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Snatch

Snatch is a 2000 British black comedy crime film written and directed by Guy Ritchie, centering on intersecting criminal schemes in London's underworld involving a stolen diamond, bare-knuckle boxing promoters, and gangsters. The ensemble cast features Jason Statham as Turkish, a boxing promoter entangled in fixed fights; Brad Pitt as Mickey O'Neil, an unpredictable Irish Traveller boxer; Benicio del Toro as Franky Four Fingers, a courier who steals an 86-carat diamond; and supporting roles by Vinnie Jones, Alan Ford, and Dennis Farina as various thugs and handlers. Known for its hyperkinetic editing, nonlinear structure, cockney slang-heavy dialogue, and exaggerated violence, the film exemplifies Ritchie's early style blending humor with brutality, following his debut Lock, Stock and Two Smoking Barrels. Produced on a , Snatch earned $30.1 million domestically and $53.5 million internationally, totaling over $83 million worldwide, marking a profitable hit that boosted Ritchie's profile in . Critically, it holds an 8.2/10 rating from nearly one million IMDb users and 74% on from 141 reviews, praised for entertainment value and Pitt's transformative performance but critiqued by some for chaotic plotting and ethnic stereotypes in Traveller depictions. Over time, it has attained status for quotable lines, memorable sequences like the pig farm disposal, and influence on crime genre tropes, spawning a Crackle TV series adaptation that underperformed.

Linguistic usages

General definitions and etymology

The verb denotes the act of grasping, seizing, or taking hold of something suddenly, abruptly, or hastily, often with eagerness or force, as in "to snatch a falling object" or "to snatch an ." This usage extends figuratively to acquiring or appropriating something quickly, such as ideas or chances, without extended deliberation. As a transitive verb, it implies an attempt to capture or remove abruptly, sometimes rudely or without right, distinguishing it from more deliberate actions like "grasp" or "seize." In nominal form, snatch refers to the act or instance of such a sudden , termed a "hasty catch" or "quick grab." It also signifies a brief, intermittent fragment or portion, as in a "snatch of " or "snatch of ," emphasizing transience or incompleteness. These senses underscore a of and , rooted in physical or perceptual urgency rather than sustained . The term traces to Middle English snacchen or snecchen, first attested around 1230 in contexts of snapping or sudden seizure, as in the Ancrene Riwle. Its origins likely stem from *snæċċan (unattested but reconstructed) or snacken, both evoking abrupt motions akin to snapping at prey, possibly from Proto-West Germanic *snakkijan, with cognates implying biting or nipping actions. This etymon aligns with Indo-European roots for sudden, violent grasps, differentiating it from slower Germanic verbs for holding, and entered English amid influences that favored concise verbs for dynamic events. By the 13th century, it had stabilized in literary and legal texts to denote or hasty appropriation, reflecting medieval emphases on and vigilance.

Slang and vulgar meanings

In vulgar , "snatch" denotes the female external genitalia, specifically the or . This usage emerged by the , reflecting a coarse extension of the verb's sense of sudden to anatomical reference. As non-vulgar , "snatch" can refer to an act of , implying a swift and forcible . This connotation parallels the word's core meaning of abrupt grasping but applies it to illicit of persons, documented in English since at least the mid-20th century. The term occasionally appears in compounds or phrases denoting promiscuity or predation, such as "snatch bandit" for a targeting sexual encounters. Such expressions underscore the slang's ties to opportunistic or aggressive acquisition, though they remain informal and context-dependent.

Sports and physical training

Snatch in weightlifting

The snatch is one of two competition lifts in , alongside the clean and jerk, requiring the athlete to raise a loaded from the platform to a fully extended overhead position in a single continuous motion without interruption. This lift demands explosive power, precise technique, and mobility, as the bar travels a longer distance compared to the clean and jerk, typically resulting in lighter loads lifted despite the overhead finish. In official competitions governed by the (IWF), athletes receive three attempts at the snatch per , with the highest successful lift counting toward the total score combined with the clean and jerk. The technique begins with the resting horizontally on the , gripped with a wide —thumbs wrapped around the and fingers under it—for stability during the pull. The lifter pulls the from the by extending the knees and hips while maintaining a flat back, accelerating it upward past the knees in a "first pull" phase, then explosively shrugging the traps and triple-extending the ankles, knees, and hips in the "" to impart maximum . As the reaches peak height, the athlete drops under it into a or position (though predominates in modern elite competition for deeper reception and heavier loads), catching it overhead with arms locked and feet positioned for balance—typically one forward and one backward in style or both under in style. The lift is complete only upon approval via a "down" signal, requiring static control with elbows locked, aligned over the body, and no excessive backward lean or foot movement. Violations such as pausing mid-lift, incomplete extension, or imbalance result in "no lift" rulings, emphasizing the need for fluidity to minimize failed attempts. Historically, the snatch traces to ancient lifting practices but formalized in modern weightlifting as the "one-motion" or "two-hand" lift by the early 20th century, appearing in Olympic programs from the 1896 Games onward, though early iterations included one-arm variants. By the 1928 Amsterdam Olympics, it standardized alongside the clean and press and clean and jerk as two-handed events, with the press eliminated after 1972 due to judging subjectivity, leaving snatch and clean and jerk as the sole Olympic lifts. This evolution prioritized dynamic, measurable power over static strength, aligning with the sport's emphasis on athleticism. World records, ratified by the IWF across 10 men's and 10 women's weight classes (as of 2023 reforms to reduce extreme categories), reflect ongoing advancements; for instance, in the men's 61 kg class, Li Fabin holds the snatch record at 146 kg set in 2023, while recent 2025 IWF World Championships saw new marks like Akbar Djuraev's 182 kg in the 102 kg class. Women's records, such as Song Kuk Hyang's lifts in the 69 kg class at the 2025 Worlds, demonstrate parity gains through technique refinements and training science. These benchmarks, verified via anti-doping protocols, underscore the snatch's role in testing full-body coordination under load.

Entertainment and media

Snatch (2000 film)

Snatch is a 2000 British crime comedy film written and directed by Guy Ritchie, marking his second feature after Lock, Stock and Two Smoking Barrels. The story intertwines plots centered on a stolen 86-carat diamond and underground boxing matches in London's criminal underworld, involving characters such as unlicensed promoter Turkish, his partner Tommy, gangster Brick Top, American jeweler Avi, thief Franky Four Fingers, and Irish Traveller boxer Mickey. The film premiered at the Edinburgh International Film Festival on August 23, 2000, with a UK theatrical release on September 1, 2000, and a wide US release on January 19, 2001. Produced on a budget of $10 million by and distributed by , the film grossed $30.1 million in the and $53.5 million internationally, for a worldwide total of $83.6 million. Principal cast includes as Turkish, as Mickey O'Neil (employing a thick Traveller accent), as Franky Four Fingers, as Avi Denovitz, as Bullet Tooth Tony, Alan Ford as Brick Top Muldoon, as Boris the Blade, and as fence operators Vinny and Sol, and as Tommy. Ritchie's style, rapid editing, freeze-frames, and narration emphasize chaotic ensemble dynamics and stylized violence. Critical reception was generally positive, with praise for its energetic pacing, humor, and performances, particularly Pitt's and Statham's; it holds an 8.2/10 rating on from over 960,000 users and 74% on from 141 reviews. The film earned cult status for its quotable dialogue and soundtrack featuring artists like and . Awards include Magazine's Best British Director for Ritchie, Best British Actor for Statham, and Best British Actress for Vinnie Jones (satirical category), alongside a Motion Picture Sound Editors Golden Reel for sound editing.

Snatch (2017 TV series)

Snatch is a British-American comedy-drama series that premiered on March 16, , on the streaming service Crackle, developed by . Created by , the show draws inspiration from Guy Ritchie's 2000 film of the same name but features an original storyline and cast, with Ritchie serving in a limited executive capacity rather than direct creative involvement. The series ran for two seasons totaling 20 episodes before concluding, as Crackle opted not to renew it after the second season aired from September 13 to October 18, 2018. The plot centers on a group of young hustlers in who, after being double-crossed in a scheme, discover a truckload of stolen gold bullion, propelling them into conflicts with figures, including boxing promoters and gangsters. Season 1 follows protagonists Albert "Albie" Hill and Cavendish-Scott as they navigate heists, betrayals, and rivalries amid the criminal underworld, while Season 2 escalates with international elements and family secrets. Each season consists of 10 episodes, typically 40-50 minutes in length, blending fast-paced action, humor, and ensemble dynamics reminiscent of Ritchie's stylistic flourishes like quick cuts and narration, though critics noted it as a derivative riff rather than a faithful . The main cast includes as the street-smart but hapless Charlie Cavendish-Scott, as the ambitious Albert "Albie" Hill, as the tech-savvy Billy Ayres, and as the resourceful Lotti Mott. Supporting roles feature as crime boss Vic Hill, as boxing promoter Fontaine, and as Lily Hill. Grint, known from the films, received particular praise for his comedic timing in channeling a Cockney hustler . Reception was mixed, with critics appreciating the young cast's energy and occasional witty dialogue but faulting the series for formulaic plotting and failing to capture the original film's chaotic ingenuity. On Rotten Tomatoes, Season 1 holds a 39% approval rating from 18 reviews, citing overreliance on tropes without fresh insight. Audience scores were higher, averaging around 70% on the platform, and IMDb users rated it 6.9/10 from over 6,000 votes, often highlighting its entertainment value as light crime fare. The Guardian described it as "oddly fascinating" despite desperation to impress, while Variety noted its caper comedy elements but uneven execution. No Emmy nominations followed, and viewership data remained modest on Crackle, contributing to its non-renewal amid the platform's shift toward original content.

Military and vehicles

Snatch Land Rover

The is a lightly armoured vehicle derived from the 110 chassis, designed by the (MoD) for operations in relatively low-threat environments such as . Developed in 1992 by fitting plating to provide protection against small-arms fire up to 7.62mm rounds, it retained the Defender's off-road mobility, speed over rough terrain, and capacity for 4-6 personnel plus cargo. The vehicle's modular design allowed rapid production using existing stocks, with initial variants equipped with bullet-resistant glass and underbody protection limited to blast deflection rather than absorption. Deployed initially for counter-terrorism and policing duties, the Snatch saw expanded use in higher-threat zones during the (Operation TELIC, starting 2003) and the (Operation , from 2001 but intensified post-2006), where insurgents increasingly employed roadside improvised explosive devices (IEDs). Its lightweight armour, optimized for ballistic threats rather than mines or IEDs, proved inadequate against under-vehicle blasts, leading to at least 37 service personnel fatalities in Snatch vehicles between 2003 and 2014. Troops and families nicknamed it a "mobile coffin" due to its vulnerability, with post-incident analyses revealing that the V-shaped hull was absent and floor plating offered minimal fragmentation resistance. Criticism intensified from 2006 onward, as coroners' inquests and parliamentary inquiries highlighted awareness of these deficiencies as early as 2003, yet of heavier protected mobility vehicles like the or Ridgeback was delayed until 2006-2007, and lighter replacements like the until 2010. The defended its retention for patrolling and quick reaction forces, citing over 1,000 units in service for their logistical familiarity and exportability, but acknowledged in 2011 that Snatch use contributed to disproportionate casualties compared to more armoured peers. Upgraded Snatch 2 models, introduced around 2007, added enhanced glazing and run-flat tyres but did not substantially mitigate risks. Phased replacement began with the Foxhound's delivery in 2012, designed with a for better blast protection, though budgetary constraints led to service life extensions for remaining Snatch units into the , including approvals in 2023 to retain them past March 2024 for training and low-intensity roles. By 2024, the fleet had dwindled, but extensions drew renewed scrutiny over cost-saving measures amid broader Army vehicle modernization delays.

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