utility of scratch art therapy in adult epilepsy patients with difficulties ...
Jul 30, 2023 · Scratch art therapy is easy to introduce in adult epilepsy patients who have trouble expressing themselves or have uncontrollable emotions.
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Unlocking Creativity and Fine Motor Skills with DIY Scratch Art - post
DIY scratch art is not just a fun activity; it's a holistic learning experience for children. It fosters fine motor skills, encourages creativity and ...
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[PDF] and evaluation, case studiedechniques and methods, personality
Starting from scratch: Use of scraperboard in art therapy. Orthopaedic Illustrated, 5(6), 1964. 792. Guilhot, J., and Guilhot, M. A. Le maniement de la ...
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Scratchboard for Illustration: Lozner, Ruth - Amazon.com
30-day returnsScratchboard is a basic illustration technique that is currently undergoing a popular revival. This book presents the basics of working approaches and ...
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Scratchboard Scraperboard History Techniques Oil painting
Modern scratchboard as we know it originated in the 19th century. Originally, cardboard was coated with chalk, but this quickly progressed to the use of India ...
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The Tools of Scratchboard | Process Post - Melissa Helene
Dec 23, 2024 · I use the mini fiberglass brush and xacto knife on every single piece that I do. The others are used for very specific textures and effects.
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Behance
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Custom Pet Scratchboard Portraits - Modern Cat
Capture the personality of your pet in lifelike detail with a Scratchboard Portrait from Natalie Zimmerman. Capturing the essence of your pet with.Missing: market trends