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Shashthi

Shashthi (Sanskrit: Ṣaṣṭhī) is a Hindu goddess revered primarily as the protector of children, infants, and childbirth, embodying fertility, vegetation, and the well-being of offspring.^[1] She is often depicted as a benevolent mother figure, sometimes riding a cat or accompanied by children, and is considered a manifestation of Durga, specifically identified with Katyayani, one of the seven divine mothers (Matrikas).^[1] Worshipped extensively in eastern India, particularly Bengal and Odisha, her veneration traces back to pre-Vedic folk traditions, blending indigenous goddess cults with later Brahmanical influences, and she is invoked through rituals on the sixth day (Shashthi tithi) of the lunar month or following a child's birth to ensure safety and prosperity.^[2] Her origins are rooted in ancient Hindu scriptures, with references appearing in texts such as the Shivapurana, where she is linked to the auspicious sixth day of the Margashirsha month associated with the birth of divine children, symbolizing protection for newborns and their mothers.^[1] In Bengal's cultural context, Shashthi's worship evolved independently from early Vedic influences due to the region's pre-Gupta era autonomy, fostering a unique tradition of vrata-kathas—narrative stories recited during fasting rituals (vratas) that emphasize themes of motherhood, moral conduct, and women's agency in family welfare.^[2] These kathas, performed predominantly by women, portray Shashthi as a guardian who rewards devotion with healthy progeny while punishing neglect, reinforcing social ideals of nurturing and piety.^[2] Key festivals honoring Shashthi include the annual Shashthi Puja in Bengal, often coinciding with Durga Puja's sixth day (Sasthi), where devotees offer sweets, fruits, and vermilion to her idols or icons, seeking blessings for fertility and child protection.^[1] She is also integral to postpartum rites like the Chhathi Puja, a ceremony performed on the sixth day after a child's birth, and broader celebrations like Jamai Shashthi, which involve families honoring sons-in-law while invoking her safeguarding role.^[2] Iconographically, Shashthi is sometimes conflated with Devasena, the consort of Skanda (Kartikeya), highlighting her divine marital and maternal attributes, though her primary folk identity remains distinct as a child-centric deity.^[1] Through these practices, Shashthi continues to symbolize the sanctity of reproduction and familial bonds in Hindu tradition.^[3]

Identity and Etymology

Name and Origins

The name Shashthi derives from the Sanskrit term ṣaṣṭhī (षष्ठी), which literally means "sixth," stemming from the root ṣaṣ indicating the numeral six.^[1] This etymology ties directly to her association with the sixth day following a child's birth, when rituals are performed to invoke her protection for the newborn and mother, as well as the sixth lunar day (Shashti tithi) in the Hindu calendar, marking a phase dedicated to her worship.^[4] In this context, Shashthi embodies the transitional and protective essence of the number six within familial and cosmic cycles. Shashthi's origins trace to ancient folk traditions in Hinduism, likely predating the formal Vedic corpus, where she emerged as a benevolent protector spirit linked to fertility and child welfare.^[4] Her veneration appears connected to astral and lunar worship, particularly the sixth phase of the moon, symbolizing growth and safeguarding during vulnerable periods such as infancy.^[1] As a folk deity, she represents an indigenous layer of devotion that integrated into broader Hindu practices, emphasizing communal rituals over elite scriptural narratives. Early textual references to Shashthi as a protector spirit occur in non-Vedic sources like the Grihya Sutras, which outline domestic ceremonies. In the Manava Grihya Sutra (II.13.1-10), she is invoked in hymns during the sixth-day postpartum rite to ensure the child's health and prosperity, portraying her as a motherly goddess granting wealth and longevity.^[4] Similarly, the Kathaka Grihya Sutra (XIX.7) prescribes her worship on the sixth lunar day of the fortnight for newborn well-being, establishing her foundational role in household protections.^[4] These mentions highlight her evolution from a localized guardian to a revered figure in everyday Hindu life.

Role as Deity

Shashthi serves as a benevolent Hindu goddess primarily revered for her guardianship over children and expectant mothers, safeguarding infants and young children against perils such as infant mortality and complications during delivery.^[5] Her protective domain extends to ensuring the health and vitality of young lives, making her an essential figure in familial piety across regions like Bengal and eastern India.^[1] As a matrika, or mother goddess, Shashthi embodies nurturing attributes tied to fertility, lactation, and overall family prosperity, often invoked to promote reproductive success and maternal well-being.^[5] This maternal essence positions her as a symbol of life's continuity and protection within the household. In folk Hinduism, Shashthi is a prominent folk deity operating outside the elite Vedic pantheon and deeply embedded in rural devotional practices that emphasize local, accessible divinity.^[1] Her name, derived from the Sanskrit term for the sixth day of the lunar fortnight, underscores her association with the sixth postnatal day when her blessings are traditionally sought.^[6] Regionally, she is revered as female in eastern India but as male in some South Indian traditions.^[6] This grassroots status highlights her distinct theological function as a folk protector rather than a cosmic force.

Iconography and Symbolism

Depictions in Art

Shashthi is commonly depicted in traditional Indian art as a benevolent, motherly figure, often portrayed as a woman holding one or more children to emphasize her role as protector of infants and childbirth. In many representations, she is shown adorned with elaborate jewelry, including necklaces, earrings, and bangles. These depictions frequently feature her with a serene, compassionate expression, highlighting her nurturing attributes. She may also be represented aniconically, such as in the form of an earthenware pitcher (purna kalasha), a banyan tree, or a red stone beneath such a tree, particularly in folk worship traditions. A prominent example appears in Kalighat paintings from 19th-century Bengal, where Shashthi is illustrated with golden-yellow skin tones, draped in a flowing red sari, cradling two children—one in her arm and the other in her hand—while standing atop her characteristic mount, a black-and-white cat. This opaque watercolor style, produced in Kolkata during the British colonial period, captures her in a dynamic yet tender pose, underscoring her domestic and protective essence.^[7] In sculptural forms, Shashthi appears in both stone and metal artifacts across regions, often as a standing or seated figure emphasizing maternal care. A notable historical example is a 2nd-century Kushan-period red sandstone sculpture from Mathura, now in museum collections, portraying her as a graceful, nurturing woman flanked by attendants, with detailed carving of her attire and ornaments that convey benevolence and poise.^[8] Regional variations include clay idols from Bengal and Bangladesh, crafted for temple and household worship, which typically show her with soft, benign facial features, rounded forms, and simple adornments to evoke approachability and warmth during rituals.^[9] In eastern Indian metalwork, such as a 17th-18th century bronze figure possibly from Orissa, she is rendered in a compact, standing posture on a low pedestal, with emphasis on her jewelry and poised stance, differing from the more elaborate painted traditions by focusing on three-dimensional solidity and ritual portability.^[10] Two-armed forms predominate in surviving artifacts to maintain her intimate, familial iconography.

Associated Symbols

Shashthi's primary vahana is the cat, often depicted as a black cat, which symbolizes vigilance and the warding off of evil spirits that threaten infants and young children. In Hindu folklore, the cat's role stems from legends where it is portrayed as a guardian of newborns, protecting them from malevolent forces during vulnerable early days; this association underscores the goddess's swift intervention against supernatural dangers.^[11]^[12]^[13] The depiction of a child in Shashthi's lap represents her nurturing essence and role as a benefactor of fertility and child welfare, emphasizing her blessings for healthy progeny and long life up to sixty years.^[11]^[12] In certain esoteric traditions, Shashthi manifests with a six-faced form, directly tying to the numerical root of her name ("Shashthi," meaning sixth), which highlights her multifaceted protective capacities and connection to cosmic harmony. This aspect, less common in mainstream depictions, reflects deeper tantric interpretations of her as a comprehensive guardian embodying multiple dimensions of benevolence.^[11]

Historical Development

Early Textual References

Shashthi does not appear in the core Vedic texts such as the Rigveda, Samaveda, Yajurveda, or Atharvaveda, which points to her origins in pre-Brahmanical folk traditions centered on local deities associated with fertility and child welfare.^[14] This absence underscores her emergence from popular, non-elite practices before formal incorporation into Sanskrit literature. The earliest documented references to Shashthi occur in the Grihya Sutras, ritual manuals composed around the 6th century BCE that outline domestic ceremonies. In the Manava Grihya Sutra, she is personified as an auspicious goddess in a dedicated hymn, invoked for granting wealth, protection, and well-being; she is described as omni-formed, the wife of desire, and closely linked to childbirth rituals performed on the sixth day postpartum to safeguard the newborn and mother from harm.^[14] Similarly, other Grihya texts like the Asvalayana and Paraskara Sutras mention Sasti (an alternate form) as a mother goddess to whom offerings are made during postpartum observances, emphasizing her role in ensuring infant health and family prosperity.^[4] Subsequent mentions in epic literature further establish Shashthi's protective yet potentially malevolent attributes. In the Mahabharata, composed between the 4th century BCE and 4th century CE, she is portrayed as an attendant and nurse to Skanda (Kartikeya), the war god, who could inflict diseases on children if not properly propitiated, reflecting her dual role in folklore as both guardian and afflicter.^[15] Early Puranic texts, such as the Devi-Bhagavata Purana (circa 9th–11th centuries CE but drawing on older traditions), depict her as a devoted servant to Kartikeya, emphasizing her nurturing duties toward divine and human offspring alike.^[16] These references indicate Shashthi's gradual integration into Brahmanical literature during the Gupta period (c. 4th–6th centuries CE), when folk deities were assimilated into the broader Hindu pantheon to bridge popular worship with elite scriptural norms, as evidenced by archaeological finds like terracotta figures.^[17] This process transformed her from a localized postpartum protector into a formalized divine figure within emerging Shakta traditions.

Evolution in Hindu Traditions

Shashthi's evolution within Hindu traditions reflects a gradual assimilation of local folk beliefs into broader scriptural and sectarian frameworks, transforming her from a regional protector spirit into a prominent manifestation of Shakti. Originating as a folk deity associated with childbirth and child welfare in eastern India, her elevation began in medieval texts that integrated her into the pantheon of divine feminine energies. The Devi Bhagavata Purana, a key Shakta scripture composed between the 9th and 12th centuries, portrays Shashthi as the daughter of Brahma and a benevolent guardian of infants, emphasizing her role in warding off evil and ensuring progeny, thereby aligning her with the cosmic Shakti principle. This textual incorporation marked a shift from oral folk narratives to formalized worship, positioning her as an accessible aspect of the Great Goddess for household rituals. In medieval Bengal, Tantric influences further solidified Shashthi's status through vernacular literature like the Mangal-Kavyas, narrative poems from the 15th to 18th centuries that glorified indigenous deities to promote auspiciousness. These works, such as the Shashthi Mangal, depicted her as a compassionate mother figure intertwined with Tantric elements of fertility and protection, blending folk practices with esoteric Shakta rituals to appeal to diverse communities. This period saw her syncretism with local spirits, elevating her from a village-level entity to a widely invoked Shakti form, particularly in domestic and agrarian contexts where child mortality was a pressing concern. Shashthi's reverence spread beyond Bengal to neighboring regions like Odisha and Bihar during the medieval and early modern eras, facilitated by the interplay of Vaishnava and Shaiva traditions that incorporated Shakta elements. In Odisha, her worship manifested in practices like Sathi Osha, a vow observed by mothers for child well-being, reflecting historical Shakta integrations. Similarly, in Bihar, folk observances linked her to regional mother goddesses, adapting her iconography within syncretic Shaiva-Shakta frameworks that emphasized protective feminine power. British colonial scholars in the 19th century documented this prominence, noting in ethnographic surveys her central role in Bengali and eastern Indian household rites, as seen in accounts of rural festivals where she was invoked to counter infant ailments amid high mortality rates.^[19] Twentieth-century scholarship debated Shashthi's syncretism with pre-Aryan or Dravidian mother goddesses, viewing her as a bridge between indigenous folk cults and Vedic-Brahmanical Hinduism. Scholars like David Kinsley argued that her attributes—such as fertility and child protection—echoed ancient non-Vedic earth-mother figures from the Indus Valley and Dravidian traditions, which were gradually absorbed into the Hindu fold through regional adaptations, though her eastern focus distinguished her from southern counterparts like Mariamman. Post-2000 anthropological studies highlight urbanization's impact on her worship, particularly in Bengal's growing cities, where traditional domestic pujas have adapted to nuclear families and migrant lifestyles. June McDaniel's ethnographic work reveals how urban practitioners maintain Shashthi rituals via simplified home altars and community events, preserving her folk essence amid modernization, though participation declines in high-density areas due to space constraints and shifting gender roles. This evolution underscores her enduring adaptability, from medieval textual elevation to contemporary urban resilience.

Mythology and Legends

Core Narratives

In the Devi Bhagavata Purana, Shashthi is portrayed as the mind-born daughter of Brahma and the sixth manifestation of Prakriti, the primordial feminine energy, who becomes the consort of Skanda (also known as Kartikeya), the son of Parvati and Shiva. As one of the sixteen Matrikas—the divine mother goddesses—she emerges as a protective force specifically assigned to safeguard infants and children, embodying the nurturing aspect of the divine feminine. Her creation underscores her integral role in the cosmic order, where she decides the longevity of children and shields them from perils, reflecting Parvati's own maternal instincts extended through her divine attendants. This foundational myth establishes Shashthi as an extension of Parvati's power, tasked with countering demonic threats to the young Skanda by serving as his sixth attendant or nurse among the protective Shaktis.^[20] A pivotal anecdote in the same Purana illustrates Shashthi's powers when she revives the deceased infant son of King Priyavrata, who had despaired over the loss. Moved by the king's devotion, Shashthi not only restores the child to life but also affirms her capacity to grant safe delivery and progeny to barren women and grieving mothers who invoke her through rituals and the mantra "Om Hrīm Ṣaṣṭhī Devyai Svaha." This event marks her transition to a widely venerated deity of fertility and child welfare, where appeasement ensures bountiful outcomes, such as healthy births and family prosperity, while emphasizing the need for timely worship on the sixth day postpartum.^[20] Her redemption through acts of grace, like the boon to Priyavrata's lineage, solidifies her as a symbol of familial safeguarding across Hindu traditions.^[20]

Regional Myth Variations

In Bengal, Shashthi's myths frequently intersect with those of the snake goddess Manasa, portraying her as a fierce protector of children who embodies fertility and retribution against neglectful mothers. Local legends describe Shashthi withdrawing her blessings from childless women or those who ignore prescribed rituals, such as the Shashthi Brata, resulting in misfortune or the abduction of offspring by supernatural forces until atonement is made through renewed devotion.^[21] These narratives emphasize her role in enforcing maternal duties, blending with Manasa's cult to highlight themes of serpentine guardianship and familial harmony in rural Bengali folklore.^[22] Recent ethnographic studies since 2010 on Bengali migrant communities in urban India and abroad reveal evolving myths, where Shashthi's punitive tales are reinterpreted to address modern anxieties like infertility treatments and diaspora isolation, often blending with global health narratives while retaining ritual cores. For instance, among North Bengal migrants, her legends adapt to emphasize psychological resilience over supernatural punishment.^[23] These variations highlight her enduring adaptability in transnational contexts.

Worship and Rituals

Festivals and Observances

Shashthi worship includes several key observances centered on her role as protector of children and families, with rituals emphasizing offerings and communal participation to invoke blessings for health and prosperity. One primary rite is Chhati Puja, performed on the sixth day following a child's birth as a private family ceremony. During this ritual, the mother and newborn participate in a ceremonial bath, followed by prayers to Shashthi for safeguarding the infant from illness and evil influences; offerings typically consist of sweets such as payasam (rice pudding) and fresh fruits like bananas and pomegranates, symbolizing abundance and vitality, presented on a simple altar with lamps and incense.^[24]^[25] Another significant observance is Jamai Shashthi, an annual festival in Bengal held on the sixth day of the bright half of Jyestha month (typically May-June), where mothers-in-law fast and perform puja to Shashthi to bless their sons-in-law and ensure family prosperity. Rituals include applying vermilion to the son-in-law, offering sweets and fruits, and a grand feast featuring traditional Bengali dishes, reinforcing bonds between in-laws.^[26] The annual Maha Shashthi in Bengal, observed as the sixth day of Durga Puja during the Ashwin month (September-October), marks a major communal celebration dedicated to the goddess, often identified with Katyayani. Women undertake fasting from dawn until evening to seek her favor for family well-being, and customs include feeding stray cats—regarded as Shashthi's mount—with milk and rice, reflecting her compassionate nature. Devotees participate in processions and pujas at community pandals, with broader Durga Puja rituals like idol adornment and eventual immersion on Dashami incorporating eco-friendly practices mandated since 2015 by the Central Pollution Control Board, using natural clay and vegetable-based dyes to minimize environmental impact.^[27] In South India, observances link Shashthi to Murugan (Skanda) worship through Skanda Shashthi, a six-day festival typically in the Tamil month of Aippasi (October-November), celebrating the deity's victory over demons while honoring Shashthi as his foster-mother in some traditions. Devotees undertake strict fasts, perform abhishekam (ritual bathing of the idol) with milk and honey, and participate in temple processions featuring depictions of Murugan and his mother, emphasizing themes of protection and triumph; this regional variation integrates Shashthi's nurturing aspect into broader Shaivite traditions, with communal feasts breaking the fast on the final day.^[28]

Domestic and Temple Practices

In domestic settings, particularly among Bengali Hindu families, worship of Shashthi often centers on simple home altars adorned with small clay figures or images of the goddess, symbolizing her role as protector of children and fertility.^[29] These altars are maintained daily, with offerings of milk, rice, betel leaves, and sometimes panchamrit (a mixture of milk, yogurt, honey, sugar, and ghee), especially by new mothers invoking blessings for the health and safety of newborns during the vulnerable postpartum period.^[29] Such practices emphasize personal devotion and are rooted in folk traditions passed through generations, often without formal priestly intervention. At institutional sites, major temples dedicated to Shashthi, such as the Shashti Tala Temple in Kolkata's Baranagar neighborhood and various rural shrines across Bengal, facilitate structured rituals led by priests. These pujas typically involve the recitation of specific mantras from Shakta texts to invoke the goddess's presence, accompanied by offerings of fruits, flowers, and incense, and extend to community ceremonies like child-naming rituals (namkaran) on the sixth day after birth, where the infant is presented to Shashthi for protection.^[30]^[24] Rural Bengal shrines, often modest earthen structures under banyan trees, mirror these temple practices on a smaller scale, blending priestly guidance with local customs to reinforce familial bonds and child welfare. A notable taboo in Shashthi rituals is against harming or mistreating black cats, viewed as the goddess's vahana (mount) in folklore; accusing or harming one is believed to invite misfortune, as illustrated in traditional tales where the cat's mistreatment leads to divine retribution against neglectful families.^[31] This practice underscores the integration of animal symbolism in everyday veneration, with devotees sometimes crafting dough figures of black cats as symbolic offerings during pujas. Since the 2020 COVID-19 pandemic, virtual pujas for Shashthi have gained traction and continued into the 2020s, allowing devotees to participate remotely via online platforms that stream priest-led rituals, mantra chants, and digital offerings, adapting traditional domestic and temple devotions to contemporary constraints while maintaining accessibility for global Bengali communities.^[32]^[33]

Cultural Significance

Influence in Folklore and Arts

Shashthi features prominently in Bengali folk tales as a benevolent guardian of children and fertility, often intervening to protect infants or aid barren women. In a traditional narrative, a black cat serving as Shashthi's mount is mistreated by a family after being wrongly blamed for stealing children; the cat complains to the goddess, who curses the neglectful household but rewards the devoted youngest daughter-in-law with fertility after she worships Shashthi, underscoring themes of maternal justice and household harmony. These stories, passed down orally and collected in anthologies like those inspired by Thakurmar Jhuli, portray Shashthi as a maternal archetype who navigates domestic conflicts to ensure child welfare.^[34] In visual arts, Shashthi is depicted in terracotta dolls and plaques that adorn Bengali homes, symbolizing protection and reproduction. These handmade figures, crafted in regions like Panchmura in Bankura district, show her as a nurturing mother cradling infants, reflecting her folkloric essence and serving as everyday talismans against misfortune. Terracotta representations date back to ancient Bengal but persist in modern folk crafts, blending mythological motifs with domestic utility.^[35] Nineteenth-century Kalighat paintings further immortalize Shashthi, capturing her yellow-skinned form riding a cat while holding children, often in vibrant watercolors on cardboard sold as souvenirs near Kolkata's Kalighat temple. These patachitra-style works, produced by patuas, highlight her as a fertility deity amid everyday Bengali life, blending devotion with social commentary on family and reproduction. Examples from around 1885 to 1890 depict her in red saris, emphasizing her accessibility as a household protector rather than a distant divine figure.^[7]^[36] Literary influences include Abanindranath Tagore's 1896 children's fantasy novel Khirer Putul (The Condensed-Milk Doll), where Shashthi's mythical realm serves as a dreamlike setting woven with 18 traditional Bengali nursery rhymes. In this narrative, the goddess consumes a condensed-milk doll offered by a childless couple and grants them offspring, drawing from folk brata kathas (vow tales) like Aranya Shashthi to evoke nostalgia for rural Bengal's oral traditions. Tagore's work, part of the Bengal Renaissance, integrates Shashthi's archetype into a whimsical exploration of childhood and nature, influencing subsequent Indian fantasy literature.^[37]

Modern Observance and Adaptations

In contemporary urban settings and among the Bengali Hindu diaspora in the US and UK, Shashthi worship has evolved through digital platforms since the 2010s, enabling remote participation via online puja services. Websites such as epuja.co.in allow users to sponsor rituals performed by priests in Indian temples, with options for video streaming, personalized offerings, and multilingual support to accommodate expatriates. These virtual communities facilitate the maintenance of traditions like child-protection invocations, particularly for busy professionals and families separated by migration, blending technological convenience with devotional continuity.^[38]^[39] Shashthi rituals have also intersected with women's health awareness in Bengal, where the goddess's traditional veneration on the sixth day postpartum underscores postpartum care and infant welfare. This observance aligns with modern maternal health initiatives by emphasizing rest, nutrition, and family support during recovery, reflecting a cultural framework that promotes well-being amid evolving medical practices.^[40] The COVID-19 pandemic from 2020 onward significantly altered Shashthi-related child-protection rituals, particularly during Durga Puja's Mahashashti, leading to scaled-back communal gatherings and a shift toward home-based or virtual observances in Bengal. Devotees adapted by conducting simplified pujas indoors to avoid crowds, while diaspora communities relied more on online streams to invoke the goddess's safeguarding blessings for children amid health uncertainties.^[41] Rural observance of Shashthi faces challenges from urbanization and out-migration, as economic migration depletes village populations and erodes communal folk rituals. Feminist reinterpretations of Shashthi Vrata-Kathas portray the goddess as an empowering symbol, offering women agency through ritual narration and participation within patriarchal confines. These narratives, evolving since the 19th-century women's education movement, blend indigenous devotion with contemporary gender dynamics, enabling women to negotiate social roles and challenge norms via spiritual solidarity.^[42]

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[30]
Festivals: Skanda Sashti - Hinduism Today
Skanda is a God of many attributes, often depicted as six-faced and twelve-armed. Saivite Hindus hail this supreme warrior, the commander-in-chief of the ...
[31]
Shasti Devi Puja Chatti-Procedure | PDF | Hindu Literature - Scribd
Rating 5.0 (2) Offer seat to Shashti Devi with flower and rice in hand. ... 5.5. Offer rice, flower, perfume and milk to Shashti Devi. ... 5.7. Offer Panchamritha and then water ...
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Shashti Tala Temple in Baranagar,Kolkata - Justdial
Rating 4.0 (62) Shashti Tala Temple in Baranagar,Kolkata listed under Temples in Kolkata. Rated 4.0 based on 62 Customer Reviews and Ratings with 3 Photos.
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[PDF] Hindu holidays and ceremonials
... Shashthi marks the phenomenon of the rising Sun driving or dispersing a fog ;. Page 20. Tjiv. INTRODUCTION .Maha Shivaratra marks the night on which the Mrig ...
[34]
Digitizing sacred spaces: How COVID-19 fueled innovation of Hindu ...
and for a while it seemed that temple closures ...Missing: Shashthi | Show results with:Shashthi
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Puja in the time of pandemic - Frontline - The Hindu
Sep 1, 2020 · Even before the pandemic, Hindus living in India or abroad could have pujas performed remotely for a fee, worship their chosen gods digitally ...Missing: Shashthi | Show results with:Shashthi
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The Black Cat and Maa Shashthi – A Bengali Folk Tale Once upon ...
Jun 30, 2025 · The goddess explained why she had taken the children—to punish the woman for hurting and blaming an innocent animal. The mother understood ...Missing: childless myth
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Shashti Devi Bengali folktale - Part 1
Shashti Devi Bengali folktale - Part 1: Once there lived a farmer in a village with his wife, 7 sons and daughters-in-law. The youngest daughter-in-law ...Missing: Shashthi | Show results with:Shashthi
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The One-and-a-Half-Finger Boy - Stories | Otibeguni
Crying, she prayed, and one night, the goddess Shashti came to her in a dream. “Wake up, wake up. Bathe with oil and vermilion, find a cucumber, and eat it. You ...
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THE LEGACY OF TERRACOTTA DOLLS OF WEST BENGAL
Jun 14, 2025 · Plaques and figurines portraying gods, scenes from mythology, and daily life were crafted and employed to decorate temples and sacred places.
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File:Shashthi.jpg - Wikimedia Commons
Nov 5, 2024 · This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain.
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The Kheer Doll: Translation of A children's novel By Abanindranath ...
Abanindranath's Land of Shasthi exploits a world of indigenous rhymes (much like Alice in Wonderland) that has lost its magic to the children of Bengal today.
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Online Ritual Web Traffic and the Hindu Diaspora
Nov 19, 2019 · Members of the Hindu diaspora may visit online ritual sites to practice puja by proxy in the temples of their youth.
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Muted Maha Ashtami rituals, celebrations in Bengal amid Covid ...
Oct 24, 2020 · "I am 67 and I don't recall not attending the puja rituals ever. This COVID-19 pandemic has changed the entire scenario. I prayed to Goddess ...
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### Summary of Findings on Decline of Folk Festivals and Rituals in Rural Bengal Due to Migration or Urbanization, and Mention of Shashthi or Child-Related Rituals
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[PDF] international journal of - south asian studies - Pondicherry University
An Abstract of the article in about 150 words must accompany the papers. The length of research papers shall be between 5000 and 7000 words. However, short ...