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Shakermaker

"Shakermaker" is a song by the English rock band , written by lead guitarist and serving as the second single from their debut studio album . Released on 20 June 1994 by , the track peaked at number 11 on the , spending a total of 62 weeks on the chart. It became notable for its melodic resemblance to the 1971 hit "I'd Like to Teach the World to Sing" by , which originated as a advertisement jingle, leading to a plagiarism lawsuit that Oasis settled out of court. Definitely Maybe, released on 29 August 1994, marked Oasis's breakthrough, debuting at number one on the and becoming the fastest-selling debut album in British history at the time, with over 8 million copies sold worldwide. A 30th anniversary reissue released on 29 August 2024 also topped the , coinciding with the band's reunion announcement in 2025. "Shakermaker" contributed to the album's raw, anthemic sound, blending Beatlesque influences with the emerging movement.

Development

Songwriting and inspiration

Noel Gallagher wrote "Shakermaker" in 1993 during the songwriting phase for Oasis's debut album , as the band began developing material ahead of their recording sessions with producer Owen Morris later that year. Gallagher completed the final verse during a ride to Sawmills Studio in early 1994, prompted by his brother , and incorporating the "Mr. Sifter" reference after passing the Sifters Records shop. The song emerged from Gallagher's stream-of-consciousness approach to lyrics, capturing fleeting ideas and cultural touchstones rather than a structured . Gallagher drew heavily from his childhood in for the song's imagery, evoking nostalgic memories of everyday objects and media from his youth in the working-class suburb of . References like building a "house out of " reflect playful childhood creativity, while "Mister Sifter" alludes to Sifters Records, a shop where Gallagher frequently purchased vinyl in the late 1980s and early 1990s, symbolizing his formative experiences in the local music scene. These elements stem from Gallagher's anecdotes about growing up in a modest environment, where simple toys and advertisements shaped his imagination. The lyrics incorporate specific cultural references from British childhood television and advertising, including "Mr. Soft," inspired by the cheerful character from Trebor Soft Mints commercials in the 1970s who "wobbles into lampposts," and "Mr. Benn," the protagonist of a beloved children's TV series about a magical shopkeeper. Gallagher has described these inclusions as humorous nods designed to amuse, noting that the song's nonsensical quality—combining such figures with plasticine houses—sets it apart without deeper intent.

Recording sessions

The recording of "Shakermaker" began with initial attempts during Oasis's early sessions for their debut album at in , , starting in December 1993. These efforts, overseen by producer Dave Batchelor, captured a version of the track but resulted in a sound the band deemed too polished and lacking raw energy, compounded by the studio's high daily rate of £800, which strained their budget and contributed to mounting frustrations. Unsatisfied with the Monnow Valley outcomes, the band scrapped those recordings and relocated production efforts for the album to Sawmills Studio in , though "Shakermaker" drew from an earlier demo cut at Studios in in October 1993. This demo formed the foundation of the final track, with additional recording and overdubs taking place at on 17–18 1994 to refine its structure and amplify its live-wire intensity. Producers Mark Coyle and Owen Morris were instrumental in crafting the song's distinctive sound, with Coyle handling initial production and engineering on the demo to preserve the band's unpolished vibe, while Morris provided additional production, mixing, and mastering in to enhance its and ensure it aligned with Oasis's vision of gritty, anthemic rock.

Composition and lyrics

Musical elements

"Shakermaker" is built around a straightforward progression, a foundational structure in rock and that consists of 12 measures typically cycling through the I, , and chords. In this case, the song employs chords E, A, and B7, creating a classic blues framework with a slight variation where the dominant V chord (B7) incorporates a minor seventh for added tension. This progression underpins the entire track, contributing to its raw, energetic drive and accessibility. The tempo is approximately 82 beats per minute (). The is composed in the key of , which aligns with the bright, uplifting tone of the melody while allowing for the gritty rock edge characteristic of Oasis's sound. This key choice facilitates the band's guitar-heavy arrangement, enabling open-string voicings and power chords that enhance the 's anthemic quality. The melody itself bears a notable resemblance to "I'd Like to Teach the World to Sing (In Perfect Harmony)" by , a hit originally popularized as a advertising ; similarities include shared melodic phrases and rhythmic phrasing in the . These melodic parallels, along with initial lyric similarities, led to a lawsuit filed by the songwriters of ' track against in 1994, shortly after "Shakermaker"'s release. As part of the pre-release preparations and to address the concerns, revised the opening lyrics from a direct reference to the ("I'd like to teach the world to sing, in perfect harmony") to the current version ("I'd like to be somebody else / And not know where I've been"). The dispute was resolved through an out-of-court estimated at $500,000 USD, allowing the single to remain in circulation without further legal interruption. Instrumentally, "Shakermaker" features a blend of acoustic and electric guitars, with the former providing rhythmic strumming and the latter delivering leads and fills that evoke a sense of raw energy. The lineup is completed by Paul "Guigsy" McGuigan on bass, which locks into a steady groove, and on drums, offering a propulsive backbeat that supports the foundation. Psychedelic influences are evident in the track's swirling, atmospheric production, achieved through layered guitars and subtle effects that create a dreamy, retro haze reminiscent of late-1960s rock.

Themes and interpretation

The lyrics of "Shakermaker" employ a stream-of-consciousness style, presenting a series of non-literal, jumbled thoughts that Noel Gallagher has described as drawn from his immediate surroundings rather than a coherent narrative. Written hastily, with the final verse composed in the back of a taxi on the way to the recording session, the song's words evoke a dreamlike flow of associations, blending personal memories with whimsical absurdity. Gallagher has emphasized that his early lyricism often lacked deep intentional meaning, prioritizing rhythmic fit and evocative phrasing over literal storytelling, as seen in his broader reflections on Oasis's songwriting process. Central to the song's surreal imagery are references to childhood , capturing a sense of playful detachment from adult realities through childlike fantasies and icons. The opening lines—"I'd like to be somebody else / And not know where I've been / I'd like to build myself a house / Out of "—depict a desire to retreat into imaginative construction, reminiscent of youthful creativity with modeling clay as a medium for boundless reinvention. Further surreal elements include "Mr Clean and Mr Ben are living in peace," alluding to the cleaning product mascot and the protagonist of the 1970s British children's series Mr. Ben, where the character escapes everyday life through magical costume changes and historical adventures. Similarly, "Mr Soft" nods to the cheerful figure from 1970s advertisements for soft mints, while "Mr Sifter sold me songs / When I was just sixteen" honors Peter Howard, the owner of Sifters Records in , —a shop where a teenage Gallagher discovered music that shaped his . These vignettes collectively paint a nostalgic haze of innocence and discovery, using fragmented childhood symbols to convey a yearning for simpler, unburdened existence. In the context of Oasis's Britpop identity, "Shakermaker" reinforces the genre's embrace of nostalgia by repurposing and cultural touchstones—such as progressions and jingles—into anthemic rock that celebrated working-class heritage and escapist reverie. Released amid 's rise, the track's goofy, insular lyricism mirrored the movement's laddish bravado and retro fixation, evoking a collective longing for pre-Thatcherite optimism while anchoring Oasis as torchbearers of Manchester's gritty, guitar-driven sound.

Release and formats

Single details

"Shakermaker" was released on 20 June 1994 by as the second from Oasis's debut Definitely Maybe. The track, written by , followed the band's breakthrough "Supersonic" and helped build anticipation for the forthcoming . The was initially issued in multiple formats, including CD, cassette, and vinyl (both 7-inch and 12-inch editions), catering to the diverse preferences of the music market at the time. These physical releases featured the A-side "Shakermaker" alongside exclusive B-sides. In the context of Oasis's early career, "Shakermaker" arrived during a period of rapid ascent following their signing to in 1993.

Track listings

The "Shakermaker" single was released in multiple formats, with the UK CD single featuring the following tracks.

UK CD single (CRESCD 182)

No.TitleLength
1."Shakermaker"5:11
2."D'Yer Wanna Be a Spaceman?"2:41
3."Alive" (8 Track Demo)3:57
4."Bring It On Down" (Live)4:18
The 7" and cassette formats included only "Shakermaker" and "D'Yer Wanna Be a Spaceman?". International releases, such as the CD maxi-single (HES 660489 2) and CD (660489 2), followed the same track configuration as the CD , with minor variations in artwork and labeling. The song "Shakermaker" later appeared on the 2010 Time Flies... 1994–2009 as track 12 on disc 1.

Promotion and media

Music video

The music video for "Shakermaker" was directed by Mark Szaszy and filmed in 1994 on Burton Road in south , near the Gallagher brothers' childhood home in . The video depicts the band members in a relaxed, everyday setting, miming their performance on instruments amid urban surroundings, while also engaging in casual scenes of playing on a nearby field at Didsbury Toc H Sports Ground and kicking a ball down the street with local children. This unpretentious portrayal emphasizes a nostalgic, working-class vibe reflective of the band's roots. The official upload on Oasis's YouTube channel, remastered in HD with updated audio in 2014, has accumulated over 5.8 million views as of late 2025, underscoring its enduring popularity among fans.

Live performances

Oasis first performed "Shakermaker" live on the BBC's Top of the Pops on June 30, 1994, with the recording taking place the previous day at Elstree Studios; this appearance served as the band's debut on national television, just two months prior to the release of their album Definitely Maybe. The song became a fixture in Oasis's live repertoire during their 1994–1995 Definitely Maybe Tour, where it was played 107 times across more than 100 dates in support of the album, including notable renditions at London's Forum in October 1994 and the Lowlands Festival in the Netherlands in August 1994. In 2024, Liam Gallagher revived "Shakermaker" for his solo performance at the TRNSMT Festival in Glasgow on July 12, delivering it as part of a setlist heavy on Oasis classics from Definitely Maybe. Although fan speculation and leaked setlists prior to the tour suggested potential inclusion, "Shakermaker" was not performed during Oasis's 2025 reunion tour, the Live '25 Tour, which commenced on July 4 at Cardiff's Principality Stadium and featured a consistent set drawing primarily from the band's greatest hits without the track.

Commercial performance

Chart positions

"Shakermaker" debuted on the UK Singles Chart dated 2 July 1994 and reached a peak position of number 11. The single spent a total of 62 weeks on the chart across multiple runs, demonstrating sustained popularity in the UK throughout the 1990s. The song did not achieve significant charting success in the United States, failing to enter the Billboard Hot 100 or major rock charts. Internationally, it saw limited traction outside the UK, with no notable peaks on major European or global charts during its initial release. Following the 2010 release of Oasis's Time Flies... 1994–2009, "Shakermaker" experienced additional chart re-entries in the UK, reflecting renewed interest in the band's early work. One such re-entry occurred in late 2013 on the Official Physical Singles Chart, underscoring the enduring appeal of physical formats and compilations.
Chart (1994)Peak
UK Singles (OCC)11

Certifications and sales

In the United Kingdom, "Shakermaker" was certified silver by the (BPI) on 22 November 2013, denoting sales and equivalent streams of 200,000 units. This marked the first certification for the single, which had previously been Oasis's only release without UK recognition at the time. In 2024, the certification was upgraded to by the BPI, reflecting combined sales and streaming equivalents exceeding 400,000 units. The single's performance played a key role in bolstering the commercial momentum of Oasis's debut album Definitely Maybe, which achieved estimated global sales of over 8 million copies and helped establish the band's breakthrough in the mid-1990s Britpop scene. As of November 2025, "Shakermaker" has received no certifications in other international markets, such as the United States or Europe.

B-sides and variants

The Shakermaker single's B-sides highlighted Oasis' versatility in their early career, blending acoustic introspection with raw live energy and demo experimentation. "D'Yer Wanna Be a Spaceman?" is a psychedelic acoustic track written by , featuring delicate guitar work and dreamy lyrics about escaping everyday life through friendship and . Recorded during the band's initial demo sessions in 1992 at Mark Coyle's home, the song showcases Noel's lead vocals and a stripped-back arrangement that evokes folk influences amid Oasis' emerging sound. The single's CD edition also included a demo version of "Alive," an unreleased track from the Definitely Maybe era, captured in an 8-track format that reveals the band's rough, unpolished songwriting process with on vocals. Paired with a live rendition of "Bring It On Down" from a 5 session in September 1993, this B-side captures the chaotic intensity of ' early gigs, complete with audience interaction and high-energy delivery. These selections underscored the band's influences and willingness to experiment beyond their core singles.

Alternative versions

The Monnow Valley Studio version of "Shakermaker", an early 1994 demo recorded during the initial album sessions at Monnow Valley Studio in , , was released on August 30, 2024, as part of the 30th Anniversary Deluxe Edition. This previously unreleased take, recently mixed by and Callum Marinho, offers a rawer, pre-album rendition with distinct production elements compared to the final single version. In September 2025, Oasis released an official visualiser for the original "Shakermaker" on , coinciding with the 30th anniversary celebrations of (What's the Story) Morning Glory? and the band's Oasis Live '25 tour promotions. The visualiser, featuring archival footage and thematic imagery, provides a modern digital presentation of the track to engage new and existing fans. Several B-sides from the "Shakermaker" single, including "D'Yer Wanna Be a Spaceman?" and "Alive" (8-track demo), have appeared in remastered forms on subsequent reissues of Definitely Maybe, such as the 2014 deluxe edition, preserving their lo-fi character while enhancing audio clarity. Additionally, some B-sides from Oasis' early singles were compiled on the 1998 album The Masterplan, highlighting the band's prolific output of non-album tracks during this period, though the "Shakermaker" specifics were not included there.

Reception and legacy

Critical response

Upon its release as the second single from in June 1994, "Shakermaker" received mixed critical responses, with praise centered on its high-energy delivery but some viewing it as filler amid the album's stronger anthems. lauded the track's "crunching, gob-smacking 12-bar boogie" and "unspeakably cool" swagger, crediting Liam Gallagher's confident vocals for elevating its raw rock appeal. similarly highlighted it as one of the album's infectious highlights, exemplifying Oasis's straightforward guitar pop ethos. In retrospective assessments during the and , the song earned praise for embodying 's unpolished charm and psychedelic undertones, transforming simple influences into a distinctive early sound. Australia described it as an "off-handedly brilliant rock & roll mix and match," akin to a blend of R.E.M.'s raw edge and ' inventive spirit. The Ultimate Music Library echoed this in 2022, calling it "powerful, dynamic and awesome" for its ripping guitar solos and nostalgic vibe. However, it frequently ranks low in comprehensive song lists, such as 104th out of over 120 tracks in InsideHook's 2024 ranking and outside 's top 40 best songs that year, reflecting ongoing debates over its place in the band's catalog. Critics have specifically targeted the song's melody for its close similarity to the 1971 "I'd Like to Teach the World to Sing," which prompted a settled out of court for approximately $500,000 and led to forgo royalties. The , a stream-of-consciousness assemblage of childhood like "Mr. Sifter" and houses.

Cultural impact and reissues

"Shakermaker" has contributed to the resurgence of nostalgia in the 2020s, serving as a key track from Oasis's debut album that encapsulates the raw energy and working-class ethos of 1990s British rock. The song's laddish swagger and Beatles-inspired melodies have been frequently invoked in discussions of the genre's cultural revival, particularly following Oasis's surprise reunion announcement in August 2024, which highlighted the band's role in defining Northern English identity amid broader yearnings for pre-digital era simplicity. This nostalgia peaked with the group's 2025 world tour as of November 2025, reinforcing its status as an anthem for generational reconnection. The track experienced renewed visibility through targeted reissues tied to album anniversaries. In August 2024, Oasis released deluxe editions of for its 30th anniversary, featuring a remastered version of "Shakermaker" alongside previously unreleased outtakes and live recordings from the original sessions; these editions, available in formats like 4LP box sets and 2CD packages, propelled the album back to the top of charts and significantly boosted global streaming figures for the track and album, with streams surging in the weeks following the release. Complementing this, a 2025 official visualiser for "Shakermaker" was unveiled in September as part of celebrations for the 30th anniversary of (What's the Story) Morning Glory?, blending archival footage with modern visuals to reintroduce the song to younger audiences via digital platforms. In media and , "Shakermaker" is often referenced for its ties to Manchester's heritage, most notably through its . Directed by Mark Szaszy and filmed in the Gallagher brothers' childhood neighborhood of , the video depicts the band engaging in a casual kickabout on local fields, including a shot of a signed Manchester City jersey, which underscores Oasis's deep-rooted connection to the city's rival club culture and blue-collar spirit. This imagery has been cited in explorations of how the song and video embody 's post-industrial identity, blending music with the communal passion for that defines the region's social fabric.

Credits

Personnel

Oasis
  • Liam Gallagher – lead vocals
  • Noel Gallagher – lead guitar, backing vocals, songwriter
  • Paul "Bonehead" Arthurs – rhythm guitar
  • Paul "Guigsy" McGuigan – bass guitar
  • Tony McCarroll – drums

Production team

The production of the "Shakermaker" single was led by and Mark Coyle as primary producers, with playing a central role in overseeing the creative direction as the band's chief songwriter and producer during the album sessions. Owen Morris contributed additional production and handled the mixing for the track, giving it the polished, anthemic sound characteristic of Oasis's early work. Engineering duties for the sessions encompassing "Shakermaker" were shared among Anjali Dutt, Dave Scott, Roy Spong, and Mark Coyle, who assisted in capturing the raw energy of the recordings at multiple studios. also mastered the single at Clear Studios in , ensuring sonic consistency across the release. These efforts resulted in a track that balanced the band's live-wire intensity with professional refinement, setting the template for their debut album . The single's artwork and design were crafted by the Oasis creative team, led by Brian Cannon and , who developed a distinctive visual concept inspired by the song's nostalgic —featuring everyday objects melted with an to evoke a sense of distorted childhood memory. This sleeve design became emblematic of Oasis's early aesthetic, blending irreverence with high-concept artistry under ' guidance.

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    ### Credits for Personnel on "Shakermaker" Single Tracks
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    ### Credits for "Shakermaker" (Discogs Release 582574)