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Smiley

The smiley face, also known simply as the smiley, is a simple graphic featuring a with two black dots representing eyes and a curved line forming a smiling , universally recognized as an emblem of , positivity, and cheer. Originating in ancient depictions as early as 1700 BCE on a ceramic jug from Karkemish in southern , the modern version was created in by American graphic artist Harvey Ross Ball for the State Mutual Life Assurance Company in , to boost employee morale following a corporate merger; Ball sketched it in under 10 minutes for a fee of $45, using a black felt-tip marker on yellow paper without copyrighting the design. The symbol quickly proliferated through company-issued buttons, posters, and , but gained widespread commercial success in the early 1970s when brothers and Murray Spain modified it slightly, added the slogan "Have a Happy Day," and copyrighted it, selling over 50 million buttons and other merchandise within a year and turning it into a multimillion-dollar enterprise. Concurrently, French journalist Franklin Loufrani independently used the design in the newspaper France Soir in 1972 to highlight positive news stories, trademarking it as "Smiley" and founding , which expanded globally and now generates hundreds of millions in annual licensing revenue for variations across fashion, advertising, and . Beyond its commercial roots, the smiley evolved into a countercultural icon in the late 1980s, particularly within the UK's acid house and rave scenes—such as at the Shoom nightclub in South London—symbolizing subversion, hedonism, and anti-establishment attitudes amid the era's drug-fueled electronic music culture, though it later faced backlash due to associations with ecstasy-related incidents. In the digital age, the symbol transitioned to text-based emoticons pioneered by computer scientist Scott Fahlman in 1982 on online forums, and later as graphical emojis; Japanese designer Shigetaka Kurita included 176 emoji prototypes, featuring smileys, for NTT Docomo's mobile phones in 1999, with Unicode standardization in 2010 enabling global use and cultural phenomena like the "tears of joy" variant being named Oxford Dictionaries' Word of the Year in 2015. Today, the smiley remains a versatile motif in art, branding, and communication, embodying optimism while reflecting ongoing debates over its origins and ownership among Ball, the Spains, and Loufrani's company.

Etymology and Early Uses

As a surname

The surname Smiley originates as a nickname derived from the Middle English word "smile," meaning to smile or grin, typically bestowed upon individuals noted for their cheerful disposition. This etymological root traces back to the Old English verb "smīelian," signifying to smile, and evolved into a hereditary family name during the medieval period in English-speaking regions. Variants such as Smillie or Smaley emerged in Scotland and northern Ireland, where the name likely spread from English settlers or local adaptations, with early records appearing in the 16th and 17th centuries. Historical records document the surname's presence among notable figures in various fields. One of the earliest documented bearers was Thomas Smelie, a and guild-brother in , , recorded in 1612. In the , Sarah Frances Smiley (1830–1917) gained recognition as a prominent Quaker minister from , , known for her evangelical travels and writings on religious themes. The name also appears in literature through the fictional character , a created by author in his 1961 novel Call for the Dead, who became a central figure in a series of Cold War espionage stories spanning the 1960s to 1990s. Globally, the surname Smiley is most prevalent in the United States, where approximately 25,529 individuals bore it as of recent demographic estimates, ranking it about 1 in every 14,198 people. Significant concentrations also exist in (1,585 bearers, or 1 in 23,246) and (549 bearers, or 1 in 101,490), with additional presence in reflecting its Ulster Scots heritage; U.S. census data from 2010 recorded 19,829 instances, underscoring its establishment among British and Irish-descended populations.

As an adjective and brand name

The adjective "smiley," meaning inclined to smile or cheerfully expressive, first appeared in English in 1848, derived from the noun "smile" with the suffix "-y" indicating a tendency or quality. This usage described individuals or facial expressions marked by a pleasant, grinning demeanor, as in literary contexts portraying amiable characters. Early examples reflect its role in 19th-century prose to convey lightheartedness, predating its broader colloquial adoption. Following a period of limited use, "smiley" gained traction in casual speech during the post-1960s era, coinciding with cultural emphases on positivity and emotional openness in Western societies. Its popularity surged through informal language in the , appearing in everyday descriptions of happy dispositions and amplified by marketing campaigns promoting upbeat consumer experiences. The records its adjectival sense from but notes expanded entries for related forms like "smiley face" in supplements around the 1970s, reflecting this linguistic shift. As a brand name, "Smiley" emerged prominently in the 1970s when Loufrani trademarked it in 1971 for commercial licensing, founding to market products evoking cheerfulness. By the , the name appeared in unrelated trademarks for apparel lines, particularly in youth-oriented fashion tied to subcultures like and , where it symbolized carefree rebellion and joy. These applications leveraged the term's inherent positivity, expanding its commercial footprint without direct ties to specific graphical designs.

Historical Development

Pre-modern depictions of smiling faces

One of the earliest known depictions of smiling faces in appears in Mesopotamian sculptures from the third millennium BCE, where subtle smiles on small mouths accompany well-defined facial features in representations of protective spirits or deities. These benign expressions, often paired with prominent eyes symbolizing vigilance and emotion, reflect early attempts to convey subtle positive sentiments in from the , as seen in artifacts from sites like Tell Asmar dating to around 2500 BCE. A more explicit precursor to the modern smiley is a ceramic jug from Karkemish in southern , dating to ca. 1700 BCE, featuring a simple face-like design with dots for eyes and a curved line for a mouth. In ancient tomb art, smiling figures emerge as rare but significant motifs, particularly in funerary sculptures of (ca. 2686–2181 BCE), where youthful, well-fed forms occasionally feature smiles symbolizing anticipation of the paradise. Around 2000 BCE, during the late Old Kingdom and transition to the , such expressions appear in hieroglyphic scenes and statues depicting joy or , though they remain non-idealized and exceptional compared to the typical serene or neutral countenances. These smiles, as in prisoner heads from Dynasty VI pyramid temples (ca. 2253–2228 BCE), sometimes blend with other emotions, underscoring the nuanced role of facial expressions in conveying eternal well-being. Medieval art, particularly in 12th-century illuminated manuscripts like bestiaries, incorporates grinning characters to illustrate or fantastical narratives, often in marginal drolleries or hybrid creatures that evoke whimsy or cautionary tales. For instance, the (ca. 1200 ) features grotesque, grinning beasts and figures in vivid inks, serving as symbolic motifs in religious texts to highlight virtues against vice. Folk art talismans from the same era, such as carved wooden amulets in Northern traditions, occasionally depict smiling faces as protective symbols against evil, blending pagan and Christian in everyday objects. In non-Western traditions, Asian ink drawings from China's (618–907 CE) capture amused expressions in courtly scenes and figure paintings, with nuanced smiles on attendants' faces denoting subtle humor or delight, as evident in frescoes from caves where detailed facial features convey emotional depth in narrative compositions.

Invention and initial adoption

In 1963, American commercial artist Harvey Ross Ball was commissioned by the State Mutual Life Assurance Company in , to create a graphic designed to boost employee morale following a series of challenging . Ball, who worked through his firm State Mutual Advertising, hand-drew the now-iconic image—a simple yellow circle featuring two black oval eyes (one slightly larger than the other) and a curved, non-symmetrical mouth evoking a subtle "Mona Lisa" smile—in less than 10 minutes. For this work, he received a one-time payment of $45, with no agreement for royalties or further compensation. The company immediately adopted Ball's design for its internal "friendship campaign," producing thousands of buttons, posters, and signs featuring the smiley face to encourage positivity among staff. Initial production included at least 100 buttons distributed to employees, which quickly proved popular and led to further manufacturing to meet internal demand. Neither Ball nor the State Mutual Life Assurance Company sought to or the design at the time, allowing it to enter the and facilitating easy replication without legal restrictions. By the mid-1960s, the smiley face began to see limited adoption beyond State Mutual, appearing in promotional materials for other U.S. businesses seeking similar morale-boosting efforts, though it remained a niche corporate rather than a widespread cultural phenomenon at this stage. This early uncontrolled spread stemmed directly from the absence of protections, enabling printers and advertisers to produce and distribute variations without permission.

Linguistic and Digital Applications

Role in written communication

The smiley has appeared in early forms of written communication as a simple textual or symbolic device to convey positivity, predating digital formats. In the , telegraph operators developed symbols to express emotions efficiently during transmissions, as encouraged in operational guidelines to foster rapport among users. By the early , typographical journals featured rudimentary textual representations of smiles, such as curved lines formed by printing type characters like parentheses or arcs, often in cartoons and decorative letterheads to denote humor or goodwill; for instance, a issue of Wimble’s Reminder illustrated a bill-head with glyph-based smile-like embellishments. Adaptations of the smiley have extended to tactile and gestural systems for . In (ASL), the sign for "smile" involves drawing an upward curve across the mouth with the index fingers of both hands, palm-down, to mimic a happy expression and can represent the smiley symbol when describing textual or visual icons. For users, experimental extensions such as the "Braille Dingbats" project incorporate a 9-dot to render emoticons, including a smiley pattern (dots 1-3-5-6-8 raised to form eyes and mouth), enabling visually impaired individuals to convey happiness in digital or printed text, though such patterns emerged in recent accessibility efforts rather than the mid-20th century. Linguistically, textual smileys serve a psychological by clarifying emotional tone in ambiguous written exchanges. Early research in the , following the introduction of ASCII-based emoticons, demonstrated that such symbols mitigate miscommunication in electronic mail by signaling or positivity; for example, a 2013 study found that emoticons in emails reduced perceived negativity by clarifying sender intent. This paved the way for broader adoption in digital text-based emoticons.

Evolution into emoticons and emojis

The digital evolution of the smiley began in 1982 when computer scientist Scott Fahlman proposed the sideways :-) on a to distinguish humorous posts from serious ones, marking the first use of such a symbol in online communication. This simple combination of a colon, hyphen, and parenthesis quickly spread across early computer networks, providing a textual way to convey tone in the absence of facial cues. By the 1990s, emoticons expanded significantly with the rise of chat rooms and messaging services. In , —more elaborate text-based faces like (^_^)—emerged in the late and gained popularity, leveraging the broader character sets available in to create nuanced expressions beyond basic variants. Concurrently, emoticons proliferated in global online spaces, with Instant Messenger's 1997 launch converting text symbols like :-) into graphical images, enhancing their visual appeal and adoption in real-time chats. The transition to standardized emojis accelerated with Unicode's inclusion of smiley faces in version 6.0 in 2010, introducing characters like the smiling face with smiling eyes (😊) in the Emoticons block to support cross-platform rendering. By 15.0 in 2022, the standard encompassed over 100 smiley variants, including diverse facial expressions and skin tone modifiers introduced in earlier versions like 8.0, allowing for greater inclusivity in digital representations. As of Unicode 17.0 released in September 2025, the emoji standard includes 3,953 characters overall, with ongoing additions enhancing expressiveness. These developments have fueled massive global usage, with more than 10 billion emojis shared daily across messaging platforms as of 2023.

Cultural Symbolism and Representations

Advertising and commercial campaigns

The smiley face gained widespread commercial traction in the United States during the early through the efforts of brothers and Bernard Spain, owners of a Philadelphia-based Hallmark shop. In 1971, they adapted Harvey Ball's original design by adding the slogan "!" and began mass-producing it on buttons, stickers, and other merchandise. This version quickly became a cultural phenomenon, with the brothers selling over 50 million items within the first year and turning it into a multimillion-dollar enterprise. Hallmark Cards, for which the Spains were franchisees, incorporated the smiley into its product lines during the 1970s, featuring it prominently on greeting cards and stationery to evoke cheer and positivity in everyday communication. These cards, often with playful messages, contributed to the symbol's integration into consumer gifting, aligning with the era's optimistic branding trends. Meanwhile, other major U.S. brands adopted the smiley for promotional purposes; for instance, Walmart introduced it as the mascot for its "Rollback" pricing initiative in the early 1990s, emphasizing discounts with the yellow face slashing prices. By 2003, the icon was central to Walmart's advertising, as highlighted in its annual report, but it was phased out in 2006 amid a trademark dispute with Franklin Loufrani, who owns the Smiley trademark internationally. In the , the smiley's evolution into digital emojis extended its role in global advertising, exemplified by PepsiCo's PepsiMoji campaign launched in 2016. This initiative featured over 800 custom emojis, including smiley variants, printed on cans, bottles, and digital ads to encourage and among younger consumers. The campaign ran across multiple markets, including the U.S. and , boosting engagement through short-form video ads and interactive billboards that integrated emojis into urban scenes. Unilever has leveraged the smiley in experiential marketing for its ice cream brands, notably through the 2010 "Share Happy" campaign, which deployed smile-activated vending machines at events such as the Rock in Rio festival in , , and the International Advertising Festival, with plans for a global tour to dispense free treats upon detecting a genuine via facial recognition technology. This approach aimed to promote joy and affinity, though specific uplift data from the period is not publicly detailed; later iterations in the have echoed similar emotional branding in European promotions for brands like Magnum, focusing on happiness-themed digital and out-of-home ads.

In print, music, and film

In print media, the smiley symbol has been employed as a satirical motif, notably in Kurt Vonnegut's 1973 novel , where the author's hand-drawn illustrations include a simple smiley face amid crude depictions that critique American consumerism and human folly. The symbol also gained prominence through cultural references in music journalism, such as Dr. Hook & the Medicine Show's 1972 hit "The Cover of 'Rolling Stone'," which lyrically aspired to feature a "smiling face" on the magazine's cover, culminating in the band's caricatured appearance on the March 29, 1973, issue and underscoring the smiley's aspirational role in 1970s print culture. In music, the smiley was evoked in the title of ' Smiley Smile (1967), a pared-down release following the ambitious but abandoned project, where the title and relaxed psychedelic tracks evoked the symbol's optimistic vibe as a counterpoint to the band's post- experimentation. By the 1990s, hip-hop lyrics began referencing smiles and smiley motifs to convey amid adversity, as in Scarface's "Smile" (1997) featuring 2Pac, which uses the act of smiling as a defiant response to life's hardships in Southern rap narratives. Events tied to World Smile Day, observed annually on the first Friday in October since 1999, have incorporated celebratory songs like "The Smiley Face Song (Ballad of )," a tribute to the symbol's creator that performs at festivals honoring its uplifting legacy. In film, the smiley often carries layered symbolism, blending innocence with irony or menace. The 2009 adaptation of Watchmen prominently features a blood-smeared yellow smiley badge as the insignia of the vigilante known as the Comedian, symbolizing the dissonance between superficial cheer and underlying violence in Alan Moore and Dave Gibbons' graphic novel. Similarly, in Forrest Gump (1994), protagonist Forrest Gump serendipitously imprints a mud smiley face onto a T-shirt during his cross-country run, fictionalizing its commercial origins and tying into broader merchandise success within the narrative. The symbol takes a darker turn in the 2014 documentary The Smiley Face Killers, which investigates a theory of over 80 unsolved drownings of young men since 1997, allegedly marked by smiley face graffiti near crime scenes, as proposed by retired detectives pursuing a serial killer or gang. These depictions in cinema frequently echo the smiley's advertising roots for ironic commercial tie-ins.

Merchandise, art, and fashion

The smiley face experienced a significant commercial boom in the , particularly through merchandise such as T-shirts, mugs, stickers, and buttons, which became symbols of countercultural positivity amid social disillusionment. In 1971, brothers Bernard and Murray Spain, Philadelphia-based representatives for , adapted and copyrighted Harvey Ball's original design, adding the slogan "Have a Nice Day" and launching widespread production of items including pins, keyrings, clocks, and apparel. By , their efforts had resulted in the sale of over 50 million smiley buttons alone, generating more than $1.5 million in revenue and fueling a national fad that extended to everyday consumer products. In contemporary revivals, the smiley motif has reemerged in , exemplified by collaborations like Supreme's integration of the design into T-shirts and hoodies, as part of broader partnerships announced in the that blend the with urban fashion aesthetics. Artistic expressions featuring the smiley often employ it satirically to critique and authority, notably in Banksy's from the early 2000s. Works such as Grin Reaper (2005), a clock-faced smiley on a wall in London's neighborhood, and Smiling Copper (2003), depicting a riot-geared with a yellow smiley mask, use the motif to subvert its cheerful origins into commentary on and . These murals, appearing across , highlight the smiley's transformation into a tool for ironic social critique in public installations. In fashion, the smiley has transitioned from novelty to high-street staple, with runway and retail integrations emphasizing playful optimism. incorporated smiley elements into accessories like the Smiley Tote Bag in later collections, echoing the brand's bold aesthetic of provocative prints and logos, though direct uses were more prominent in contemporary revivals. High-street adaptations gained traction through H&M's 2022 with Smiley Originals, featuring yellow smiley motifs on knitwear, T-shirts, , and hoodies in a 90s-inspired line available globally in stores and online. This partnership underscored the motif's enduring appeal in accessible, positivity-driven apparel. Globally, smiley-themed apparel contributes to a broader licensing market valued at approximately $500 million annually as of 2022, driven by partnerships with brands like and reflecting sustained demand for the in and merchandise.

Variations, , and Modern Extensions

Alternative designs and global adaptations

The original smiley face, designed by Harvey Ross Ball in 1963 as a morale booster for an insurance company, featured simple eyes and a curved mouth to ensure it could not be inverted into a . This concern about reversibility influenced early adaptations, and by the , the symbol had evolved into a countercultural associated with , love, and sentiments in movements like the hippie era. Modern extensions of the smiley include Unicode-standardized emojis with diverse expressions to promote inclusivity and nuance. For instance, the relieved face (😌), featuring closed eyes and a subtle smile to denote or ease, was added in 6.0 in 2010, enabling broader emotional representation across digital platforms. Emoji adoption rates vary regionally, with surveys indicating higher per capita usage in —driven by early mobile integration in countries like and —compared to , where integration into messaging apps has grown steadily but remains slightly lower overall. As of 2024, The Smiley Company reported retail sales exceeding $419 million, reflecting continued growth in global digital and merchandise applications. The smiley face design created by Harvey Ross Ball in 1963 was never copyrighted or trademarked by him or his employer, the State Mutual Life Assurance Company, resulting in its entry into the public domain and free use worldwide. In 1972, French journalist Franklin Loufrani registered the first trademark for a similar smiley design in France under the name "Smiley," marking the beginning of commercial protection for the symbol. His company, later known as The Smiley Company, expanded this protection through trademarks in over 100 countries by the early 2000s, establishing proprietary rights over specific iterations of the design for licensing purposes. The has built a global licensing empire around the trademarked smiley, partnering with major brands such as in the to feature the symbol in and product lines. These deals contribute to the company's annual retail sales exceeding $400 million as of 2024, derived from merchandise, apparel, and collaborations across industries. In the 2000s, the estate of H.R. Ball, managed by his son , pursued recognition of Ball's original creation and explored commercial opportunities, including forming the Harvey Ball World Smile Foundation in 2001 to promote licensed products inspired by the design, though without successful claims due to its status. Legal disputes over the smiley have frequently arisen from claims of unauthorized use and confusion between generic and proprietary versions. In 2009, The Smiley Company filed a in U.S. federal court in against , alleging infringement of its through the retailer's similar smiley logo on employee buttons and marketing materials; the case settled in 2011 with agreeing to phase out the design. Ongoing battles in courts involve , exemplified by a 2023 EUIPO Board of Appeal ruling that generic smiley emojis lack distinctive character and cannot be registered as trademarks under Article 7(1)(b) of the EU Trade Mark Regulation, complicating protections for non-proprietary variations. These conflicts often hinge on whether specific design variations sufficiently differentiate from the original to warrant exclusive rights.

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